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James P. Sumner (65 KP) rated Gemini Man (2019) in Movies
Oct 11, 2019
Not even two Will Smiths can save it.
"Gemini Man (2019)" is a blend of action, drama, crime and sci-fi, and tells the story of Henry Brogan (portrayed by Will Smith), the world's most renowned assassin who is looking to retire from the government agency he's been working for.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
Neon's Nerd Nexus (360 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 25, 2019 (Updated Aug 25, 2019)
Liar liar pants on fire
Scary Stories To Tell In The Dark feels like if it had been released in the 90s then it probably would of been quite an entertaining/passable movie but as it stands now it brings nothing we haven't seen a million times already to the table & sadly not even nostalgia can save it from becoming tiresome after just 40minutes in. One thing I certainly can not fault here is its high production standards, its not only shot extremely well but sets & creatures are all interesting/creative & are show clear inspiration from classic horror movies & their tropes. A huge problem is tension, tone & pacing however. Tone is somwhere in between Goosebumps & a Conjuring movie on one side its far to goofy/tame to cater to adults then on the other its far too scary/disturbing for kids but it never seems to find the right balance between the two. Its creature also while they look good loose their menace & terror due to being shown far to much for extended periods of time leading to times where they would become laughable & taken less seriously by the audience. Plot & situations are also highly predictable & this the seems to make the already long run time sem like an eternity leading to scenes that are especially far to dialog heavy which killing the pacing because we already know what's coming next. Story is unnecessarily long winded in a need to try & make the film different but once it reaches its conclusion its hard to care because its really not an interesting tale at all. Themes of how the simple power of story telling, lies & made up tales can effect peoples lives in the most drastic of ways are very interesting but not particularly executed well instead becoming jumbled & contradicted when mixed into the long drawn out plot. Acting is so so but no one really stands out or expresses emotion that belivable making character connections hard. So sadly I cant recomend seeing this movie, while its fine & quite well made its just bland/uninteresting & everything thats good about it is spoiled/shown in the trailer (if you've seen trailer the film will be extremely predictable for you & offer no surprises). Save your money or go see crawl instead.
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Lottie disney bookworm (1056 KP) rated Of Glass And Ashes in Books
Aug 30, 2021
Of Glass and Ashes is the third in the Twisted Pages series and the first time we meet Aika, the sister of Zaina from Of Thorns and Beauty and Of Beasts and Vengeance.
Despite being a Cinderella retelling, Aika is a fiesty, unpredictable protagonist. Whereas Zaina kept her walls built high and analysed every move she made, her sister fights hard to compartmentalise her emotions and, every so often, her control slips: Aika is literally the fire to Zaina’s ice.
Thankfully we do not lose Zaina and Einar just yet as they still have a couple of POV chapters in order to continue their mission. I loved the little insights into their dynamic and how this has progressed since we left them in Of Beasts and Vengeance.
Aika is wholeheartedly the star of the show though. Fiery and morally grey, Aika is used to acting upon her Mother’s orders and adopting different identities. However, when grief causes her to act with her heart rather than her head, events are put into motion that put our gutsy heroine in the worst danger of her life.
As with all of Madame’s daughters, Aika is a tortured soul and the reader gains glimpses of her previous life and how she came to be with Madame. Maybe this is why we forgive Aika’s questionable actions: we can clearly see the effect that her upbringing has had on her priorities and the trauma that she feels when she can’t save someone is palpable.
The beauty of Elle and Robin is that they never fail to provide an amazing love interest for their main characters. Spiky, closed off Zaina had an enemies to lovers relationship with the muscly giant Einar and spirited Aika introduces the reader to her ex-lover Remy. Remy is a confident, sarcastic member of the Guard and he sure keeps Aika on her toes but is it only Aika keeping secrets or does Remy also have something to hide?
Suspenseful, secretive and with some seriously deadly glass slippers, Of Glass and Ashes is a page turner which I devoured in less than 24 hours. I can’t wait for March 2022 to see what lies in store for Aika and Zaina in the next installment, Of Thieves and Shadows.
Despite being a Cinderella retelling, Aika is a fiesty, unpredictable protagonist. Whereas Zaina kept her walls built high and analysed every move she made, her sister fights hard to compartmentalise her emotions and, every so often, her control slips: Aika is literally the fire to Zaina’s ice.
Thankfully we do not lose Zaina and Einar just yet as they still have a couple of POV chapters in order to continue their mission. I loved the little insights into their dynamic and how this has progressed since we left them in Of Beasts and Vengeance.
Aika is wholeheartedly the star of the show though. Fiery and morally grey, Aika is used to acting upon her Mother’s orders and adopting different identities. However, when grief causes her to act with her heart rather than her head, events are put into motion that put our gutsy heroine in the worst danger of her life.
As with all of Madame’s daughters, Aika is a tortured soul and the reader gains glimpses of her previous life and how she came to be with Madame. Maybe this is why we forgive Aika’s questionable actions: we can clearly see the effect that her upbringing has had on her priorities and the trauma that she feels when she can’t save someone is palpable.
The beauty of Elle and Robin is that they never fail to provide an amazing love interest for their main characters. Spiky, closed off Zaina had an enemies to lovers relationship with the muscly giant Einar and spirited Aika introduces the reader to her ex-lover Remy. Remy is a confident, sarcastic member of the Guard and he sure keeps Aika on her toes but is it only Aika keeping secrets or does Remy also have something to hide?
Suspenseful, secretive and with some seriously deadly glass slippers, Of Glass and Ashes is a page turner which I devoured in less than 24 hours. I can’t wait for March 2022 to see what lies in store for Aika and Zaina in the next installment, Of Thieves and Shadows.