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ClareR (5864 KP) rated The Gloaming in Books

May 2, 2018 (Updated May 2, 2018)  
The Gloaming
The Gloaming
Kirsty Logan | 2018 | Fiction & Poetry, LGBTQ+, Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
A grown up fairy tale
This is a story which weaves the fantastical and the real together so well. It's set on a small, remote Scottish island, where the people there believe in selkies and turn to stone on a cliff top looking out to the ocean, when they die.
Mara Ross and her family live in a run down castle, that they never quite manage to repair. After her little brothers death, Mara leaves the island with Pearl, who she often refers to as a mermaid or a selkie (it's her job, actually).
This is a story of love, loss, hope, return and growing up. Fairy tales are used as a way of illustrating gender roles and how they have changed. This all sounds far too 'dry' though. This story is written in such lyrical, wistful language. It's beautiful. I could carry on reading it for another 200 pages. You're never quite sure what's real and what's fairy tale - and that's O.K.
And for the record, I like that there's no definite ending. I think that works really well with the rest of the novel.

Thanks to NetGalley and the publisher.
  
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Awix (3310 KP) rated Godzilla (1998) in Movies

Mar 24, 2018  
Godzilla (1998)
Godzilla (1998)
1998 | Sci-Fi
Much-reviled and frequently-mocked (especially in subsequent Toho films) American Godzilla is actually not bad as a mega-budget reinvention of the classic American monster B-movie (which the original Japanese Godzilla was inspired by), it's just very disappointing as an actual Godzilla movie. The French irradiate the Pacific, causing humble iguana to grow to ginormous proportions, experience curious gender issues, and then devastate Manhattan.


Some good effects sequences, particularly the two big battles between 'Godzilla' and the US armed forces, and the leads work hard to be likeable, but on the whole the film seems much more interested in American pop culture (there's a pastiche of Jurassic Park, jokes about Elvis, some really unsubtle digs at film critics who didn't like Independence Day) than in the Japanese pop icon it's supposed to be about - the monster is lacking in grandeur and majesty, doesn't have Godzilla's special abilities, and is basically just a big lizard you can kill with conventional weapons. (No wonder the beast is just called 'Zilla' in its subsequent appearances.) Not awful on its own terms, but then it was never going to be judged on those.
  
The Naked Jungle (1954)
The Naked Jungle (1954)
1954 | Action, Drama, Romance
6
6.0 (1 Ratings)
Movie Rating
Nothing to do with Keith Chegwin, thank God. Slightly stodgy romance as plantation owner Charlton Heston sorts himself out with a mail-order bride and gets more than he bargained for in the form of Eleanor Parker. He is very stern and formal and calls her 'Madam' a lot; she is self-willed and feisty; sexual tension hangs in the air like the pong from a backed-up toilet but they seem stuck in an impasse until ferocious marabunta ants start swarming through the neighbourhood. (The ants only appear in the final act of the movie; one could wish they'd turn up sooner.)

Hard to say which is more awkward to watch nowadays, the depiction of the locals or the gender politics, but there is a certain camp fun to be had once the army ants finally show up: there are various scenes of people watching the ants through binoculars, while Heston's aargh-I'm-being-eaten-alive acting is as earnestly stoic as you might expect. Just about succeeds at what it sets out to do, and the structure of the story is solid, but very old-fashioned and corny.
  
Little Women (2019)
Little Women (2019)
2019 | Drama
Not my usual kind of movie, but I turn up for anything with Greta Gerwig or Florence Pugh involved in it. Happily this proved not to be the leaden piece of post-MeToo agitprop some of the advertising suggested, but a sensitive and subtle adaptation of a classic piece of literature (it says here). During and after the American Civil War, four sisters (Meg, Amy, Little Jo and Hoss) grow up and come of age, under the steely gaze of their Aunt Ben Cartwright (Meryl Streep). (I may be getting this mixed up with something else.)

Strong performances, especially from Ronan and Pugh, and a generally classy movie in most respects. This is mainly due to a very smart script and evocative direction, both from Gerwig, which finds clever resonances between events at different points in the narrative (the story is told somewhat out of chronological order) and creates just the right kind of atmosphere. There is inevitably a little bit of gender politics, but also a scene where a character suggests that there's nothing wrong with wanting to get married and have children, either. Engaging, likeable, and even quite moving in places.