"Both the film and the book had a big impact on me when I was a kid. I don’t remember how old I was when I first watched it, but the film was told from the perspective of a young boy who is experiencing the adult world and discovering that it’s horrifying. I remember specific scenes that have an impact on me more than the film does in general. There’s one in which the characters are fishing for eels in the sea—that scene has affected me in such a way that I have never eaten eel since. Not long ago I showed the film to my brother’s young son, and I was looking at his face and his experience watching it, and I realized that it could have the same impact on this generation growing up now—he was horrified! But at the same time, it’s fascinating"

"I think that — and it’s also related to the fifth one — growing up as a dancer I primarily learned to channel emotions through other parts of my body besides my voice, therefore when I watch silent movies I’m touched on such a deep level. To me, it was a form of acting that I gravitate towards. It’s so beautiful because it incorporates the body in such a way; your vocal chords have a great intonation but in reality it’s so much more, it’s about using the body, using the soul and all these things. So I love it. It’s such a technical movie that I learned so much from. But that’s just my approach as an actor. The storytelling was also very beautiful: the story about this box that they come to realize what’s laying in it is hope — that was a very beautiful message."

"like to think of this as Lennon and Elvis, you know what I mean? Lennon wouldn’t have been there without Elvis and I wouldn’t be here without The Stone Roses. Ian Brown as a frontman had the look and he was cool as fuck. He was my Elvis. The first time I saw them, that was it! I thought, “I want that!” I’d heard our kid play ‘Sally Cinnamon’ round the house and I went to see them just before the album came out and it was like, “This is it, man! This is the next fucking step!” It was like growing up a bit and you’re thinking, “This is the band that’s going to guide me to chicks and being a cool young man.” You know what I mean? This was the album that was going to carry me through. They were my guiding star."

"As a young girl growing up in northern Michigan, Estes felt most at home in the woods where she often heard wolves howling. Instead of scaring her, the animals’ cries comforted her in a way she was later able to express in this book. Wolves and women share many qualities: playfulness, strength, curiosity, bravery, they are adaptive, and each care deeply for their young. But both wolves and women have suffered a similar fate of being hounded, harassed, exhausted, marginalized, accused of being devious and of little value. How does one reconnect with our deepest, most true selves when today’s world demands us to conform to ridiculous expectations? Estes retells ancient myths and fairy tales from around the world and in doing so shines a light on a path which leads us back to our natural state — and help us restore the power we carry within us."

"Daft Punk’s Homework was really big for me growing up. I know Daft Punk is this big huge thing…It’s like Daft Punk and Coachella are almost on the same level. Daft Punk to me started just so pure, and there still is a purity. You can see that they are like, “What’s going to get everyone excited?” versus what’s just going ot make them excited. That Homework record is just so raw, they were 16 when they made it and I heard a rumor that their dad mixed it in their basement. It’s just a super cool record and there was nothing like that when that came out, that was huge for me. I bought that at Walmart when I was just a little kid. I remember that I just couldn’t believe it, that “Around the World” bass line was just blowing my mind."