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Moon Yellowstone & Grand Teton
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Join writer and avid explorer Becky Lomax for an unforgettable experience. With her unique...
The Longevity List: Myth Busting the Top Ways to Live a Long and Healthy Life
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Unicorn Moms
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Unicorn Moms is a social community where moms can give and get the real-scoop on anything and...
Chris Stein/Negative: Me, Blondie and the Advent of Punk
Glenn O'Brien, Deborah Harry and Shepard Fairey
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For the duration of the 1970s - from his days as a student at the School of Visual Arts through the...
Blockfolio Bitcoin/Altcoin App
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Blockfolio offers complete Bitcoin and Altcoin cryptocurrency management, with easy to use tools to...
Mark @ Carstairs Considers (2478 KP) rated The Plot and the Pendulum in Books
Oct 12, 2022
A Cold Case Become Very Hot Again
It’s October in Briar Creek, and local gossip is stirring thanks to the return to town of William Dorchester whose ex-girlfriend vanished a few weeks after marrying someone else. But Lindsey Norris, director of the local library, is more interested in the books that he is donating to the library. The catch is, she needs to pack them up from the Dorchester mansion on the edge of town, a mansion that seems to be trying to creep Lindsey and her friends out even before they make a shocking discovery. Can Lindsey figure out what is going on?
This book is perfect for its October release day. It’s got a spooky edge to it, but fans of the series don’t need to worry, we still have plenty of laughs and fun with the characters we know. I appreciate how the large cast is balanced with some of them given more page time, but everyone making an appearance. The pacing of the plot was a bit uneven, with a bit too much set up leading to an abrupt climax. Still, along the way, we get some fun surprises and suspects. As always, we get some good extras for a book club meeting like Lindsey hosts at the library. If you are looking for a slightly spooky book filled with fun, be sure to pick this one up.
This book is perfect for its October release day. It’s got a spooky edge to it, but fans of the series don’t need to worry, we still have plenty of laughs and fun with the characters we know. I appreciate how the large cast is balanced with some of them given more page time, but everyone making an appearance. The pacing of the plot was a bit uneven, with a bit too much set up leading to an abrupt climax. Still, along the way, we get some fun surprises and suspects. As always, we get some good extras for a book club meeting like Lindsey hosts at the library. If you are looking for a slightly spooky book filled with fun, be sure to pick this one up.
CBS News: Live Breaking News
News and Entertainment
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CBS News for iPhone, iPad, iPod Touch and Apple TV keeps you informed on breaking news and the...
Bob Mann (459 KP) rated The Last Letter from Your Lover (2021) in Movies
Aug 9, 2021
Engaging love story (at least, the one in the 60's) (2 more)
Lush production values, especially production design and cinematography
Great cast - especially Shailene Woodley and Ben Cross
A proper old-fashioned love story that older viewers will appreciate.
Is "chick flick" a phrase that you can use these days? I guess not, since it infers that a movie is only of interest to a particular gender. Perhaps "Sunday afternoon film" is a better phrase. And "The Last Letter From Your Lover" is a real SAF.
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Positives:
- "They don't make them like this any more" the saying goes. This is a love story cum melodrama that is well told by director Augustine Frizzell, in only her second feature. The film zips backwards and forwards between different time periods, trusting the audience to keep up with where we are. The dialogue is suitably soupy for a film of this type, based on a Jojo Moyes book (who wrote "Me Before You", also well-filmed). I've seen a critic review in "The Times" where they mocked the sentimentality of the love letters: but part of me would love to say "OK - let's hear what you would have written"!
- The story ticks all the boxes to keep you engaged. Although never moved to tears, a scene towards the end of the movie certainly generated a lump in the throat.
- All the leads are great. Shailene Woodley has been a personal favourite actress since her amazing turn in "The Descendants". And she certainly doesn't disappoint here.
- The production design is lush, particularly with the 60's scenes of London and the Riviera (reminiscent for me of the recent remake of "Rebecca"). This is nicely brought out by the cinematography (by George Steel), with some of the scenes being 'hang on the wall' beautiful to look at.
- It's wonderful to see the late Ben Cross in the movie, and he gives an excellent and touching performance. Cross died of cancer in August 2020 at the age of just 72. This is probably not his last movie, since he was in another - "The Devil's Light" - currently in post-production. Such a sad loss to the industry.
Negatives:
- The movie tries to construct a love story in the 60's and one in the present day 2020's, contrasting the different rules and values at play. The 60's one works; the 20's one really didn't for me. Ellie comes across as a very unlikeable person. The contrast between the lack of communications in the 60's (waiting at a station, not sure if someone will turn up or not) and today's chat/SMS rich 'always on' world could perhaps have been brought out more. With my Dr Bob directorial hat on, I would have ditched the present-day love story entirely and focused in on two professional detectives uncovering the past together: not everything needs to involve love and sex.
- The film has a couple of rain sequences that are highly unconvincing. One Riviera in-car scene particularly made me chuckle. "TURN FIRE HOSE ON!" You can almost see the blue sky and people cavorting on the beach behind them!
Summary Thoughts on "The Last Letter from Your Lover": There are actually few films around these days that feature love stories outside the teenage years. This is an 'old-fashioned' film that will appeal to an older age group, looking for style, romance and escapism. It reminded me in turns of movies like "The Two Faces of January" and "The Age of Adeline" in its mood and presentation. I'm probably not the target audience for this movie and I really enjoyed it. But the illustrious Mrs Movie Man probably is. And she declared that she absolutely loved it!
Ignore the sniffy newspaper and ex-newspaper critics. I'd declare this to be a "recommended".
(For the full graphical review, please check out One Mann's Movies on the web, Facebook or Tiktok. Thanks.)
Dictionary and Thesaurus Pro
Reference and Education
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Get the world's most comprehensive ad-free dictionary and thesaurus with extensive offline...
Neon's Nerd Nexus (360 KP) rated Rambo: Last Blood (2019) in Movies
Sep 19, 2019
Last Bore
Rambo Last Blood is a bloody mess of a movie that feels so disjointed from all the other rambo films it will leave you confused and unfulfilled. Its starts of fine enough, we see Rambo in an ordinary life taking care of the farm doing average day to day tasks and growing old but clearly still troubled and haunted by his memories of war. We are then introduced to a couple of people he cares a lot about and from there trouble starts to brew. Problem is this beginning segment is an absolute shambles, not only is it extremely boring and tedious every single character is highly unlikeable, hollow, bland and annoying with no personality either. Then on top of that we have writing and dialog that are woeful almost like no effort was put into them whatsoever and the sad part is we are forced to sit through well over an hour of this too. This hour at times was actually so painful to watch especially for a film that knows most of us are only there for the kills. After waiting that long and sitting through a story that feels like it was meant for a Taken sequel you would think the action would make up for it..... right?. Wrong, while action is ok its still not great coming off more of a brief kill montage more than anything else. Kills are deliciously brutal thats for sure but they feel rushed because the film just cant wait to move on to the next one as fast as it can. All this brutal killing also at times can feel a little ujustified too making me acquire a disconnect from the Rambo we have come to know and love. If this film was meant to be another sequel it fails, if it was meant to be a Rambo tribute it fails and to top it all off it just ends abruptly out of no where with no real conclusion or point to be made. Last Blood seems like it didnt try to be a good film or a fun film and it left me confused, bored and baffled to why it exists at all. There are a few brief over the top cool kills but all in all its a pointless movie thats not worth anyones time. To top it all off my bike got stolen while I was inside watching this too and I have to say I got more excitement from seeing that had happened than watching this crap. Rambo Last Blood more like Rambo Last Bike.