Search

Search only in certain items:

A Nightmare on Elm Street 4: The Dream Master (1988)
A Nightmare on Elm Street 4: The Dream Master (1988)
1988 | Horror
For me, ANOES 4-6 have always been a big step down to the pretty solid original trilogy. The Dream Master is of course the first of these three entries, and it's marred by sloppy writing, forced character development, and Freddy turning into a full blown one-liner machine, an aspect of the series that I know a lot of people love, but personally, I prefer Krueger when he's being a terrifying bastard.
It's not all bad though. The practical effects on show are pretty damn great, the kill sequences are imaginative, and I enjoy the commited narrative connections to Dream Warriors.
A far cry from the best in the series, but also, nowhere near the worst.

Side note, the bit where the dude sits up in his coffin and shouts "Helloooo Baaabbeehhh!" is dumb, but low key hilarious and I enjoy it every time.
  
115 of 230! Half way there!
Kindle
Persuasion Enraptured ( The Cascade book 4)
By Rebecca Royce
⭐️⭐️⭐️

t's come down to this...
Kendall sacrificed herself for everyone... but her journey isn't over.
Alive and alone in the Shadow Dimension, Kendall has surrendered hope. But those who love her have not. Rescue is not beyond possibility. Saving Kendall is only the first battle. Can she save the world or is it already too late?

So this series come to its conclusion and I really enjoyed it. It took the whole books for Kendall to realise she needs the team to take on the master but once she got there they got the job done. I wanted to give it a 4 star but I found bits a bit rushed in places and sometimes I got a little bored. But overall it was a decent end to the series.
  
40x40

Emeli Sande recommended track Take the Box by Amy Winehouse in Frank by Amy Winehouse in Music (curated)

 
Frank by Amy Winehouse
Frank by Amy Winehouse
2003 | Rhythm And Blues
(0 Ratings)
Album Favorite

Take the Box by Amy Winehouse

(0 Ratings)

Track

"Amy Winehouse – her music’s amazing, and she was amazing. Such a great loss to the British music industry, and to the world, really. She’s so missed ­– what a gift her music was to us. Often I’ll listen to music ‘cause musically it’s something I love, but although she ticks every box for me, I just loved what Amy was saying lyrically and how she found such a free way to be herself through music. She really took that spirit of jazz and brought it forward to now. I love Back To Black, that was a phenomenal album, but her first album, Frank, had such an edge to it, and such a rawness, that I just fell in love with it. ""I remember when I was first coming to London to do showcases – I was about 16 – the people that managed me at that point were like, ‘you need to hear this girl! She’s signed to Polydor, she’s amazing, she sits and plays guitar and she’s got these really cool songs!’ They were just raving about this girl called Amy. It was so cool that we were in this similar world. ""I remember when I went to Polydor to see if they wanted to sign me, they gave me a couple of her CDs for free. I was so excited to be in London in the first place, and then to be at a record label, then to get a free CD! I was completely gassed, and the fact it was Amy Winehouse was so cool. ""Frank is such a beautiful album and it reminds me of that time. It reminds me of a real freedom, and of feeling so inspired by what she was saying and how she was saying. There seemed to be no rules – every track was a different genre. The one thing sustaining it – the backbone of the whole album – was her and her voice and her lyrical style. That, to me, is the definition of a true artist. No matter what you put out, your style and artistry belongs to you and you’re the one that carries it through. ""With this song, 'Take The Box', it’s so visual. I don’t even think there was a video for the song, but I feel like I’ve seen it! I feel I can see the whole scenario playing: breaking up with someone, and speaking about relationships in such an open, honest way. I think that’s so important for women. You want to sugar-coat things, you want a perfect reality, and sometimes that stops people telling the truth and getting out of relationships they shouldn’t be in. Amy always gave this very frank account of what it was. ""I loved the melody and the topline of this song. I’ve really been trying to take a step back and look at the process of songwriting instead of just delving straight into it. When you get that perfect trilogy of the topline melody, the chords your using, and the lyric making sense at the same time… she did that perfectly with this song: “Your neighbours were screaming / I don't have a key for downstairs”. It’s such a memorable melody, I think that’s the first thing that pulled me in."

Source