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Whisperin' Bill Anderson: An Unprecedented Life in Country Music
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Gareth von Kallenbach (980 KP) rated Savages (2012) in Movies
Aug 7, 2019
Over the past 15 years, Oliver Stone’s films have been kind of hit or miss to me. It’s as if Stone is still trying to make the same controversial films he became popular for in the 80’s and early 90’s. Only, as an audience, we have become keen to his filmmaking style and therefore his more recent work suffers from the apathy of a “show me something new” culture. Still, despite his failures, Stone does not makes apologies for his work while he continues in his quest to make films about controversial subjects. This time around Stone strives to take us into the violent world of the Mexican drug cartels though a film adaptation of the novel Savages by Don Winslow.
As the film opens we are introduced to “O” (Blake Lively) who, as our narrator, acquaints us with the open yet loving relationship she shares with our two protagonists, Chon and Ben. Chon (Taylor Kitsch), an ex-Navy SEAL, is unquestionably the muscle of the trio’s operation. Chon was the original financier for his high school friend Ben, (Aaron Johnson) the peaceful, charitable, botany genius who has created the most potent marijuana in the world. Together these two embody the perfect man for O, while the three of them enjoy the spoils of the small marijuana empire they created in southern California.
That is until they gain the attention from a Mexican cartel intent on creating a stronger foothold in the southern California area. The cartel offers them a partnership and explains that by teaming up their business will triple in three years. But when the trio refuse the offer, the ruthless head of the cartel, Elena (Selma Hayek), instructs her enforcer, Lado (Benicio Del Toro), to kidnap O and hold her hostage so the boys will cooperate. Soon our heroes use their network of connections, like crooked DEA agent Dennis (John Travolta) and financial broker Spin (Emile Hirsch), to battle the cartel in a series of savage maneuvers to get back their one “shared” love.
Stone has been known to inspire his actors to give Oscar worthy performances. Sadly, you will not find any such performances here. That is not to say that the acting was terrible. It just seemed that the characters themselves are uninspired which is a shame because I would have liked to have seen some growth in this young cast, especially from Taylor Kitsch.
I feel that many critics will be hard on Taylor Kitsch because of his previous epic fails of 2012 (John Carter and Battleship) however I am surprised to admit that, for this movie at least, he gets a pass in my book. Not because he delivers a fantastic performance that makes me believe he’s truly an up and coming talent, but rather because he is convincing in his portrayal of Chon. When O describes our protagonists as each being one half of the perfect man, she refers to Chon as “Hard Steel,” which is exactly what Kitsch plays him as, a one-dimensional, emotionally devoid character with no growth or any real redeeming qualities other than the ability to go to war. Regardless of whether or not Kitsch has any additional acting range not showcased in this film, I cannot penalize him for his performance in this movie. He fit the part that he was cast in fine.
Blake Lively (Gossip Girl, Sisterhood of the Traveling Pants) plays O, short for Ophelia. And yes she channels the mad, love-struck, melancholic character from Hamlet after whom she is named. And while it is easy to make those comparisons to the character of this film, they only appear to be on the surface, if anything. And herein lies the problem. Regardless of how you feel about her open relationship with Ben and Chon, the more I learned about her, the less I cared. Like Kitsch’s character, O is boring and one dimensional. She is the product of being a pretty little rich girl whose mother is off somewhere with husband number twelve. She has been getting stoned every day since she was young and the only place she finds herself loved is in with the company of Chon and Ben. Tragic, I know. While watching the film I honestly thought to myself, if I was Ben or Chon, I would say, “Fuck it. Cut her loose and let’s go to Asia.” She has no redeeming qualities other than being good looking and a good lay. So why would they go through so much trouble for her? The trio’s relationship is weakly tied together by her telling us through narration but never really materializes on screen. At times you get some of a feeling that Ben actually loves her but that love is never really reciprocated from O. It is safe to say that that I did not derive any loving connection from Lively’s performance, though her deliver as a narrator was tolerable.
Aaron Johnson (Kick-Ass) is the one redeeming performance from this young cast. In contrast to Chon, O describes Ben as “Soft Wood” which makes him the better half. Ben is the one character who actually goes through some kind of character arc and growth. Using the wood analogy, we watch him bend from the peaceful Buddhist businessman to the man who will sacrifice everything, to get back this woman he loves. Nowhere is this better embodied than when Ben is faced with the tough choice of sticking to his peaceful beliefs or incinerating a man in cold blood during one of their moves against the cartel. I found myself actually curious about what Ben would do next. Unlike Chon and O, Ben has some depth and struggles with his personal beliefs, his love for O and what needs to be done. Needless to say, Johnson delivers a believable performance that actually helps move along the action and was the only protagonist that kept me interested in their battle.
In addition to Johnson, the film is littered with several strong supporting cast members who all deliver solid performances. Selma Hayek is strong as Elena, the leader of the cartel that challenges Ben and Chon. She is a ruthless and shrewd businesswoman and yet has a better “sense of morality” as she explains during her interactions with O and her own daughter. Her enforcer Lado is played by Benicio Del Toro who, with the help of an uncomfortable rapist mustache, comes off as an extremely menacing character. Del Toro solidifies himself on screen by being down right creepy and yet intelligent in his own savage way. During every moment of screen time you expect him to kill someone just because it is good for business.
A needed bit of change of pace is provided by an unexpected performance by Emile Hirsch (Into the Wild) as Ben and Chon’s witty financial broker, Spin. As well as by John Travolta who plays Dennis, the dirty DEA agent who’s in Ben and Chon’s pocket. In fact, even though Travolta’s screen time is maybe a total of 12 minutes, his performance steals the show with his sole bit of comic relief, for lack of a better explanation. Perhaps the strongest acted moment of this film is during a standoff scene between Del Toro and Travolta that in many ways makes me want to know more about those characters. And what that movie would be about.
In typical Stone fashion the movie is shot in a variety of film angles and stylistic devices used to foreshadow and at times create a foreboding presence. Visually the movie provides a strong and believable feeling for the world these characters live in and the way that they operate their business. In addition, narration is used at points to move along the action and provide the audience with insight that otherwise would not have been possible on performances alone. I personally have no problem with narration as long as it is set up from the beginning and used to advance the story, which it is. However in the final act, the movie introduces a film device from left field that completely kills the already weak pacing of the movie. I cannot get into it without giving away the story, but I can see how this device could completely ruin the movie for those patrons who are already disinterested by the time the final act rolls around. Especially for those who do not find any connection to any of the characters. In which case, the pacing of this film will seem slow and drawn out.
I am torn about my review of this film. Savages is something that I wanted to like more than I did. Two of the three protagonists are one dimensional and if it was not for Johnson and the strong supporting cast I might have found the movie boring. It was also completely different from the expectations set by the commercials. Those looking for an action movie will feel misled and will more than likely be disappointed with the film. Not that there is not any action, only it comes between very long periods of dialogue and slow pacing. By the end of the movie, you are either invested in these characters or just waiting for the lights to come up in the theater. And in typical Oliver Stone fashion the movie tries to make us question our own perception of just what it means to be a savage.
As the film opens we are introduced to “O” (Blake Lively) who, as our narrator, acquaints us with the open yet loving relationship she shares with our two protagonists, Chon and Ben. Chon (Taylor Kitsch), an ex-Navy SEAL, is unquestionably the muscle of the trio’s operation. Chon was the original financier for his high school friend Ben, (Aaron Johnson) the peaceful, charitable, botany genius who has created the most potent marijuana in the world. Together these two embody the perfect man for O, while the three of them enjoy the spoils of the small marijuana empire they created in southern California.
That is until they gain the attention from a Mexican cartel intent on creating a stronger foothold in the southern California area. The cartel offers them a partnership and explains that by teaming up their business will triple in three years. But when the trio refuse the offer, the ruthless head of the cartel, Elena (Selma Hayek), instructs her enforcer, Lado (Benicio Del Toro), to kidnap O and hold her hostage so the boys will cooperate. Soon our heroes use their network of connections, like crooked DEA agent Dennis (John Travolta) and financial broker Spin (Emile Hirsch), to battle the cartel in a series of savage maneuvers to get back their one “shared” love.
Stone has been known to inspire his actors to give Oscar worthy performances. Sadly, you will not find any such performances here. That is not to say that the acting was terrible. It just seemed that the characters themselves are uninspired which is a shame because I would have liked to have seen some growth in this young cast, especially from Taylor Kitsch.
I feel that many critics will be hard on Taylor Kitsch because of his previous epic fails of 2012 (John Carter and Battleship) however I am surprised to admit that, for this movie at least, he gets a pass in my book. Not because he delivers a fantastic performance that makes me believe he’s truly an up and coming talent, but rather because he is convincing in his portrayal of Chon. When O describes our protagonists as each being one half of the perfect man, she refers to Chon as “Hard Steel,” which is exactly what Kitsch plays him as, a one-dimensional, emotionally devoid character with no growth or any real redeeming qualities other than the ability to go to war. Regardless of whether or not Kitsch has any additional acting range not showcased in this film, I cannot penalize him for his performance in this movie. He fit the part that he was cast in fine.
Blake Lively (Gossip Girl, Sisterhood of the Traveling Pants) plays O, short for Ophelia. And yes she channels the mad, love-struck, melancholic character from Hamlet after whom she is named. And while it is easy to make those comparisons to the character of this film, they only appear to be on the surface, if anything. And herein lies the problem. Regardless of how you feel about her open relationship with Ben and Chon, the more I learned about her, the less I cared. Like Kitsch’s character, O is boring and one dimensional. She is the product of being a pretty little rich girl whose mother is off somewhere with husband number twelve. She has been getting stoned every day since she was young and the only place she finds herself loved is in with the company of Chon and Ben. Tragic, I know. While watching the film I honestly thought to myself, if I was Ben or Chon, I would say, “Fuck it. Cut her loose and let’s go to Asia.” She has no redeeming qualities other than being good looking and a good lay. So why would they go through so much trouble for her? The trio’s relationship is weakly tied together by her telling us through narration but never really materializes on screen. At times you get some of a feeling that Ben actually loves her but that love is never really reciprocated from O. It is safe to say that that I did not derive any loving connection from Lively’s performance, though her deliver as a narrator was tolerable.
Aaron Johnson (Kick-Ass) is the one redeeming performance from this young cast. In contrast to Chon, O describes Ben as “Soft Wood” which makes him the better half. Ben is the one character who actually goes through some kind of character arc and growth. Using the wood analogy, we watch him bend from the peaceful Buddhist businessman to the man who will sacrifice everything, to get back this woman he loves. Nowhere is this better embodied than when Ben is faced with the tough choice of sticking to his peaceful beliefs or incinerating a man in cold blood during one of their moves against the cartel. I found myself actually curious about what Ben would do next. Unlike Chon and O, Ben has some depth and struggles with his personal beliefs, his love for O and what needs to be done. Needless to say, Johnson delivers a believable performance that actually helps move along the action and was the only protagonist that kept me interested in their battle.
In addition to Johnson, the film is littered with several strong supporting cast members who all deliver solid performances. Selma Hayek is strong as Elena, the leader of the cartel that challenges Ben and Chon. She is a ruthless and shrewd businesswoman and yet has a better “sense of morality” as she explains during her interactions with O and her own daughter. Her enforcer Lado is played by Benicio Del Toro who, with the help of an uncomfortable rapist mustache, comes off as an extremely menacing character. Del Toro solidifies himself on screen by being down right creepy and yet intelligent in his own savage way. During every moment of screen time you expect him to kill someone just because it is good for business.
A needed bit of change of pace is provided by an unexpected performance by Emile Hirsch (Into the Wild) as Ben and Chon’s witty financial broker, Spin. As well as by John Travolta who plays Dennis, the dirty DEA agent who’s in Ben and Chon’s pocket. In fact, even though Travolta’s screen time is maybe a total of 12 minutes, his performance steals the show with his sole bit of comic relief, for lack of a better explanation. Perhaps the strongest acted moment of this film is during a standoff scene between Del Toro and Travolta that in many ways makes me want to know more about those characters. And what that movie would be about.
In typical Stone fashion the movie is shot in a variety of film angles and stylistic devices used to foreshadow and at times create a foreboding presence. Visually the movie provides a strong and believable feeling for the world these characters live in and the way that they operate their business. In addition, narration is used at points to move along the action and provide the audience with insight that otherwise would not have been possible on performances alone. I personally have no problem with narration as long as it is set up from the beginning and used to advance the story, which it is. However in the final act, the movie introduces a film device from left field that completely kills the already weak pacing of the movie. I cannot get into it without giving away the story, but I can see how this device could completely ruin the movie for those patrons who are already disinterested by the time the final act rolls around. Especially for those who do not find any connection to any of the characters. In which case, the pacing of this film will seem slow and drawn out.
I am torn about my review of this film. Savages is something that I wanted to like more than I did. Two of the three protagonists are one dimensional and if it was not for Johnson and the strong supporting cast I might have found the movie boring. It was also completely different from the expectations set by the commercials. Those looking for an action movie will feel misled and will more than likely be disappointed with the film. Not that there is not any action, only it comes between very long periods of dialogue and slow pacing. By the end of the movie, you are either invested in these characters or just waiting for the lights to come up in the theater. And in typical Oliver Stone fashion the movie tries to make us question our own perception of just what it means to be a savage.
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Joe Goodhart (27 KP) rated Phoenix Resurrection: The Return of Jean Grey in Books
Nov 30, 2020
So, confession time, I had bought this on a Comixology sale a couple months before the whole "Death of the X-Men", etc., etc. I was not really following the recent X-debacles, but I am a Jean Grey fan from way (like when the whole "Dark Phoenix Saga" was coming out for the first time. Yeah, I'm OLD! lol) and well, I had pretty high hopes, y'know?
Unfortunately, I could not get into it at the time. Mind you, this was all pre-"Dawn of X"; as I am starting a big "Dawn of X" re-visit from HoX/PoX up to present, only without the dumpster fire that was FALLEN ANGELS, it made sense to try this one again! And, as I read it all in one afternoon, it's needless to say, but I am hella glad I did!
---
When I started reading it at first, I was apprehensive, as I saw some of Bendis' O5 X-Men were in it. It would appear my "apprehensive[ness]" was not really necessary as the O5 members included really had no memorable role to the story.
Matthew Rosenberg is an author's name I had heard in passing but had never had an occasion to read anything he'd written. Before embarking on this tale, I read Rosenberg's NEW MUTANTS: DEAD SOULS, giving me a taste (which I liked despite the unresolved cliffhanger ending) of his writing style and how he would handle writing for mutants.
I really liked his treatment of the characters! Beast felt in character, as did nearly everyone else. Even Old Man Logan, who was a great character in Millar's miniseries but who felt like a guest who didn't really know when to go home, was quite likable, bringing some real feels to the story, and the story's ending.
Do I think this was the worst way to bring back Jean? Good Lord, no! There have been a few other occasions over the years, which were closer to that notion! But this story? Yeah, it made sense (like <b>that</b> ever happens in comics!), giving Jean a return that felt proper as well as some genuine caring for her character's history as a whole!
And how about that art? WOW! I am not what you'd call a fan of Leinil Francis Yu's art style, finding it to be too "sketchy" at times. However, in the issues he turned in (Issues 1 and 5) were unlike any I had ever seen him draw before! While the other issues from Carlos Pacheco (Issue 2)Illustrator), Ramon Rosanas (Issue 4) and Joe Bennett (Issue 3 and Issue 5, alongside Yu) all seemed to tie together perfectly, never once swaying in art style, helping the story to remain visually consistent for all five of the issues of the the mini-series!
At the end of the day, I can find very little, if anything, to gripe about with PHOENIX RESURRECTION: THE RETURN OF JEAN GREY! It's a solid story that is all about characters we have grown up with and loved, as well as more than hearty helping of the feels! And, really, at the end of the day, isn't that what it's all about anyway?
Peace.
Unfortunately, I could not get into it at the time. Mind you, this was all pre-"Dawn of X"; as I am starting a big "Dawn of X" re-visit from HoX/PoX up to present, only without the dumpster fire that was FALLEN ANGELS, it made sense to try this one again! And, as I read it all in one afternoon, it's needless to say, but I am hella glad I did!
---
When I started reading it at first, I was apprehensive, as I saw some of Bendis' O5 X-Men were in it. It would appear my "apprehensive[ness]" was not really necessary as the O5 members included really had no memorable role to the story.
Matthew Rosenberg is an author's name I had heard in passing but had never had an occasion to read anything he'd written. Before embarking on this tale, I read Rosenberg's NEW MUTANTS: DEAD SOULS, giving me a taste (which I liked despite the unresolved cliffhanger ending) of his writing style and how he would handle writing for mutants.
I really liked his treatment of the characters! Beast felt in character, as did nearly everyone else. Even Old Man Logan, who was a great character in Millar's miniseries but who felt like a guest who didn't really know when to go home, was quite likable, bringing some real feels to the story, and the story's ending.
Do I think this was the worst way to bring back Jean? Good Lord, no! There have been a few other occasions over the years, which were closer to that notion! But this story? Yeah, it made sense (like <b>that</b> ever happens in comics!), giving Jean a return that felt proper as well as some genuine caring for her character's history as a whole!
And how about that art? WOW! I am not what you'd call a fan of Leinil Francis Yu's art style, finding it to be too "sketchy" at times. However, in the issues he turned in (Issues 1 and 5) were unlike any I had ever seen him draw before! While the other issues from Carlos Pacheco (Issue 2)Illustrator), Ramon Rosanas (Issue 4) and Joe Bennett (Issue 3 and Issue 5, alongside Yu) all seemed to tie together perfectly, never once swaying in art style, helping the story to remain visually consistent for all five of the issues of the the mini-series!
At the end of the day, I can find very little, if anything, to gripe about with PHOENIX RESURRECTION: THE RETURN OF JEAN GREY! It's a solid story that is all about characters we have grown up with and loved, as well as more than hearty helping of the feels! And, really, at the end of the day, isn't that what it's all about anyway?
Peace.
Darren (1599 KP) rated Triple Threat (2019) in Movies
Jul 2, 2019
Story: Triple Threat starts when a group of professional assassins led by Devereaux (White) breaks Collins (Adkins) out of a remote holding location in the jungle, Jaka (Uwais) is the only survive of the assault which sees the love of his life killed. Xian (Jade) the daughter of a billionaire is planning to use her fortune to take down a crime syndicate, which makes her a big target for the syndicate.
Jaka searching for the people responsible locates two members of the team Paya (Jaa) and Long Fei (Chen) who were also left for dead by the assassins, soon Payu and Long Fei will find themselves needing to defend Xian, while Jaka using other means to get revenge.
Thoughts on Triple Threat
Characters – Payu is one of the guides that helps the assassins through the jungle, he is betrayed and left for dead with his partner, returning to the underground fighting scene for money, he soon finds himself going up against the assassins once again, using his connections from his mysterious past to do the right thing. Long Fei is the partner of Payu, he is much more straight down the line with everything, equally as good in combat, the two make for a deadly team. Jaka is one of the guards of the camp, he is left for dead and left to bury his wife, he wants revenge and knows how to get it, he is hunting down everybody involved, playing them against each other to get what he wants. Collins is the leader of the assassins, broken out of prison to take on the latest job, he must complete the last job, which sees him hunting down Payu and Long Fei, while leading his team in the assassination mission of Xian. He is cocky and believes he can always win in a fight against any level of opponent. Xian is the daughter of a billionaire, she has made it clear she will be giving up for fortune to make the streets clean for the next generation of children, this sees her being the target for the crime syndicates of the country, forcing her to figure out who to trust for her own safety. Devereaux is the second in command, he doesn’t trust Jaka in any of the missions and is quite happy to watch anywhere they have worked burn to the ground.
Performances – This has a cast that will be an action fans dream, Tony Jaa, Tiger Hu Chen and Iko Uwais fighting is something we can watch all day long, seeing the human side of the story has help show how the three are improving outside of the action scenes in film too. Scott Adkins in the villainous role works very well too showing his fighting skills, while being a villain that is easy to see how they are performing through the film. Celina Jade and Michael Jai White complete the main cast not putting a foot wrong through the film.
Story – The story here follows an elite group of assassins that have been hired to eliminate a billionaire woman that wants to end the crime world going on in her home land, only for her to need to turn to new mercenaries who will be the ones that will keep her safe from the danger. This is a story that focuses on the action over any really difficult subjects going on, we do get people coming from different sides searching for a moment which will see them getting their own objective, be it a paid job, revenge or change. The story is mostly, lets get to this location or lets get away from this location usually involving a fight along the way, it is nothing completed hitting everything it needs to by the end of the film.
Action – The action brings some of the best martial artists together in dream fight matches, we have each unique style given to the actors involved, they don’t go to the full levels of their hits or give away all their best moves.
Settings – The film does use the settings to create different locations for the fights, be it the jungle, the police station or the final showdown location.
Scene of the Movie – Seeing Jaa, Uwais and Adkins fight.
That Moment That Annoyed Me – The fact they don’t let Xian show any fighting skills.
Final Thoughts – This is a fun action film that brings together some of the brightest fighting stars in the business today in a story which will see them get a chance to fight.
Overall: Pure action fun.
Jaka searching for the people responsible locates two members of the team Paya (Jaa) and Long Fei (Chen) who were also left for dead by the assassins, soon Payu and Long Fei will find themselves needing to defend Xian, while Jaka using other means to get revenge.
Thoughts on Triple Threat
Characters – Payu is one of the guides that helps the assassins through the jungle, he is betrayed and left for dead with his partner, returning to the underground fighting scene for money, he soon finds himself going up against the assassins once again, using his connections from his mysterious past to do the right thing. Long Fei is the partner of Payu, he is much more straight down the line with everything, equally as good in combat, the two make for a deadly team. Jaka is one of the guards of the camp, he is left for dead and left to bury his wife, he wants revenge and knows how to get it, he is hunting down everybody involved, playing them against each other to get what he wants. Collins is the leader of the assassins, broken out of prison to take on the latest job, he must complete the last job, which sees him hunting down Payu and Long Fei, while leading his team in the assassination mission of Xian. He is cocky and believes he can always win in a fight against any level of opponent. Xian is the daughter of a billionaire, she has made it clear she will be giving up for fortune to make the streets clean for the next generation of children, this sees her being the target for the crime syndicates of the country, forcing her to figure out who to trust for her own safety. Devereaux is the second in command, he doesn’t trust Jaka in any of the missions and is quite happy to watch anywhere they have worked burn to the ground.
Performances – This has a cast that will be an action fans dream, Tony Jaa, Tiger Hu Chen and Iko Uwais fighting is something we can watch all day long, seeing the human side of the story has help show how the three are improving outside of the action scenes in film too. Scott Adkins in the villainous role works very well too showing his fighting skills, while being a villain that is easy to see how they are performing through the film. Celina Jade and Michael Jai White complete the main cast not putting a foot wrong through the film.
Story – The story here follows an elite group of assassins that have been hired to eliminate a billionaire woman that wants to end the crime world going on in her home land, only for her to need to turn to new mercenaries who will be the ones that will keep her safe from the danger. This is a story that focuses on the action over any really difficult subjects going on, we do get people coming from different sides searching for a moment which will see them getting their own objective, be it a paid job, revenge or change. The story is mostly, lets get to this location or lets get away from this location usually involving a fight along the way, it is nothing completed hitting everything it needs to by the end of the film.
Action – The action brings some of the best martial artists together in dream fight matches, we have each unique style given to the actors involved, they don’t go to the full levels of their hits or give away all their best moves.
Settings – The film does use the settings to create different locations for the fights, be it the jungle, the police station or the final showdown location.
Scene of the Movie – Seeing Jaa, Uwais and Adkins fight.
That Moment That Annoyed Me – The fact they don’t let Xian show any fighting skills.
Final Thoughts – This is a fun action film that brings together some of the brightest fighting stars in the business today in a story which will see them get a chance to fight.
Overall: Pure action fun.
Kaysee Hood (83 KP) rated Magnus Chase and the Ship of the Dead: Magnus Chase Series Book 3 in Books
Nov 30, 2017
Magnus & Alex (5 more)
Friendship
Big Banana
Chase Space
Percabeth
Pottery Barn
Dragon Dad (3 more)
Ragnarok
A Ship Made Out of Zombie Nails (Gross)
Abusive Dads
World Ending? Not again...
Stop the end of the world. Sounds easy enough, right?
How many times are children of the Gods going to have to do this before one of them has the foretold quest to alter it where life as we know it is not in peril?
Magnus Chase and his friends have to stop Loki, ensure Naglfar doesn't sail, and prevent Ragnarok. Oh, also all while fighting giants with pottery, getting Godly blood and spit mead from giants in the hopes it'll help Magnus in an insult contest with Loki, seeing if Granddad Njord's ex-wife will help them out or let them freeze like a pre-made dinner meal supermom prepared for someone else to pop in the oven. Did I mention Floor 19 Crew has to do all these tasks without dying because not being in Hotel Valhalla equals no responding to life in their rooms. No do overs. No second chances. Simply dead. Easy as pie.
To not spoil this for those of you who have yet to read book three I'll end my sum of The Ship of the Dead and continue on with my praise.
Though there is the question of the voices, if this is the last of Magnus Chase then I have to say I'm pleased with our trilogy of the Norse Gods. In Sword of Summer, Hammer of Thor, and now The Ship of the Dead we've had the characters fleshed out. We've seen them grown. We've witness them overcome personal trails and fight through fears (can we say good job Magnus for fighting wolves even though it is clearly a phobia?). This has proved even those waiting for their day of judgement for centuries can change who they are and accept things even if they are not okay with them.
Somehow in 400 pages that pasts of Halfborn, Mallory, and T.J. were laid out to be part of the main plot, but also show development of the characters and how their own lessons would help on the quest. We were actually able to learn how far they have come from who they were before they died, after death, and who they are now. It was even written how to show they are still learning their lessons and have things to overcome now, which is perfectly okay as long as they stay strong and levelheaded.
The daughters/son of Loki had to overcome their own fears of being good enough despite what poison their fathers have caused them to believe. Even Hearthstone has to return to face the curse over his family one more time. Even Magnus has a realization he has wroth and even if some may not see it, he does and so do his friends.
The Ship of the Dead seems to be about looking at your fears and flaws, realizing they are there, and having to make the choice what you will do about them. Will you allow them to take over your life? Or will you work to be a better person? Are you going to let one moment in the past ruin your future? Or will you take the lesson and forgive yourself, forgive someone else, and live the best life you can? Will you let a parents shortcomings decide how you live? Or will you choose to look beyond their views and become a better person than they are?
How many times are children of the Gods going to have to do this before one of them has the foretold quest to alter it where life as we know it is not in peril?
Magnus Chase and his friends have to stop Loki, ensure Naglfar doesn't sail, and prevent Ragnarok. Oh, also all while fighting giants with pottery, getting Godly blood and spit mead from giants in the hopes it'll help Magnus in an insult contest with Loki, seeing if Granddad Njord's ex-wife will help them out or let them freeze like a pre-made dinner meal supermom prepared for someone else to pop in the oven. Did I mention Floor 19 Crew has to do all these tasks without dying because not being in Hotel Valhalla equals no responding to life in their rooms. No do overs. No second chances. Simply dead. Easy as pie.
To not spoil this for those of you who have yet to read book three I'll end my sum of The Ship of the Dead and continue on with my praise.
Though there is the question of the voices, if this is the last of Magnus Chase then I have to say I'm pleased with our trilogy of the Norse Gods. In Sword of Summer, Hammer of Thor, and now The Ship of the Dead we've had the characters fleshed out. We've seen them grown. We've witness them overcome personal trails and fight through fears (can we say good job Magnus for fighting wolves even though it is clearly a phobia?). This has proved even those waiting for their day of judgement for centuries can change who they are and accept things even if they are not okay with them.
Somehow in 400 pages that pasts of Halfborn, Mallory, and T.J. were laid out to be part of the main plot, but also show development of the characters and how their own lessons would help on the quest. We were actually able to learn how far they have come from who they were before they died, after death, and who they are now. It was even written how to show they are still learning their lessons and have things to overcome now, which is perfectly okay as long as they stay strong and levelheaded.
The daughters/son of Loki had to overcome their own fears of being good enough despite what poison their fathers have caused them to believe. Even Hearthstone has to return to face the curse over his family one more time. Even Magnus has a realization he has wroth and even if some may not see it, he does and so do his friends.
The Ship of the Dead seems to be about looking at your fears and flaws, realizing they are there, and having to make the choice what you will do about them. Will you allow them to take over your life? Or will you work to be a better person? Are you going to let one moment in the past ruin your future? Or will you take the lesson and forgive yourself, forgive someone else, and live the best life you can? Will you let a parents shortcomings decide how you live? Or will you choose to look beyond their views and become a better person than they are?
Grace and Tippi are conjoined twins, after being homeschooled for 16 years they are forced to attend Hornbeacon High.
The city can longer fund the girls homeschooling, nor can the family afford it, together they must venture the real world of stares, nasty comments, cruelty and obstacles they have to overcome.
Will they make friends? love! could it even be a possibility?
The girls realise they have to make a heart wrenching decision not only for the family but for themselves.
Easy money
<I> If I owned a pistol i could rob a bank.
I could stick a gun in a teller's face
and demand a stack of cash
then motor off in a stolen Maserati.
I could sell drugs to kids on the street corners
or pimp out girls to the highest bidder.
I could break and law I wanted.
If they imprisoned me,
they'd have to lock up Tippi too,
which is false arrest,
Illegal,
and would never stand up in a
court of law.
If I didn't have this damn conscience,
we'd be rich.</I>
I loved this verse (above) It made me laugh at the thought, she has a point, how would that work?
My thoughts,
I loved this book, i have never read anything like this before and it was thought-provoking. I had never thought of things such as when one of them is ill, the other stays in bed until recuperation, or what if one of them falls in love? If one drinks alcohol, will the other get drunk? There were times during this book where i would stop reading and do a thinking pose like J.D from Scrubs and ponder.
This book has made me want to learn more about conjoined twins and the effects on their lives, if anyone know any other books like this let me know, even if its non fiction.
Characters:
The parents - I felt no connection to the parents whatsoever, it felt like they had given up, What with the father being made redundant, depressed, and an alcoholic. The mum was overworked in a bank. However saying that it does show you the effects and costs,strain that it can have on families.
Yasmeen - has her own problems and with that she has become hardened to bullies, the twins need a friend like this
Grace was they shyer of the two whereas Tippi was most outspoken and bitchy.
Jon - I felt no connection with him at all, I just felt he was in the story as Sarah Crossan wanted to touch on the subject of love.
Dragon I felt sorry for as she was having to fend for herself in the sense that her parents couldn't afford ballet lessons so she had to find alternative ways to carry on with her dance,
This is the first book that I have ever read in verse and it was so different, easy to read and quick. the book is 430 pages and read this in less than a day.
Its told in Grace's POV, however it would have been nice to hear from Tippi too.
Sarah Crossan touches very slightly on other subjects but doesn't delve deep into them.
She also shows you that these 2 girls have such a bond that if the possibility of separation was an option they would refuse, despite the health scares, remarks and challenges they will come across.
Overall I rate this book 4 out of 5 stars
The city can longer fund the girls homeschooling, nor can the family afford it, together they must venture the real world of stares, nasty comments, cruelty and obstacles they have to overcome.
Will they make friends? love! could it even be a possibility?
The girls realise they have to make a heart wrenching decision not only for the family but for themselves.
Easy money
<I> If I owned a pistol i could rob a bank.
I could stick a gun in a teller's face
and demand a stack of cash
then motor off in a stolen Maserati.
I could sell drugs to kids on the street corners
or pimp out girls to the highest bidder.
I could break and law I wanted.
If they imprisoned me,
they'd have to lock up Tippi too,
which is false arrest,
Illegal,
and would never stand up in a
court of law.
If I didn't have this damn conscience,
we'd be rich.</I>
I loved this verse (above) It made me laugh at the thought, she has a point, how would that work?
My thoughts,
I loved this book, i have never read anything like this before and it was thought-provoking. I had never thought of things such as when one of them is ill, the other stays in bed until recuperation, or what if one of them falls in love? If one drinks alcohol, will the other get drunk? There were times during this book where i would stop reading and do a thinking pose like J.D from Scrubs and ponder.
This book has made me want to learn more about conjoined twins and the effects on their lives, if anyone know any other books like this let me know, even if its non fiction.
Characters:
The parents - I felt no connection to the parents whatsoever, it felt like they had given up, What with the father being made redundant, depressed, and an alcoholic. The mum was overworked in a bank. However saying that it does show you the effects and costs,strain that it can have on families.
Yasmeen - has her own problems and with that she has become hardened to bullies, the twins need a friend like this
Grace was they shyer of the two whereas Tippi was most outspoken and bitchy.
Jon - I felt no connection with him at all, I just felt he was in the story as Sarah Crossan wanted to touch on the subject of love.
Dragon I felt sorry for as she was having to fend for herself in the sense that her parents couldn't afford ballet lessons so she had to find alternative ways to carry on with her dance,
This is the first book that I have ever read in verse and it was so different, easy to read and quick. the book is 430 pages and read this in less than a day.
Its told in Grace's POV, however it would have been nice to hear from Tippi too.
Sarah Crossan touches very slightly on other subjects but doesn't delve deep into them.
She also shows you that these 2 girls have such a bond that if the possibility of separation was an option they would refuse, despite the health scares, remarks and challenges they will come across.
Overall I rate this book 4 out of 5 stars