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National Lampoon's Animal House (1978)
National Lampoon's Animal House (1978)
1978 | Comedy

"I remember seeing it at the time and thinking it was fantastically irritating. It was the post punk period and I didn't really like that woozy American liberal culture of the time. Then I re-watched it a few years later and really enjoyed it. It's so amoral and horrible and of course there's the kind of post Vietnam thing of all the people who are against the ROTC and the militaristic guys. The end scene where they totally fuck up the parade is just amazing. It's very entertaining and now it looks really great. That American liberalism looks like an endangered species these days. Something like Animal House or Smokey and the Bandit couldn't be made now – smoking joints and breaking the law – America's gone a lot more right wing since then."

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Ready Player One (2018)
Ready Player One (2018)
2018 | Sci-Fi
Cinematography (3 more)
True to the feel of the book, even with changes
Good actor choices
Good pace throughout
Game elements a bit thin (0 more)
So good I've seen it twice...
Absolutely loved this film. Saw it and immediately wanted to watch it again - so wen't back a couple days later and experienced it in 4DX. I really don't have a bad word to say about it. Even if you weren't focusing on the nostalgia bits, it's a fantastic tale translated to the big screen incredibly well. Would be a great note on which to end Spielberg's career if he is starting to think about that
  
Why Girls Love Sailors (1927)
Why Girls Love Sailors (1927)
1927 | Comedy
6
6.0 (1 Ratings)
Movie Rating
So-so Laurel and Hardy movie from the days before Laurel and Hardy even existed as an idea. No sign of the usual characterisations, bowler hats, or tit-for-tat; Stan plays Willie the winkle-fisherman whose sweetheart is abducted by the captain of a ship largely crewed by thugs and scoundrels; Ollie plays the unnamed first mate. Stan's plan involves a surprising amount of cross-dressing.


More of a curiosity than anything else, though I'm not sure I'd go as far as those suggesting this once-lost film would have been better off staying that way. It certainly lends weight to the suggestion that Stan was the more gifted comedian but Ollie was a more versatile actor - he still keeps doing those looks to camera, though. In the end, it's not outrageously bad, but mainly of historical interest.