"That was the first record that Jaye ever played to me when we met. It was surprise. This is a girl who ran away from home at age 14 to Alphabet City in the eighties, lived in a squat there, was into the hardcore scene so went out with one of the biggest hardcore guys in a band so no-one would beat her up or touch her, and yet she loved sixties psychedelic music. The Electric Prunes, The Zombies… Eventually The Zombies reformed to do one gig in New York, in this little club, so I got tickets, and they were spot-on. They did Odessey And Oracle, and afterwards I introduced her to The Zombies and they signed her album. It’s an excellent album. The harmonies and Colin Blunstone’s voice are stunning. That voice with the hissing in it. We had this friend, who did a lot of co-production on early Psychic TV, and he said my voice took to tape really well because it had this hiss in it. Apparently, it gave more resonance, so I accidentally have the same sort of resonances as Blunstone. Sadly, not the same voice or skill!"

"Jesus Christ, that album is just stupidly good! I didn't know this, but a lot - Ginger Baker, Tony Williams, who played drums for Miles Davis, Steve Vai - it was a supergroup! It's a perfect record, it's like the perfect, cool record. The guitars on it, it just sounds like it's flying! It's like, ""Wooo, there goes Steve!"" There'd be divebombs - he had a Floyd Rose whammy bar - it just tanks - it goes down and then it goes up, up into the stratosphere, and then he'd go really down on it. Jesus Christ - talking about sonics! And it's surprising how many of the drum riffs that I like are by Tony Williams: the first song ['F.F.F.'] on it is just awesome; I would've thought that was Ginger Baker. I guess the producer employed two jazzy drummers! I was listening to this pre-Pixies. I listened to it a lot with my brother, my little brother who's excellent with the guitar. I still lived at home at the time and we would just flip out in my bedroom. He would actually show me [how to play something], because I would be so frustrated: "Goddamn it! What is this?!""

"I love that movie. I love the premise behind it. I love how we all thought that the father was insane, and then it pays off in the end. I don’t want to put spoilers in there for people who haven’t seen the movie. Great freakin’ movie.The bottom line is, any time you put Powers Boothe in a movie… This f—in’ guy, man. I just love Powers Boothe. I don’t care what you put him in. When he was on Deadwood, he killed it; Sin City, whatever. He was the best part of Sin City 2, if you ask me.Just the premise of God instructing this man, and do we really believe that this guy is talking to God? Is it true? Is this some form of abuse with these kids? They even did something from the Bible: “He gave his life so that his son could live,” type of thing. There’s so many levels to that freakin’ movie, man. And [Bill] Paxton did an excellent job. First time directing a movie. Oh, and the “God’s Hand” killer. I love that name, too."