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Gareth von Kallenbach (980 KP) rated Rise of the Guardians (2012) in Movies

Aug 7, 2019  
Rise of the Guardians (2012)
Rise of the Guardians (2012)
2012 | Action, Animation, Family
9
8.0 (41 Ratings)
Movie Rating
Remember what it was like when you were in elementary school and it snowed? Remember that feeling of anticipation waiting for your mom to say, “No school today kids”, and once she did you just knew you were going to have a blast? If not, you will when you see “Rise of the Guardians”, The newest animated movie from Dreamworks casts Jack Frost (Chris Pine), the Sand Man, Santa Claus (Alec Baldwin), the Tooth Fairy (Isla Fisher), the Easter Bunny (Hugh Jackman), and the Boogie Man (Jude Law). The later four, except the Boogie Man, all fulfill their individual roles and come together as a group to protect children as the Guardians.

Cast out centuries ago; Pitch (Law) concocts a plan to bring fear back into children’s hearts by turning their dreams into nightmares. This fear will make him more powerful and, as the Guardian’s lose children’s belief, they become less powerful and are not as able to fight him off. Around the same time that Pitch was cast out, the Man in the Moon picks Jack to be the newest Guardian. Jack is literally left out in the cold for the next 300 years which he spends having fun, creating mischief, and causing snow days. However, he is also on a search for what he is meant to do in life, and why he is here. Something that people of all ages can understand. Through helping the Guardians he finds his purpose.

You know you are at a good show when you sit in an audience consisting mostly of children and hear nothing but the movie. This was a great movie for kids of all ages; I laughed through the whole thing! I loved Santa Claus and his Yetis. They added comic relief that any adult will enjoy. The voice casting was spot on, and each character is relatable in some way. The story of finding one’s self will capture children’s attention and remind adults that they are always on that journey, but it is supposed to be fun. Both children and adults alike will be captivated by the dreams, wonder, memories, hope, and fun this movie provides.
  
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Andy K (10827 KP) rated The Brood (1979) in Movies

Sep 22, 2019  
The Brood (1979)
The Brood (1979)
1979 | Horror, Sci-Fi
8
7.8 (10 Ratings)
Movie Rating Watch
An R rated version of Inside Out?
Frank Carveth is just a father with some problems. His wife is currently enrolled in an intense, secluded, mysterious form of psychotherapy being conducted by an unusual doctor. His eccentric mother-in-law, has just been murdered through unusual circumstances and his young daughter is showing signs of physical abuse at the hands of his institutionalized wife that he must now investigate.

After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.

Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.

After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.

Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.

The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.

The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.

The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.

I can only imagine the reaction this film had upon its release in 1979.