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LeftSideCut (3776 KP) rated Scream 3 (2000) in Movies
Nov 7, 2020 (Updated Nov 7, 2020)
The third entry in the Scream franchise is a mixed bag to say the least. It takes everything that made the first two so enjoyable, and throws more of it at the audience, but unfortunately it just doesn't land as well as one would hope.
Scream is known for being a meta commentary on the general ins and outs of the horror genre, but I would argue that it goes a little overboard this time around. A big part of the plot revolves around a huge retcon, changing the established backstory set up in the first movie. Cue a somewhat forced cameo from fan favourite character Randy to explain the rules of a trilogy to the surviving leads (and poke fun at this plot development) but it fails to distract from the fact that this narrative is a complete mess.
The killers motives and patterns are unclear and constantly change, and the eventual twist and identify reveal of this movies Ghostface is hugely underwhelming, and is just re treading ground that has already been explored in the previous Scream films. Also, that voice changing plot device is just dumb.
In response to the public outcry of media violence following the Columbine shootings, there is a lot less gore this time around which also hurts the overall experience. It loses its shock factor that was particularly prevalent in the original, and gives the film a sort of blunt edge, and instead focuses on the hit and miss comedy aspect.
All this being said, Scream 3 is still enjoyable when it needs to be. The returning trio of Neve Campbell, Courtney Cox, and David Arquette is essential to that particular element. These characters have been fleshed out well over these movies, and seeing them together on screen is always a treat. Everyone else is largely forgettable, but the film manages to shoehorn in cameos from Jay and Silent Bob, and Carrie Fisher, which just adds to surrealism of it all.
Not Wes Craven's finest hour by a long shot, but still an enjoyable enough slasher, and still a part of a hugely important horror series.
Scream is known for being a meta commentary on the general ins and outs of the horror genre, but I would argue that it goes a little overboard this time around. A big part of the plot revolves around a huge retcon, changing the established backstory set up in the first movie. Cue a somewhat forced cameo from fan favourite character Randy to explain the rules of a trilogy to the surviving leads (and poke fun at this plot development) but it fails to distract from the fact that this narrative is a complete mess.
The killers motives and patterns are unclear and constantly change, and the eventual twist and identify reveal of this movies Ghostface is hugely underwhelming, and is just re treading ground that has already been explored in the previous Scream films. Also, that voice changing plot device is just dumb.
In response to the public outcry of media violence following the Columbine shootings, there is a lot less gore this time around which also hurts the overall experience. It loses its shock factor that was particularly prevalent in the original, and gives the film a sort of blunt edge, and instead focuses on the hit and miss comedy aspect.
All this being said, Scream 3 is still enjoyable when it needs to be. The returning trio of Neve Campbell, Courtney Cox, and David Arquette is essential to that particular element. These characters have been fleshed out well over these movies, and seeing them together on screen is always a treat. Everyone else is largely forgettable, but the film manages to shoehorn in cameos from Jay and Silent Bob, and Carrie Fisher, which just adds to surrealism of it all.
Not Wes Craven's finest hour by a long shot, but still an enjoyable enough slasher, and still a part of a hugely important horror series.
Sarah (7800 KP) rated The Boys - Season 1 in TV
Sep 21, 2020
A refreshing take on superheroes
Note: This is a copy of my review of the main series, as it was done solely on the basis of the first series.
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
I’ve never read the comics, so took a punt on this as it’s been recommended by a few of my friends, and i absolutely loved it.
It’s the perfect antidote to the homely, suitable for kids superhero films like Marvel that bombard our screens every year. Instead The Boys is rude, crude, dark and downright hilarious at times. It’s full of blood and gore too that you’d never find anywhere near any Marvel films. There’s something beyond refreshing watching a show with superheroes behaving badly like villains, and the take on superheroes being owned and represented by a massive corporation is rather brilliant. You can almost imagine that this is how superheroes would turn out if they lived in today’s society.
This has a great cast too, and there are some wonderful performances in this. I adore Karl Urban and he’s good in this, although I feel like he’s let down a little by the fact that they’ve made him a cliched cockney. Antony Starr is seriously creepy and yet charming as Homelander, and he was great to watch. Although my favourite had to be Chace Crawford as The Deep. I feel like he was a little under-utilised in the main plot, but he provided some of the funniest scenes in the entire series and I really wanted to see more of him.
The ending was good and a nice reveal, although I wanted more and felt like it ended maybe a little too abruptly. Aside from Karl Urban’s English accent, the superhero names grate a little after a while because they are super cheesy and cringey (which I’m assuming they’re meant to be). And I felt like the character of Black Noir was a complete mystery and whilst this may be intentional, I do there has been a little bit more of him.
Aside from these little niggles though, this is a refreshingly entertaining series. So much so I’d love to watch a second series, like now.
LeftSideCut (3776 KP) rated Slumber Party Massacre II (1987) in Movies
Oct 14, 2020
I, and I can't stress this enough, fucking love Slumber Party Massacre II. It may not be as cinematically mature as the first one, but it's 100% more entertaining and batshit crazy.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
The lead characters, as per usual, are walking, talking, cliché slasher victims, but much like the first, they benefit from a decent slab of development, and feel like a believable group of friends. One could argue that the amount of times we get to see their band play is a little over the top but it sort of works.
Some of the shooting style is completely bizarre. A lot of characters talking directly to the camera which is a little cringey, but mainly uncomfortable. This style is also adopted for an extended dance sequence about half way through. Honestly, it's all a bit bizarre but kind of in keeping with the sheer absurdity that is eventually thrust upon the audience.
That absurdity is of course, this movies antagonist, simply credited as The Driller Killer. This dude is dressed head to toe in leather, with a rockabilly style quiff, and sports a huge drill as his weapon of choice, that happens to be mounted upon a demonic looking electric guitar, a guitar he likes to rip solos on whilst simultaneously piling up bodies. I can't truly describe how ridulous this villain is, but he's certainly memorable, full of one liners (surely a direct reaction to the popularity of Freddy Krueger), and you guessed it, even gets himself a musical number (whilst still drilling people to death of course)
This completely off the rails approach to the slasher sub genre is what sets the movie apart from a lot of its peers, and is the reason why it's become such a cult classic.
Slumber Party Massacre II is a movie that was never going to win academy awards, and is considered by many to be another trashy slasher. Personally, I think it's a blast. It doesn't take itself too seriously, the killer is low-key hilarious, it has some decent practical gore, and encompasses everything cheesy but magnificent about 80s horror. It deserves unconditional love.
LeftSideCut (3776 KP) rated Friday the 13th Part VII: The New Blood (1988) in Movies
Jan 8, 2021
Fair play to this series, it's took 7 movies to get into telekinesis superpower territory, and it's predictably silly.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
LeftSideCut (3776 KP) rated From Dusk Till Dawn (1996) in Movies
Jan 23, 2021
From Dusk Till Dawn is a good enough Tarantino/Rodriguez style crime caper for the first hour, carried by its cast and polar opposite characters. On one side of the coin, there's the wholesome Fuller family, played by Harvey Keitel, Juliette Lewis, and Ernest Liu. These characters are the good guys if you will, with just enough development given to be on their team. The other side of the coin serves us the Gecko brothers, played by George Clooney and Quentin Tarantino, two criminals who take the Fullers hostage on their way to Mexico. These two are fucking deplorable, Richie (Tarantino) being a dangerous psychopath with no regard for human life, and Seth (Clooney) just being an arrogant asshat who flits between condemning his brothers behaviour and encouraging it. They're so damn unlikable, but when the five characters are together, it provides us with an electric dynamic, one where they end up depending on eachother to survive.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.
But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.
From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.
LeftSideCut (3776 KP) rated A Christmas Horror Story (2015) in Movies
Dec 24, 2020
As far as anthology horrors go, A Christmas Horror Story is so-so. It tells four seperate tales, all connected to each other in someway, not to dissimilar to Trick R' Treat in terms of structure.
They vary in quality of course. One of them is a ghost story, as three students go about exploring the abandoned crime scene of two people murdered in ritual sacrifice on Christmas the year before. This one was plain boring. It was creepy in places, and is presented occasionally in a found footage style. The characters here are pretty unlikable, and doesn't really offer much to the overall film bar a couple of predictable jump scares.
Another revolves around a couple who's child goes missing whilst chopping down a Christmas tree for their home. They find the child, but eventually find out that he is in fact a shapeshifting troll. Chaos ensues. This one was ok, some good performances by Adrian Holmes and Olunike Adeliyi certainly help it carry more gravitas.
A third story revolves around Krampus preying on a family trying to make amends with some long lost relatives. Again, this one was ok. It's quite visually pleasing in its setting, but it's a pretty standard short revolving around a story we've already heard a hundred times. Krampus looks good enough considering it's a dude in make up.
And the the fourth story is easily the best of the bunch. It revolves around Santa fending off his elves in Christmas Eve when they succumb to a zombie style virus. Santa stomping around decapitating zombie elves by the bucket load is exactly what I signed up for. It also has the films best twist, which is pretty damn bleak, and features a Santa vs Krampus showdown. The film's worth watching for this segment alone!
Overall, A Christmas Horror Story is entertaining enough to justify a Yuletide watch. It has half decent production values (if you ignore the occasional piss poor CGI), some passable gore, and all the stories are inter cut by mother fucking William Shatner of all people, who actually seems to be having a good time here. Don't go in expecting a masterpiece and I'm sure you'll find something to enjoy.
They vary in quality of course. One of them is a ghost story, as three students go about exploring the abandoned crime scene of two people murdered in ritual sacrifice on Christmas the year before. This one was plain boring. It was creepy in places, and is presented occasionally in a found footage style. The characters here are pretty unlikable, and doesn't really offer much to the overall film bar a couple of predictable jump scares.
Another revolves around a couple who's child goes missing whilst chopping down a Christmas tree for their home. They find the child, but eventually find out that he is in fact a shapeshifting troll. Chaos ensues. This one was ok, some good performances by Adrian Holmes and Olunike Adeliyi certainly help it carry more gravitas.
A third story revolves around Krampus preying on a family trying to make amends with some long lost relatives. Again, this one was ok. It's quite visually pleasing in its setting, but it's a pretty standard short revolving around a story we've already heard a hundred times. Krampus looks good enough considering it's a dude in make up.
And the the fourth story is easily the best of the bunch. It revolves around Santa fending off his elves in Christmas Eve when they succumb to a zombie style virus. Santa stomping around decapitating zombie elves by the bucket load is exactly what I signed up for. It also has the films best twist, which is pretty damn bleak, and features a Santa vs Krampus showdown. The film's worth watching for this segment alone!
Overall, A Christmas Horror Story is entertaining enough to justify a Yuletide watch. It has half decent production values (if you ignore the occasional piss poor CGI), some passable gore, and all the stories are inter cut by mother fucking William Shatner of all people, who actually seems to be having a good time here. Don't go in expecting a masterpiece and I'm sure you'll find something to enjoy.
Kelly Knows (95 KP) rated Child's Play (2019) in Movies
Jun 25, 2019
New Chucky Is My Favorite Chucky
I am a reborn Chucky fan after the wonderful 2019 reimagining that is Child's Play. It is not easy to follow a long-standing series with a history of both slasher success, and campy catastrophe. Child's Play is a fresh new story that puts a much-needed spin on a franchise that frankly had been run into the ground. At its heart, this movie is exactly what it is supposed to be, a thrilling tale of a killer doll run amok. Though I imagine some diehard fans are inevitably going to be disappointed, I call this a resounding win. I wasn't a fan of the Chucky design at first, but it won me over later during a hilarious teaching moment between Andy and his pal in the first act. The lighting and camera work are solid, with a haunting, playful score that draws out the tension like a blade. Parents be warned, there is plenty of brutality, and no shying from gore. Even jaded millennial kids should wait to see this one. The story is a fantastic satire of all things electronically assisted, and paints a believable portrait with bloody overtones. The thrilling premise really shines due to the superior talents of the cast and crew. Aubrey Plaza brings weight to a character that is almost unceremoniously sidelined for most of the movie. The real celebration is Gabriel Bateman's performance as Andy Barclay. The slower paced moments settle a pall of tension over events as you share in Andy's isolation and later persecution. The supporting cast won me over entirely. Even the cannon fodder characters are awesome, with a pleasant dose of likability that gives them depth, with varying levels of unpleasantness that will have you tongue in cheek rooting for Chucky at times. Good stories are enjoyable. Check. Great stories get us thinking. Double check. When top-tier tech meets malicious malfunction, Chucky will have us all asking ourselves... "Are you broken like me?
Neon's Nerd Nexus (360 KP) rated Ready or Not (2019) in Movies
Sep 2, 2019 (Updated Sep 2, 2019)
F*cking rich people
Ready Or Not is a delightful mash up of blood soaked horror and devilish comedy that intertwines well making this film an absolute blast. When Ready or not's certificate came up everyone was shocked it was 18 rated (I found kind of sad as to me it symbolised how there is 100% still a big market for the more violent and mature horror film yet these days they sadly seem few and far between. I proud to say this does not disappoint and delivers on gore, grossness and tons of unnecessary yet hilariously fitting cursing. Made by people with clear love for the genre this movie echoes what made 80s horror movies so fun. Its goofy, silly, humorous, cool, violent, over the top, cheesy and stylish with it all working well together as well as being extremely serious and tense when it needs to be too. A great mix of movies like your next, the purge, cabin in the woods and even evil dead this movie doesnt hesitate getting straight to the good stuff moving at a constant brisk pace. Although predictable at times it ride with the horror cliches mixing them up just enough for them to feel modern and refreshingly satisfying. Anti rich themes take front and centre and the film isnt shy of mocking wealthy people constantly questioning their morals, beliefs, way of life, ignorance, naivety, lack of empathy and ability to think they can do as they please. In fact you might say the most horrific parts of the film are just how stupid, desensitized, gullible, careless and void of empathy these people have become which adds a nice real world connection. Theres also some visually impressive/creative scenes that really stand out as they are flawlessly combine with music too. Great tension is also present here and a it has a good eending that keeps you on your toes guessing. Not perfect by any means but go into it with a mind set that you can just sit back and enjoy a well made film that's only interested in you having a good time and you will leave entertained.
Bob Mann (459 KP) rated Army of the Dead (2021) in Movies
Sep 28, 2021
A gory Zombie-rich take on Oceans 11.
Zac Snyder’s glossy zombie flick is a valiant attempt, and it has its moments. The story neatly blends a zombie apocalypse with an “Oceans” heist movie. You even get some stirring “Die Hard”-style vault opening music! But a weak script and a flabby running time make this rather hard work to get through in one sitting. If Snyder could get a bit of self-control and come out with a nice 100-minute movie, he’d get more of my vote.
Positives:
Park brain at door. You gotta love the splatter-fest of a zombie-movie once in a while, and this one delivers a lot of requisite gore and a zombie white tiger to boot! You have to admit that Zack Snyder does have an eye for style. There are some neat moments in this… like when the casino power comes back on and the silence is filled with that familiar slot machine noise and Elvis track that you only ever hear at scale in Vegas!
Dave Bautista is nearly always either in an ensemble piece or a bit-part “heavy” – the only other film I can immediately think of is the (very funny) comedy “Stuber“. He’s seldom the lead. But, understanding that the script is horribly vomit-inducing in places, he’s pretty good in this. I also liked Ella Purnell who plays his daughter, although couldn’t get over how much she looks like Olivia Cooke!
The special effects and prosthetics work is pretty impressive. This would have been good to see on the big screen.
Negatives:
Interspersed amongst the (often entertaining) action sequences are some horribly soupy sections of dialogue where the forward momentum of the movie completely stalls.
Some of the acting is on the decidedly ropey side and makes the glossy piece feel more like a B-movie.
A number of elements of the story really don’t make sense. The most blatant happens at the end: Tanaka could have got the money anyway!
At nearly two and a half hours, it’s another Snyder bladder-tester.
Positives:
Park brain at door. You gotta love the splatter-fest of a zombie-movie once in a while, and this one delivers a lot of requisite gore and a zombie white tiger to boot! You have to admit that Zack Snyder does have an eye for style. There are some neat moments in this… like when the casino power comes back on and the silence is filled with that familiar slot machine noise and Elvis track that you only ever hear at scale in Vegas!
Dave Bautista is nearly always either in an ensemble piece or a bit-part “heavy” – the only other film I can immediately think of is the (very funny) comedy “Stuber“. He’s seldom the lead. But, understanding that the script is horribly vomit-inducing in places, he’s pretty good in this. I also liked Ella Purnell who plays his daughter, although couldn’t get over how much she looks like Olivia Cooke!
The special effects and prosthetics work is pretty impressive. This would have been good to see on the big screen.
Negatives:
Interspersed amongst the (often entertaining) action sequences are some horribly soupy sections of dialogue where the forward momentum of the movie completely stalls.
Some of the acting is on the decidedly ropey side and makes the glossy piece feel more like a B-movie.
A number of elements of the story really don’t make sense. The most blatant happens at the end: Tanaka could have got the money anyway!
At nearly two and a half hours, it’s another Snyder bladder-tester.
LeftSideCut (3776 KP) rated Studio 666 (2022) in Movies
Apr 6, 2022
If you like Foo Fighters, if you like metal, if you like The Evil Dead, then Studio 666 will be right up your street.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.
Considering that none of them are actors, the whole band do a pretty decent job here. Even the more awkward moments are played off nicely with a frequently funny script. The Foos have a well documented history of goofy music videos with a specific brand of humour, and Studio 666 definitely carries the same vibe over its feature length runtime. There are some familiar faces peppered throughout to pad up the cast. Jeff Garlin appears, being very Jeff Garlin. Leslie Grossman from American Horror Story, up-and-coming scream queen Jenna Ortega, and bonafide legend John Carpenter bring the horror credentials. A cameo from Lionel Richie (alongside a legit jump scare) and Slayer's Kerry King cover the music side of things, and the comedy is represented by the likes of Whitney Cummings and Will Forte. It's a pretty decent cast that surround Dave and the boys.
After the initial set up, proceedings do drag a fair bit in the middle, before everything goes full blown batshit. The gore in this movie is pretty ridiculous, and practically done for the most part with some impressive effects work. There's one kill in particular involving a chainsaw which is easily one of the gnarliest I've seen in a while. Even the CG demons don't look too shabby. As mentioned earlier, The Evil Dead has a huge part to play here, and the film is clearly influenced by it and its sequel, from the gratuitous blood sprays (and a blood filled lightbulb) to the way certain shots are framed, to an evil book made of human flesh, the whole project feels like one big homage.
Studio 666 is silly, visceral, gory fun, full of music industry jokes, a clear cut love for the horror genre, and a disgustingly riffy soundtrack. It could have quite easily been 15-20 minutes shorter, but it's a minor qualm that won't stop it from surely becoming a cult classic.