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Sophia (Bookwyrming Thoughts) (530 KP) rated The Prophecy of Shadows (Elementals, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Netgalley/Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Well, then. This is going to be one of the harder reviews to write, isn't it. (And it'll probably come out a little choppy, but um... bear with me.)
Okay, so how about I start with this: <i>The Prophecy of Shadows</i> is great, but the only thing working against the book is the instalove between Nicole and Blake. But even the instalove isn't much of a bother Nicole is attracted to Blake from the get go, but she's not as <em>obsessed</em> as Danielle, who would threaten anyone in Blake's proximity. Yet?
Anyways, the first book in the <i>Elementals</i> series brings yet a new idea to the <a title="Mythology" href="http://www.bookwyrmingthoughts.com/search/label/Mythology"; target="_blank" rel="noopener">mythology</a> genre, sort of following in <a title="Raye Wagner" href="http://www.bookwyrmingthoughts.com/search/label/Raye%20Wagner"; target="_blank" rel="noopener">Raye Wagner's</a> footsteps. When Nicole first moves to a new school, she is quickly thrown into the world of witches, people who are descended from Greek gods but not exactly demigods. Witches in Madow's newest series are those not directly descended from a Greek god (basically, a generation or two later...?) and their powers are mostly based off of color theory (definitely not getting into the specifics of that one). Nicole is weirded out and dismisses the entire idea at first, but quickly has a change of heart.
The book is also a little slow on the pacing side, especially for those who like constant action. Madow spends approximately half the book setting up the plot and introducing the world of witches, and I personally think that in itself is good enough without being overwhelming. Even though the witches in the <i>Elementals</i> series are similar to witches in general, I enjoyed learning how each color corresponds to a particular emotion or talent. Any particular legendary creature fighting comes later on in the book.
It'll be interesting to see how Madow takes the series with the sequels, and I'll be looking forward to the sequels (which, by the way, have extremely interesting and adventurous titles).
<a href="https://bookwyrmingthoughts.com/arc-review-the-prophecy-of-shadows-by-michelle-madow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Well, then. This is going to be one of the harder reviews to write, isn't it. (And it'll probably come out a little choppy, but um... bear with me.)
Okay, so how about I start with this: <i>The Prophecy of Shadows</i> is great, but the only thing working against the book is the instalove between Nicole and Blake. But even the instalove isn't much of a bother Nicole is attracted to Blake from the get go, but she's not as <em>obsessed</em> as Danielle, who would threaten anyone in Blake's proximity. Yet?
Anyways, the first book in the <i>Elementals</i> series brings yet a new idea to the <a title="Mythology" href="http://www.bookwyrmingthoughts.com/search/label/Mythology"; target="_blank" rel="noopener">mythology</a> genre, sort of following in <a title="Raye Wagner" href="http://www.bookwyrmingthoughts.com/search/label/Raye%20Wagner"; target="_blank" rel="noopener">Raye Wagner's</a> footsteps. When Nicole first moves to a new school, she is quickly thrown into the world of witches, people who are descended from Greek gods but not exactly demigods. Witches in Madow's newest series are those not directly descended from a Greek god (basically, a generation or two later...?) and their powers are mostly based off of color theory (definitely not getting into the specifics of that one). Nicole is weirded out and dismisses the entire idea at first, but quickly has a change of heart.
The book is also a little slow on the pacing side, especially for those who like constant action. Madow spends approximately half the book setting up the plot and introducing the world of witches, and I personally think that in itself is good enough without being overwhelming. Even though the witches in the <i>Elementals</i> series are similar to witches in general, I enjoyed learning how each color corresponds to a particular emotion or talent. Any particular legendary creature fighting comes later on in the book.
It'll be interesting to see how Madow takes the series with the sequels, and I'll be looking forward to the sequels (which, by the way, have extremely interesting and adventurous titles).
<a href="https://bookwyrmingthoughts.com/arc-review-the-prophecy-of-shadows-by-michelle-madow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated The Hobbit: The Battle of the Five Armies (2014) in Movies
Aug 6, 2019
It’s been thirteen years since Director Peter Jackson first took us to middle earth and showed movie
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
Gareth von Kallenbach (980 KP) rated Here Comes the Boom (2012) in Movies
Aug 7, 2019
In Here Comes the Boom, Kevin James takes on an all-too-familiar role, once again capitalizing on his fame as a fat funnyman. This new comedy succeeds at being heartwarming and entertaining, but not much else.
The film starts out by introducing our hero, Scott Voss (James), as a former high school wrestler who settled into a career as a high school Biology teacher. It’s clear he was once a highly motivated, recognized, and celebrated teacher, based on the awards he received, and the way he talks about the old days.
As the story unfolds, we find out the music teacher, Marty Streb (played by Henry Winkler), is in danger of losing his job. There are financial cutbacks at the school, and of course the music department is the first to go.
In an effort to gather the funds needed to save his mentor, Voss decides to get into UFC-style cage fighting, because even the losers get paid ten grand! The story continues in a very predictable and formulaic fashion. From the sexy and supportive single nurse (played by Salma Hayek), to the hard-assed principle (Greg Germann), the movie is filled with archetypal roles played by recognizable actors.
Here Comes the Boom is done well enough to get a good laugh out of you, and it has a few heartwarming moments, but don’t expect anything special. The cinematography is done well. The dialog (co-written by Kevin James) is clever enough to generate a few chuckles, but it won’t inspire awe.
The threat of music and art programs being cut from a school’s curriculum over budget concerns is a familiar issue across the country. This movie comes at a good time, benefiting from the debate currently happening in so many places.
I would watch anything with Henry Winkler in it, as I have a love-affair-from-afar with that man, and he definitely adds to the ensemble. However, the film smacks of UFC product placement. I suspect many of you will reach the same conclusion I did: that the UFC was clearly bankrolling this in some fashion. Even Joe Rogan makes a noteworthy appearance.
The film is not without its positive aspects. I was impressed at how well the humor and drama blended together. All the right things in all the right places. Here Comes the Boom is a good movie for a few chuckles, and for briefly melting a some of the ice surrounding your bitter, frozen heart.
The film starts out by introducing our hero, Scott Voss (James), as a former high school wrestler who settled into a career as a high school Biology teacher. It’s clear he was once a highly motivated, recognized, and celebrated teacher, based on the awards he received, and the way he talks about the old days.
As the story unfolds, we find out the music teacher, Marty Streb (played by Henry Winkler), is in danger of losing his job. There are financial cutbacks at the school, and of course the music department is the first to go.
In an effort to gather the funds needed to save his mentor, Voss decides to get into UFC-style cage fighting, because even the losers get paid ten grand! The story continues in a very predictable and formulaic fashion. From the sexy and supportive single nurse (played by Salma Hayek), to the hard-assed principle (Greg Germann), the movie is filled with archetypal roles played by recognizable actors.
Here Comes the Boom is done well enough to get a good laugh out of you, and it has a few heartwarming moments, but don’t expect anything special. The cinematography is done well. The dialog (co-written by Kevin James) is clever enough to generate a few chuckles, but it won’t inspire awe.
The threat of music and art programs being cut from a school’s curriculum over budget concerns is a familiar issue across the country. This movie comes at a good time, benefiting from the debate currently happening in so many places.
I would watch anything with Henry Winkler in it, as I have a love-affair-from-afar with that man, and he definitely adds to the ensemble. However, the film smacks of UFC product placement. I suspect many of you will reach the same conclusion I did: that the UFC was clearly bankrolling this in some fashion. Even Joe Rogan makes a noteworthy appearance.
The film is not without its positive aspects. I was impressed at how well the humor and drama blended together. All the right things in all the right places. Here Comes the Boom is a good movie for a few chuckles, and for briefly melting a some of the ice surrounding your bitter, frozen heart.
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