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Sophia (Bookwyrming Thoughts) (530 KP) rated Shade Me (Nikki Kill, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Shade Me</i> and I are completely polar opposites. Everything Nikki is, Im not (and Im typically against it in some way), which is an extreme rarity (and definitely not a problem). And if this is a series, Ill probably have a love/hate relationship with Nikki akin to love triangles where I love/hate both guys (and maybe the girl as well).
Anyways
I feel Nikkis past feels like a pity party with a really rough childhood. However, it just goes with the story because her rough childhood tells readers why Nikki is the way she is in the novel. Shes afraid of falling in love (hello? Im not a romantic, but um ), probably hooks up with guys on a weekly basis (okay ), and is close enough to flunking and not graduating basically, she seems like a character I would probably stay away from in real life. Also, with her Tae Kwon Do (is it Tae Kwon Do?) skills, shes also just a person I would avoid messing around with.
But the coolest thing about Shade Me is how Nikki sees everything in color (synesthesia) and when she gets a call to identify a person in an attempted murder, Nikki uses her synesthesia to try and find the attempted murderer. The person she identifies isnt even someone she knows really well (shes heard of them because the person is the daughter of a famous producer, but doesnt know them), which I find really admirable. I mean, its not typical a random person goes out of her way just to find out why someone attempted to murder someone she doesnt even associate herself with. Shes also horrible with sneaking around everything just backfires, but Nikki is an amazing sleuth who has extreme guts.
Overall, though? The book is about rich people problems with a dash of family drama. Brown takes something readers would typically find on daytime drama and mixes it up with something else completely different, making Shade Me just a tad bit different than simply family drama.
<a href="https://bookwyrmingthoughts.com/blog-tour-shade-me-by-jennifer-brown-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Shade Me</i> and I are completely polar opposites. Everything Nikki is, Im not (and Im typically against it in some way), which is an extreme rarity (and definitely not a problem). And if this is a series, Ill probably have a love/hate relationship with Nikki akin to love triangles where I love/hate both guys (and maybe the girl as well).
Anyways
I feel Nikkis past feels like a pity party with a really rough childhood. However, it just goes with the story because her rough childhood tells readers why Nikki is the way she is in the novel. Shes afraid of falling in love (hello? Im not a romantic, but um ), probably hooks up with guys on a weekly basis (okay ), and is close enough to flunking and not graduating basically, she seems like a character I would probably stay away from in real life. Also, with her Tae Kwon Do (is it Tae Kwon Do?) skills, shes also just a person I would avoid messing around with.
But the coolest thing about Shade Me is how Nikki sees everything in color (synesthesia) and when she gets a call to identify a person in an attempted murder, Nikki uses her synesthesia to try and find the attempted murderer. The person she identifies isnt even someone she knows really well (shes heard of them because the person is the daughter of a famous producer, but doesnt know them), which I find really admirable. I mean, its not typical a random person goes out of her way just to find out why someone attempted to murder someone she doesnt even associate herself with. Shes also horrible with sneaking around everything just backfires, but Nikki is an amazing sleuth who has extreme guts.
Overall, though? The book is about rich people problems with a dash of family drama. Brown takes something readers would typically find on daytime drama and mixes it up with something else completely different, making Shade Me just a tad bit different than simply family drama.
<a href="https://bookwyrmingthoughts.com/blog-tour-shade-me-by-jennifer-brown-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Lee (2222 KP) rated 1917 (2020) in Movies
Jan 11, 2020
British soldiers Schofield (George MacKay) and Blake (Dean-Charles Chapman) are taking a well earned rest in a peaceful French field when they are summoned to a meeting down in the trenches with General Erinmore (Colin Firth). Having believed that the Germans had retreated, and were now on the run, the General has now learned that they are in fact armed to the teeth and lying in wait for the unsuspecting battalion of 1600 Brits who are preparing to advance on them. Unfortunately, that battalion is quite a distance across country, and with telephone lines currently out of action, Blake and Schofield have been tasked by the General with delivering the message to call off the attack. And the reason for choosing Blake? His brother is one of the 1600 likely to meet their death if the message isn’t received before they attack the following morning.
The big talking point surrounding 1917 has been the ‘single shot’ effect that it uses in order to tell its story. We effectively follow Blake and Schofield in real time as they undertake their mission, with only a single camera shot tracking them, and only noticeably cutting away just once. The result is outstanding, delivering a seamless and fully immersive experience unlike anything you’ve experienced before, outside of a first person shooter video game.
Late last year, a short behind the scenes video for 1917 was released, showing how they’d used cameras hanging from wires, which were then passed to guys on foot, then to guys on vehicles, back and forth in order to achieve the effect. The result is that the camera glides effortlessly around the soldiers in the trenches and on the battlefields, through barbed wire and across bodies of water filled with rotting corpses. You feel the tension and all of the emotion right there, right alongside the soldiers who are experiencing it. It’s a truly amazing technical achievement.
Their journey takes them across no mans land, across the war-torn countryside, avoiding danger and all other obstacles in their way. And it’s edge of seat stuff, aided by an amazing heart pumping score and that incredible camera work. Hats off to George Mackay as Schofield too, who carries the majority of the movie and is really put through the wringer.
1917 has already earned itself a Golden Globe, and nine BAFTA nominations, just this last week alone. And it deserves it all. Bold, ambitious storytelling, and an early contender for this years best movie.
The big talking point surrounding 1917 has been the ‘single shot’ effect that it uses in order to tell its story. We effectively follow Blake and Schofield in real time as they undertake their mission, with only a single camera shot tracking them, and only noticeably cutting away just once. The result is outstanding, delivering a seamless and fully immersive experience unlike anything you’ve experienced before, outside of a first person shooter video game.
Late last year, a short behind the scenes video for 1917 was released, showing how they’d used cameras hanging from wires, which were then passed to guys on foot, then to guys on vehicles, back and forth in order to achieve the effect. The result is that the camera glides effortlessly around the soldiers in the trenches and on the battlefields, through barbed wire and across bodies of water filled with rotting corpses. You feel the tension and all of the emotion right there, right alongside the soldiers who are experiencing it. It’s a truly amazing technical achievement.
Their journey takes them across no mans land, across the war-torn countryside, avoiding danger and all other obstacles in their way. And it’s edge of seat stuff, aided by an amazing heart pumping score and that incredible camera work. Hats off to George Mackay as Schofield too, who carries the majority of the movie and is really put through the wringer.
1917 has already earned itself a Golden Globe, and nine BAFTA nominations, just this last week alone. And it deserves it all. Bold, ambitious storytelling, and an early contender for this years best movie.
Debbiereadsbook (1321 KP) rated C is for Comfort (The Alphabet of Desire #3) in Books
Jul 28, 2021
the most emotional of the three.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, or book 2, B is for Beg, before this one. All three books run concurrently, so you get these guys falling fast and falling HARD, in all three books, and I really loved that! It was great watching Archie, Blake and Corey falling in love from each of the other brother's perspective, it really was.
Corey is the last to fall, and he does so beautifully! And I think, he's the most emotional of the three brothers, but doesn't always show it. Spence, though, he can read Corey like a book, or a painting, very quickly and Spence calls Corey out a time or two.
Corey wants what's best for his daughter, Lexi, and his brothers have been a godsend in helping him do that, but now Archie and Blake are leaving, he's not sure he can cope; at home or at work. But Spence? Spence helps him get clarity. He helps him see that just because the brothers won't be living together, they are still close, and they will always be. Spence helps Corey to relax about work, teaching is a stressful enough job, so adding your own pressure on yourself? Recipe for disaster, especially for a first year teacher.
Spence's job is stressful too, he's an A&E doctor, so he knows all about pressure. But Corey helps HIM see that he needs something more than a hook up every now and then. Corey helps Spence see he needs a family, even if he didn't know he did. He has his sister and her kids, but with Corey and Lexi, Spence sees he needs more; wants more.
It's not heavy on the BDSM, more the care a Daddy gives. It's smexy and sweet, and emotional. I cried a bit, at Corey, and I don't quite know why!
It's been fun watching these guys, all seven of them, fall hard and fall fast. In ways they did not see coming, at all! That they run concurrently was different, but I liked it once I realised that's how they were written. It's different, I do enjoy different.
All three books are wonderful reads with book 2, Beg, being my favourite. If you enjoy low angst books, I would HIGHLY recommend these!
4 paint splattered stars
**same worded review will appear elsewhere**
This is book 3 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, or book 2, B is for Beg, before this one. All three books run concurrently, so you get these guys falling fast and falling HARD, in all three books, and I really loved that! It was great watching Archie, Blake and Corey falling in love from each of the other brother's perspective, it really was.
Corey is the last to fall, and he does so beautifully! And I think, he's the most emotional of the three brothers, but doesn't always show it. Spence, though, he can read Corey like a book, or a painting, very quickly and Spence calls Corey out a time or two.
Corey wants what's best for his daughter, Lexi, and his brothers have been a godsend in helping him do that, but now Archie and Blake are leaving, he's not sure he can cope; at home or at work. But Spence? Spence helps him get clarity. He helps him see that just because the brothers won't be living together, they are still close, and they will always be. Spence helps Corey to relax about work, teaching is a stressful enough job, so adding your own pressure on yourself? Recipe for disaster, especially for a first year teacher.
Spence's job is stressful too, he's an A&E doctor, so he knows all about pressure. But Corey helps HIM see that he needs something more than a hook up every now and then. Corey helps Spence see he needs a family, even if he didn't know he did. He has his sister and her kids, but with Corey and Lexi, Spence sees he needs more; wants more.
It's not heavy on the BDSM, more the care a Daddy gives. It's smexy and sweet, and emotional. I cried a bit, at Corey, and I don't quite know why!
It's been fun watching these guys, all seven of them, fall hard and fall fast. In ways they did not see coming, at all! That they run concurrently was different, but I liked it once I realised that's how they were written. It's different, I do enjoy different.
All three books are wonderful reads with book 2, Beg, being my favourite. If you enjoy low angst books, I would HIGHLY recommend these!
4 paint splattered stars
**same worded review will appear elsewhere**
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Dracoria Malfoy (690 KP) rated Gentleman's Guide To Vice And Virtue in Books
Apr 27, 2018
OH MY GOD THIS WAS INCREDIBLE!!!
Alright, so, I am now going to rant about my wonderful little gay babies (and one ace baby too). Keep scrolling if you're not interested.
Alright, so, first: MONTY WILL YOU PICK UP A DAMN HINT WHAT THE FUCK MONTY WHAT IS THIS SHIT. My little boi Percy is out there, trying to get you to love him, but NOOO Percy could never love the wonderfully fucked up Monty, CAN HE? My babies cannot pick up hints, at all. Like, it's not even funny. However, they have managed to pick up both girls and guys. Like, running naked in The Palace Versailles? Damn Monty, hardcore.
Now, the true hero: Felicity. What a wonderful girl, skilled in practically everything. She. Was. Incredible. I love her so much. Also, her sass in this book is just- WOW. Our homegirl is amazing.
In technical terms, I really, really like this book. I mean, gay historical romances? This is some gourmet shit! All the characters were great, and there was plenty of development, and I just- this was just so incredible. I don't think I've read anything funnier. No, this book was great and ya'll can fight me on it, mmkay? Thanks.
Alright, so, first: MONTY WILL YOU PICK UP A DAMN HINT WHAT THE FUCK MONTY WHAT IS THIS SHIT. My little boi Percy is out there, trying to get you to love him, but NOOO Percy could never love the wonderfully fucked up Monty, CAN HE? My babies cannot pick up hints, at all. Like, it's not even funny. However, they have managed to pick up both girls and guys. Like, running naked in The Palace Versailles? Damn Monty, hardcore.
Now, the true hero: Felicity. What a wonderful girl, skilled in practically everything. She. Was. Incredible. I love her so much. Also, her sass in this book is just- WOW. Our homegirl is amazing.
In technical terms, I really, really like this book. I mean, gay historical romances? This is some gourmet shit! All the characters were great, and there was plenty of development, and I just- this was just so incredible. I don't think I've read anything funnier. No, this book was great and ya'll can fight me on it, mmkay? Thanks.
LeftSideCut (3776 KP) rated Marvel's Agents of S.H.I.E.L.D. - Season 1 in TV
May 28, 2019
A (mostly) enjoyable start to this MCU spin off show
Contains spoilers, click to show
Clark Gregg's Phil Coulson was a fan favourite in the MCU before his untimely demise in Avengers, so it's a pleasure to see him back, heading a SHIELD based spin off show.
The first season, for the first half at least, is pretty average, every week, Coulson and his team come across some kind of comic book threat, and swiftly put an end to said threat, rinse and repeat.
It's when the events of Winter Soldier happen when things really go up a gear.
As soon as the HYDRA plot point from the second Captain America film is put into action, the show turns into a thrilling drama, full of plot turns, good guys turned bad, and pretty solid action for the most part.
The main cast are all extremely likable and in turn, it's easy to become invested in what they do.
Add in some comic book characters here and there (Dethlok was a highlight here) and a cheeky cameo from Samuel L. Jackson's Nick Fury, and you end up with a debut series that is pretty entertaining, even if it does take a while for it to find it's footing.
The first season, for the first half at least, is pretty average, every week, Coulson and his team come across some kind of comic book threat, and swiftly put an end to said threat, rinse and repeat.
It's when the events of Winter Soldier happen when things really go up a gear.
As soon as the HYDRA plot point from the second Captain America film is put into action, the show turns into a thrilling drama, full of plot turns, good guys turned bad, and pretty solid action for the most part.
The main cast are all extremely likable and in turn, it's easy to become invested in what they do.
Add in some comic book characters here and there (Dethlok was a highlight here) and a cheeky cameo from Samuel L. Jackson's Nick Fury, and you end up with a debut series that is pretty entertaining, even if it does take a while for it to find it's footing.
David McK (3505 KP) rated Assassin's Creed (2016) in Movies
Jun 9, 2019 (Updated Jan 18, 2020)
What. On. Earth.
Another (IMO) failed attempt to bring a video game - in this case, Ubisofts long-running Assassin's Creeds series - to the big screen.
For those not in the know (anyone?), those games sees the player taking the part of a character reliving the memories of one of their ancestors through a device known as the animus, with a whole alt-past mysticism behind it all, and with a centuries-long war between the Templars (the bad guys, in all bit one game) and the Assassin's bubbling along in the background.
And, right there's, is why I think most of these video-game-to-movies adaptations fail: in the game, you're (as the player) are an active participant whereas in the movie theatre you're passive.
It probably also doesn't help that the film seems largely based on one of the more universally-disliked portions of the source material (i.e. the present day parts, which have more or less been completely dropped in the games that came out after this film) rather than the more-interesting past! On the plus side, however, at least they went for a new period of history to visit instead of something already covered by the games.
Another (IMO) failed attempt to bring a video game - in this case, Ubisofts long-running Assassin's Creeds series - to the big screen.
For those not in the know (anyone?), those games sees the player taking the part of a character reliving the memories of one of their ancestors through a device known as the animus, with a whole alt-past mysticism behind it all, and with a centuries-long war between the Templars (the bad guys, in all bit one game) and the Assassin's bubbling along in the background.
And, right there's, is why I think most of these video-game-to-movies adaptations fail: in the game, you're (as the player) are an active participant whereas in the movie theatre you're passive.
It probably also doesn't help that the film seems largely based on one of the more universally-disliked portions of the source material (i.e. the present day parts, which have more or less been completely dropped in the games that came out after this film) rather than the more-interesting past! On the plus side, however, at least they went for a new period of history to visit instead of something already covered by the games.
Awix (3310 KP) rated Godzilla 1985 (1985) in Movies
Jun 15, 2019 (Updated Jun 15, 2019)
A textbook example of how to take a fairly unimpressive film and make it much worse through cack-handed re-editing and intrusive inserted scenes. Godzilla reappears, somehow (the film ignores the events of all the previous sequels); a subplot about Cold War tensions only making the crisis more serious is significantly de-emphasised in favour of making the Russians into bad guys. The Pentagon (filled with Dr Pepper vending machines) call in Godzilla expert Steve Martin (not that one); he is never referred to by his first name, for obvious reasons. He and the senior Pentagon staff proceed to do exactly nothing but discuss events taking place in Tokyo.
The original movie was a laudable attempt to take Godzilla back to basics, let down by a sluggish plot, weak climax, and underwhelming monster (Godzilla appears to have had one martini too many and seems a bit unsteady on his feet). This one has all those problems too, which are only compounded by the way that all the film's interesting ideas kind of get lost in the re-edit. There are still a few decent sequences of Godzilla fighting the JSDF, including a sci-fi flying tank, but this is hard going for the most part.
The original movie was a laudable attempt to take Godzilla back to basics, let down by a sluggish plot, weak climax, and underwhelming monster (Godzilla appears to have had one martini too many and seems a bit unsteady on his feet). This one has all those problems too, which are only compounded by the way that all the film's interesting ideas kind of get lost in the re-edit. There are still a few decent sequences of Godzilla fighting the JSDF, including a sci-fi flying tank, but this is hard going for the most part.
Awix (3310 KP) rated Terror of Mechagodzilla (1975) in Movies
Mar 24, 2018 (Updated Mar 25, 2018)
Final movie in the first Godzilla series often gets some stick for supposedly killing off the original continuity, but is actually not that bad. Bacofoil-wearing aliens team up with mad scientist and his cyborg daughter to conquer the world; there are many opportunities for evil laughter at the planning meetings. The usual strategy of using giant monsters as invasion weapons is employed, despite it having utterly failed in at least five previous movies.
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'