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Awix (3310 KP) rated The Big Sick (2017) in Movies
Mar 13, 2018
Somewhat unorthodox rom-com with comedian Kumail Nanjiani playing himself and Zoe Kazan, er, not. Starts off looking like another of those love-across-the-cultural-barricades movies before turning into something quite different (I can't remember if they have The Smiths' 'Girlfriend in a Coma' on the soundtrack, but if they didn't, they should have).
Possibly I am just biased as Nanjiani seems like a man after my own heart (X-Files fan, plus the first thing he does when he takes a woman home is show her an early 70s Vincent Price horror movie - did I mention I'm single?), but this manages to be both touching and funny. Good support from Ray Romano and Holly Hunter as Kazan's parents; manages to deal with some fairly serious issues with a light touch. Works hard to earn its happy ending; an immensely likeable film.
Possibly I am just biased as Nanjiani seems like a man after my own heart (X-Files fan, plus the first thing he does when he takes a woman home is show her an early 70s Vincent Price horror movie - did I mention I'm single?), but this manages to be both touching and funny. Good support from Ray Romano and Holly Hunter as Kazan's parents; manages to deal with some fairly serious issues with a light touch. Works hard to earn its happy ending; an immensely likeable film.
BookblogbyCari (345 KP) rated If I Die Before I Wake in Books
Jul 31, 2018
This book is part whodunit and part thriller– but not in equal measures.
The central character, Alex, wakes up to find he has been in coma for over a year – but everyone still thinks he is in the coma – he cannot move a finger. He gathers from his visitors that he had an accident while rock climbing but he has no recollection of what happened. Half way through the book Alex finds out that he was a victim of attempted murder, and tries his utmost to work out who would want to do it and how it could have happened. Simultaneously he tries desperately to show everyone that he’s awake.
I found the author’s storytelling a little jumpy. The book is written as a stream of consciousness from the protagonist. A protagonist who is often sleepy at vital times, often delirious, and although he is often looking back at his personal life, he also manages to block out important memories.
It was a long wait before Alex found out about the attempted murder, but I knew it was coming from the book description I had read. And the author did have plenty to write about up to that point, and this was deliberately void of focus. One minute Alex is describing how he met his girlfriend, and soon after it swings to overhearing discussions about stopping his food. The author paints a good picture of Alex and his life before the accident.
Telling a story where the main character can’t so much as chew his own food must be no mean feat, but the author pulls it off expertly. There are several characters and sub plots, with past mistakes, an aggravated police officer, moody relatives, a hidden crush, a strange threatening letter, a possible pregnancy, and a proposal that never went ahead. Koch draws you in to Alex’s world, with characters you love to hate and hidden agendas to question.
Of course we do find out whodunit (no spoilers!) but this is done with more of the story to come.
That said I would have preferred more overheard dialogue at this part, though I did find the ending particularly fitting for the character.
You can check out more of my book reviews on Wordpress or Facebook:
https://bookblogbycari.wordpress.com/
https://www.facebook.com/bookblogbycari/
The central character, Alex, wakes up to find he has been in coma for over a year – but everyone still thinks he is in the coma – he cannot move a finger. He gathers from his visitors that he had an accident while rock climbing but he has no recollection of what happened. Half way through the book Alex finds out that he was a victim of attempted murder, and tries his utmost to work out who would want to do it and how it could have happened. Simultaneously he tries desperately to show everyone that he’s awake.
I found the author’s storytelling a little jumpy. The book is written as a stream of consciousness from the protagonist. A protagonist who is often sleepy at vital times, often delirious, and although he is often looking back at his personal life, he also manages to block out important memories.
It was a long wait before Alex found out about the attempted murder, but I knew it was coming from the book description I had read. And the author did have plenty to write about up to that point, and this was deliberately void of focus. One minute Alex is describing how he met his girlfriend, and soon after it swings to overhearing discussions about stopping his food. The author paints a good picture of Alex and his life before the accident.
Telling a story where the main character can’t so much as chew his own food must be no mean feat, but the author pulls it off expertly. There are several characters and sub plots, with past mistakes, an aggravated police officer, moody relatives, a hidden crush, a strange threatening letter, a possible pregnancy, and a proposal that never went ahead. Koch draws you in to Alex’s world, with characters you love to hate and hidden agendas to question.
Of course we do find out whodunit (no spoilers!) but this is done with more of the story to come.
That said I would have preferred more overheard dialogue at this part, though I did find the ending particularly fitting for the character.
You can check out more of my book reviews on Wordpress or Facebook:
https://bookblogbycari.wordpress.com/
https://www.facebook.com/bookblogbycari/
Amanda (96 KP) rated They Both Die At The End in Books
May 29, 2019
I’ve seen this book on my Twitter and Instagram and I finally gave in…I’m so glad and sad that I did. My heart! I swear! The sad thing is that the title really says it all, so you’re not blind sided, but there’s always that hope, right?
In this universe, there is a company called Death Cast – from 12 am to 3 am, they make these calls to people and inform that within 24 hours, they would die. Yeah. Someone from a cubicle call center calls you up and says you will die within the next 24 hours, they don’t know how but you will, and try to provide you with support.
Yeah, okay, you get a phone call that you’re about to die but then try to get some sort of sympathy or support – yeah, I definitely can’t do that job. And no, the people who work for Death Cast are NOT exempt from getting those calls.
For the most part, the story is told from two points of views, Mateo and Rufus. They both get the call in the same time frame. Other chapters are told from different people’s points of view that have some sort of ‘connection’ with the boys, even if it’s just in passing. Such as an old girlfriend of Rufus, or the Death Cast employee who gave him the alert that he would die.
I grew so attached to these boys! They were both dealt with some crappy hands. Mateo’s mother passes away and his father is in a coma. Rufus lives in an orphanage called ‘Pluto’ and has no blood family. I mean, damn! My poor boys!
“You may be born into a family, but you walk into friendships. Some you’ll discover you should put behind you. Others are worth every risk.”
Yes, I got emotional with this story, but this was so beautifully written. I adored Silvera’s way of writing this story. Granted, sometimes I don’t care for hearing about other people that are not Mateo and Rufus, but it was crucial to know what kind of world this was that Death Cast exists and nobody is exempt from it.
Don’t think of this as Final Destination. Nobody is trying to escape death (well, one was for a little bit), it’s a world where you can imagine what it would be like if you knew you were going to die soon, what would you do? How would you react? Is better knowing or not knowing?
“Maybe it’s better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.”
In this universe, there is a company called Death Cast – from 12 am to 3 am, they make these calls to people and inform that within 24 hours, they would die. Yeah. Someone from a cubicle call center calls you up and says you will die within the next 24 hours, they don’t know how but you will, and try to provide you with support.
Yeah, okay, you get a phone call that you’re about to die but then try to get some sort of sympathy or support – yeah, I definitely can’t do that job. And no, the people who work for Death Cast are NOT exempt from getting those calls.
For the most part, the story is told from two points of views, Mateo and Rufus. They both get the call in the same time frame. Other chapters are told from different people’s points of view that have some sort of ‘connection’ with the boys, even if it’s just in passing. Such as an old girlfriend of Rufus, or the Death Cast employee who gave him the alert that he would die.
I grew so attached to these boys! They were both dealt with some crappy hands. Mateo’s mother passes away and his father is in a coma. Rufus lives in an orphanage called ‘Pluto’ and has no blood family. I mean, damn! My poor boys!
“You may be born into a family, but you walk into friendships. Some you’ll discover you should put behind you. Others are worth every risk.”
Yes, I got emotional with this story, but this was so beautifully written. I adored Silvera’s way of writing this story. Granted, sometimes I don’t care for hearing about other people that are not Mateo and Rufus, but it was crucial to know what kind of world this was that Death Cast exists and nobody is exempt from it.
Don’t think of this as Final Destination. Nobody is trying to escape death (well, one was for a little bit), it’s a world where you can imagine what it would be like if you knew you were going to die soon, what would you do? How would you react? Is better knowing or not knowing?
“Maybe it’s better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.”