Search
Search results
Gareth von Kallenbach (971 KP) rated Parental Guidance (2012) in Movies
Aug 7, 2019
I don’t really know where to start with this review. I guess I’ll start with what I’m expecting to see when I see a preview. I’m really bad at assuming I know what’s going to happen. Sometimes I’m right, happily sometimes I’m wrong, and then there are times, like with this movie, where it’s half and half.
The movie starts out with Artie Decker (Billy Crystal) as ‘de voice’ of his local Grizzlies’ baseball team. He’s really good at commentating and he loves doing it but after the last game of the season he gets fired. It’s predictable why he’s fired, basically he doesn’t poke or tweet, and I think they thought they hit gold with that moment of comedy but for me, eh. When he gets home his wife Diane (Bette Midler) comforts him. He’s lost for a moment since he wasn’t ready to stop but then decides he should chase his dream to commentate for the Giants though he doesn’t know where to start.
We shoot over to Alice Simmons (Marisa Tomei) Artie and Diane’s daughter, and her husband Phil, (Tom Everett Scott) who live in such a modern electronic home that it’s actually all controlled by a beta system called Rlife. Rlife can be programmed for alarm times, music, food, pretty much everything for each family member. This Rlife is Phil’s dream he gets invited to a conference to get his Rlife hopefully in production. Alice is going to with him, kind of a semi work vacation and they need Artie and Diane to watch the kids for a week.
What makes the divide even greater between Alice and her kids from Artie is that Alice and Phil are raising their kids in a new school that is different from Artie’s old school, tough love and strict rules. They use phrases like ‘use your words’ or if you give a ‘put down’ you have to give ‘three ups’ and you can’t use the word ‘no’ you have to say ‘think about the consequences’.
Their oldest, a young teen, is their only daughter Harper, Bailee Madison, who is extremely uptight and carrying the weight of the world on her shoulders. Next we have the two boys, Turner, Joshua Rush, middle schooler, who stutters and is shy because of it, and the youngest Barker, Kyle Harrison Breitkopf, who is basically toddler with lots of energy, but seems to get away with a lot of bad behavior.
Diane realizes that they are the other grand parents, the ones that their grand kids don’t really like. Long story short, it’s supposed to be about being open to new ideas but it just feels like old school versus new school. Billy’s Crystal’s comedy and Bette Middler’s and Marisa Tomei’s acting can pull it out of the boredom for some laughs and good moments and there are a few situational laughs with the children as well, but that’s about it.
The truly redeeming quality to this movie, besides the three main actors is the ending, the last ten minutes. It’s a surprising heartwarming ending, and only slightly predictable. It sounds crazy but it actually brings the whole movie up from a two star to a three star for me. One last thing is that the guest I went with has two children of her own and tried to get me to change my rating from three to four. I really can’t do that but I think that means that if you have children of your own you might enjoy this a little bit more than I did.
Bottom line, renter, unless you love Bily Crystal.
The movie starts out with Artie Decker (Billy Crystal) as ‘de voice’ of his local Grizzlies’ baseball team. He’s really good at commentating and he loves doing it but after the last game of the season he gets fired. It’s predictable why he’s fired, basically he doesn’t poke or tweet, and I think they thought they hit gold with that moment of comedy but for me, eh. When he gets home his wife Diane (Bette Midler) comforts him. He’s lost for a moment since he wasn’t ready to stop but then decides he should chase his dream to commentate for the Giants though he doesn’t know where to start.
We shoot over to Alice Simmons (Marisa Tomei) Artie and Diane’s daughter, and her husband Phil, (Tom Everett Scott) who live in such a modern electronic home that it’s actually all controlled by a beta system called Rlife. Rlife can be programmed for alarm times, music, food, pretty much everything for each family member. This Rlife is Phil’s dream he gets invited to a conference to get his Rlife hopefully in production. Alice is going to with him, kind of a semi work vacation and they need Artie and Diane to watch the kids for a week.
What makes the divide even greater between Alice and her kids from Artie is that Alice and Phil are raising their kids in a new school that is different from Artie’s old school, tough love and strict rules. They use phrases like ‘use your words’ or if you give a ‘put down’ you have to give ‘three ups’ and you can’t use the word ‘no’ you have to say ‘think about the consequences’.
Their oldest, a young teen, is their only daughter Harper, Bailee Madison, who is extremely uptight and carrying the weight of the world on her shoulders. Next we have the two boys, Turner, Joshua Rush, middle schooler, who stutters and is shy because of it, and the youngest Barker, Kyle Harrison Breitkopf, who is basically toddler with lots of energy, but seems to get away with a lot of bad behavior.
Diane realizes that they are the other grand parents, the ones that their grand kids don’t really like. Long story short, it’s supposed to be about being open to new ideas but it just feels like old school versus new school. Billy’s Crystal’s comedy and Bette Middler’s and Marisa Tomei’s acting can pull it out of the boredom for some laughs and good moments and there are a few situational laughs with the children as well, but that’s about it.
The truly redeeming quality to this movie, besides the three main actors is the ending, the last ten minutes. It’s a surprising heartwarming ending, and only slightly predictable. It sounds crazy but it actually brings the whole movie up from a two star to a three star for me. One last thing is that the guest I went with has two children of her own and tried to get me to change my rating from three to four. I really can’t do that but I think that means that if you have children of your own you might enjoy this a little bit more than I did.
Bottom line, renter, unless you love Bily Crystal.
Sarah (7798 KP) rated Mean Girls (2004) in Movies
Nov 22, 2020
Entertaining
Film #3 on the 100 Movies Bucket List: Mean Girls
The third film on my 100 Movies Bucket List is Mean Girls, a film I’ve seen but never had any strong emotion for. Mean Girls stars Lindsay Lohan as Cady, who after living and being homeschooled in Africa for most of her life, must now enter the terrifying world of an American high school. Here she meets Janis (Lizzy Caplan) and Damian (Daniel Franzese) who clue her into high school hierarchy, including introducing her to the Plastics: Regina (Rachel McAdams), Karen (Amanda Seyfried) and Gretchen (Lacey Chabert).
Mean Girls is a teenage movie that is unlike many others – instead of being dumb and crude, it’s surprisingly smart and humorous. From the opening scenes, it’s obvious that this is intelligent. It’s full of subtle jokes and remarks and some absolutely superb one liners, and these are all down to Tina Fey who has written an excellent script. And in the process appears to have some of the best lines as teacher Mrs Norbury, but do you blame her? Mean Girls manages to portray the high school hierarchy and social interactions perfectly. Whilst is is obviously catering more to American high schoolers, I doubt there are many that would watch this and not see something that they personally experienced at high school. It’s almost poking fun at the high school experience but in such a smart and enjoyable way. There are moments and lines in this that are almost verging on inappropriate, and likely wouldn’t be acceptable in today’s society, but even though this was made in 2004 I don’t doubt that this impropriety is still reflective of modern day high schools.
The acting on offer here is superb. Lindsay Lohan is entirely believable as Cady and this is hugely important considering the message Mean Girls is portraying. This film is entirely about the realisation that you should be happy about you are, and that putting other people down will never achieve anything. Getting this message across is done very well, in a funny yet almost heartwarming manner although admittedly it is all rather obvious. Although at least this tries to avoid as many teenage film clichés as possible, which makes for a refreshing change.
My problem with Mean Girls is the whole bitchiness of it all that underpins the second act. I know “mean” girls were to be expected, but by the end I found myself getting very irritable with how horrible these girls were and the constant sniping at each other. This may stem from my own sometimes unpleasant experiences at high school, but teenage girls stabbing each other in the backs gets very old very quickly. Fortunately the ending does at least relieve some of the meanness and provide a surprisingly heartwarming and uplifting resolution, but I’m afraid some of the damage remains. And I must admit that seeing a smart girl play dumb and risk failing for a boy really makes my blood boil, and yes I do know it’s only a film.
Overall Mean Girls is a well done teenage film which stands out mostly because of its very smart script. It’s probably one of the best high school based films out there but it isn’t perfect, and I do question as to whether it deserves a spot on the bucket list when there are so many outstanding films that have missed out.
The third film on my 100 Movies Bucket List is Mean Girls, a film I’ve seen but never had any strong emotion for. Mean Girls stars Lindsay Lohan as Cady, who after living and being homeschooled in Africa for most of her life, must now enter the terrifying world of an American high school. Here she meets Janis (Lizzy Caplan) and Damian (Daniel Franzese) who clue her into high school hierarchy, including introducing her to the Plastics: Regina (Rachel McAdams), Karen (Amanda Seyfried) and Gretchen (Lacey Chabert).
Mean Girls is a teenage movie that is unlike many others – instead of being dumb and crude, it’s surprisingly smart and humorous. From the opening scenes, it’s obvious that this is intelligent. It’s full of subtle jokes and remarks and some absolutely superb one liners, and these are all down to Tina Fey who has written an excellent script. And in the process appears to have some of the best lines as teacher Mrs Norbury, but do you blame her? Mean Girls manages to portray the high school hierarchy and social interactions perfectly. Whilst is is obviously catering more to American high schoolers, I doubt there are many that would watch this and not see something that they personally experienced at high school. It’s almost poking fun at the high school experience but in such a smart and enjoyable way. There are moments and lines in this that are almost verging on inappropriate, and likely wouldn’t be acceptable in today’s society, but even though this was made in 2004 I don’t doubt that this impropriety is still reflective of modern day high schools.
The acting on offer here is superb. Lindsay Lohan is entirely believable as Cady and this is hugely important considering the message Mean Girls is portraying. This film is entirely about the realisation that you should be happy about you are, and that putting other people down will never achieve anything. Getting this message across is done very well, in a funny yet almost heartwarming manner although admittedly it is all rather obvious. Although at least this tries to avoid as many teenage film clichés as possible, which makes for a refreshing change.
My problem with Mean Girls is the whole bitchiness of it all that underpins the second act. I know “mean” girls were to be expected, but by the end I found myself getting very irritable with how horrible these girls were and the constant sniping at each other. This may stem from my own sometimes unpleasant experiences at high school, but teenage girls stabbing each other in the backs gets very old very quickly. Fortunately the ending does at least relieve some of the meanness and provide a surprisingly heartwarming and uplifting resolution, but I’m afraid some of the damage remains. And I must admit that seeing a smart girl play dumb and risk failing for a boy really makes my blood boil, and yes I do know it’s only a film.
Overall Mean Girls is a well done teenage film which stands out mostly because of its very smart script. It’s probably one of the best high school based films out there but it isn’t perfect, and I do question as to whether it deserves a spot on the bucket list when there are so many outstanding films that have missed out.
Neon's Nerd Nexus (360 KP) rated Alita: Battle Angel (2019) in Movies
May 13, 2019
Fighting fit
#alitabattleangel may just be the most #intense & visually splendid mature cgi fest I've seen in a long long time. Having not seen #anime that inspired this #movie i had no idea what i was walking into with this one. Upon leaving it i not only felt extremely satisfied but also like i had experienced something #breathtaking & full to the brim with #passion. To start I can't stress enough just how god damn #beautiful this #film is, cgi is staggering as well as jaw dropping. From the intricate inner machinery wires, dust particles & realistic lighting to the tiny blemishes on skin Alita simply knocks it out the park. Its locations are vast, immersive, claustrophobic, lived in, #depressing & full to the brim with story telling/world building so much so that they could each tell a story themselves. #Animation is slick, fluid & #natural with #human & cgi interaction weighty & almost flawlessly done. Story wise its extremely empowering as we watch #Alita grow from & innocent child like #girl into a tuff driven #woman. Seeing Alita emit such wonderful human emotions such as #love, excitement & #happiness is not only #heartwarming but also #magical. Starting so warm & ending so bleak we see Alitas innocence almost ripped away from her as she is forced to #mature fast letting her primal instincts & bad human traits (such as jealousy/#anger) take control tarnishing her other wise loving/careing inner self. Its tense, adrenaline inducing stuff & this mixed with well constructed action & your token damn right nasty at times #robertrodriguez death scenes its not always the happiest of films either. #Deep themes are explored but theres alot of them too so only surfaces are scratched. My favourite being how #society/entertainment glorifies/condones violence & uses it as a tool to control us all. Negatives - if anything #Battleangel is far to short, i feel i needed another hour of content in there somewhere especially the final act which felt rushed. If we dont get a sequel or 3 i will be very disappointed as this is a fantastic world i simply must know more about it. A must see for sure. #edskrein is an absolute joy to watch too. #odeon #odeonlimitless #robot #thursdaythoughts
Phillip McSween (751 KP) rated Paddington 2 (2017) in Movies
Jan 19, 2018
Great Fun
I'm hoping this review doesn't turn into a lovefest, but Paddington 2, like its predecessor, had a way of pushing all of my right buttons. The gang is back with a few new faces to add, like Hugh Grant playing the role of antagonist Phoenix Buchanan. Grant excels in the role as you hate him and love him at the same time. He's smug, playful, and just a downright jerk. The film wouldn't have been the same without him.
The film's humor packs a powerful punch in a number of ways. It's hilariousness comes not just in the things that hit you directly, but the side things happening at the same time. In one scene the Brown family is talking amongst themselves with their usual funny banter while Paddington destroys an entire candy apple in one bite. I'm excited to go back again and revisit some of the things I may have missed.
Paddington's Aunt Lucy has her hundredth birthday coming up and Paddington finds something extremely special to give to her. He decides to get a job and scrounge up his cash to buy the item, but someone else has their sights on the item as well and is willing to stop at nothing to get it.
It's the perfect film to start 2018 off with a bang. While Paddington 2 does have a few extreme moments, those moments are forgivable when looking at the film as a whole. Every kids movie has its extreme moments, but not every kids movies can successfully pass on a positive message without making it look preachy. This is where Paddington 2 shines and sets itself apart.
The message is simple: We get further in life when we help each other and love each other. Now's as good a time as any to reinforce that statement. Paddington reminds us of who we should all strive to be as people. He goes through life without a care in the world and always puts his family and friends first.
A fun and heartwarming ride, you'll find yourself rooting for Paddington the whole way through. I give Paddington 2 a 98. Talk about setting the bar high for 2018! It's gonna be a great year.
The film's humor packs a powerful punch in a number of ways. It's hilariousness comes not just in the things that hit you directly, but the side things happening at the same time. In one scene the Brown family is talking amongst themselves with their usual funny banter while Paddington destroys an entire candy apple in one bite. I'm excited to go back again and revisit some of the things I may have missed.
Paddington's Aunt Lucy has her hundredth birthday coming up and Paddington finds something extremely special to give to her. He decides to get a job and scrounge up his cash to buy the item, but someone else has their sights on the item as well and is willing to stop at nothing to get it.
It's the perfect film to start 2018 off with a bang. While Paddington 2 does have a few extreme moments, those moments are forgivable when looking at the film as a whole. Every kids movie has its extreme moments, but not every kids movies can successfully pass on a positive message without making it look preachy. This is where Paddington 2 shines and sets itself apart.
The message is simple: We get further in life when we help each other and love each other. Now's as good a time as any to reinforce that statement. Paddington reminds us of who we should all strive to be as people. He goes through life without a care in the world and always puts his family and friends first.
A fun and heartwarming ride, you'll find yourself rooting for Paddington the whole way through. I give Paddington 2 a 98. Talk about setting the bar high for 2018! It's gonna be a great year.
Kristy H (1252 KP) rated The Good Neighbor in Books
Feb 13, 2018
Recently divorced, Izzy finds herself right back where she started -- literally, she's living in the house she grew up in (her parents have moved on to retirement), struggling to take care of her young son Noah, and dealing with the fact that her ex, Bruce, is dating again. A school counselor by day, Izzy finds solace in blogging about her woes and dating life online at night. But when she starts writing about an imaginary boyfriend, "Mac," to make herself feel better about Bruce's new girlfriend, things go south quickly, especially when Izzy's blog takes off after her friend hires her to write for her up and coming "Philly Over 40" site. The only person Izzy can confide in is her next door neighbor, Mrs. Feldman, but her sweet 80-something neighbor may have a few secrets of her own.
I must confess, I almost gave up on this book in the beginning. It just seemed to start slowly for me. There is a lot of hand wringing from Izzy about her life and her blog. Eventually things take off and the plot gets more exciting. My biggest issue is that, in many ways, Izzy's fabrication of "Mac" doesn't really seem to be the huge deal that she makes it out to be. Sure, she shouldn't be lying to everyone, but really, her lie is going to supposedly bring down her friends' business, destroy all her friendships, and ruin Izzy's life? It is just a blog after all. Some of that just seems to be a stretch. Compare to the heartwarming and heartbreaking storyline with Mrs. Feldman -- it truly can't compare.
However, because I'm a total sucker, I kept imagining this movie as a romantic comedy or sitcom. I was sort of tense reading this novel, because you knew eventually the lie would be revealed, everything would get crazy, and all would be for naught... but you hoped like any "good" romantic comedy or sitcom, it would still tie up pretty neatly with a bow at the end, right? (And I won't lie, I sort of like that sometimes. There's enough uncertainty in real life.)
(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)
I must confess, I almost gave up on this book in the beginning. It just seemed to start slowly for me. There is a lot of hand wringing from Izzy about her life and her blog. Eventually things take off and the plot gets more exciting. My biggest issue is that, in many ways, Izzy's fabrication of "Mac" doesn't really seem to be the huge deal that she makes it out to be. Sure, she shouldn't be lying to everyone, but really, her lie is going to supposedly bring down her friends' business, destroy all her friendships, and ruin Izzy's life? It is just a blog after all. Some of that just seems to be a stretch. Compare to the heartwarming and heartbreaking storyline with Mrs. Feldman -- it truly can't compare.
However, because I'm a total sucker, I kept imagining this movie as a romantic comedy or sitcom. I was sort of tense reading this novel, because you knew eventually the lie would be revealed, everything would get crazy, and all would be for naught... but you hoped like any "good" romantic comedy or sitcom, it would still tie up pretty neatly with a bow at the end, right? (And I won't lie, I sort of like that sometimes. There's enough uncertainty in real life.)
(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)
The best Pixar film?
I have recently purchased a ‘100 Movies Bucket List’ scratch off poster, with the intention of finally crossing off all of the classic films I’ve never seen before. However with the current and ongoing COVID lockdowns, now seemed like a perfect time to watch all of the 100 films on this list including those I know and love. These will be watched in no particular order, and will be highly dependent on my mood and film availability. First on my list is Up.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Up (2009) is a Disney/Pixar animation that follows widower Carl, as he, his house and intrepid wilderness explorer Russell go on an adventure to Paradise Falls.
Up is definitely “up” there as one of the best ever Disney/Pixar films, if not THE best. It has all of the hallmarks that you’d come to expect from such a film and they are executed to perfection. From the opening sequence, which is by far one of the most heartwarming and heart-wrenching things you will ever watch (and this is coming from a studio that killed Bambi’s mother). If you’re not bawling your eyes out after the first 15 minutes, there is something seriously wrong with you.
Once we’ve recovered from the opening scenes, we’re introduced to Carl the widower (Ed Asher) and he’s still tugging on the old heart strings as he goes about his life on his own. He’s your typical grouchy old man, in a rather funny and adorable way, and watching his interactions with others is both sad and entertaining to watch. After a rather unfortunate event, Carl takes his house to the skies and it’s here where the film really starts to get going with stowaway Russell, as they arrive in Paradise Falls and encounter mysterious bird of paradise Kevin, Charles Muntz and his dogs.
As soon as Carl sets off on his journey, this becomes a spirited and fun adventure film. There is never a dull moment and is full of wonder, joy and a fair few laughs, as well as a surprising amount of dark tension generated by famous explorer Muntz (Christopher Plummer). For a kids film, Muntz is an unusually threatening figure and the fear of him is only exacerbated by the fact that half of this film is set at a quite a scary height. Even during the fight scene with Carl towards the end of the movie, Muntz is still intimidating despite the very amusing nods to old age that are thrown in.
For me though, the star (and stars) of Up are Dug and Muntz’s pack of dogs. Disney/Pixar have this amazing knack of writing funny sidekick animals, with the majority of laughs coming from simple observations about how these animals behave in real life (something The Secret Life of Pets should have take more notice of). Up so easily works dogs being dogs into the narrative of this story with ease, and talking dogs are just so funny. From the cone of shame to their attitude towards squirrels and tennis balls, and the fact that they refer to Russell as “the small mailman” – this is pure genius and makes me laugh no matter how many times I see it.
Disney/Pixar films fall into two categories: Very Good and Brilliant. Up has what all Disney/Pixar films have – a wonderfully balanced story full of adult and child appropriate laughs and heartwarming emotional ‘feels’, and some top notch animation. But what brings Up into the “Brilliant” category is it is a beautiful tale of love and friendship, with a touching and rather moving message about life. This is a classic tale that is done flawlessly in a way that only Disney/Pixar can.
Note: whilst I love the film, I’m so far not impressed with my poster itself. Scratched it as you would a scratch card and part of the picture has come off (see attached evidence)… best be more careful next time.
Sarah (7798 KP) rated Seven (1995) in Movies
Nov 18, 2020
A timeless crime thriller
Film #2 on the 100 Movies Bucket List: Se7en
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
BankofMarquis (1832 KP) rated Soul (2020) in Movies
Feb 5, 2021
Good...but wished it touched my Soul more
The creators at PIXAR have done it again. They have crafted a beautifully drawn, incredibly imaginative, wonderfully performed, heartwarming story for young and old alike to enjoy.
I just wished it touched my Soul more.
Written and Directed by Pete Docter (UP!, INSIDE OUT) - who I would argue is the…ahem…soul of Pixar - SOUL tells the story of Joe, a middle school band teacher who aspires to be a jazz musician. On the cusp of realzing his dream, Joe (or, rather, Joe’s soul) finds himself in the afterlife desperately trying to return to his life to fulfill his dream.
Strongly voiced by Jamie Foxx, Joe is singularly focused on his goal and he won’t let anything get in his way, not even a “lost soul” (voiced by Tina Fey).
Now, I am a big fan of Tina Fey’s and she does just as good a job in her voice acting as Foxx, but for me, I just didn’t sense a gel of characters between these two. Part of that issue just might be in the storytelling - as Joe’s character is constantly pushing Fey’s character away and, so, was pushing me away as well.
And that is too bad as this relationship is at the…well…soul of this film and I really wanted this to work better because the rest of the film is WONDERFUL.
Docter’s depiction of the afterlife is sublimely abstract and I really felt that this worked well and was a smart way to deal with that portion of the film. The script moves along and the assorted situations and characters that Joe and “22” (Fey’s character) encounter are fun.
And that’s because Pixar, once again, populates the film with a strong array of voice talent that brings “something more” to their characters - Graham Norton, Phylicia Rashad, Wes Studi and Daveed Diggs all shine in what are, essentially, extended cameo roles.
Which brings me back to my central issue - Foxx and Fey are on screen together for most of this film and I just wanted to connect with them more. Perhaps I was just not in the mood for this film at the time I viewed it. I will definitely give this movie another look (because there are so many good things going on).
Perhaps, I just need to open my soul more.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
I just wished it touched my Soul more.
Written and Directed by Pete Docter (UP!, INSIDE OUT) - who I would argue is the…ahem…soul of Pixar - SOUL tells the story of Joe, a middle school band teacher who aspires to be a jazz musician. On the cusp of realzing his dream, Joe (or, rather, Joe’s soul) finds himself in the afterlife desperately trying to return to his life to fulfill his dream.
Strongly voiced by Jamie Foxx, Joe is singularly focused on his goal and he won’t let anything get in his way, not even a “lost soul” (voiced by Tina Fey).
Now, I am a big fan of Tina Fey’s and she does just as good a job in her voice acting as Foxx, but for me, I just didn’t sense a gel of characters between these two. Part of that issue just might be in the storytelling - as Joe’s character is constantly pushing Fey’s character away and, so, was pushing me away as well.
And that is too bad as this relationship is at the…well…soul of this film and I really wanted this to work better because the rest of the film is WONDERFUL.
Docter’s depiction of the afterlife is sublimely abstract and I really felt that this worked well and was a smart way to deal with that portion of the film. The script moves along and the assorted situations and characters that Joe and “22” (Fey’s character) encounter are fun.
And that’s because Pixar, once again, populates the film with a strong array of voice talent that brings “something more” to their characters - Graham Norton, Phylicia Rashad, Wes Studi and Daveed Diggs all shine in what are, essentially, extended cameo roles.
Which brings me back to my central issue - Foxx and Fey are on screen together for most of this film and I just wanted to connect with them more. Perhaps I was just not in the mood for this film at the time I viewed it. I will definitely give this movie another look (because there are so many good things going on).
Perhaps, I just need to open my soul more.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Big Fish (2003) in Movies
May 1, 2020
Whimsical, Fantastical and Entrancing
Looking for a charming, fantastical diversion that will whisk you away from this world for 2 hours? Look no further than the heartwarming father/son story BIG FISH.
Set in the unmistakable stylings of idealic living from the mind of Tim Burton, BIG FISH tells the tale of a father by the name of Ed Bloom (the great Albert Finney) who's son, Will Bloom (Billy Crudup - fresh off of ALMOST FAMOUS) has separated himself from his father for he is sick of the "tall tales" that his father tells about his life. Most of the movie is the reconciliation of father and son set against the backdrop of these fantastical stories (the younger Ed Bloom is played with whimsical wonder by Ewan McGregor).
And...it is the telling of these stories where Director Tim Burton really shines. It is a perfect match of Director, tone and style to tell the story. He uses a primary color palate (much the same way he used it in Edward Scissorhands) punctuated by "steam punk blacks and grays" that creates a world that is a wonder to look at and is instantly recognizable not only by what is familiar but also by how it is UN-familiar. If overused, this type of stylings could be a detriment to the storytelling, but in BIG FISH, Burton paints the canvas perfectly.
As I stated, McGregor is whimsical as the young Ed Bloom. You can see a young man exploring and drinking in all the world has to offer. On the other side, Albert Finney shows that he has a twinkle in his eye (even though the older Ed Bloom is battling a chronic disease). He sparkles when he tells his stories. Finney's performance draws you in while McGregor's keeps you there.
As does the performances of such terrific actors like Steve Buscemi, Helena Bonham Carter and Danny DeVito (as individuals that Ed meets along the way). They "get" what Burton is going for and embrace the charm and whimsy of it all. "Back in the real world" - a (then) unknown Marion Cotillard is engaging as Will Bloom's pregnant wife and Jessica Lange shines as Ed's wife who has "heard it all" and is still charmed by it all after all these years. There is a scene later in the film between Finney and Lange (and a bathtub) that shows that these 2 veteran actors can throw their fastball when asked.
I was entranced by the tall tales told in this film and I think you will be to.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Set in the unmistakable stylings of idealic living from the mind of Tim Burton, BIG FISH tells the tale of a father by the name of Ed Bloom (the great Albert Finney) who's son, Will Bloom (Billy Crudup - fresh off of ALMOST FAMOUS) has separated himself from his father for he is sick of the "tall tales" that his father tells about his life. Most of the movie is the reconciliation of father and son set against the backdrop of these fantastical stories (the younger Ed Bloom is played with whimsical wonder by Ewan McGregor).
And...it is the telling of these stories where Director Tim Burton really shines. It is a perfect match of Director, tone and style to tell the story. He uses a primary color palate (much the same way he used it in Edward Scissorhands) punctuated by "steam punk blacks and grays" that creates a world that is a wonder to look at and is instantly recognizable not only by what is familiar but also by how it is UN-familiar. If overused, this type of stylings could be a detriment to the storytelling, but in BIG FISH, Burton paints the canvas perfectly.
As I stated, McGregor is whimsical as the young Ed Bloom. You can see a young man exploring and drinking in all the world has to offer. On the other side, Albert Finney shows that he has a twinkle in his eye (even though the older Ed Bloom is battling a chronic disease). He sparkles when he tells his stories. Finney's performance draws you in while McGregor's keeps you there.
As does the performances of such terrific actors like Steve Buscemi, Helena Bonham Carter and Danny DeVito (as individuals that Ed meets along the way). They "get" what Burton is going for and embrace the charm and whimsy of it all. "Back in the real world" - a (then) unknown Marion Cotillard is engaging as Will Bloom's pregnant wife and Jessica Lange shines as Ed's wife who has "heard it all" and is still charmed by it all after all these years. There is a scene later in the film between Finney and Lange (and a bathtub) that shows that these 2 veteran actors can throw their fastball when asked.
I was entranced by the tall tales told in this film and I think you will be to.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated The Big Sick (2017) in Movies
Jul 11, 2019
Kumail (Kumail Nanjiani) is a young Pakistani American trying to make it as a stand-up comic. He spends his free time making extra money as an Uber driver and getting set up with Pakistani women by his family, in an attempt to arrange a marriage for him. Then his life changes one night when he meets an American girl named Emily (Zoe Kazan). After hooking up the night they meet they start a whirlwind relationship. But Kumail is hiding this relationship from his family, because they would disown him if they found out, and still meeting with the young women who he could potentially marry. When Emily finds this out she confronts Kumail and they break up. Kumail is depressed but felt he had to choose his family and tradition over his feelings for Emily. Then a while later he gets a frantic call in the middle of the night from one of Emily’s friends asking him to go to the Emergency Room and wait with her. When he arrives doctors are wanting to put Emily into an induced coma. With no one else around Kumail stays with Emily. Emily’s parents (played by Ray Romano and Holly Hunter) show up and know everything that happened between Kumail and Emily. It is uncomfortable but Kumail feel like he needs to stay. He is now struggling with is feelings for Emily and his culture.
The Big Sick is a film telling the real-life story of courtship of Kumail and his real life wife Emily V. Gordon, both of whom wrote screenplay. The Michael Showatler (Hello My Name is Doris) directed film is very funny and smartly paced. There is a good balance of comedy and the serious situations, including dealing with trauma and overcoming cultural differences. The cast is really good, from Hunter and Romano to comedians Aidy Bryant and Kurt Braunohler the supporting roles are really well cast and performed. Zoe Kazan was really good during her time on screen. There were times when I could tell that the dialogue was dubbed over and it was a little distracting, but only a handful of times. I also appreciated the side story of the life of a young comic. It was not a focal point of the movie but it definitely showed how Kumail struggled to become a comic and how life and his family culture sometimes got in the way of his ambition, in both good and bad ways.
Heartwarming and funny this film is original and fun to watch. It was definitely nice to be caught off guard by some really funny moments in the middle of serious situations. It has a run time of 2 hours and 4 minutes with is a little longer than average but really doesn’t feel that long.
The Big Sick is a film telling the real-life story of courtship of Kumail and his real life wife Emily V. Gordon, both of whom wrote screenplay. The Michael Showatler (Hello My Name is Doris) directed film is very funny and smartly paced. There is a good balance of comedy and the serious situations, including dealing with trauma and overcoming cultural differences. The cast is really good, from Hunter and Romano to comedians Aidy Bryant and Kurt Braunohler the supporting roles are really well cast and performed. Zoe Kazan was really good during her time on screen. There were times when I could tell that the dialogue was dubbed over and it was a little distracting, but only a handful of times. I also appreciated the side story of the life of a young comic. It was not a focal point of the movie but it definitely showed how Kumail struggled to become a comic and how life and his family culture sometimes got in the way of his ambition, in both good and bad ways.
Heartwarming and funny this film is original and fun to watch. It was definitely nice to be caught off guard by some really funny moments in the middle of serious situations. It has a run time of 2 hours and 4 minutes with is a little longer than average but really doesn’t feel that long.