Search
Lyndsey Gollogly (2893 KP) rated The Teacher (DS Imogen Grey, #1) in Books
Jun 28, 2023
85 of 235
Book
The Teacher ( DS Imogen Grey 1)
By Katerina Diamond
⭐️⭐️⭐️⭐️
You think you know who to trust? You think you know the difference between good and evil? You’re wrong …
The body of the head teacher of an exclusive Devon school is found hanging from the rafters in the assembly hall.
Hours earlier he’d received a package, and only he could understand the silent message it conveyed. It meant the end.
As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.
But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.
And once they learn what’s motivating this killer, will they truly want to stop him?
I couldn’t put it down! I’ve never rooted for a killer or killers in any book as much as I have with this one! I was totally glued and so glad the ending did it justice. My only issue was the start I was totally confused at first but of course it all started making sense and it’s clear as soon as you hit a certain chapter who this killer is. But still a brilliant read!
Book
The Teacher ( DS Imogen Grey 1)
By Katerina Diamond
⭐️⭐️⭐️⭐️
You think you know who to trust? You think you know the difference between good and evil? You’re wrong …
The body of the head teacher of an exclusive Devon school is found hanging from the rafters in the assembly hall.
Hours earlier he’d received a package, and only he could understand the silent message it conveyed. It meant the end.
As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.
But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.
And once they learn what’s motivating this killer, will they truly want to stop him?
I couldn’t put it down! I’ve never rooted for a killer or killers in any book as much as I have with this one! I was totally glued and so glad the ending did it justice. My only issue was the start I was totally confused at first but of course it all started making sense and it’s clear as soon as you hit a certain chapter who this killer is. But still a brilliant read!
Lighten The Load (Ghosts along the Oregon Trail, #2)
Book
After a devastating tragedy, Dorcas Moon faces brutal choices in the unforgiving wilderness. An...
Historical Western Adventure American West Pioneers
Sophia (Bookwyrming Thoughts) (530 KP) rated Spelled (The Storymakers, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Pun intended in that post title.
As the crown princess of Emerald who may be cursed to set the world on fire, Dorthea has been locked in the Emerald Palace since she was born and kept away from anything that could potentially catch fire. When she gets a wishing star, she decides to use it, only to have it completely backfire on her.
<i>Spelled</i> is filled with bits of humor throughout, particularly from the side characters who have quickly become my favorite characters. The main character, on the other hand...
<blockquote>But I really, <i>really</i> don't want to.</blockquote>
Dorthea pretty much annoyed me for a good part of the book. She's snotty, stuck-up, spoiled – gosh, I'm turning that into a tongue twister with so many s-words. She's also whiny – Dorthea spends her time whining and complaining for quite literally a quarter of the book before someone snarks at her and tells her to shut up, grow up, and act like a proper princess (she even had the nerve to say no one else had manners – manners? *flips hair* Ha! Nope!) She's funny at some points, but the majority of her sarcasm seemed more like an attempt at sounding funny rather than actually being as funny as Rexi's use of sarcasm and snark.
<blockquote><b>Bob:</b> No, Priestess. When all his nails are broken, he will die.
<b>Rexi:</b> You can't get a haircut, and he can't get a manicure. Death by salon visit.</blockquote>
I even started wondering if <i>Spelled,</i> as pretty as the cover the book and premise is, would even last. The book isn't strictly a retelling of <i>The Wizard of Oz</i> – there are other fairy tale characters as well. Throwing in other fairy tale characters aren't exactly bothersome in my case, but Schow throws in King Midas and chimeras – both of whom are from <i>Greek mythology</i>, NOT from a fairy tale. Someone please tell me I'm wrong and those two actually appear in a fairy tale, because if they do appear in one, I obviously haven't read enough of the non-gruesome original fairy tales. Or do they actually appear in the gruesome ones? I would love to know.
<i>Spelled</i> could be considered a fun read, if you put aside all of the problems – there's humor, a good premise, and an amazing cast of side characters. But if you don't have the patience to handle a spoiled and stuck-up princess who whines a lot for approximately a quarter of the book, <i>Spelled</i> might not be a book on your radar.
<a href="https://bookwyrmingthoughts.com/arc-review-spelled-by-betsy-schow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Pun intended in that post title.
As the crown princess of Emerald who may be cursed to set the world on fire, Dorthea has been locked in the Emerald Palace since she was born and kept away from anything that could potentially catch fire. When she gets a wishing star, she decides to use it, only to have it completely backfire on her.
<i>Spelled</i> is filled with bits of humor throughout, particularly from the side characters who have quickly become my favorite characters. The main character, on the other hand...
<blockquote>But I really, <i>really</i> don't want to.</blockquote>
Dorthea pretty much annoyed me for a good part of the book. She's snotty, stuck-up, spoiled – gosh, I'm turning that into a tongue twister with so many s-words. She's also whiny – Dorthea spends her time whining and complaining for quite literally a quarter of the book before someone snarks at her and tells her to shut up, grow up, and act like a proper princess (she even had the nerve to say no one else had manners – manners? *flips hair* Ha! Nope!) She's funny at some points, but the majority of her sarcasm seemed more like an attempt at sounding funny rather than actually being as funny as Rexi's use of sarcasm and snark.
<blockquote><b>Bob:</b> No, Priestess. When all his nails are broken, he will die.
<b>Rexi:</b> You can't get a haircut, and he can't get a manicure. Death by salon visit.</blockquote>
I even started wondering if <i>Spelled,</i> as pretty as the cover the book and premise is, would even last. The book isn't strictly a retelling of <i>The Wizard of Oz</i> – there are other fairy tale characters as well. Throwing in other fairy tale characters aren't exactly bothersome in my case, but Schow throws in King Midas and chimeras – both of whom are from <i>Greek mythology</i>, NOT from a fairy tale. Someone please tell me I'm wrong and those two actually appear in a fairy tale, because if they do appear in one, I obviously haven't read enough of the non-gruesome original fairy tales. Or do they actually appear in the gruesome ones? I would love to know.
<i>Spelled</i> could be considered a fun read, if you put aside all of the problems – there's humor, a good premise, and an amazing cast of side characters. But if you don't have the patience to handle a spoiled and stuck-up princess who whines a lot for approximately a quarter of the book, <i>Spelled</i> might not be a book on your radar.
<a href="https://bookwyrmingthoughts.com/arc-review-spelled-by-betsy-schow/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated The Collection (2012) in Movies
Aug 7, 2019
From the creative yet somewhat disturbed minds of Marcus Dunstan and Patrick Melton (Saw IV, V VI and 3D). The Collection is a suspense horror that will keep you guessing and on the edge of your seats. The film is based on an insane masked killer who “collects” bodies after his victims undergo a series of macabre torture and death. Staring Josh Stewart (The Dark Knight Rises) who portrays a man named Arkin who has been tortured himself. Arkin is forced to help find Elena who is portrayed by Emma Fitzpatrick (The Social Network) who decided to attend an underground rave with her friends and was the only one who survived a brutal bloody massacre on the entire club. Christopher McDonald (“Boardwalk Empire”) is Elena’s father and is extremely wealthy and hires a team to help locate Elena and bring down this masked crazed killer. Arkin is forced to help the team by going back to the very place he had once escaped to help find Elena. The team is lead into a maze of disturbing rooms and halls booby-trapped with all sorts of insane killing machines. Will Elena and the team be able to return safely to their families?
Fans of the Saw films will find that The Collection is a spitting image of its sister movie with the same gruesome killer and horrific killing machines. Granted that the ideas may be similar the stories are quite different and executed very well. The film is very bloody yet heroic at the same time and though some scenes and dialog proved to be quite ridiculous as generated by the audience’s laughter, in the end was somewhat of an entertaining thrill ride. The film is not your run of the mill slasher film where the killer is after a young group of kids who are being chased in a forest out in the middle of nowhere. The victims in this film are all types of people who are wanted for the killers collection of gruesome horrors.
You do not need to see the previous film in the series “The Collector” to enjoy this film but the background knowledge does help with the mythos of the character.
Though the film is somewhat entertaining with all its gruesomeness, I seem to be more of a fan of the Saw franchise. Even with the same sort of plot of mice all headed for the cheese just with a bunch of death traps in the way. It just seemed as though there wasn’t really a back story and it did not expand upon the previous film that much. Granted one really is not needed it may have helped with the flow of the film. The Collection is recommended but is not a must see film and does not add to the excitement of movies to come in the coming years.
Fans of the Saw films will find that The Collection is a spitting image of its sister movie with the same gruesome killer and horrific killing machines. Granted that the ideas may be similar the stories are quite different and executed very well. The film is very bloody yet heroic at the same time and though some scenes and dialog proved to be quite ridiculous as generated by the audience’s laughter, in the end was somewhat of an entertaining thrill ride. The film is not your run of the mill slasher film where the killer is after a young group of kids who are being chased in a forest out in the middle of nowhere. The victims in this film are all types of people who are wanted for the killers collection of gruesome horrors.
You do not need to see the previous film in the series “The Collector” to enjoy this film but the background knowledge does help with the mythos of the character.
Though the film is somewhat entertaining with all its gruesomeness, I seem to be more of a fan of the Saw franchise. Even with the same sort of plot of mice all headed for the cheese just with a bunch of death traps in the way. It just seemed as though there wasn’t really a back story and it did not expand upon the previous film that much. Granted one really is not needed it may have helped with the flow of the film. The Collection is recommended but is not a must see film and does not add to the excitement of movies to come in the coming years.
RəX Regent (349 KP) rated L.A. Confidential (1997) in Movies
Feb 19, 2019
A masterpiece, if not THE masterpiece of modern cinema.
A film which understands exactly what it is, what it’s doing and what it’s about and plays out with pace to resolve what is certainly on of the most complex detective stories the multiplex’s have seen in a long while.
The story is built in solid layers, exposing its audience to every clue, with time to digest them, without falling back on the cack-handed cliché of holding back that vital clue to end in order to maintain its twist. This movie had taken its plot, cut it up the pieces and shuffled them about as to confuse the eye, but in the end, it’s all there for the taking. Well acted, directed and supported by a perfectly balanced score by the late Jerry Goldsmith, along with first-rate editing, sound design and cinematography, this is a pleasure to watch, every time.
This is a true classic, that is bathed in the noir which in it is set, pretending at nothing, feeling not like a period piece nor modern, this is timeless in recreation of the 1950′s. Even its gruesome elements don’t feel overplayed, and I’m still always surprised to this day when I think that it is an 18.
All in all, this is the benchmark of modern film making, ticking every box perfectly. A fantastic film, with a first-rate native to drive it. Every filmmaker should see this and learn…
The story is built in solid layers, exposing its audience to every clue, with time to digest them, without falling back on the cack-handed cliché of holding back that vital clue to end in order to maintain its twist. This movie had taken its plot, cut it up the pieces and shuffled them about as to confuse the eye, but in the end, it’s all there for the taking. Well acted, directed and supported by a perfectly balanced score by the late Jerry Goldsmith, along with first-rate editing, sound design and cinematography, this is a pleasure to watch, every time.
This is a true classic, that is bathed in the noir which in it is set, pretending at nothing, feeling not like a period piece nor modern, this is timeless in recreation of the 1950′s. Even its gruesome elements don’t feel overplayed, and I’m still always surprised to this day when I think that it is an 18.
All in all, this is the benchmark of modern film making, ticking every box perfectly. A fantastic film, with a first-rate native to drive it. Every filmmaker should see this and learn…
Hazel (2934 KP) rated The Chestnut Man in Books
Mar 24, 2019
A great debut
If that cover doesn't draw you in and make you pick it up, you are a lost soul !!!
And if the cover doesn't do it for you, the story certainly will. It does make for uncomfortable reading at times given the subject matter but it is a story about a serial killer so some gruesome descriptions of the crimes shouldn't come as too much of a surprise.
The plot is gripping, dark and thrilling and the pace of the book is ideal with a seamless mix of murder, politics and police procedure all wrapped up in a perfect psychological thriller package. I actually don't normally like what is called Scandi-noir after having previously tried and failed to read one by a very successful author but this one is excellent.
The characters are fantastic - I know it's a good book when I can see the characters as real people and imagine who would play them if the book were made into a film or TV series - the Danish actor, Kim Bodnia, from The Bridge (Bron/Broen) and Killing Eve would be perfect for the role of Hess.
This is the debut novel by this author, although he has written the highly acclaimed series "The Killing", and a very accomplished debut it is and my thanks must go to the publisher, Penguin UK - Michael Joseph, via NetGalley for my copy in return for an honest review.
And if the cover doesn't do it for you, the story certainly will. It does make for uncomfortable reading at times given the subject matter but it is a story about a serial killer so some gruesome descriptions of the crimes shouldn't come as too much of a surprise.
The plot is gripping, dark and thrilling and the pace of the book is ideal with a seamless mix of murder, politics and police procedure all wrapped up in a perfect psychological thriller package. I actually don't normally like what is called Scandi-noir after having previously tried and failed to read one by a very successful author but this one is excellent.
The characters are fantastic - I know it's a good book when I can see the characters as real people and imagine who would play them if the book were made into a film or TV series - the Danish actor, Kim Bodnia, from The Bridge (Bron/Broen) and Killing Eve would be perfect for the role of Hess.
This is the debut novel by this author, although he has written the highly acclaimed series "The Killing", and a very accomplished debut it is and my thanks must go to the publisher, Penguin UK - Michael Joseph, via NetGalley for my copy in return for an honest review.
Zuky the BookBum (15 KP) rated Cold Calling in Books
Mar 15, 2018
<b><i>People will put up with all manner of perversion, all manner of fucked-up-ness, theyll positively revel in it, but what people wont tolerate is boredom.</b></i>
To a certain extent, I did enjoy this, but I don't feel comfortable saying that due to the depravity and obscenity of it. This certainly has some <i>American Psycho</i> vibes to it, a book which I thoroughly enjoyed, but <i>Cold Calling</i> somehow seems to excel Bateman's darkness with Rhys' spur-of-the-moment crime. I suppose because in <i>American Psycho</i>, there is a clear underlying cultural message and in <i>Cold Calling</i>, that same message doesn't get across so easily, if it's even there at all.
Wilks' writing is good, there's no doubt about that, he keeps you reading and wanting more no matter how disturbed you feel. There's a card game scene in the middle of the novel that I got a bit tired with, but it was to develop the growing anger, boredom and hatred inside of Rhys.
This is definitely <b>NOT</b> one for the squeamish. I'm not surprised this has several low ratings, it's certainly a difficult novel to handle and is only going to be enjoyed by a very niche market.
One thing I <i>really</i> love about this book is the gruesome cover art!
Thanks to Haydn Wilks for sending me a copy in exchange for a review!
To a certain extent, I did enjoy this, but I don't feel comfortable saying that due to the depravity and obscenity of it. This certainly has some <i>American Psycho</i> vibes to it, a book which I thoroughly enjoyed, but <i>Cold Calling</i> somehow seems to excel Bateman's darkness with Rhys' spur-of-the-moment crime. I suppose because in <i>American Psycho</i>, there is a clear underlying cultural message and in <i>Cold Calling</i>, that same message doesn't get across so easily, if it's even there at all.
Wilks' writing is good, there's no doubt about that, he keeps you reading and wanting more no matter how disturbed you feel. There's a card game scene in the middle of the novel that I got a bit tired with, but it was to develop the growing anger, boredom and hatred inside of Rhys.
This is definitely <b>NOT</b> one for the squeamish. I'm not surprised this has several low ratings, it's certainly a difficult novel to handle and is only going to be enjoyed by a very niche market.
One thing I <i>really</i> love about this book is the gruesome cover art!
Thanks to Haydn Wilks for sending me a copy in exchange for a review!
Andy K (10821 KP) rated Pet Sematary (2019) in Movies
Nov 30, 2019 (Updated Nov 30, 2019)
I don't read
I don't watch a lot of remakes, especially horror remakes, especially modern horror remakes, but on the advice of a friend, I thought I would give it a try.
If you want to start an argument with me, please say the book is better simply because it is different the film. I double dare you. Books and movies are different mediums, therefore, certain elements may lend themselves to one medium better than the other. Did you really want to see young Beverly Marsh have an orgy with the other It kids right after their conquest of Pennywise (or something like that)? I didn't think so. Sometimes changing things is all right and not automatically bad just because it is different!
OK got that off my chest! 😌
So it was 80-90% the same as the 1989 version? That was all right with me this time around. The acting and use of modern CGI effects were good and fit this film well. The CGI was not overused, so my usual complaint about that is unfounded this time. The major plot change for this film I felt was a great idea and kept the audience confused as to them already thinking they knew what was going to happen during that one particular scene.
The ending was somewhat gruesome, but this is a horror movie after all so I enjoyed it.
If you want to start an argument with me, please say the book is better simply because it is different the film. I double dare you. Books and movies are different mediums, therefore, certain elements may lend themselves to one medium better than the other. Did you really want to see young Beverly Marsh have an orgy with the other It kids right after their conquest of Pennywise (or something like that)? I didn't think so. Sometimes changing things is all right and not automatically bad just because it is different!
OK got that off my chest! 😌
So it was 80-90% the same as the 1989 version? That was all right with me this time around. The acting and use of modern CGI effects were good and fit this film well. The CGI was not overused, so my usual complaint about that is unfounded this time. The major plot change for this film I felt was a great idea and kept the audience confused as to them already thinking they knew what was going to happen during that one particular scene.
The ending was somewhat gruesome, but this is a horror movie after all so I enjoyed it.
Hazel (2934 KP) rated The Murder House (DCI Matilda Darke #5) in Books
Jan 27, 2020
This is the fifth in this series starring DCI Matilda Darke but only the second I have read having previous been lucky enough to read the first in the series "For Reasons Unknown" which introduced DCI Darke to the world. Having missed the books in-between and although I have likely missed out on a lot of back story, I didn't feel it detracted from my enjoyment of this book and I felt it worked well as a standalone.
This book starts with the gruesome and brutal murder of 3 family members on the night they were celebrating a family wedding. This is a seemingly motiveless crime against a perfect family ... but can there be such a thing? What follows is the complex investigation by DCI Darke and her Homicide and Major Investigation Team.
The characters are interesting, likeable (mostly) and believable and I quickly became invested in them and their lives. The plot is complex with multiple layers and lines of enquiry and with twists and turns and red herrings aplenty; it certainly kept me on my toes from start to finish and didn't disappoint.
The Murder House is a dark, gripping, thrilling and well paced story which I have no hesitation in recommending to lovers of crime novels like myself and thank you to One More Chapter (an imprint of HarperCollins Publishers) and NetGalley for my copy in return for an honest review.
This book starts with the gruesome and brutal murder of 3 family members on the night they were celebrating a family wedding. This is a seemingly motiveless crime against a perfect family ... but can there be such a thing? What follows is the complex investigation by DCI Darke and her Homicide and Major Investigation Team.
The characters are interesting, likeable (mostly) and believable and I quickly became invested in them and their lives. The plot is complex with multiple layers and lines of enquiry and with twists and turns and red herrings aplenty; it certainly kept me on my toes from start to finish and didn't disappoint.
The Murder House is a dark, gripping, thrilling and well paced story which I have no hesitation in recommending to lovers of crime novels like myself and thank you to One More Chapter (an imprint of HarperCollins Publishers) and NetGalley for my copy in return for an honest review.
Lee (2222 KP) rated Midsommar (2019) in Movies
Mar 19, 2020
I haven’t seen such complete and utter nonsense since Hereditary.
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).