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Suspiria (2018)
Suspiria (2018)
2018 | Horror
Does it cut it?
#suspiria #suspiria2018 is a #disturbing, uneasy & cold remake of the 1977 #cultclassic which instead of being a straight up copy refreshingly tells its own spellbinding tale of female identity both visually & metaphorically. #suspiria the #darioargento #original holds a special place in my heart not only is it intoxicating, visually magnificent & nerve shreddingly atmospheric its also clearly the main inspiration for my favourite movie of all time the #neondemon as well as proving #horror films can indeed be #artistic too. So here we have the #remake & i must say what a cracking piece of cinema it is too. Where as the original is visually striking the remake goes for a more cold, drab less saturated look but make no mistake about it its still all #gorgeous to take in & this new palette works in the films favour creating yet again such an unnerving sense of threat, dread & unknowingness lurking in every scene. Sound design is incredible too with dialog volume constantly ramped up & layered over silent scenes which lingers in your ears inducing spine tingling chills every time. Metaphor riddled the movie feels like one big jigsaw requiring multiple views to really delve into all of its subject matter. Running themes of the relationship between a #mother & her daughter are strong here & how a mother can influence, have a hold on, controller & manipulate her child for good or bad are unnerving & unsettling realistic portrayed. While objectification, favoritism, sexuality, desire & #feminisum also play a big parts here Suspiria isnt afraid to show the deceitful, manipulative, cold, calculating, unforgiving, sexually manipulative & selfish traits women/humans can portray too. A fantastic movie with exceptional performance from #dakotajohnson thats surly destined to become a #cult classic of its own some day. Suspiria is brutal, #wicked & #sinister & had me gripped, shocked & engaged the entire run time. A great achievement & proof remakes can be done well. #odeon #odeonlimitless #scary #creepy #empowerment #fiftyshadesofgrey #sex #dancing #italian #tildaswinton #german #callmebyyourname #friyay
  
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Kristy H (1252 KP) rated Hausfrau in Books

Feb 13, 2018  
H
Hausfrau
4
4.0 (1 Ratings)
Book Rating
Anna is an American living in Switzerland for nearly a decade, thanks to her marriage to Bruno, a Swiss native. They have three young children and on the outside, Anna has a idyllic life - a loving husband, a nice home, beautiful children. But inside, she is wrecked with turmoil and depression. She feels isolated in Switzerland, a country where she still barely knows the language despite having resided there for so long. Anna enrolls in German classes and also embarks on a series of affairs, but nothing seems to appease what ails her.

I had read positive reviews of this book in several places and decided to give it a try. It was slow going at first, and I almost set it aside in exchange for some books that interested me more. I won't lie - I wish I had. There's just something about this book that irritated me to no end. It's true that Anna is not a particularly likable character - she cheats on her husband and doesn't seem to give much to her children - but that's not exactly it. I almost wish the book had started earlier in Anna's life, so we could potentially understand why she'd become this unstable, depressed housewife, or hausfrau, as our title indicates. We're told she hates living in Switzerland, but is that really it? She's surrounded by a stock of predictable characters - her callous husband, her socialite friend, her oblivious lovers... no one in the novel seems like a fully-formed character and, as such, I had trouble really caring about what happens to them. I probably felt the worst for Anna's three kids.

There were definitely parts that hurt me to read, but overall, the book seemed flat and pointless. The ending irritated me. I'd give it a 2.5 stars overall, but still - rather than having sympathy for Anna - I found myself annoyed with her and the entire book.
  
7 Days In Entebbe  (2018)
7 Days In Entebbe (2018)
2018 | Action, Drama, International
Doesn't really work
Most of us (including me), when we heard about the new film 7 DAYS IN ENTEBBE, thought to themselves "didn't they just make this film a few years ago...?" The answer is yes. A similar film to this - RAID ON ENTEBBE - was a TV movie made a few years ago - 42 years ago, to be precise. It starred Peter Finch, Martin Balsam, Jack Warden and good ol' Charles Bronson. Made a mere few months after the true events, this slapped together movie was an old-fashioned "shoot 'em up."

This film is most definitely not.

7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.

Sounds like a pretty good plot for a Charles Bronson shoot-em-up.

In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".

Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.

Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.

Letter Grade C+

5 (out of 10) stars and you can take that to the Bank(ofMarquis)
  
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Andy K (10821 KP) Mar 22, 2018

Too bad. This looked good.

Compelling and heart wrenching, Tricia Goyer tells the story of the orchestra of Mauthausen. This orchestra, composed of famous Jewish musicians, was forced to play for their lives in the concentration camp.

We see the war through many different views in Night Song. Evie, a young Viennese woman who is involved with the resistance and witnesses the liberation of Mauthausen. Nick, an American medic who is in love with Evie and will travel to the ends of the earth to find her. Otto, an SS Soldier whose thirst for power and riches overwhelms him. Finally, Jakub, a young Jewish prisoner whose magnificent talent brings hope and joy to those he is around.

The story begins in December 1941, Evie and her family must return to Vienna due to the German occupation. The following 3 1/2 years are a combination of sorrow, pain and loss for all of our characters. But where Nick, Evie, and eventually Jakub, find their strength in the Lord, Otto finds his through the "Ancients", the mystical power supposedly behind Hitler's reign. Otto is never satisfied, he always wants more. Our other characters have to sacrifice so much, yet they know that the Lord is leading them and taking care of them. In the end we discover that the wealth and power of this world can not compare with a personal relationship with our Lord, Jesus Christ.

It took me a little longer to read this book, only because it was so emotional for me that I had to put it down and take a break. Tricia Goyer does a beautiful job of depicting the horrors and sorrows of the camps and all those who were affected by it, without being gory. It made my heart ache for those who lived and died in this hell. I highly recommend this book to anyone who enjoys World War II fiction. You will not be disappointed!
  
    Speaky - Practice Languages

    Speaky - Practice Languages

    Education and Productivity

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    Bible Pathway Adventures

    Bible Pathway Adventures

    Book and Education

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