"With “Uncut Gems” Ben and Josh Safdie have utilized all the elements I have loved in their previous films and brought them to a higher level, resulting in a unique cinematic experience. There is a suspenseful plot, there are complex characters, there are high stakes, but the most important thing is the sense that you are watching something which is one of a kind. The rhythm is relentless, the sound too, I would even dare say that it’s like watching a Robert Altman film that was dipped in acid. But all that can’t describe the film accurately either. Ben and Josh have created their own complete world — as they usually do — within a real world, that of Diamond District in New York. The balance they achieved between the naturalistic and the heightened elements is masterful. I was always impressed — frankly jealous — by their casting skills and instincts. They manage to create a seamless cast of characters by working with people that have never acted before all the way to veteran actors that in the end seem that they were meant to be part of the Safdies’ universe. It’s one Adam Sandler’s best performances — along with “Punch Drunk Love” and “The Meyerowitz Stories” — proving once more he’s a truly great actor but also the perfect choice to play this character. Because from within Ben and Josh’s unique style and cinematic voice, it’s the human element that stands out and makes everything fall into place, the flawed characters that we love, even in their most embarrassing moments."

"Anytime somebody’s like, “You want to watch Boogie Nights?” No problem. Carve out the afternoon. I’m ready to go. Again, story, performances, direction, music, era, subject matter — it all works for me on that one. Both as just a simple audience member who wants to check out of life and have a nice time, and also as someone who works in this industry and appreciates as an objective viewer the craftsmanship of that film. I mean, “It’s my big dick and I want to f— now, Jack?” How do you write something better better than that? [laughing] I’m constantly quoting that to friends. But there’s this thing that a friend of mine just showed me on the DVD that’s called the “John C. Reilly Files,” or “Reilly Files.” It’s basically scenes that were not used in the final edit, but are John C. Reilly-based scenes. They are incredible. It’s so cool. So many of them are — maybe my friend who showed it to me, maybe he’s lying — but so many of them are cut scenes during the recording sessions. Things like that, where he’s the ultimate wing man. You know what I mean? He’s repping so hard for Dirk in the recording studio. It’s a bench marker. I would be interested to see what other films came out in 1997. Like what really holds up. Like, Magnolia still holds up for me. Punch Drunk Love still holds up for me. PT Anderson — those movies. I went back and watched There Will be Blood maybe three or four months ago. Just riveting. Those movies don’t get old for me. There’s so much to digest in them."