"Jesus Christ, that album is just stupidly good! I didn't know this, but a lot - Ginger Baker, Tony Williams, who played drums for Miles Davis, Steve Vai - it was a supergroup! It's a perfect record, it's like the perfect, cool record. The guitars on it, it just sounds like it's flying! It's like, ""Wooo, there goes Steve!"" There'd be divebombs - he had a Floyd Rose whammy bar - it just tanks - it goes down and then it goes up, up into the stratosphere, and then he'd go really down on it. Jesus Christ - talking about sonics! And it's surprising how many of the drum riffs that I like are by Tony Williams: the first song ['F.F.F.'] on it is just awesome; I would've thought that was Ginger Baker. I guess the producer employed two jazzy drummers! I was listening to this pre-Pixies. I listened to it a lot with my brother, my little brother who's excellent with the guitar. I still lived at home at the time and we would just flip out in my bedroom. He would actually show me [how to play something], because I would be so frustrated: "Goddamn it! What is this?!""

"I love that movie. I love the premise behind it. I love how we all thought that the father was insane, and then it pays off in the end. I don’t want to put spoilers in there for people who haven’t seen the movie. Great freakin’ movie.The bottom line is, any time you put Powers Boothe in a movie… This f—in’ guy, man. I just love Powers Boothe. I don’t care what you put him in. When he was on Deadwood, he killed it; Sin City, whatever. He was the best part of Sin City 2, if you ask me.Just the premise of God instructing this man, and do we really believe that this guy is talking to God? Is it true? Is this some form of abuse with these kids? They even did something from the Bible: “He gave his life so that his son could live,” type of thing. There’s so many levels to that freakin’ movie, man. And [Bill] Paxton did an excellent job. First time directing a movie. Oh, and the “God’s Hand” killer. I love that name, too."

"I’ll start with This is Spinal Tap. It sort of took an American perspective to show the characters and the attitudes surrounding British rock bands in the 1970s and 1980s, which, I guess, was what it was supposed to be, and I just thought the characters drawn were so excellent. And yet, it was odd, because everyone involved was American. You’d think it’d be just the kind of thing that some British writers or comedians could’ve done better, but clearly we didn’t. And I thought Christopher Guest, et al., did it fantastically well. It’s just always a kind of reassuringly funny film. The best comedy is watching humans interact, and people with their own petty ambitions, and self delusions, and all that sort of stuff. And that movie is absolutely brim full of it. If they say that comedy is essentially exaggerated truth, that was almost the perfect exemplar of it, where it’s almost a documentary. Well, it is obviously a mockumentary, but you don’t have to exaggerate much for it to become inherently comic. So that’s kind of what it is. It’s a perfect exaggeration, but exaggerated not very much."