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Miss Frost Save the Sandman ( Jayne Frost book 3)
By Kristen Painter
⭐️⭐️⭐️⭐️

Jayne Frost is a lot of things. Winter elf, Jack Frost's daughter, Santa Claus's niece, heir to the Winter Throne and now...private investigator. Sort of.

When the Sandman comes to Santa’s Workshop, the shop Jayne manages, to do his first ever book signing, it’s a major event. He’s kind of a supernatural celebrity and she needs to keep him happy.

All is well until trouble shows up at the party thrown in his honor. Trouble in the form of Luna Nyx, the Mistress of Nightmares and his creepy counterpart. The Sandman’s assistant says Luna is dangerous, and Jayne believes it when her dreams turn dark.

Can Jayne keep the Sandman safe from this gothic goddess? Or will Luna’s threats put them both to sleep for good?

What’s not to love about this series? It’s so quirky I love it! They are just about the right length to fit the whole story plus relationships without being overbearing or boring. I love Jayne she is so likeable actually I can’t think of any character I don’t like. This series is just so much fun. This book introduces us to the Sandman and his ex wife death. Brilliant if you’re looking for something fun and quirky.
  
Bloodborne
Bloodborne
Role-Playing
Strategic, challenging, and rewarding combat (6 more)
Excellent orchestrated soundtrack
Great aesthetic and visual design
Cool boss designs
Old Hunters expansion adds extra challenge
30-40 hour campaign with loads of content
Lovecraftian horror at its finest
Optional chalice dungeons can be a bit repetitive (0 more)
Bloodborne is an action RPG developed by From Software and directed by Hidetaka Miyazaki, creator of the Dark Souls series. Bloodborne takes elements from the Dark Souls games and mixes in elements of Gothic and Lovecraftian horror to make one truly unique experience exclusively for the Playstation 4.
 You play as a Hunter and you have come to the city of Yharnam on the night of the Hunt where the lines between man and beast are blurred. Initially, your goal is quite simple: just go out and kill some beasts of all manner. Everything from werewolves to madmen to even other NPC Hunters. But as you progress through the game, you begin to unravel a conspiracy involving ancient gods from the cosmos coming down to incite this madness upon the townsfolk. Souls games aren't really known for their stories. Most of the game's backstory can often be found in item descriptions. However, Bloodborne differentiates itself by having one of the most fleshed out and intriguing plots of the entire Soulsborne series.
The presentation here is breathtaking. It evokes the style of olden Gothic horror tales from days long past. Towering spires line the horizon clearly inspired by Victorian and Gothic style architecture of Romania and this is reflected in the games level design. Blood spills out in a vibrant crimson color. Most of the game is completely silent save for the excellent sound design. The soundtrack only kicks in during boss fights and other key moments in the game making it even more special.
If you are familiar with any of the Dark Souls games, then you pretty much know what to expect from Bloodborne's combat. Bloodborne emphasizes speed and aggression with its combat system, but it is still quite strategic and very challenging. Don't go in thinking you can just rush through this in a weekend. This game takes patience and effort from the player to be rewarded. The weapon variety is significantly smaller than that of the Dark Souls games, but that's not necessarily a bad thing. Each weapon feels unique, and each one will cater to a specific play style. And since you can transform almost all the weapons in the game, they almost feel like two weapons in one. For example, a shortsword can be transformed into a greatsword and so on. Instead of giving you a shield, Bloodborne instead gives you a wide variety of firearms, from pistols and shotguns, to a flamesprayer and a cannon. You can use these guns on enemies to riposte and perform a visceral attack for massive damage, even on some of the bosses. Armor sets are all really cool, reflecting the games Gothic design. The good thing is that you don't need to worry about upgrading armor sets like in previous Souls games. And the boss designs here are great, some of the hardest and most challenging fights in any game. You have to learn and figure out the timings of their attacks in order to know when best to strike. And if you ever feel like you're getting stuck, you can always bring in a friend with the game's co-op system. The side characters are also great, some of them giving you optional quests that you can carry out if you choose to do so.
There are optional chalice dungeons that you can complete should you choose to do so. The good thing is that they aren't required to finish the game. The bad thing is that these aren't designed as well as the main game. These dungeons are randomly generated and it certainly feels that way as rooms are often copy pasted together to the point where you feel like you're going in circles. Enemy designs are also lazy as hell here, some of them being reused as bosses. It feels like these chalice dungeons were thrown in at the last minute to offer some kind of replay value when they clearly weren't needed in the first place. I'm baffled by their inclusion as some trophies are linked to the completion of these optional missions. But since these are completely optional, they don't take away from the overall score.
There are also a few more minor gripes that I have with Bloodborne. The camera can often get in the way of the surrounding architecture at times. The framerate dips during some instances, even after several patches. Fortunately, these things don't happen all that often. And why can't I warp between lanterns? This doesn't make much sense as if you want to get to a new area, you have to warp to the hub zone and then warp to the area you want to go to. I feel like this would save a lot of load times if you are going back and forth for farming runs. Oh well.
Bloodborne is never impossibly hard. It does have a high learning curve for new players, but if you keep at it and if you are patient enough, you will discover just how rewarding this experience can be. This was my first foray into the Souls series and I am so looking forward to going back in to Bloodborne to try out new builds, new play styles, new weapons, and even greater challenge in New Game Plus mode. Bloodborne is now one of my all time favorite games ever made.
  
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Neon's Nerd Nexus (360 KP) rated The Addams Family (2019) in Movies

Nov 1, 2019 (Updated Nov 1, 2019)  
The Addams Family (2019)
The Addams Family (2019)
2019 | Animation, Comedy, Family
Everyone knows pink is a gateway colour
addams family attempts to bring the classic family into modern day and while not a bad little film it doesnt do nearly enough to make them as memorable for a new generation of kids/teens as it did for people my age growing up. I must say I quite admire this film for trying to differentiate its self from the constant barrage of animated features weve had this year. Its colour pallet is mostly drab, cold and dark colours which I enjoyed and fit well with the gothic/spooky vibe of the film. Theres also a lot of cool halloween things to look at in the scenes that are set inside the familys house and humor at times can be incredibly gross or darkly adult too which really made me giggle (most of which children are thankfuly to young to understand). Animation while not overly detailed was nice to look at also be it the warts on an old hags nose, spiders crawling the walls or the way the bottom of Morticias dress squirms around the floor as she walks are just some of the neat little attentions to detail making this world a little more strange and alive. Plot and story wise its a little dull and while I found some clever ideas implemented here they really are not executed very interestingly. I did find some of the ideas fun however like the way the movie pokes fun at current trends eg all the girls at the school wednesday goes to have those hidious duck lips, all look identical to one another and obsess over instagram. Everyone in the town also has odd habbits of thier own and the seemingly nicest person also has a much darker side to her, not to mention the entire town is filled with hatred for anything diffrent, easily influenced by social media, full of fake happiness and coated in hidiously garish colour choices which makes you question who the 'ugly' and 'strange' ones really are here. Subtle themes of child abuse, belonging, acceptance, being yourself, death, honour, pressure, loneliness as well as other heavy subjects strangely fit well here making the film a little darker than I expected too. Sadly theres not much here for kids who will undoubtedly be bored quick because big spectacle set pieces are few and far between/not very exciting either and what I found enjoyable ie the subbtle violence, gross adult humour, adult themes and gothic visuals wont likely intrest them either. Oscar isaac and Charlize theron voice work for Morticia and Gomez I found very enjoyable and the score at times really stood out to me a lot at times creating a nice eerie atmosphere. Not nearly as bad as people make out Adams Family may be a tad forgettable, have an extreamly rushed third act, story arcs that go nowhere its creepy, kooky, spooky, and enjoyable enough to warrent seeing at the cinema for sure.
  
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Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies

Feb 9, 2018 (Updated Feb 9, 2018)  
The Blood on Satan's Claw (1971)
The Blood on Satan's Claw (1971)
1971 | Horror
9
8.0 (4 Ratings)
Movie Rating
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.

On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.

Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
  
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Awix (3310 KP) rated The Legend of the 7 Golden Vampires (1974) in Movies

Feb 7, 2018 (Updated Feb 9, 2018)  
The Legend of the 7 Golden Vampires  (1974)
The Legend of the 7 Golden Vampires (1974)
1974 | Action, Adventure, Horror
6
6.8 (6 Ratings)
Movie Rating
Chop Sucky
One of those movies where a bunch of very talented people get together and somehow manage to produce something not all that great. The famous British horror movie studio Hammer gets together with Hong Kong's Shaw Brothers to produce a Gothic horror kung fu movie that also manages to pastiche The Magnificent Seven (et al).

You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).

Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.