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LeftSideCut (3778 KP) rated American Horror Story - Season 6 in TV
Jan 16, 2020
Season 6 of AHS, subtitled Roanoke, may very well be my favourite season to date, if not it comes a very close second to Asylum.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
Jamie Towell Cook (13 KP) rated the PlayStation 4 version of Sonic Mania Plus in Video Games
Apr 6, 2020
Finally a Sonic game that lives up to the reputation that the mega drive days left us all begging for.
Sonic Mania sees you take control of Sonic and his team mates, Tails and Knuckles as you revisit some very familiar stages from Sonics past to take on Dr. Eggman (or Robotnik if your old school) and his latest creations. In a race to collect the seven chaos emeralds and save the day.
Mania Plus also sees the return of two characters that have been locked away in the vaults for some time now. Mighty The Armadillo & Ray The Flying (Gliding) Squirrel. All characters are equipped with their own unique skill set to help you traverse the levels and discover new areas and secrets.
Mania ditches all the gimmicks that have been the sonic series' shortcomings and returns to simpler times of side scrolling fast paced action that are plucked straight from the early 90's. Familiar levels to any fan of the golden era and even more familiar soundtrack. This also brings back the dread of the underwater level and that inevitable countdown sound that has haunted your childhood dreams and will do once again.
The game isn't just for single players though, the main story is as much fun now with sonic and tails as it was for sonic 2 & 3. Where you will be constantly shouting at the player controlling sonic that they've left you behind and then using Tails as a meat shield to defeat the end of level bosses. There is a race mode for other players to join in on, time attack mode to keep besting your own personal score. An endless supply of blue sphere stages to unlock and even the return of Dr. Robotnik's Mean Bean Machine. There is plenty in this game to keep you entertained for a very long time.
Heres hoping that Mania 2 isn't too far away. Hopefully with even more character selection redeeming all those newer characters that have been unfortunate enough to be featured on some of the more questionable sonic titles. I personally would love to see Team Chaotix, Amy Rose, Cream & Chao, Big, Rouge, Shadow, Blaze and maybe even the babylon rogues. Maybe even a few blasts from the past like Johnny Lightfoot, Porker Lewis and Shortfuse from the sonic the comics.
All in all, a much better addition to the wounded Sonic series.
Sonic Mania sees you take control of Sonic and his team mates, Tails and Knuckles as you revisit some very familiar stages from Sonics past to take on Dr. Eggman (or Robotnik if your old school) and his latest creations. In a race to collect the seven chaos emeralds and save the day.
Mania Plus also sees the return of two characters that have been locked away in the vaults for some time now. Mighty The Armadillo & Ray The Flying (Gliding) Squirrel. All characters are equipped with their own unique skill set to help you traverse the levels and discover new areas and secrets.
Mania ditches all the gimmicks that have been the sonic series' shortcomings and returns to simpler times of side scrolling fast paced action that are plucked straight from the early 90's. Familiar levels to any fan of the golden era and even more familiar soundtrack. This also brings back the dread of the underwater level and that inevitable countdown sound that has haunted your childhood dreams and will do once again.
The game isn't just for single players though, the main story is as much fun now with sonic and tails as it was for sonic 2 & 3. Where you will be constantly shouting at the player controlling sonic that they've left you behind and then using Tails as a meat shield to defeat the end of level bosses. There is a race mode for other players to join in on, time attack mode to keep besting your own personal score. An endless supply of blue sphere stages to unlock and even the return of Dr. Robotnik's Mean Bean Machine. There is plenty in this game to keep you entertained for a very long time.
Heres hoping that Mania 2 isn't too far away. Hopefully with even more character selection redeeming all those newer characters that have been unfortunate enough to be featured on some of the more questionable sonic titles. I personally would love to see Team Chaotix, Amy Rose, Cream & Chao, Big, Rouge, Shadow, Blaze and maybe even the babylon rogues. Maybe even a few blasts from the past like Johnny Lightfoot, Porker Lewis and Shortfuse from the sonic the comics.
All in all, a much better addition to the wounded Sonic series.
156Reviews (7 KP) rated Extra Ordinary (2019) in Movies
May 1, 2020 (Updated May 1, 2020)
Ghosts, hell demons, possessed animals, sex, a car chase, people exploding, ware-wolves (Kind of), Extra Ordinary has it all. Is it some kind of Hollywood blockbuster staring Benedict Cumberbatch? No, it's a small independent Irish comedy staring little known actors, and Will Forte of course.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
MelanieTheresa (997 KP) rated The Shape of Night in Books
Oct 11, 2019
This was a quick, fun read, and completely different from the author's previous titles - both her Rizzoli & Isles series and her stand-alone novels. I wouldn't call it romantic suspense, as it's being billed. There really isn't anything at all romantic about what happens to Ava. I'd call it paranormal mystery/suspense leaning toward gothic - and well done!
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Rachel King (13 KP) rated Chocolat (Chocolat #1) in Books
Feb 11, 2019
I have lost count of the number of times I have watched the movie that is based off of this book, so I figured it was time for me to read the book. Like most movies based on books, the movie is only about half true to the book. In this case though, that did not really bother me.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Joanne Harris has a way of writing that has me savoring every word like one of Vianne Rocher's fine chunks of dark chocolate. What I would have given for a few recipes of the dishes she served in La Celeste Praline, especially the pots of chocolate that were served as frequently as coffee. The descriptions of the various confectioneries and even the non-chocolate dishes were detailed with a light touch, so that I never felt too overwhelmed -- but I still wanted to dive into the pages all the same.
All of the characters, large parts and small, were unique and original, even down to the quirky preferences and hidden burdens. I could easily relate to Armande's attraction to the color red and her unrefined mannerisms, as well as Guillaume's indulgence of his pet dog. So many of the characters could pass for people that I encounter every day -- from Roux's skepticism to Josephine's renewed independence to Caro's need to control. These characters will stay with me for a long time.
Probably the most interesting character, aside from Vianne Rocher, is the town's priest, Pere Reynaud. Like most of the rest of the town, he masks inner demons and makes up for them with his profession of choice. Though those inner torments are slowly revealed through the course of the book, I don't feel that his story was completely resolved, or that he even experienced any true character growth.
Vianne Rocher is certainly the most creative character in the book, both easily likeable and eternally mysterious. Haunted by memories of a nomadic lifestyle with her mother, she intermittently addresses her conflicting desires to both travel and put down roots even as her simple, self-taught cooking and hospitality brings about subtle and lasting change in the village of Lansquenet. A thread of fantasy runs through the plot as Vianne hints at the ability to read people's thoughts, choosing not to influence them, and consults her mother's tarot cards in her darker hours of contemplation. She even adds a touch of magic and mystery to her Chocolaterie to draw the wary villagers into the shop. Oh, what I would give to pay a visit to that amazing place myself.
Cyn Armistead (14 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
Darren (1599 KP) rated Within (2016) in Movies
Oct 24, 2019
Characters – John is the father of the house, we know he has been on hard times and this house is all he can afford for his family. He does love both his wife and daughter and is trying to teach his daughter a lesson after her mistakes have led them to this location. Hannah is his daughter of John that has been getting herself in trouble which caused the move, she is grounded and is the first one to notice the strange events around the house. Melanie is the new wife and step-mother to Hannah, she doesn’t do much beyond the normal, which is mostly trying to be the best friend in her time of need. Ray is the creepy neighbour that offers to help change the locks, less we say about him the better.
Performances – When we look at the performances in this film we must be praising Erin Moriarty as she is excellent in her role, the weaknesses come from the parental characters, Michael Vartan and Nadine Velazquez who both don’t seem to do much with their roles in the film.
Story – The story here follows the family that move into a new home only to start seeing strange things happening and we fall in the, ‘creepy person living in the attic’ sub-genre, which is one that I feel is getting tiresome, there is only so much you can do while telling this story and if we are being honest we have seen it done on better levels before. The build up follows the checklist and by the end of the film the story just feels like it is trying to hard to be different, rather than good.
Horror – The horror in the film comes from the idea that someone could be living in your house, it is an easy idea for because being haunted in your own home should be working, though this misses the tension required for the film.
Settings – The film is set entirely inside the one house, which is all we need as this keeps the film contained for the maximum levels of horror, even if they don’t use it well.
Special Effects – The effects for the most part are good with the kills looking extra brutal when they hit.
Scene of the Movie – The first meeting of David.
That Moment That Annoyed Me – We have seen this too much.
Final Thoughts – This is a by the books horror that doesn’t test the audience enough, it has an easy out which doesn’t get used at all, though the killer does look creepy throughout.
Overall: Been here seen this.
Performances – When we look at the performances in this film we must be praising Erin Moriarty as she is excellent in her role, the weaknesses come from the parental characters, Michael Vartan and Nadine Velazquez who both don’t seem to do much with their roles in the film.
Story – The story here follows the family that move into a new home only to start seeing strange things happening and we fall in the, ‘creepy person living in the attic’ sub-genre, which is one that I feel is getting tiresome, there is only so much you can do while telling this story and if we are being honest we have seen it done on better levels before. The build up follows the checklist and by the end of the film the story just feels like it is trying to hard to be different, rather than good.
Horror – The horror in the film comes from the idea that someone could be living in your house, it is an easy idea for because being haunted in your own home should be working, though this misses the tension required for the film.
Settings – The film is set entirely inside the one house, which is all we need as this keeps the film contained for the maximum levels of horror, even if they don’t use it well.
Special Effects – The effects for the most part are good with the kills looking extra brutal when they hit.
Scene of the Movie – The first meeting of David.
That Moment That Annoyed Me – We have seen this too much.
Final Thoughts – This is a by the books horror that doesn’t test the audience enough, it has an easy out which doesn’t get used at all, though the killer does look creepy throughout.
Overall: Been here seen this.
Neon's Nerd Nexus (360 KP) rated The Nightingale (2018) in Movies
Dec 4, 2019
Misery Loves Company
Nightinglale is a harsh, cold, relentless and constantly traumatizing tale of revenge and sadness. Athough I would say this film is one of this years best films and a must see by any serious film fan I can not stress enough just how disturbing and extremely hard to watch it can be at times. Realistic depictions of brutal violence and savage rape chill to the bone and while its tempting not to persist past such horrible scenes they really give the film purpose, such a raw/realistic tone and force you to feel every single emotion felt by its characters. A deep cold and sadness engulf the entire film throughout creating an uneasy atmosphere that constantly feels like a burden weighing on your shoulders making you feel uncomfortable and vulnerable just like the lead character. Acting is magnificent with everyones eyes alone seemingly telling you what kind of person they are or if they are genuine. A film that depicts racism, loss, grief, revenge, power abuse and most of all entitlement perfectly it shows just how much evil and hatred lurks in peoples hearts and the world we live in. Its very much like Hatred, Lady Mcbeth and The Witch infact and just like those films every character feels so real and well developed. A running theme that everyone feels like they are owed something runs throughout and even though we sympathize with our main character she too can prove to be just as cold/heartless and selfish as the main villian that is until she progresses and learns to open her eyes to it all. Dream like scenes also litter the film and show how disturbed/haunted by every encounter she is sometimes apearing just in time to motivate her or be her only escape to the perfect life that she now can never have. Its ever so fascinating stuff and has so much to say that its impossible for me to cram all of it into this review. Nightingale is without a doubt such an important film right bow (especially with how the world is today as the subjects it deals with depict how we have almost in a way have gone backwards in some of our ways). All in all a fantastic piece of film that shows us when we have everything taken from us and feel like giving up theres still beauty and pure souls somewhere in the world to give us hope, new life and help keep our dreams alive.
Andy K (10821 KP) rated The Nightingale (2018) in Movies
Dec 11, 2019
Brutal and beautiful
In 1825 Tasmania, a young wife and mother experiences brutal atrocity against her family by the British soldiers in her midst. With her entire world shattered, the battered and broken young woman embarks on a quest for revenge. Not thinking clearly through her grief, she decides to escapade through the harsh and unforgiving countryside with only a native guide to show her the way and maybe catch those who have violated her world. Haunted by the images of her recent past, Clare is tortured by what she remembers, but needs to persevere for her wits to remain intact.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.