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LeftSideCut (3776 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Dec 17, 2019
Without a shadow of doubt, The Last Jedi is the most divisive entry in the Star Wars saga. Some people absolutely loved it, others hated it with a deep rooted passion. Personally, I sit somewhere in the middle.
I would be lying if I said that I wasn't a little dissappointed with TLJ. After the fantastic (albeit safe AF) The Force Awakens, the tone of this follow up takes a sharp turn.
A huge focus of TLJ is Luke Skywalker, and his complete disinterest in the Jedi way. I found myself struggling to accept this at times. I almost felt like that although this was an interesting avenue to explore, it didn't fit quite right with the main storyline.
Another issue I took with TLJ is some of the character arcs attributed to a few of the cast. The focal point in this regard is Kylo Ren and Rey, which is fine, but characters set up in TFA ar forced into a backseat role. An example of this is Finn. In TFA, he was interesting, existing as a defective stormtrooper. It felt fresh! Now that he is a fully fledged rebel, he just has nothing to do, and spends most of his screen time bumbling around a really out of place casino planet, a scene which plays out like an extended scene from Austin Powers.
Poe Dameron is similar, here all he seems to do is argue with a new character played by (a completely wasted) Laura Dern. It just all seems a bit loose, and it's unclear where it wants to go at time.
I absolutely respect that Rian Johnson opted to go in a different path, but it misses the mark for me more often than not.
That being said, there is still plenty to like about TLJ. I really enjoy Adam Drivers performance as Kylo Ren once again, and definitely the most engaging character here. The connection between him and Rey is explored a bit more, and it definitely provides some of the films high points, including a thrilling and incredible looking fight scene in the Supreme Leader's throne room.
The action sequences look amazing as they did in TFA, and the whole finale scene set on Crait is incredibly striking and colourful.
As I said, I left the cinema feeling a little disheartened, but I still liked The Last Jedi. It has some high highs, and some frustrating lows, but us Star Wars fans are used to that by now!
I would be lying if I said that I wasn't a little dissappointed with TLJ. After the fantastic (albeit safe AF) The Force Awakens, the tone of this follow up takes a sharp turn.
A huge focus of TLJ is Luke Skywalker, and his complete disinterest in the Jedi way. I found myself struggling to accept this at times. I almost felt like that although this was an interesting avenue to explore, it didn't fit quite right with the main storyline.
Another issue I took with TLJ is some of the character arcs attributed to a few of the cast. The focal point in this regard is Kylo Ren and Rey, which is fine, but characters set up in TFA ar forced into a backseat role. An example of this is Finn. In TFA, he was interesting, existing as a defective stormtrooper. It felt fresh! Now that he is a fully fledged rebel, he just has nothing to do, and spends most of his screen time bumbling around a really out of place casino planet, a scene which plays out like an extended scene from Austin Powers.
Poe Dameron is similar, here all he seems to do is argue with a new character played by (a completely wasted) Laura Dern. It just all seems a bit loose, and it's unclear where it wants to go at time.
I absolutely respect that Rian Johnson opted to go in a different path, but it misses the mark for me more often than not.
That being said, there is still plenty to like about TLJ. I really enjoy Adam Drivers performance as Kylo Ren once again, and definitely the most engaging character here. The connection between him and Rey is explored a bit more, and it definitely provides some of the films high points, including a thrilling and incredible looking fight scene in the Supreme Leader's throne room.
The action sequences look amazing as they did in TFA, and the whole finale scene set on Crait is incredibly striking and colourful.
As I said, I left the cinema feeling a little disheartened, but I still liked The Last Jedi. It has some high highs, and some frustrating lows, but us Star Wars fans are used to that by now!
Neon's Nerd Nexus (360 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 19, 2019
A journeys end
Star Wars The Rise Of Skywalker never quite manages at any point to achieve anything I would consider epic or even memorable making it ultimately fall flat when it comes to thrill, excitement and unique moments that you would expect the last film in a trilogy to be full of. That being said while its not exactly a very engaging film its definitely a very entertaining scifi adventure its just lacking in a personality of its own instead serving us more of the same again. My biggest problem is mainly with the first 2 acts, the first felt extremely rushed with no time at all spent with any one character or location instead zipping from scene to scene like a quick montage making me ultimately care very little for anyone or whats going on. The second act fairs much better but becomes very slow with the film focusing more on fixing the last jedis problems rather than progressing its story. Luckily the third act is top notch and contains enough space battles, lightsabre fights and warm messages that you can almost forgive all the problems the first two acts bring and leave the cinema feeling if anything entertained at the very least. Its a story about how our actions no matter how big or small have an effect on other peoples lives be it in the form of motivation, inspiration or by our actions. It all matters and if we all stand together, keep each other positive with hope in our hearts we can fight even the strongest of evils united as one. I found there to be a lot about being appreciated too and towards the end characters felt like they had actually progressed as people which was nice. Current political refrences are also quite strong too and theres a surprising amount about the struggles of being an orphan also which I found intresting. Action wise its fine but I found the film really lacking in thirlls and excitment a lot of the time (this could be down to characters feeling invincible which significantly decreased the feeling of threat). While not a bad movie its definitely the worst for me out of the new trilogy and im in no hurry to see it again. Not quite the epic ending we all expected more of a correction piece for past mistakes made but without a doubt an enjoyable film that finally means we can move on and hopefully explore some more intresting parts of the star wars universe now.
Sophia (Bookwyrming Thoughts) (530 KP) rated Pretend She's Here in Books
Jan 23, 2020
<b><i>I received this book for free from in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>I didn't want to read <em>Pretend She's Here</em> at first.</strong></h2>
But as I read the synopsis, Luanne Rice's latest book sounded dark and twisted and <em>Pretend She's Here</em> sounded very much like a book up my alley. <s>I love a book that is dark.</s>
<h2><strong>I found myself pleasantly surprised... and disappointed at the same time.</strong></h2>
There were a few things that worked well with <em>Pretend She's Here</em> and a few things that didn't, but some of it is a matter of my own personal tastes. 😅
<b>1. Flashbacks work well here (for the most part).</b>
As much as I'm not a huge fan of a ton of flashbacks, this worked really well! Although Emily Lonergan lost her best friend Lizzie Porter a year ago, she continues to grieve over Lizzie's death. The flashbacks helped reinforce her friendship with Lizzie and how much the two meant to each other.
<b>2. I love the family support.</b>
Emily comes from a somewhat large family and she keeps her family in mind to help her survive each day she is stuck with the Porters, who returned to town to come and visit. Instead of coming and going, however, they take Emily away and have her live as Lizzie. Through the flashbacks, we find out Emily and her family are a close-knit group despite the size, and they're supportive through the ups and downs.
<b>3. Engaging storyline.</b>
For my personal enjoyment of the book, I wasn't a huge fan. I found myself interested in continuing <em>Pretend She's Here</em>, but I also found myself putting a distance with the book. While there is a solid storyline that will keep readers interested in finding out what happens to Emily, everything comes together easily. However, I loved the ending when the characters reflect on everything that has happened, and I know full well younger me would have loved this book. I highly recommend <em>Pretend She's Here</em> for fans of April Henry or for those who are interested in the bigger picture rather than the thrills and excitement.
<a href="http://bookwyrmingthoughts.com/pretend-shes-here-by-luanne-rice/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>I didn't want to read <em>Pretend She's Here</em> at first.</strong></h2>
But as I read the synopsis, Luanne Rice's latest book sounded dark and twisted and <em>Pretend She's Here</em> sounded very much like a book up my alley. <s>I love a book that is dark.</s>
<h2><strong>I found myself pleasantly surprised... and disappointed at the same time.</strong></h2>
There were a few things that worked well with <em>Pretend She's Here</em> and a few things that didn't, but some of it is a matter of my own personal tastes. 😅
<b>1. Flashbacks work well here (for the most part).</b>
As much as I'm not a huge fan of a ton of flashbacks, this worked really well! Although Emily Lonergan lost her best friend Lizzie Porter a year ago, she continues to grieve over Lizzie's death. The flashbacks helped reinforce her friendship with Lizzie and how much the two meant to each other.
<b>2. I love the family support.</b>
Emily comes from a somewhat large family and she keeps her family in mind to help her survive each day she is stuck with the Porters, who returned to town to come and visit. Instead of coming and going, however, they take Emily away and have her live as Lizzie. Through the flashbacks, we find out Emily and her family are a close-knit group despite the size, and they're supportive through the ups and downs.
<b>3. Engaging storyline.</b>
For my personal enjoyment of the book, I wasn't a huge fan. I found myself interested in continuing <em>Pretend She's Here</em>, but I also found myself putting a distance with the book. While there is a solid storyline that will keep readers interested in finding out what happens to Emily, everything comes together easily. However, I loved the ending when the characters reflect on everything that has happened, and I know full well younger me would have loved this book. I highly recommend <em>Pretend She's Here</em> for fans of April Henry or for those who are interested in the bigger picture rather than the thrills and excitement.
<a href="http://bookwyrmingthoughts.com/pretend-shes-here-by-luanne-rice/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated Footloose (2011) in Movies
Aug 7, 2019
Public dancing is against the law in the small religious town of Bomont. But Boston-raised teenager, Ren McCormack and the Reverend’s daughter Ariel have other ideas in this remake of the 1984 classic.
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
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