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Are you ready to save Narbana, Shlurp, Kutchup and 100's of their friends from the gruesome Grinder?...
David McK (3425 KP) rated Rise of the Planet of the Apes (2011) in Movies
Mar 11, 2023
Caesar. Home.
A surprisingly good prequel/re-imagining/reboot of the seminal Charlton Heston starring sci-fi flick, with this being set in more contemporary time and with it tracing the origins of the smart Apes/the beginning of the decline of man.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
BankofMarquis (1832 KP) rated The Gray Man (2022) in Movies
Aug 6, 2022
Entertaining Enough...but...NOTHING NEW
Have you seen the touring company of Hamilton when it came to your town? You liked it, didn’t you? I sure did, but I didn’t like it as much as I liked the Broadway Company of Hamilton that I saw in NYC the year before.
Such is the case with the new Ryan Gosling/Chris Evans action flick THE GRAY MAN. It is reminiscent of the MISSION IMPOSSIBLE, BOURNE and JOHN WICK films - and is very enjoyable - but I like the other movies better.
Directed by THE RUSSO BROTHERS (AVENGERS: ENDGAME) and written by Joe Russo, Christopher Markus and Stephen McFeely (writers of AVENGERS: ENDGAME), based on the book by Mark Greaney, THE GRAY MAN stars Gosling (LA LA LAND) as an enigmatic secret agent (is their any other kind) who is sent on a deadly mission that, perhaps isn’t what it seems on the surface (are there any other)?
This is a plot VERY reminiscent of the aforementioned MISSION IMPOSSIBLE, BOURNE and JOHN WICK films and when Chris Evans (CAPTAIN AMERICA, of course) and Ana de Armas (the latest James Bond flick, NO TIME TO DIE) show up as a few other mercenaries who might be on Gosling’s side - or might not - you can’t help but be reminded of those other flicks.
And that’s the trouble with THE GRAY MAN, it just can’t compete (at least in my memory) with those other films, mostly because it doesn’t do anything new. It is your basic “Super Spy” flick, very professionally done, but it isn’t anything you haven’t seen before.
The actors (Gosling, de Armas and Evans) are very good in their roles and have enigmatic (Gosling), out of control (Evans) and mysterious (de Armas) down very well and are ably assisted by wily veterans like Alfre Woodard (CROSS CREEK) and good ol’ Billy Bob Thornton (SLINGBLADE) who seem to having a good time going along for the ride.
And…it’s a fun ride…the action scenes are well done, set-up and choreographed professionally with just enough unique ways to take out a henchman or blow-up some sort of transport to make it interesting to watch, but…again…it’s really nothing new.
An entertaining 2 hours of film-making - and a film that will have a sequel on the way - there are worst ways to spend your time and with good (enough) action sequences and interesting and charismatic performers to watch - THE GRAY MAN suits its purpose…it entertains.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Such is the case with the new Ryan Gosling/Chris Evans action flick THE GRAY MAN. It is reminiscent of the MISSION IMPOSSIBLE, BOURNE and JOHN WICK films - and is very enjoyable - but I like the other movies better.
Directed by THE RUSSO BROTHERS (AVENGERS: ENDGAME) and written by Joe Russo, Christopher Markus and Stephen McFeely (writers of AVENGERS: ENDGAME), based on the book by Mark Greaney, THE GRAY MAN stars Gosling (LA LA LAND) as an enigmatic secret agent (is their any other kind) who is sent on a deadly mission that, perhaps isn’t what it seems on the surface (are there any other)?
This is a plot VERY reminiscent of the aforementioned MISSION IMPOSSIBLE, BOURNE and JOHN WICK films and when Chris Evans (CAPTAIN AMERICA, of course) and Ana de Armas (the latest James Bond flick, NO TIME TO DIE) show up as a few other mercenaries who might be on Gosling’s side - or might not - you can’t help but be reminded of those other flicks.
And that’s the trouble with THE GRAY MAN, it just can’t compete (at least in my memory) with those other films, mostly because it doesn’t do anything new. It is your basic “Super Spy” flick, very professionally done, but it isn’t anything you haven’t seen before.
The actors (Gosling, de Armas and Evans) are very good in their roles and have enigmatic (Gosling), out of control (Evans) and mysterious (de Armas) down very well and are ably assisted by wily veterans like Alfre Woodard (CROSS CREEK) and good ol’ Billy Bob Thornton (SLINGBLADE) who seem to having a good time going along for the ride.
And…it’s a fun ride…the action scenes are well done, set-up and choreographed professionally with just enough unique ways to take out a henchman or blow-up some sort of transport to make it interesting to watch, but…again…it’s really nothing new.
An entertaining 2 hours of film-making - and a film that will have a sequel on the way - there are worst ways to spend your time and with good (enough) action sequences and interesting and charismatic performers to watch - THE GRAY MAN suits its purpose…it entertains.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Charles Burbridge (13 KP) rated Ready Player One (2018) in Movies
Mar 29, 2018
Contains spoilers, click to show
"Ready Player One" is a good, almost great, popcorn flick. There are visual jokes throughout the film, references to every 80s pop culture item you can think of, and characters that are likeable.
The vast majority of the film is animated, which is obvious given the subject matter. The animation, however, doesn't allow the actors to deliver nuanced performances. Everything in the film is turned up to 11. There's no breaks, no subtle moments. It's full throttle, pedal to the metal, all the way through.
Now, there are some very cute character bits that are blown away by the bombast, not the least of which is the film's villain uses a Superman avatar in the Oasis, and I'm pretty sure it's the Injustice Superman, which is fitting. Yes, we've all seen the Iron Giant in the previews, as well as the cars in the race sequence.
The most surprising inclusion in the movie, the best filmed and the most impressive story-wise, is the sequence involving the retrieval of the second key. It's pitch perfect and the film should have done more like that and less Where's Waldo. Speaking of, I didn't see Waldo, but I'm sure he's in the film.
Spielberg did as Spielberg does when he wants to make enough money to finance another serious film. He made a popcorn flick. Ready Player One should please audiences and in a year without Marvel's juggernaut would have been the geek culture film of the season.
Instead, it's playing second fiddle to Black Panther, Infinity War, and, to me, Incredibles 2. Still, it's great fun and as long as you're part of geek culture, you'll enjoy it. And then tear it to pieces on the Internet because that's what we do.
The vast majority of the film is animated, which is obvious given the subject matter. The animation, however, doesn't allow the actors to deliver nuanced performances. Everything in the film is turned up to 11. There's no breaks, no subtle moments. It's full throttle, pedal to the metal, all the way through.
Now, there are some very cute character bits that are blown away by the bombast, not the least of which is the film's villain uses a Superman avatar in the Oasis, and I'm pretty sure it's the Injustice Superman, which is fitting. Yes, we've all seen the Iron Giant in the previews, as well as the cars in the race sequence.
The most surprising inclusion in the movie, the best filmed and the most impressive story-wise, is the sequence involving the retrieval of the second key. It's pitch perfect and the film should have done more like that and less Where's Waldo. Speaking of, I didn't see Waldo, but I'm sure he's in the film.
Spielberg did as Spielberg does when he wants to make enough money to finance another serious film. He made a popcorn flick. Ready Player One should please audiences and in a year without Marvel's juggernaut would have been the geek culture film of the season.
Instead, it's playing second fiddle to Black Panther, Infinity War, and, to me, Incredibles 2. Still, it's great fun and as long as you're part of geek culture, you'll enjoy it. And then tear it to pieces on the Internet because that's what we do.
Acanthea Grimscythe (300 KP) rated My Best Friend's Exorcism in Books
May 16, 2018
I have a new guilty pleasure and it’s name is Grady Hendrix. After finishing My Best Friend’s Exorcism, I find myself hungering for more of Hendrix’s work. Fortunately, the audiobook was not read by the same narrator as Horrorstör. Instead, this 80s style book is read by Emily WooZeller – the woman that narrated Shallow Graves.
My Best Friend’s Exorcism reads exactly like a cliché. If you’ve seen any horror film from the 80s, you probably know exactly what I mean. All the way down to the dog. Normally this would put me off, but instead I found it oddly comforting. Totaling only ten hours, it’s not a terribly long read either.
I really wish I had more to say, but honestly with that last description I’ve pretty much said everything. Just take your average 80s horror flick elements and apply them!
My Best Friend’s Exorcism reads exactly like a cliché. If you’ve seen any horror film from the 80s, you probably know exactly what I mean. All the way down to the dog. Normally this would put me off, but instead I found it oddly comforting. Totaling only ten hours, it’s not a terribly long read either.
I really wish I had more to say, but honestly with that last description I’ve pretty much said everything. Just take your average 80s horror flick elements and apply them!
Marqees (17 KP) rated xXx: Return of Xander Cage (2017) in Movies
Feb 14, 2018
Look if your looking for an Oscar-quality plot with great acting and cinematography this movie is not for you. This is a movie that plays to its strengths blowing stuff up, beautiful women and people doing dope things. It is a generic take over the world plot and I can't tell if Vin Diesel is phoning his return to XXX in but all things considered it wasn't that bad. High points were with Donnie Yen, Tony Jaa, and Micheal Bisping I want another flick with these 3 guys as a team of mercenaries it sells itself. If you like over the top action this film is for you.
Dork_knight74 (881 KP) rated Hell Fest (2018) in Movies
Jan 7, 2019
Just ok
While I love horror movies, i'm more of a "creature feature" fan than a "slasher flick" one. That being said this one turned out pretty decent. It brings back to mind some of the slasher films of the eighties. The acting was decent and the effects were ok. The concept was pretty good- some friends go to a horror themed park (like many towns have on Halloween) and a killer is hiding in the midst. If you enjoy movies like "Halloween" or "Friday the 13th" you'll enjoy this one, too. The ending was a little weird, but, as with most of these types of films, left it open for a sequel (and knowing Hollywood, there will probably be one). Overall, this was an entertaining horror film that gives you what you expect. Worth a watch.
Download to camera roll (2 more)
Filters make you look good
Face swap
Novelty wears off quickly
Snapchat started really well. I could sit for ages flicking through filters but after a while you get bored of coloured hair and cat ears which are the main focus.
My daughters auntie often uses it on her. Again it was cute for 5 minutes.
The strange thing is I still flick through in the hope I will find something unusual. I did.
The male version of me looks eerily like a pupil I once taught. **shivers.
Oh and another thing. I don't know how typical this is but I don't use the 'chat' part of the app much. I just use it myself if I share the photo it's usually by downloading to camera and upload to Facebook..
My daughters auntie often uses it on her. Again it was cute for 5 minutes.
The strange thing is I still flick through in the hope I will find something unusual. I did.
The male version of me looks eerily like a pupil I once taught. **shivers.
Oh and another thing. I don't know how typical this is but I don't use the 'chat' part of the app much. I just use it myself if I share the photo it's usually by downloading to camera and upload to Facebook..
Chris (9 KP) rated Crocodile (2000) in Movies
Apr 26, 2020 (Updated Apr 26, 2020)
Mediocre step down for Tobe Hooper
Tobe Hooper, the director who brought us 1974s The Texas Chainsaw Massacre, directs this low budget 2000 horror film about a group of unwitting college students who venture on a house boat for spring break and soon come face-to-face with a local legend, a giant mother crocodile who seeks vengeance when one of them destroy her nest and steal one of her eggs. This alone makes for a senseless plot as most of all of them deserve what's coming to them. The only thing really worth watching in this just seeking this giant reptile sink his chompers into them making a meal out of them. If there is one good thing about this flick, it is the soundtrack. The film stars Mark McLauchlin, Caitlin Martin and Chris Solari.
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