"I heard a really early demo of theirs that someone sent me once and it mentioned me, a really early demo of theirs. I could never work out what position he was taking on me. He goes [adopts Jason Williamson drawl] ‘Baxter Dury!’ and quotes one of my songs, but then he just disses everybody. I said ‘who the fuck is this guy?! I don’t wanna be dissed!’ And then when someone told me he was a fan, I was like ‘thank fuck’, and I listened to the album that broke them. I was living in the country and I was jogging a lot, I remember thinking it was fucking brilliant. I wrote songs like ‘Miami’ and stuff off the back of listening to that album a lot. We became mates and it became a nice two-way appreciation thing. I used some of Jason’s energy, started being a bit less apologetic, so he was an inspiration. We send little caring texts to each other every now and then. He’s a lovely bloke, I really like him loads. He’s really sensitive. I love that they’re now becoming the darlings of that world. They deserve to be."

"I was playing guitar when this came out and I tried to learn all the riffs. I loved that idea of transforming the blues into heavy rock – taking blues classics and giving them a twist. A lot of the music was traditional blues songs, but the Stones had done the same thing in taking them and twisting them. So many British bands took blues songs and made them famous –there are people who think ‘Roll Over Beethoven’ was written by the Beatles, and a lot of people didn’t know who BB King was until Zeppelin made him famous. When I was young my friend’s brother played guitar. He was really into blues, playing Chuck Berry, and he would play all these old recordings, so I knew all of them. All those licks I heard, I would then hear Clapton and all those guys play. I saw Zeppelin at Bath Festival [in 1970] from a long way off – the violin bow solo with the echo chamber went on for hours, but they were great. I’d never been to anything like a festival before, and that was the first real one, I was on awe."

"Jesus Christ, that album is just stupidly good! I didn't know this, but a lot - Ginger Baker, Tony Williams, who played drums for Miles Davis, Steve Vai - it was a supergroup! It's a perfect record, it's like the perfect, cool record. The guitars on it, it just sounds like it's flying! It's like, ""Wooo, there goes Steve!"" There'd be divebombs - he had a Floyd Rose whammy bar - it just tanks - it goes down and then it goes up, up into the stratosphere, and then he'd go really down on it. Jesus Christ - talking about sonics! And it's surprising how many of the drum riffs that I like are by Tony Williams: the first song ['F.F.F.'] on it is just awesome; I would've thought that was Ginger Baker. I guess the producer employed two jazzy drummers! I was listening to this pre-Pixies. I listened to it a lot with my brother, my little brother who's excellent with the guitar. I still lived at home at the time and we would just flip out in my bedroom. He would actually show me [how to play something], because I would be so frustrated: "Goddamn it! What is this?!""