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Sarah (7798 KP) rated Everybody's Golf in Video Games
Sep 19, 2017
Good & Promising but frustrating
You might be wondering why on earth I've even played this game. However my other half and I are into our golf, and are also on the look out for couch co-op games, so this seemed a no brainer. And in all fairness despite a few flaws, it's actually a good game.
Let's start with the negatives. The main flaw is the multiplayer mode, which is the main reason we bought this. To begin with, there is only 1 course available on multiplayer. You have to unlock the rest one single player mode, which takes forever (I'm still at it). Which is weird, as how you do in multiplayer has no effect on your single player rankings. The other issue with multiplayer is your can't create your own player in that mode. You can create one in single player & use it in multiplayer, but there's no direct creation in multiplayer. You also can't use multiple custom players if you're using numerous PSN accounts. The only other issue is that they've tried to throw rpg elements into the single player mode and it really isn't necessary. It's a golf game, after all.
Those criticisms aside, it's actually a very fun and quite accurate golf game. The courses are great looking and fairly challenging, and the different mode options are fairly fun too. The single player mode has lots to do and the character builder is very detailed.
If you're into golf and are looking for a fun game to play, I'd probably recommend this. As long as you can put up with the very Japanese style and the multiplayer niggles.
Let's start with the negatives. The main flaw is the multiplayer mode, which is the main reason we bought this. To begin with, there is only 1 course available on multiplayer. You have to unlock the rest one single player mode, which takes forever (I'm still at it). Which is weird, as how you do in multiplayer has no effect on your single player rankings. The other issue with multiplayer is your can't create your own player in that mode. You can create one in single player & use it in multiplayer, but there's no direct creation in multiplayer. You also can't use multiple custom players if you're using numerous PSN accounts. The only other issue is that they've tried to throw rpg elements into the single player mode and it really isn't necessary. It's a golf game, after all.
Those criticisms aside, it's actually a very fun and quite accurate golf game. The courses are great looking and fairly challenging, and the different mode options are fairly fun too. The single player mode has lots to do and the character builder is very detailed.
If you're into golf and are looking for a fun game to play, I'd probably recommend this. As long as you can put up with the very Japanese style and the multiplayer niggles.
Awix (3310 KP) rated Blood Red Skies in Tabletop Games
May 18, 2018 (Updated May 18, 2018)
Warlord Games continue in their mission to entice Games Workshop's veteran players with an elegant and very engaging game of fighter combat from the Second World War. The system partly involves chucking loads of d6s, as you might expect, but also hinges around a very neat mechanic involving a tilting flying base which indicates your planes' status and places them at a state of advantage or disadvantage. The basic rules are very simple to learn; playing the game well is considerably more of a challenge.
Most of the components in the starter box are very appealing and well put-together; the planes come in different coloured plastic so even without paint they are easy to distinguish. If I had to sling a slight brick at this release it's that the rulebooks are very skimpy and don't cover a number of situations which are almost certain to arise in your first few games; it's easy enough to figure out what 'should' happen but it would be good to have official confirmation. The advanced rules for using bombers and other multi-engined planes are also somewhat confusingly presented.
There's also the point that even a week or so after the game's release, the general consensus is that the points values for some of the starting planes are a little bit hinky - the Spits and 109s seem well-balanced, but Russian Yaks seem generously priced while Japanese Zeroes cost too many points, for instance. However, many supplementary releases of other planes and so on are planned, so no doubt this will be fixed in due time. In the meantime this is a very enjoyable, attractive and extremely playable game.
Most of the components in the starter box are very appealing and well put-together; the planes come in different coloured plastic so even without paint they are easy to distinguish. If I had to sling a slight brick at this release it's that the rulebooks are very skimpy and don't cover a number of situations which are almost certain to arise in your first few games; it's easy enough to figure out what 'should' happen but it would be good to have official confirmation. The advanced rules for using bombers and other multi-engined planes are also somewhat confusingly presented.
There's also the point that even a week or so after the game's release, the general consensus is that the points values for some of the starting planes are a little bit hinky - the Spits and 109s seem well-balanced, but Russian Yaks seem generously priced while Japanese Zeroes cost too many points, for instance. However, many supplementary releases of other planes and so on are planned, so no doubt this will be fixed in due time. In the meantime this is a very enjoyable, attractive and extremely playable game.
Awix (3310 KP) rated Gods Of Egypt (2016) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Set Piece Defence
Not-quite-as-bad-as-its-reputation knockabout fantasy that does a serious number on the wonders of Egyptian mythology. Evil god Set (Gerard Butler in shouty mode) takes over the kingdom and sets about harvesting the signature body-parts of his fellow immortals; hapless mortal Brenton Thwaites must persuade wronged heir-to-the-throne Horus (Nicolaj Coster-Waldau) to help get rid of him.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
ClareR (5589 KP) rated Build Your Home Around My Body in Books
Jul 28, 2021
I loved this enchanting, horrific, beautiful story. Build Your House Around My Body is a difficult book to describe. There are at least three timelines, all relevant to what is happening in the present day to the main character, Winnie née Ngoan.
Winnie is a lost soul - she has gone to Vietnam to stay with family while she teaches English to Vietnamese students, hoping to find herself, but she seems to become more and more lost as the story progresses. She struggles with her dual identity as her mother is American, and her father is Vietnamese. The fact that she seems to deliberately sabotage her own life is the most tragic thing about her.
The time does jump around a bit, but this didn’t confuse me at all - the chapter headings made sure of that - in fact they gave some interesting history lessons (e.g. French colonialism, Japanese occupation).
It’s a weird and wonderful one (my favourite kind!), sometimes bordering on the grotesque (ditto). Bodily functions and food that I wasn’t sure about, galore! (I’d still try the food though, although I draw the line at dog…).
The supernatural elements showed that these things are still very much a part of Vietnamese culture (spirits and demons both feature).
Some parts are achingly sad, some made me feel a bit ill, and others were actually quite amusing. I couldn’t put this book down. The joy of it was that I didn’t know, couldn’t predict, what was going to happen next!
I’m really interested to see what Kupersmith writes next if this is her debut - what an imagination!
Many thanks to Jellybooks for giving me the chance to read this wonderful book.
Winnie is a lost soul - she has gone to Vietnam to stay with family while she teaches English to Vietnamese students, hoping to find herself, but she seems to become more and more lost as the story progresses. She struggles with her dual identity as her mother is American, and her father is Vietnamese. The fact that she seems to deliberately sabotage her own life is the most tragic thing about her.
The time does jump around a bit, but this didn’t confuse me at all - the chapter headings made sure of that - in fact they gave some interesting history lessons (e.g. French colonialism, Japanese occupation).
It’s a weird and wonderful one (my favourite kind!), sometimes bordering on the grotesque (ditto). Bodily functions and food that I wasn’t sure about, galore! (I’d still try the food though, although I draw the line at dog…).
The supernatural elements showed that these things are still very much a part of Vietnamese culture (spirits and demons both feature).
Some parts are achingly sad, some made me feel a bit ill, and others were actually quite amusing. I couldn’t put this book down. The joy of it was that I didn’t know, couldn’t predict, what was going to happen next!
I’m really interested to see what Kupersmith writes next if this is her debut - what an imagination!
Many thanks to Jellybooks for giving me the chance to read this wonderful book.
Kirk Bage (1775 KP) rated High and Low (1963) in Movies
Jan 28, 2021
This movie is often touted as one of the finest non-American crime thrillers out there. It appears on many top 10 lists from renowned directors, and stands untouchable in the pantheon of post WWII Japanese cinema dealing with 20th century issues rather than samurai or traditional religious concepts. Kurasawa is known for masterpieces in both genres, and in this sphere is very much the Hitchcock of the East. The story sees self made entrepreneur Kingo Gondo, played by the ubiquitous Toshirô Mifune, being blackmailed by a kidnapper who believes he has his son, but has taken his chauffeur’s son by mistake. Cue huge moral intrigue and dilemma, leading to a chase and an unexpectedly symbolical climax and resolution.
It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.
It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.
Awix (3310 KP) rated Shin Godzilla (2016) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
He's New, He's True, He's Covered in Goo
Toho's first Godzilla movie since 2004 attempts to square the circle by sticking relatively closely to the feel of the original film while offering a radical new take on Godzilla himself ('Shin', lest you be wondering, is a conveniently ambiguous Japanese word that can mean 'New', 'True', and 'God').
Everyday life in Tokyo is disrupted by the appearance in the bay of a bizarre new form of life, a fast-evolving creature which slithers ashore, causing (but of course) massive property damage, before mutating into something a bit more recognisable as Godzilla. Clearly the government response team have a lot on their hands, but can they come up with a solution before the Americans take charge of the situation and plaster the city with nukes?
Some people may take exception to the movie's very different take on Godzilla (the design of the monster's initial form is unintentionally funny), and it's always a bit of a problem when Godzilla doesn't have anyone to fight in the final reel, but this is still an impressive attempt at a serious Godzilla film that honours the memory of the original. It's also obviously a post-Fukushima movie, fierce in its satire and criticism of useless government bureaucrats and the red tape that surrounds them.
When it all kicks off between Godzilla and the JSDF the special effects sequences are spectacular, and the human characters are quite well-played too. I must confess to missing the sense of fun and imagination that you find in the best Godzilla films - this is kind of like the Batman Begins of Godzilla films, in that it's hard to imagine many of the other classic characters existing in this universe - but this is a smart and serious movie that respects its source material.
Everyday life in Tokyo is disrupted by the appearance in the bay of a bizarre new form of life, a fast-evolving creature which slithers ashore, causing (but of course) massive property damage, before mutating into something a bit more recognisable as Godzilla. Clearly the government response team have a lot on their hands, but can they come up with a solution before the Americans take charge of the situation and plaster the city with nukes?
Some people may take exception to the movie's very different take on Godzilla (the design of the monster's initial form is unintentionally funny), and it's always a bit of a problem when Godzilla doesn't have anyone to fight in the final reel, but this is still an impressive attempt at a serious Godzilla film that honours the memory of the original. It's also obviously a post-Fukushima movie, fierce in its satire and criticism of useless government bureaucrats and the red tape that surrounds them.
When it all kicks off between Godzilla and the JSDF the special effects sequences are spectacular, and the human characters are quite well-played too. I must confess to missing the sense of fun and imagination that you find in the best Godzilla films - this is kind of like the Batman Begins of Godzilla films, in that it's hard to imagine many of the other classic characters existing in this universe - but this is a smart and serious movie that respects its source material.
Gareth von Kallenbach (971 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Merissa (11779 KP) created a post
Apr 7, 2021
Debbiereadsbook (1102 KP) rated Nine Small Sips (Tales Of Bryant #2) in Books
Jun 28, 2019
my only fault? No Brian!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is NOT a stand alone, you really MUST read Tales of Bryant before this one, it is a continuation of Isamu and Brian’s story.
Brian and Isamu have a wedding coming up, and with an over sensitive-to-change wedding planner, a grandmother who demands traditions and a job that could take Isamu away from Brian so soon after their wedding, things are not going to plan!
Again, only the fact that Brian does not have a say is the only fault I can find with this book!
Adrian, the wedding planner, provides hysterical moments, that made me laugh out loud, cos the man simply does NOT like to change his wedding plans. But as Brian points out, it is NOT Adrian’s wedding, it is Isamu and Brian’s wedding, and Isamu needs to stand his ground.
Isamu’s grandmother and parents provide the serious side to this tale. Baba wants Isamu to embrace his Japanese heritage and include a ceremony that would honour his grandfather. I loved Isamu’s family. While they were still unsure about the age gap, they could see that Brian loves Isamu, and Isamu loves Brian.
We catch up with Isamu’s boss, Canada, oh, sorry, Caiden (love that Brian calls him Canada!) and with Isamu’s friend, Devon. Devon and Caiden have instant and powerful attraction, and I hope they get a tale of their own!
Its sexy and steamy in the most sweetest way, not quite as sweet as Tales of Bryant but still sugar rush enducing.
Like I said, just the fact that Brian isn’t given a voice, is the only reason I can’t stretch to 5 stars, and I am sorry for that!
4 very good stars
**same worded review will appear elsewhere**
This is NOT a stand alone, you really MUST read Tales of Bryant before this one, it is a continuation of Isamu and Brian’s story.
Brian and Isamu have a wedding coming up, and with an over sensitive-to-change wedding planner, a grandmother who demands traditions and a job that could take Isamu away from Brian so soon after their wedding, things are not going to plan!
Again, only the fact that Brian does not have a say is the only fault I can find with this book!
Adrian, the wedding planner, provides hysterical moments, that made me laugh out loud, cos the man simply does NOT like to change his wedding plans. But as Brian points out, it is NOT Adrian’s wedding, it is Isamu and Brian’s wedding, and Isamu needs to stand his ground.
Isamu’s grandmother and parents provide the serious side to this tale. Baba wants Isamu to embrace his Japanese heritage and include a ceremony that would honour his grandfather. I loved Isamu’s family. While they were still unsure about the age gap, they could see that Brian loves Isamu, and Isamu loves Brian.
We catch up with Isamu’s boss, Canada, oh, sorry, Caiden (love that Brian calls him Canada!) and with Isamu’s friend, Devon. Devon and Caiden have instant and powerful attraction, and I hope they get a tale of their own!
Its sexy and steamy in the most sweetest way, not quite as sweet as Tales of Bryant but still sugar rush enducing.
Like I said, just the fact that Brian isn’t given a voice, is the only reason I can’t stretch to 5 stars, and I am sorry for that!
4 very good stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (971 KP) rated The Wolverine (2013) in Movies
Aug 6, 2019
In 2009, we were treated to the origin story for one of Marvel’s most beloved characters: The Wolverine. Enthusiasm for the story turned to discord and malcontent for most, but if you had the ability to look past the inadequacies found in most Marvel silver-screen adaptations (as I did), then at least you would have enjoyed seeing the comic come to life.
Here in 2013, Hugh Jackman reprises his role for the 6th time, making his way to Japan to bring about one of the community’s favorite portions of the mythos: the way of the samurai, Muriko, and the Silver Samurai.
The story opens with the bombing of Nagasaki, and Logan’s survival of the atrocity. He saves a Japanese soldier from suicide, and then from the Atomic Bomb.
Fast forward to the present and we have a broken mountain man that was once Logan (Jackman). He lives in the hills, away from people, because he no longer wants to be a soldier. His immortality has become a curse.
After a rousing row with some local hunters, a representative for Yashida (the aforementioned Japanese soldier) talks Logan into going back to Japan to pay his respects to a dying man.
The story spins away from there on a turbulent ride that is equal parts drama and action.
Let’s get to my thoughts.
—————The good ———————-
The cinematography, script, acting, and editing was top-notch. The sets, costumes, effects, stunts and fight scenes were all pleasurably executed. This was a very well-made movie.
—————-The bad ————————
The plot holes were too numerous to be anything but amazingly distracting. Without giving too much away, here are just a few:
During a ceremony, in broad day light, on a huge roof, one of the main secondary characters is lurking. With as many people and security, this was HIGHLY implausible. Laughable, at best.
Ninjas are not a real thing, and they never were. They were a fable; a story told without any factual, historical basis, and their presence cheapened the film.
When the A-bomb was dropped, those who survived the actual explosion still died to the radiation within a certain range. There is no way Yashida would have survived Nagasaki the way the event was portrayed in the film.
At some point, Wolverine loses his ability to heal. It’s never clear if his regenerative powers are fully gone or just suppressed, but he can’t heal well enough to stop bleeding. With this in mind, his survival of so many shots to the body is extremely questionable.
On that same note: if he can’t heal, how did the holes made by the blades extruding from his hands heal up? After every scene in which the blades come out, his hands remain free of blood or marks.
Wolverine was clearly killing people with his claws, which I liked, but there should have been far more limb and torso severing, given how sharp his adamantium blades are and how overwhelmingly strong he is supposed to be.
The Wolverine character has an unmatched sense of smell, but it was never used in the movie, not even once. The opportunity presented itself multiple times.
These are just a few examples, and there were many more jarring discrepancies. There were so many that it detracted from the movie in an unforgivable way. Even this was totally separate from the comic-to-silver-screen transition, for which those remarks are better left to someone more learned in the comic realm.
The part I enjoyed the most came during the last 30 seconds of the film, as part of the credits. It sets up a future film. Enjoy.
All in all, The Wolverine was great. That said, if you have a critical eye, like myself, you will find many faults.
Here in 2013, Hugh Jackman reprises his role for the 6th time, making his way to Japan to bring about one of the community’s favorite portions of the mythos: the way of the samurai, Muriko, and the Silver Samurai.
The story opens with the bombing of Nagasaki, and Logan’s survival of the atrocity. He saves a Japanese soldier from suicide, and then from the Atomic Bomb.
Fast forward to the present and we have a broken mountain man that was once Logan (Jackman). He lives in the hills, away from people, because he no longer wants to be a soldier. His immortality has become a curse.
After a rousing row with some local hunters, a representative for Yashida (the aforementioned Japanese soldier) talks Logan into going back to Japan to pay his respects to a dying man.
The story spins away from there on a turbulent ride that is equal parts drama and action.
Let’s get to my thoughts.
—————The good ———————-
The cinematography, script, acting, and editing was top-notch. The sets, costumes, effects, stunts and fight scenes were all pleasurably executed. This was a very well-made movie.
—————-The bad ————————
The plot holes were too numerous to be anything but amazingly distracting. Without giving too much away, here are just a few:
During a ceremony, in broad day light, on a huge roof, one of the main secondary characters is lurking. With as many people and security, this was HIGHLY implausible. Laughable, at best.
Ninjas are not a real thing, and they never were. They were a fable; a story told without any factual, historical basis, and their presence cheapened the film.
When the A-bomb was dropped, those who survived the actual explosion still died to the radiation within a certain range. There is no way Yashida would have survived Nagasaki the way the event was portrayed in the film.
At some point, Wolverine loses his ability to heal. It’s never clear if his regenerative powers are fully gone or just suppressed, but he can’t heal well enough to stop bleeding. With this in mind, his survival of so many shots to the body is extremely questionable.
On that same note: if he can’t heal, how did the holes made by the blades extruding from his hands heal up? After every scene in which the blades come out, his hands remain free of blood or marks.
Wolverine was clearly killing people with his claws, which I liked, but there should have been far more limb and torso severing, given how sharp his adamantium blades are and how overwhelmingly strong he is supposed to be.
The Wolverine character has an unmatched sense of smell, but it was never used in the movie, not even once. The opportunity presented itself multiple times.
These are just a few examples, and there were many more jarring discrepancies. There were so many that it detracted from the movie in an unforgivable way. Even this was totally separate from the comic-to-silver-screen transition, for which those remarks are better left to someone more learned in the comic realm.
The part I enjoyed the most came during the last 30 seconds of the film, as part of the credits. It sets up a future film. Enjoy.
All in all, The Wolverine was great. That said, if you have a critical eye, like myself, you will find many faults.