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Effective Birth Preparation: Your Practical Guide to a Better Birth
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In response to the success of the award winning "Natal Hypnotherapy CDs" and courses, founder Maggie...
Heather Cranmer (2721 KP) rated A Girl Named Willow Krimble (Willow Krimble, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Okay, so I'm addicted to blog book comps. That's no secret. When I came across a blog giving away a copy of a book entitled A Girl Named Willow Krimble, I was intrigued by the whole synopsis. It sounded super cool, and I definitely was not disappointed one bit after reading this book.
Willow Krimble is a 13 year old girl with a big heart. She tries to see the best in everyone and tries to help out in whatever she can. One day, when a neighbor falls ill, Willow realizes that she's got the unique ability to heal others. Not knowing where these powers came from, Willow must keep her ability from others lest they think she is crazy.
I love the simplicity of the title. The book is about exactly what it says in the title: A Girl Named Willow Krimble. Okay, I know it's not very original, but it definitely suits this book.
I love the cartoon style of the cover. I think a lot of middle graders would find this cover very appealing instead of just some photo of a random girl. The artwork on the cover is amazing even if Willow does appear to be older on the cover than just 13 years.
The world building is very much believable. Willow sees her world as I imagine a 13 year old girl would. The situations Willow found herself in seemed to be very real, and I had no problems imagining the scenes.
I thought the pacing in this novel was superb! Usually, when I read middle grade novels, I try to put myself in that sort of mind frame. However, as an adult, I still loved the pacing. Not one point in the book did I find myself becoming bored or wishing I hadn't started reading this book.
I loved all the characters and thought Mr. Biano did an excellent job bringing them to life. I loved the fact that Willow had a disability but didn't let that stop her. She had a big heart and wanted to share her happiness with the world. I found Razzel, Willow's best friend, to be quite the character. I loved her feistiness and the way she was very protective of Willow. Razzel was such a strong kick-butt character, and I fell in love with how funny and great she was. I'd say she was definitely my favorite character. Wyatt, Willow's older brother, made me chuckle a lot of the time as well. I love how he was constantly eating all the time...well, most of the time. Shayla was definitely an interesting character that I enjoyed. I won't go into too much detail though because I don't want to give anything away.
The dialogue between characters was fun to read. I loved the dialogue between Razzel and Willow the most though because of the chemistry between them. You could definitely tell how much they cared for each other. Do be aware that there are a couple of swear words but nothing major.
Overall, I really enjoyed reading A Girl Named Willow Krimble by Giuseppe Bianco. It is such a heartwarming read, and one I think everyone will enjoy. The only minor annoyance I had was most of the characters had such unusual names. But as I stated previously, that's just a minor thing that doesn't really take anything away from the book.
I'd recommend this book to everyone aged 13+ as it's such a lovely and warming read.
Overall, I'd give A Girl Named Willow Krimble (Willow Krimble #1) by Giuseppe Bianco a 4.75 out of 5.
Okay, so I'm addicted to blog book comps. That's no secret. When I came across a blog giving away a copy of a book entitled A Girl Named Willow Krimble, I was intrigued by the whole synopsis. It sounded super cool, and I definitely was not disappointed one bit after reading this book.
Willow Krimble is a 13 year old girl with a big heart. She tries to see the best in everyone and tries to help out in whatever she can. One day, when a neighbor falls ill, Willow realizes that she's got the unique ability to heal others. Not knowing where these powers came from, Willow must keep her ability from others lest they think she is crazy.
I love the simplicity of the title. The book is about exactly what it says in the title: A Girl Named Willow Krimble. Okay, I know it's not very original, but it definitely suits this book.
I love the cartoon style of the cover. I think a lot of middle graders would find this cover very appealing instead of just some photo of a random girl. The artwork on the cover is amazing even if Willow does appear to be older on the cover than just 13 years.
The world building is very much believable. Willow sees her world as I imagine a 13 year old girl would. The situations Willow found herself in seemed to be very real, and I had no problems imagining the scenes.
I thought the pacing in this novel was superb! Usually, when I read middle grade novels, I try to put myself in that sort of mind frame. However, as an adult, I still loved the pacing. Not one point in the book did I find myself becoming bored or wishing I hadn't started reading this book.
I loved all the characters and thought Mr. Biano did an excellent job bringing them to life. I loved the fact that Willow had a disability but didn't let that stop her. She had a big heart and wanted to share her happiness with the world. I found Razzel, Willow's best friend, to be quite the character. I loved her feistiness and the way she was very protective of Willow. Razzel was such a strong kick-butt character, and I fell in love with how funny and great she was. I'd say she was definitely my favorite character. Wyatt, Willow's older brother, made me chuckle a lot of the time as well. I love how he was constantly eating all the time...well, most of the time. Shayla was definitely an interesting character that I enjoyed. I won't go into too much detail though because I don't want to give anything away.
The dialogue between characters was fun to read. I loved the dialogue between Razzel and Willow the most though because of the chemistry between them. You could definitely tell how much they cared for each other. Do be aware that there are a couple of swear words but nothing major.
Overall, I really enjoyed reading A Girl Named Willow Krimble by Giuseppe Bianco. It is such a heartwarming read, and one I think everyone will enjoy. The only minor annoyance I had was most of the characters had such unusual names. But as I stated previously, that's just a minor thing that doesn't really take anything away from the book.
I'd recommend this book to everyone aged 13+ as it's such a lovely and warming read.
Overall, I'd give A Girl Named Willow Krimble (Willow Krimble #1) by Giuseppe Bianco a 4.75 out of 5.
Kyera (8 KP) rated Isla and the Happily Ever After (Anna and the French Kiss, #3) in Books
Feb 1, 2018
In the third novel of the sries, we return to enchanting Paris. Isla, who we were introduced to in the fist novel now takes centre stage. Familiar characters like John and Rashmi's younger sister Sanjita join her. We didn't know much about the artistic Josh beyond his love of snogging and frequent altercations with his girlfriend Rashmi. I am pleased to be able to watch his character develop.
The banter, or lack thereof, between Isla and Josh just makes you smile. They're both endearingly awkward and adorable together. When they go to the comic book store and Josh finds out Kurt isn't her boyfriend, the interaction is very authentic. You can almost feel his dismay turn to confusion and then happy relief.
Despite the fact that Isla has had a crush on Josh for three years, its nice to see that it doesn't come between her and her best friend, Kurt. (Well, most of the time.) Loyalty is very impotant and she won't let anyone treat him badly. Her only other relationship ended because the boy she was dating couldn't get along with Kurt. She's not the best at confronting people and speaking up, but she never lets people take advantage of her best friend or mistreat him. That person will no longer be a part of her life.
Unlike Anna, when I read about Isla and Josh they feel like the shy, exhuberant high schoolers that they are. They experience the awkwardness of first live and the misunderstandings or insecurities that come with not being entirely confortable in a relationship yet. Falling so hard and so fast, but faced with the crippling fear that the rug is going to be pulle out from under you. Isla and Josh experience it all.
Just as I hoped, the Olympics brought the gang back to Paris - plus their new additions. The inseperable Anna and St. Clair, Meredith, lovebirds Lola and Cricket, and Josh. They claim they're back for the Olympics, but something even more important and magical happens. A proposal, in Paris, on the famed bronze marker. It was a return to the city where Anna and Etienne found their other halves and officially began their happily every after. It was a simple, yet touching scene.
I'm glad we find out how Calliope does in the Olympics, although there is very little detail given. I think her story would lend itself well to a novella. But, I'll be happy with what we were given even if that does not happen.
Despite all of the struggles and heartbreak, insecurities and mistakes - Isla and Josh still find their own happily ever after. The story and sweet and heart-warming. J'adore mon <s>petit chou</s>... mon livre - I fell in love with the series "the good parts and the ugly parts" and I hope you do as well.
The banter, or lack thereof, between Isla and Josh just makes you smile. They're both endearingly awkward and adorable together. When they go to the comic book store and Josh finds out Kurt isn't her boyfriend, the interaction is very authentic. You can almost feel his dismay turn to confusion and then happy relief.
Despite the fact that Isla has had a crush on Josh for three years, its nice to see that it doesn't come between her and her best friend, Kurt. (Well, most of the time.) Loyalty is very impotant and she won't let anyone treat him badly. Her only other relationship ended because the boy she was dating couldn't get along with Kurt. She's not the best at confronting people and speaking up, but she never lets people take advantage of her best friend or mistreat him. That person will no longer be a part of her life.
Unlike Anna, when I read about Isla and Josh they feel like the shy, exhuberant high schoolers that they are. They experience the awkwardness of first live and the misunderstandings or insecurities that come with not being entirely confortable in a relationship yet. Falling so hard and so fast, but faced with the crippling fear that the rug is going to be pulle out from under you. Isla and Josh experience it all.
Just as I hoped, the Olympics brought the gang back to Paris - plus their new additions. The inseperable Anna and St. Clair, Meredith, lovebirds Lola and Cricket, and Josh. They claim they're back for the Olympics, but something even more important and magical happens. A proposal, in Paris, on the famed bronze marker. It was a return to the city where Anna and Etienne found their other halves and officially began their happily every after. It was a simple, yet touching scene.
I'm glad we find out how Calliope does in the Olympics, although there is very little detail given. I think her story would lend itself well to a novella. But, I'll be happy with what we were given even if that does not happen.
Despite all of the struggles and heartbreak, insecurities and mistakes - Isla and Josh still find their own happily ever after. The story and sweet and heart-warming. J'adore mon <s>petit chou</s>... mon livre - I fell in love with the series "the good parts and the ugly parts" and I hope you do as well.
JT (287 KP) rated The Intouchables (2012) in Movies
Mar 17, 2020
Beautifully acted (2 more)
Well-directed
Heart warming
A foreign film that everyone should watch
I don’t think there has been one foreign film that I have watched that I have not liked or one that has not moved me in some way. It’s good to be able to pull away from mainstream Hollywood films and delve into another language.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
This time I went for a heartwarming tale about a French aristocrat and a man from the projects who form an unlikely bond. Driss (Omar Sy) struggles in life, he lives at home with a large extended family and does his best to make ends meet.
Looking to show the benefits office that he is trying to find work so he can claim is not the easiest way to make money. On the other side, Philippe (François Cluzet) is dependent on everyone in his life, since a paragliding accident left him paralyzed from the neck down.
During an interview process to find his next carer in which Driss applies for the pair seemingly hit it off, and so begins a wonderful and awe-inspiring story. Driss who has never really needed to take responsibility after being pushed out on the street by his Aunt finds a new companion in Philippe.
Philippe too has found someone to share a smile with again, a laugh and most importantly someone that does not pity him which he feels is the most important. There is no particular story in this to adhere to, it’s about the growing relationship between two different people from opposite ends of the financial spectrum and how important they realise they are to each other.
Driss has to come to grips with the lifestyle that Philippe leads, how he has to be on call at every hour of the day, but living inside the large Parisian mansion he gets a taste of what his life is like to be wealthy and to seemingly have it all.
When Driss discovers that Philippe has an epistolary relationship with a woman he forces him to speak to her on the phone as opposed to the continual writing of letters, even going so far as to set him up on a date. Dris and Philippe force each other to step out of their comfort zones and to realize there is so much more in life.
The film’s serious nature is broken in parts by some beautiful light-hearted comedy, Driss realizing what the rubber gloves are for, and that foot cream is not shampoo. It’s been a while since I genuinely laughed out loud at any film.
When Philippe and Driss decide it is time to part ways there is a deflating sense of sadness that their relationship is over, but both men soon discover that they need each other in their life more than ever. Based on a true story it’s a brilliantly written and well-directed film that tugs at the heartstrings but will have you smiling all the way through.
Bob Mann (459 KP) rated Sound of Metal (2019) in Movies
Apr 13, 2021
Acting by Riz Ahmed, Paul Raci AND Olivia Cooke (2 more)
Wonderful story: show not tell!
Sound design is simply epic
When I was young, I remember being scared to death by an old black and white movie about a woman who went blind.... I remember she was travelling on a bus and the movie simulated the view through her eyes as her vision dimmed and then went black. (I've googled this without joy, so can't place the movie!) I found the concept of suddenly losing one of your key senses to be utterly terrifying. So, I was fully engaged with Ruben's issues in this movie.
I thought the movie was going to be downbeat and depressing. But, both with it's positive portrayal of the deaf community and with the extraordinary ending, I found it to be a wonderfully heart-warming tale.
Positives:
- There is just SOOO much depth to this story: a character torn from his familiar world and struggling to adapt to the changes. It's fundamentally a movie about acceptance of self. The last two minutes of the screen time are momentous: one of the best endings of a movie I can remember in recent memory. A truly religious experience.
- "Sound of Metal" won the BAFTA at the weekend for Sound, and deservedly so. It's another leading character in the film, with the editing deftly weaving between the soundscape that most of us live in and Ruben's perception. Apparently, the sound team used a hyper-sensitive microphone in Ahmed's mouth to pick up the inner noises of his body.
- Both Riz Ahmed and Paul Raci are nominated for Oscars. Simply stunning performances from both of them.
- Although not nominated, I'd lob Olivia Cooke's name into that frame too. It's almost IMPOSSIBLE to see the same actress who played "Pixie" in the body of Lou. It's a transformation akin to Charlize Theron's in "Monster". (In fact, it took me until the Paris scenes to actually recognize her!)
- Director Darius Marder - IN HIS DIRECTORIAL FEATURE DEBUT! - delivers a fabulous example of "show not tell". All of the detail is present in the film to tell the story if you look for it. You don't need dialogue to give Lou's backstory: just a casual shot of her lower arm is enough.
Negatives:
- It's a VERY minor quibble but, with a 2 hour running length, the Paris scenes dragged just a little for me. I might have chosen to do a few nips and tucks there in the 'party' scenes. But I wouldn't have wanted to lose much.
"Sound of Metal" has - I'm sure - a guaranteed slot in my Films of the Year list. Simply stunning and highly recommended, this is currently showing in the UK on Amazon Prime.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/13/sound-of-metal-dont-ignore-that-ear-bud-volume-warning-on-your-phone-kids/ )
I thought the movie was going to be downbeat and depressing. But, both with it's positive portrayal of the deaf community and with the extraordinary ending, I found it to be a wonderfully heart-warming tale.
Positives:
- There is just SOOO much depth to this story: a character torn from his familiar world and struggling to adapt to the changes. It's fundamentally a movie about acceptance of self. The last two minutes of the screen time are momentous: one of the best endings of a movie I can remember in recent memory. A truly religious experience.
- "Sound of Metal" won the BAFTA at the weekend for Sound, and deservedly so. It's another leading character in the film, with the editing deftly weaving between the soundscape that most of us live in and Ruben's perception. Apparently, the sound team used a hyper-sensitive microphone in Ahmed's mouth to pick up the inner noises of his body.
- Both Riz Ahmed and Paul Raci are nominated for Oscars. Simply stunning performances from both of them.
- Although not nominated, I'd lob Olivia Cooke's name into that frame too. It's almost IMPOSSIBLE to see the same actress who played "Pixie" in the body of Lou. It's a transformation akin to Charlize Theron's in "Monster". (In fact, it took me until the Paris scenes to actually recognize her!)
- Director Darius Marder - IN HIS DIRECTORIAL FEATURE DEBUT! - delivers a fabulous example of "show not tell". All of the detail is present in the film to tell the story if you look for it. You don't need dialogue to give Lou's backstory: just a casual shot of her lower arm is enough.
Negatives:
- It's a VERY minor quibble but, with a 2 hour running length, the Paris scenes dragged just a little for me. I might have chosen to do a few nips and tucks there in the 'party' scenes. But I wouldn't have wanted to lose much.
"Sound of Metal" has - I'm sure - a guaranteed slot in my Films of the Year list. Simply stunning and highly recommended, this is currently showing in the UK on Amazon Prime.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/13/sound-of-metal-dont-ignore-that-ear-bud-volume-warning-on-your-phone-kids/ )
In the Garden of Dandelions
Games and Book
App
Do you sometimes get that feeling of wanting to escape everyday life for a bit? “In the Garden of...
BankofMarquis (1832 KP) rated Encanto (2021) in Movies
Dec 28, 2021
Fun Family Friendly Film with GREAT Music
The good thing about travelling by plane over the Holidays is that it is an opportunity to catch up on Movies that were missed. Such is the case with the Disney Animation Film ENCANTO - a film that “came and went” earlier this fall.
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated Love, Simon (2018) in Movies
Jun 10, 2019
One of the most important films in a generation
I don’t think anyone will have any qualms in me saying that the LGBT community is one of the most vastly underrepresented parts of society when it comes to mainstream Hollywood movies.
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Movie Metropolis (309 KP) rated The Lego Batman Movie (2017) in Movies
Jun 11, 2019
All Hail the Bricks
LEGO may have just single-handedly saved the DC Universe. Yep, you heard me right; the construction toy has come to the aid of one of the comic-book heavyweights in spectacular fashion.
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Of course, this is not the first time the world’s biggest toy company has released a film. 2014’s LEGO Movie catapulted the popular bricks into the minds of more people than ever before, it was an astounding success, and deserved every inch.
Now, they’re back with The LEGO Batman Movie, a film with so many side jokes and movie references, it’s impossible to spot them all the first time around.
There are some big changes brewing in the city of Gotham, but if Batman (Will Arnett) wants to save the city from the Joker’s (Zach Galifianakis) hostile takeover, he may have to drop the lone vigilante shtick, try to work with others and perhaps, learn to lighten up; if that’s humanly possible. Maybe his superhero sidekick Robin (voiced by Michael Cera) and loyal butler Alfred (played by Ralph Fiennes) can show him a thing or two?
After depressing cinema-goers with Batman v Superman: Dawn of Justice and the studio interference that caused Suicide Squad to be a hideous mess (which is referenced in the flick marvellously), DC was in serious trouble – its universe was unravelling before it had even got going. Marvel certainly had nothing to worry about from its biggest rival, but that may have changed after this.
Everything from the voice acting to the ridiculously dry script and exceptional animation makes The LEGO Batman Movie a treat for children and adults. There are references to: get ready… Jurassic Park, Harry Potter, Doctor Who, Gremlins, The Lord of the Rings and every single Batman film to name but a few, all expertly placed within a story that betters any DC film before it.
The cast gels together perfectly. Will Arnett clearly had a ball playing the caped crusader, channelling Ben Affleck and Christian Bale flawlessly. Michael Cera gives his best performance in years and Ralph Fiennes is great as Alfred. Would you believe me if I said Mariah Carey even got in on the action? Well, she does. There are small roles for Channing Tatum, Jonah Hill and Eddie Izzard too.
Elsewhere, the animation is of course, blocky. Beautifully so in fact. It’s always exciting seeing individual locations transformed into LEGO and Gotham is no exception. It’s rendered to an exquisite standard with each and every frame stuffed to the brim with colour and detail. The music is also a highlight throughout with Lorne Balfe’s faithful score juxtaposed with some original songs and classic pop hits.
Overall, The LEGO Batman Movie was always going to be a gamble, but perhaps less of a risk considering the low quality of DC’s current crop of films. With some great animation, a genuinely funny and at times heart-warming story and a cast that works together incredibly well, it’s a cracking addition to the ever-expanding superhero genre.
https://moviemetropolis.net/2017/02/11/all-hail-the-bricks-the-lego-batman-movie-review/
Movie Metropolis (309 KP) rated War for the Planet of the Apes (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
The Great Ape-scape
Six years ago, I didn’t think I’d be telling you that a remake of the classic Planet of the Apes and its sequel would go on to be one of the finest double acts since The Two Ronnies, but that’s exactly what has happened.
Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors?
Caesar (Andy Serkis) and his band of loyal apes are forced into a deadly war with an army of humans led by a ruthless colonel (Woody Harrelson). After Caesar’s band of apes suffers unimaginable losses, he wrestles with his darker instincts and begins his own quest of revenge. As the journey finally brings the two rivals face-to-face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species.
I have to say, I was a little concerned the finished product would be as tongue twisting as its frankly ridiculous title (a problem that has blighted the entire series), but it ends up being a stunning and heart-warming finale to a franchise filled to the brim with memorable moments.
The motion capture used on Andy Serkis to create Caesar has to be seen to be believed. If you thought predecessor Dawn was good, you haven’t seen anything yet. His hair moves with subtle believability and his movements are so fluid, it’s easy to forget you’re watching a film and not a documentary.
But this incredible technology isn’t used solely on our main protagonist. Fan favourite orangutan Maurice returns and newcomer “Bad Ape” captured by Steve Zahn provides the flick with a much-needed eccentric, shining a little light in one of the bleakest feature films of the last half decade.
The human characters, naturally don’t fare so well. Woody Harrelson is his usual charismatic self but feels a little caricature like. His colonel just doesn’t feel particularly believable. Likewise, Amiah Miller’s turn as Nova, whom Maurice adopts as his daughter, seems to be merely used as a plot device, though she does partake in some of the sweeter moments.
As with its predecessors, War is a slow burner with the action interweaved into the plot rather than the other way around. In principle it works well, though the pacing towards the middle of this 140-minute behemoth is a little off.
Nevertheless, the action is filmed beautifully. In fact, the whole film is stunning. Beautiful wooded landscapes and open deserts are juxtaposed with the dark concentration camps used in the latter half. One sequence in particular, behind a gorgeously realised waterfall, is one of the best action scenes of the entire year.
Masquerading as a blockbuster, this is a film with a much deeper message about messing with nature. Brutal and emotionally testing, War for the Planet of the Apes is brave in its choices and all the better for it.
Three films in, it would be easy for director Matt Reeves to rest on his laurels and rely on the positive reaction to its predecessors, but thankfully he has climaxed on a high. It’s not perfect, and not an easy watch by any means, but for a threequel, you can’t really get much better.
https://moviemetropolis.net/2017/07/12/war-for-the-planet-of-the-apes-review/
Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors?
Caesar (Andy Serkis) and his band of loyal apes are forced into a deadly war with an army of humans led by a ruthless colonel (Woody Harrelson). After Caesar’s band of apes suffers unimaginable losses, he wrestles with his darker instincts and begins his own quest of revenge. As the journey finally brings the two rivals face-to-face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species.
I have to say, I was a little concerned the finished product would be as tongue twisting as its frankly ridiculous title (a problem that has blighted the entire series), but it ends up being a stunning and heart-warming finale to a franchise filled to the brim with memorable moments.
The motion capture used on Andy Serkis to create Caesar has to be seen to be believed. If you thought predecessor Dawn was good, you haven’t seen anything yet. His hair moves with subtle believability and his movements are so fluid, it’s easy to forget you’re watching a film and not a documentary.
But this incredible technology isn’t used solely on our main protagonist. Fan favourite orangutan Maurice returns and newcomer “Bad Ape” captured by Steve Zahn provides the flick with a much-needed eccentric, shining a little light in one of the bleakest feature films of the last half decade.
The human characters, naturally don’t fare so well. Woody Harrelson is his usual charismatic self but feels a little caricature like. His colonel just doesn’t feel particularly believable. Likewise, Amiah Miller’s turn as Nova, whom Maurice adopts as his daughter, seems to be merely used as a plot device, though she does partake in some of the sweeter moments.
As with its predecessors, War is a slow burner with the action interweaved into the plot rather than the other way around. In principle it works well, though the pacing towards the middle of this 140-minute behemoth is a little off.
Nevertheless, the action is filmed beautifully. In fact, the whole film is stunning. Beautiful wooded landscapes and open deserts are juxtaposed with the dark concentration camps used in the latter half. One sequence in particular, behind a gorgeously realised waterfall, is one of the best action scenes of the entire year.
Masquerading as a blockbuster, this is a film with a much deeper message about messing with nature. Brutal and emotionally testing, War for the Planet of the Apes is brave in its choices and all the better for it.
Three films in, it would be easy for director Matt Reeves to rest on his laurels and rely on the positive reaction to its predecessors, but thankfully he has climaxed on a high. It’s not perfect, and not an easy watch by any means, but for a threequel, you can’t really get much better.
https://moviemetropolis.net/2017/07/12/war-for-the-planet-of-the-apes-review/