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Daniel Boyd (1066 KP) rated Castle Rock in TV
Oct 23, 2018 (Updated Oct 23, 2018)
Good cast (2 more)
Some cool ideas
Stephen King references
Ups and Downs
Castle Rock is an interesting show, it wasn't what I thought it would be at all. I went in expected a creepy, atmospheric thriller and instead I got a slow burning character study. Don't get me wrong, it is a very well told character study, with plenty of interesting characters and plot threads.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
The cast is made up of a few actors that have been used in Stephen King adaptions in the past, as well as a few newcomers to the King adaption universe. Everybody is great in their role, with Sissy Spacek and Bill Skarsgard being the standouts.
The liberties that the show takes with it's inspiration is weirdly inconstant, with some episode whoring out King references left and right and some ignoring the writer's influence altogether. I get the feeling that this was due to the creators wanting to please King fans in the audience while still trying to craft a show that can stand on it's own independently, which is fine, but I kinda wish that they had committed one way or the other.
The show starts off strong, then drags a bit in the middle, but if you can get to episodes 8 & 9, they are possible contenders for some of the best episodes of TV broadcast in 2018. Unfortunately the last episode is very underwhelming after this awesome build up of intrigue that precedes it.
The ending was the biggest negative that the show had. Without giving too much away, it leaves the audience feeling like everything they just witnessed was pretty pointless and leaves you feeling unfulfilled and fairly disappointed. It is clearly trying to set things up for a second season, but does so to the point that it forgets to end the first season in any significant way.
Overall, if you are a King fan you will get a kick out of this. Alternatively, if you are in the mood for a well told, slow burning character study full of intrigue, with elements of psychological horror, then this show is perfect for you. Just don't go in expecting an intense, chilling atmosphere to be present throughout.
BookblogbyCari (345 KP) rated Vox in Books
Nov 4, 2018
Book review by Cari Mayhew. Rating 7/10.
A country where women can only speak 100 words a day – a novel concept for a dystopian thriller! The protagonist’s bitterness was palpable, and there were huge stakes at play, making for an intense read.
This book is set in the USA in the near future. A religious party is in power which sees women as only caregivers. Every woman and girl wears a counter on their wrist, counting the number of words spoken from midnight to midnight each day, delivering a powerful electric shock if they are one syllable over their 100-word limit. Ironically, the central character, Jean, is a linguist.
The action of the main storyline starts when the president’s brother, develops Wernicke’s aphasia as a result of brain damage following a skiing accident. This condition renders the victim unable to convey meaning in their speech, allowing them to only speak gibberish. With her knowledge of neuro-linguistics, Jean is uniquely placed to be persuaded to return to the lab to develop a remedy. Only, when she does, she discovers there’s a lot more going on behind the scenes – and she’s one of a small few with the power to save the day!
As you’d imagine, the female central character is extremely bitter, bitter with society and bitter with herself. She frequently looks back at how things became this way and wishes she had done more. The author does an excellent job of showing how insidiously the propaganda behind the movement swallowed up the nation. Jean sees it in her sons and daughter.
I’d very much like to believe that nothing like this would ever happen in western society, but sadly there are still some cultures in the world where women are faced with oppression.
I have mixed feelings about this book. In some ways, there was too much going on, such as Jean’s mother’s aphasia, and Jean’s extra-marital affair with her Italian crush. On the other hand, Dalcher could have done more to convey how oppressive the rule was for society at large, rather than concentrating on one woman’s experience – particularly since it was a woman for whom the rule was lifted for.
Book review from Book Blog by Cari.
A country where women can only speak 100 words a day – a novel concept for a dystopian thriller! The protagonist’s bitterness was palpable, and there were huge stakes at play, making for an intense read.
This book is set in the USA in the near future. A religious party is in power which sees women as only caregivers. Every woman and girl wears a counter on their wrist, counting the number of words spoken from midnight to midnight each day, delivering a powerful electric shock if they are one syllable over their 100-word limit. Ironically, the central character, Jean, is a linguist.
The action of the main storyline starts when the president’s brother, develops Wernicke’s aphasia as a result of brain damage following a skiing accident. This condition renders the victim unable to convey meaning in their speech, allowing them to only speak gibberish. With her knowledge of neuro-linguistics, Jean is uniquely placed to be persuaded to return to the lab to develop a remedy. Only, when she does, she discovers there’s a lot more going on behind the scenes – and she’s one of a small few with the power to save the day!
As you’d imagine, the female central character is extremely bitter, bitter with society and bitter with herself. She frequently looks back at how things became this way and wishes she had done more. The author does an excellent job of showing how insidiously the propaganda behind the movement swallowed up the nation. Jean sees it in her sons and daughter.
I’d very much like to believe that nothing like this would ever happen in western society, but sadly there are still some cultures in the world where women are faced with oppression.
I have mixed feelings about this book. In some ways, there was too much going on, such as Jean’s mother’s aphasia, and Jean’s extra-marital affair with her Italian crush. On the other hand, Dalcher could have done more to convey how oppressive the rule was for society at large, rather than concentrating on one woman’s experience – particularly since it was a woman for whom the rule was lifted for.
Book review from Book Blog by Cari.
BankofMarquis (1832 KP) rated The Girl in the Spider's Web (2018) in Movies
Nov 16, 2018
Foy is good - the rest is bland and boring
I, like many of you,was surprised to learn that there was a new "Girl with the Dragon Tatoo" film coming out. I thought, "do we need another one"? I got my answer.
We don't.
THE GIRL IN THE SPIDER'S WEB continues the story of crusading, crime-fighting, techno-punk computer hacker Lisbeth Salander as she continues on her journey to right the wrongs committed to women from no-good men. She is joined in her quest, once again, by journalist Mikael Bloomkvist.
Claire Foy (The Crown) takes over the title role and she is the ONLY thing in this film worth watching. Her Lisbeth is interesting, intense and doggedly-determined. Foy is a charismatic actress and this charisma comes off on the screen. Unfortunately, the other characters/actors that Foy is asked to play with (and off of) are bland, boring and very, very forgettable. Staring with Sverrir Gudnason as Bloomkvist. This character is supposed to by Lisbeth's partner and former lover, but there was no spark of recognition or connection between the two of them and this fellow could have been ANYBODY. Sylvia Hoeks, Adreja Pejic and even Vicky Krieps (so interesting in THE PHANTOM THREAD) were all disposable and interchangeable. Only Stephen Merchant (in a serious role) and Lakeith Stanfield showed any spark of interest.
The plot of this film didn't help matters either. Where the first GIRL IN THE DRAGON TATOO is a very intimate, very personal story, SPIDER'S WEB is bigger and broader (almost entering into James Bond territory) making the stakes superficial and phony (even though the plot involved her sister and her father, which SHOULD make it VERY personal). Director Fede Alvarez (working from his own screenplay) also brings nothing to the table, visually, making this a very slow, very tedious slog, indeed.
But then, Foy/Salander shows up on the screen and interest increases - at least until she leaves the screen again.
Avoid this Spider's Web and go find the original Dragon Tatoo films.
Letter Grade B- (for Foy's performance)
6 stars (out of 10) and you can take that to the Bank (ofMarquis)
We don't.
THE GIRL IN THE SPIDER'S WEB continues the story of crusading, crime-fighting, techno-punk computer hacker Lisbeth Salander as she continues on her journey to right the wrongs committed to women from no-good men. She is joined in her quest, once again, by journalist Mikael Bloomkvist.
Claire Foy (The Crown) takes over the title role and she is the ONLY thing in this film worth watching. Her Lisbeth is interesting, intense and doggedly-determined. Foy is a charismatic actress and this charisma comes off on the screen. Unfortunately, the other characters/actors that Foy is asked to play with (and off of) are bland, boring and very, very forgettable. Staring with Sverrir Gudnason as Bloomkvist. This character is supposed to by Lisbeth's partner and former lover, but there was no spark of recognition or connection between the two of them and this fellow could have been ANYBODY. Sylvia Hoeks, Adreja Pejic and even Vicky Krieps (so interesting in THE PHANTOM THREAD) were all disposable and interchangeable. Only Stephen Merchant (in a serious role) and Lakeith Stanfield showed any spark of interest.
The plot of this film didn't help matters either. Where the first GIRL IN THE DRAGON TATOO is a very intimate, very personal story, SPIDER'S WEB is bigger and broader (almost entering into James Bond territory) making the stakes superficial and phony (even though the plot involved her sister and her father, which SHOULD make it VERY personal). Director Fede Alvarez (working from his own screenplay) also brings nothing to the table, visually, making this a very slow, very tedious slog, indeed.
But then, Foy/Salander shows up on the screen and interest increases - at least until she leaves the screen again.
Avoid this Spider's Web and go find the original Dragon Tatoo films.
Letter Grade B- (for Foy's performance)
6 stars (out of 10) and you can take that to the Bank (ofMarquis)
Bong Mines Entertainment (15 KP) rated L.A. - Single by Kyan in Music
Jun 18, 2019
Kyan is a singer-songwriter and producer from Cambridge, England. Not too long ago, he released a music video for his “L.A.” single, which was shot in South Africa.
“I came across an incredible self-portraiture photographer, Danielle Terblance, on Instagram. I had had this video concept in the back of my head for a while to create a narrative around a series of still images. We created it using 500 photographs, edited down from the 4,000 we took over the two shoot days. The piece follows my character as a fallen angel, attempting to navigate his way through the South African landscape back to The City of Angels (L.A.).” – Kyan
‘L.A.’ tells an interesting tale of a young guy with an aching heart who relocates to L.A to get his mind right.
Apparently, he tries his best to cope with life after experiencing an emotional breakup with his ex-girlfriend. Even though L.A. is five thousand miles away from where she stays, he can’t seem to get her out of his mind.
Later, he admits that he’s been lying on a sofa for a week. Also, in his mind, she’s everywhere he goes and in everything he knows. Therefore, he realizes that he needs her in his life.
‘L.A.’ contains a bittersweet storyline, ear-welcoming vocals, and lush instrumentation flavored with sentimental elements.
“The narrative concept came from my personal experience of traveling to L.A. after a breakup with my long-term girlfriend and record label. I’d always viewed L.A. as this distant, shining beacon of dreams and opportunity. Then, all of a sudden, I was going there under really difficult circumstances. Due to the breakups, the trip had switched from being something I was running to, to something I was running from. In the weeks before the trip, L.A. became an escape, a chance for air amongst the intense emotional claustrophobia I was experiencing inside.” – Kyan
Since releasing his debut EP, entitled, “The Purple Experiment” in 2014, Kyan has toured with the critically acclaimed trio, London Grammar.
Also, he has had a series of collaborations with the likes of Cedric Gervais & Just Kiddin, Duke Dumont, electro-pop king Madeon, Benga, and Knox Brown.
https://www.bongminesentertainment.com/kyan-la/
“I came across an incredible self-portraiture photographer, Danielle Terblance, on Instagram. I had had this video concept in the back of my head for a while to create a narrative around a series of still images. We created it using 500 photographs, edited down from the 4,000 we took over the two shoot days. The piece follows my character as a fallen angel, attempting to navigate his way through the South African landscape back to The City of Angels (L.A.).” – Kyan
‘L.A.’ tells an interesting tale of a young guy with an aching heart who relocates to L.A to get his mind right.
Apparently, he tries his best to cope with life after experiencing an emotional breakup with his ex-girlfriend. Even though L.A. is five thousand miles away from where she stays, he can’t seem to get her out of his mind.
Later, he admits that he’s been lying on a sofa for a week. Also, in his mind, she’s everywhere he goes and in everything he knows. Therefore, he realizes that he needs her in his life.
‘L.A.’ contains a bittersweet storyline, ear-welcoming vocals, and lush instrumentation flavored with sentimental elements.
“The narrative concept came from my personal experience of traveling to L.A. after a breakup with my long-term girlfriend and record label. I’d always viewed L.A. as this distant, shining beacon of dreams and opportunity. Then, all of a sudden, I was going there under really difficult circumstances. Due to the breakups, the trip had switched from being something I was running to, to something I was running from. In the weeks before the trip, L.A. became an escape, a chance for air amongst the intense emotional claustrophobia I was experiencing inside.” – Kyan
Since releasing his debut EP, entitled, “The Purple Experiment” in 2014, Kyan has toured with the critically acclaimed trio, London Grammar.
Also, he has had a series of collaborations with the likes of Cedric Gervais & Just Kiddin, Duke Dumont, electro-pop king Madeon, Benga, and Knox Brown.
https://www.bongminesentertainment.com/kyan-la/
Leigh J (71 KP) rated The Lost Boys (1987) in Movies
Nov 8, 2019
Best Movie Ever
Contains spoilers, click to show
Michael and Sam are Brothers who are moving, with their Mom Lucy, to Santa Carla following a Divorce. Santa Carla just happens to be the murder capital of the world. When they get to Santa Carla, they are met with an eccentric Grandpa and, shock horror!, no TV! Faced with the absolute atrocity that is no MTV, they decide to explore the nightlife of their new town and upon doing this, meet the beautiful and mysterious Star. Michael is instantly besotted and chases after her, leaving Sam at a local Comic Shop... and at the mercy of an intense duo called the Frog Brothers, who give Sam a comic called "Vampires Everywhere" and allude to the fact that he might want to read it to survive which Sam laughs off.
Upon chasing Star, Michael quickly finds out that she is part of a Gang of enigmatic young guys, their leader being the antagonistic David. Desperate to get closer to Star and gain some new friends, Michael goes along to their lair and is coaxed into drinking some "Wine" by the young men. Soon enough, Michael begins changing and finding out more about who David, Star and the gang really are... and who he really is now. Sam is also noticing changes in Michael, and suspects that Lucy's new flame, Max, is also involved with what is happening to Michael. But, after a terrifying reveal and a body count happening at a Bonfire, are Sam and Michael too late to save themselves? Does Max really have a tie to these mysterious Boys? Could they all hold the key as to why Santa Carla is the murder capital of the world?
I remember watching The Lost Boys as a kid and falling head over heels in love with everything about it; the way it looks, the music, The Lost Boys themselves (who became my style icons from then on!), the epic story... everything! It's such a great Movie, mixing Horror and Comedy perfectly and throwing in the most chaotic and horrific Vampire reveal I've ever seen (favourite scene, of course!). It's quite simply a joy to watch... I'm on my 500th watch already! LOVE it!
Upon chasing Star, Michael quickly finds out that she is part of a Gang of enigmatic young guys, their leader being the antagonistic David. Desperate to get closer to Star and gain some new friends, Michael goes along to their lair and is coaxed into drinking some "Wine" by the young men. Soon enough, Michael begins changing and finding out more about who David, Star and the gang really are... and who he really is now. Sam is also noticing changes in Michael, and suspects that Lucy's new flame, Max, is also involved with what is happening to Michael. But, after a terrifying reveal and a body count happening at a Bonfire, are Sam and Michael too late to save themselves? Does Max really have a tie to these mysterious Boys? Could they all hold the key as to why Santa Carla is the murder capital of the world?
I remember watching The Lost Boys as a kid and falling head over heels in love with everything about it; the way it looks, the music, The Lost Boys themselves (who became my style icons from then on!), the epic story... everything! It's such a great Movie, mixing Horror and Comedy perfectly and throwing in the most chaotic and horrific Vampire reveal I've ever seen (favourite scene, of course!). It's quite simply a joy to watch... I'm on my 500th watch already! LOVE it!
Caffeinated Fae (464 KP) rated Hook in Books
Nov 11, 2019
Characters (1 more)
Action Packed
Heartbreaking & beautiful.
Trigger Warning: Sexual Assault, Child Abuse, Murder, Abuse, Angst, Drug Use
As many of you know, I've been waiting anxiously for Hook to come out! I was one of the lucky bloggers that Gina gave a copy to in exchange for an honest review. I read Pan earlier this year and fell completely head over heels for Gina's writing, and I've been shoving Pan down everyone's throats because it is that amazing! Now, full disclosure, I have only read one other M/M romance, so I wasn't sure what to expect. All I knew was that I couldn't wait to fly into Neverland again.
I built Hook up in my head so much that at times I was worried it wouldn't live up to the hype. Luckily, Hook was everything I wanted and more. This book follows Hook & John's story. The chemistry between them was out of this world. It was fun to see the anger, the angst, and the fire between the two of them. The characters as always were well written and thoroughly entertaining. I laughed, I cried, and I had to put my book down a few times, so I didn't throw my kindle.
The plotline was one of the shining stars of this book. It was action-packed, intense, and extremely engaging. I never wanted to put the book down, yet I enjoyed it so much I never wanted it to end. I loved the undercover aspect of the book, and it makes me want to reread some of my favorite romantic suspense. I was always on the edge of my seat and couldn't wait to see how everything unfolded.
All in all, I LOVED this book. It lived up to the hype that I had in my head, and I cannot wait to read the next book in this series when it comes out. If you enjoy angst-filled bad boys with a heart of gold, this is the book for you. Gina truly knows how to write angst in a way that everyone can enjoy.
As many of you know, I've been waiting anxiously for Hook to come out! I was one of the lucky bloggers that Gina gave a copy to in exchange for an honest review. I read Pan earlier this year and fell completely head over heels for Gina's writing, and I've been shoving Pan down everyone's throats because it is that amazing! Now, full disclosure, I have only read one other M/M romance, so I wasn't sure what to expect. All I knew was that I couldn't wait to fly into Neverland again.
I built Hook up in my head so much that at times I was worried it wouldn't live up to the hype. Luckily, Hook was everything I wanted and more. This book follows Hook & John's story. The chemistry between them was out of this world. It was fun to see the anger, the angst, and the fire between the two of them. The characters as always were well written and thoroughly entertaining. I laughed, I cried, and I had to put my book down a few times, so I didn't throw my kindle.
The plotline was one of the shining stars of this book. It was action-packed, intense, and extremely engaging. I never wanted to put the book down, yet I enjoyed it so much I never wanted it to end. I loved the undercover aspect of the book, and it makes me want to reread some of my favorite romantic suspense. I was always on the edge of my seat and couldn't wait to see how everything unfolded.
All in all, I LOVED this book. It lived up to the hype that I had in my head, and I cannot wait to read the next book in this series when it comes out. If you enjoy angst-filled bad boys with a heart of gold, this is the book for you. Gina truly knows how to write angst in a way that everyone can enjoy.
Zach Smith (62 KP) rated Terminator: Dark Fate (2019) in Movies
Jan 17, 2020
What went wrong?
Contains spoilers, click to show
So in my review I will make very controversial statements. This movie should have been secured future funding for the series however it may have just done enough damage to bury the Terminator for good.
So they kill little fresh faced John in the first five minutes. Only to replace with the new standard of hero in our society, an empowered female. This is being overdone in Hollywood I believe causing people to become tired with the predictability of it. On top of that shit sandwich we have a President that has villainized an entire race of people (Mexicans) which has fueled hatred that has been lying dormant in Americas belly waiting to be vomited up from ques by the leader of the "free" world. Well the "new" John Conner is a female, Latino. So James Camron and friends make a movie that kills off a beloved resistance hero and replaces him with someone that the Trump Nation has been brain washed into believing is the enemy of America.
I'm all for the empowered female but they are over doing it, we now have four star wars movies where the heroic main character is an empowered female.
Onto the highlights: The new color of the Rev Terminator is great black, the idea of a liquid terminator was seen in Terminator 3 Rise of the Machines which I loved, however the new color and the energy this machine shows is pretty intense.
_ There is a zero G flight in a plane going down which is fucking fantastic!
-They drive an armored Humvee underwater, kinda lame.
-End fight sequence is at the Hoover dam which was pretty cool.
Luckily its all about time travel and if they decide to resurrect the franchise again maybe they can do a proper sequel where John lives to fight another day, however don't count on it.
I give the movie a snore factor of 0/10 because I never looked away from the screen even though it made me disappointed.
So they kill little fresh faced John in the first five minutes. Only to replace with the new standard of hero in our society, an empowered female. This is being overdone in Hollywood I believe causing people to become tired with the predictability of it. On top of that shit sandwich we have a President that has villainized an entire race of people (Mexicans) which has fueled hatred that has been lying dormant in Americas belly waiting to be vomited up from ques by the leader of the "free" world. Well the "new" John Conner is a female, Latino. So James Camron and friends make a movie that kills off a beloved resistance hero and replaces him with someone that the Trump Nation has been brain washed into believing is the enemy of America.
I'm all for the empowered female but they are over doing it, we now have four star wars movies where the heroic main character is an empowered female.
Onto the highlights: The new color of the Rev Terminator is great black, the idea of a liquid terminator was seen in Terminator 3 Rise of the Machines which I loved, however the new color and the energy this machine shows is pretty intense.
_ There is a zero G flight in a plane going down which is fucking fantastic!
-They drive an armored Humvee underwater, kinda lame.
-End fight sequence is at the Hoover dam which was pretty cool.
Luckily its all about time travel and if they decide to resurrect the franchise again maybe they can do a proper sequel where John lives to fight another day, however don't count on it.
I give the movie a snore factor of 0/10 because I never looked away from the screen even though it made me disappointed.
Neon's Nerd Nexus (360 KP) rated 1917 (2020) in Movies
Jan 11, 2020
Poor Wayfaring Stranger
1917 is magnificently filmed, teeth clenchingly tense and emotionaly draining from start to finish. A journey film of a two men but unlike any war film thats come before it both visual wise and in regards to story telling. More about the trek, land and character progression rather than focusing on gun fights and combat 1917 gains your complete attention and focus right away from its gorgeous opening. What follows is a series of about 7 seemingly one take expertly designed and pulled off tracking shots which are simply breathtaking to whitness. These shots are a joy to experience and not only seem seamlessly tied together but ensure we never lose sight of our heros helping us to really feel like we are beside them as they face numerous obstacles/perils on this tough expedition. Theres alot of tree/growth metaphors here which makes sense since the two lads start off as mere boys given a mission so seemingly impossible that death seens inevitable forcing them to grow up, learn and mature into men if they want to even survive. Sets are fantastic each one is magnificently vast/epicly sprawling and these wastelands are littered with debris/bodies depicting the aftermath of previous skirmishes and desruction. Its actually insane the amount of storytelling/detail going on constantly in the surroundings and the way this helps give extra weight to the world and over all story is staggering as well as visually breathtaking/impactful. See terrain is just as much an enemy here and seeing these lads battle mud, water and building collapses really emphasis that the mission is just as much about survial as it is time constraints. Great messages about how strong the power of hope can be even when the odds are severely stacked against us theres always something beautiful, magical or meaningful that keeps us pushing on or that makes us find the courage to go beyond what we thought we were ever capable of. A brilliantly acted, flawlessly filmed, epic scale journey of an intense character struggle accompanied by a heart pounding adrenalin inducing score and beautiful cinematography make 1917 is a truly stunning and absolutely fantasic experience.
JT (287 KP) rated Dead Man's Shoes (2006) in Movies
Mar 10, 2020
British films don’t really come more powerful as this, Shane Meadows has delivered a film so intense it’ll feel like the quickest most terrifying ninety minutes of your life.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
JT (287 KP) rated Monsters (2010) in Movies
Mar 10, 2020
Not so much a film about monsters, more about the human struggle to come to terms with the aftermath of an alien invasion. Whether the title was given purely for marketing reasons or not, I’m not sure, but it certainly doesn’t deliver a plethora of monsters to the screen.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.
Instead, what is delivered here is an interesting and powerful character study of two people on a journey across a derelict and dangerous territory. A slow building drama and romantic relationship is the focus with the vast, perilous repercussions of man vs. monster as the intriguing backdrop.
Just like Jaws, it is about what you don’t see that makes this film intense viewing. Edwards builds tension with the creepy, predator like noises that emanate from the squid-like monsters and with the ever present danger of the likelihood of a monster appearing I was totally captivated from start to finish.
The visual effects, especially the glowing alien eggs that I would liken to a Louise Bourgeois piece of tactile art add a magical air. I wanted to reach out into the screen and touch them. I was totally immersed in Gareth Edwards’ apocalyptic vision; his use of location and the handheld camera filming transports you into Mexico with veracity. He cleverly uses locals as the supporting cast and as they interact with each other and the two main characters I felt like I was watching a documentary.
There is one particular scene that stood out for me; they are camped out in the forest for the night and as they sit round the fire with the locals a really natural, jovial conversation starts to flow. The director cleverly puts the viewer off guard and just as I started to relax the tone of the scene changed into one of horror. There is much of this muted drama throughout but Edwards intersperses it with some truly grim, realistic footage.
Considering the small budget used to make Monsters, it is a remarkable film. If you are in the mood for a beautiful, well thought out film that has been directed with precision then go and see it. If you are expecting a monster extravaganza you may want to steer clear.