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Hazel (1853 KP) rated To Kill a Kingdom in Books
Dec 7, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
A princess must have her prince but perhaps not in the usual happy-ever-after fairytale way. With sirens, princes, pirates, mermaids and magic, <i>To Kill a Kingdom</i> by Alexandra Christo is a dark fantasy novel perfect for those who grew up with <i>Peter Pan</i> and The Little Mermaid. But, as with most traditional fairy tales, this book is riddled with trickery and lies, making it a heart-stopping adventure.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
A princess must have her prince but perhaps not in the usual happy-ever-after fairytale way. With sirens, princes, pirates, mermaids and magic, <i>To Kill a Kingdom</i> by Alexandra Christo is a dark fantasy novel perfect for those who grew up with <i>Peter Pan</i> and The Little Mermaid. But, as with most traditional fairy tales, this book is riddled with trickery and lies, making it a heart-stopping adventure.
Lira is a siren princess who is nearing her eighteenth birthday. In order to celebrate the life of their goddess Keto and get revenge for her death at the hands of the humans, each siren must kill and remove the heart of a human victim. Lira has always targeted princes and aims to steal the heart of Prince Elian of Midasan, however, her mother, the sea queen, has different ideas.
As punishment for disobeying her orders, the evil queen temporarily turns Lira into a human, stripping her of her siren power. In order to return, she must kill Prince Elian and return to the sea with his heart. However, things get complicated when Prince Elian saves Lira from drowning and takes her aboard his ship.
Elian is a prince-cum-pirate who has no wish to be the heir of the golden kingdom of Midasan. He spends his days as the captain of his ship, hunting and killing sirens. Not realising Lira is the siren he most wishes to destroy, he gradually gets used to her presence and believes she will be useful to him on his quest to find a crystal that will destroy the sea queen forever. Lira agrees to help, however, she has an ulterior motive – perhaps she can help Elian find the crystal then kill him and destroy her mother …
It takes a while for this dark, romantic young adult novel to get going; there is a lot of introduction to characters and the way their fantasy world operates. With different customs to get familiar with, particularly in the case of the sirens, it is a little monotonous for the first few chapters. However, once Lira and Elian meet, events become far more interesting.
The banter and insults hurled between Elian, Lira and the rest of the crew is a humorous addition to the storyline and makes the prince and princesses growing relationship all the more exciting. With the sea queen lurking in the shadows, the story builds up to a fateful conclusion, however, maybe Lira can steal the prince’s heart a different way.
Once the story is well underway it becomes an engrossing piece of literature that is difficult to put down. With romance, danger and a cataclysmic ending, it has everything that a young adult fantasy fan wishes for. To Kill a Kingdom is Christo’s debut and it is exciting to find out what she will write next.
Sophia (Bookwyrming Thoughts) (530 KP) rated Parting Worlds (Once Upon a Curse #4) in Books
Mar 24, 2020
Parting Worlds brings everything together.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
BankofMarquis (1832 KP) rated Encanto (2021) in Movies
Dec 28, 2021
Fun Family Friendly Film with GREAT Music
The good thing about travelling by plane over the Holidays is that it is an opportunity to catch up on Movies that were missed. Such is the case with the Disney Animation Film ENCANTO - a film that “came and went” earlier this fall.
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
This was another Greek mythology story that completely captured my heart. I was iffy about this one when I started it because it is written in present tense, first person. I loathe reading first person, and present tense just sounds so awkward that I dont even attempt to read anything written as such. However, from page one, I was hooked.
The story is narrated by one of the 50 mytholgical mermaids, Sirena. She lives with ten of her sisters on an island where they are protected and guided by three guardian birds. The sole purpose of Sirenas and her sisters existence is to somehow make human males fall in love them so that the mermaids can become immortal like their ancestors. They live simple lives, dressing up in starfish and pearls and singing to lure ships towards their island where their ship will wreck on the reef just offshore. What makes Sirena different than her sisters, however, is her conscience. Whereas her sisters are only concerned with becoming immortal, Sirena actually cares about the welfare of the men whose lives they put in danger.
When the story begins, Sirena is preening herself before singing to lure not one, but three ships to her sisters island. The men on the ships fall under their spell and two of the three ships crash upon the reef. Most of the men die because they do not know how to swim. While the ones who know how to swim make it safely to shore, the mermaids try to save as many of the others as they can. Only eleven men initially survive. They eventually die because of lack of resources on the island, but not before they beat one of Sirenas sisters, Cecilia, to death for trying to save a drowning sailor.
Shortly after, Sirena runs away to the island of Lemnos to escape the life she has been subjected to. There, she tries to help heal Philoctetes who has been bitten by a serpent sent by Hera. From there, their relationship blossoms and they come to love each other despite their differences, including Sirenas newly acquired immortality. Eventually however, Odysseus comes to obtain Hercules bow and arrows from Philoctetes so that the Greeks can win the Trojan War. The book ends with Philoctetes leaving with Odysseus, leaving Sirena on the deserted island of Lemnos.
This book completely crushed my heart. All in all, the book was actually pretty graphic for what I thought was an independent reader novel. Whenever Cecilia is killed by the sailors, Napoli gruesomely describes the mermaids smashed in face. Sirena makes multiple references to their beautiful breasts. While Napoli had enough decently to leave out any sex scenes, it is blatantly alluded to.
The majority of the novel is Sirena and Philoctetes bonding and building their relationship. Napoli takes us through the two learning about each other, bantering playfully, and falling in love. Only to rip them apart. It was so anticlimactic and soul-crushing, I almost started crashing.
All in all, it was a great novel. Despite being written in first person, it was expertly written. I love the simplicity of Sirenas thinking. It is clear that she lacks any education beyond her island world. Reading about Sirena and Philoctetes developing relationship was enchanting.
Definitely worth the heart break at the end.
The story is narrated by one of the 50 mytholgical mermaids, Sirena. She lives with ten of her sisters on an island where they are protected and guided by three guardian birds. The sole purpose of Sirenas and her sisters existence is to somehow make human males fall in love them so that the mermaids can become immortal like their ancestors. They live simple lives, dressing up in starfish and pearls and singing to lure ships towards their island where their ship will wreck on the reef just offshore. What makes Sirena different than her sisters, however, is her conscience. Whereas her sisters are only concerned with becoming immortal, Sirena actually cares about the welfare of the men whose lives they put in danger.
When the story begins, Sirena is preening herself before singing to lure not one, but three ships to her sisters island. The men on the ships fall under their spell and two of the three ships crash upon the reef. Most of the men die because they do not know how to swim. While the ones who know how to swim make it safely to shore, the mermaids try to save as many of the others as they can. Only eleven men initially survive. They eventually die because of lack of resources on the island, but not before they beat one of Sirenas sisters, Cecilia, to death for trying to save a drowning sailor.
Shortly after, Sirena runs away to the island of Lemnos to escape the life she has been subjected to. There, she tries to help heal Philoctetes who has been bitten by a serpent sent by Hera. From there, their relationship blossoms and they come to love each other despite their differences, including Sirenas newly acquired immortality. Eventually however, Odysseus comes to obtain Hercules bow and arrows from Philoctetes so that the Greeks can win the Trojan War. The book ends with Philoctetes leaving with Odysseus, leaving Sirena on the deserted island of Lemnos.
This book completely crushed my heart. All in all, the book was actually pretty graphic for what I thought was an independent reader novel. Whenever Cecilia is killed by the sailors, Napoli gruesomely describes the mermaids smashed in face. Sirena makes multiple references to their beautiful breasts. While Napoli had enough decently to leave out any sex scenes, it is blatantly alluded to.
The majority of the novel is Sirena and Philoctetes bonding and building their relationship. Napoli takes us through the two learning about each other, bantering playfully, and falling in love. Only to rip them apart. It was so anticlimactic and soul-crushing, I almost started crashing.
All in all, it was a great novel. Despite being written in first person, it was expertly written. I love the simplicity of Sirenas thinking. It is clear that she lacks any education beyond her island world. Reading about Sirena and Philoctetes developing relationship was enchanting.
Definitely worth the heart break at the end.
Gareth von Kallenbach (971 KP) rated Pitch Perfect (2012) in Movies
Aug 7, 2019
I have to admit, I am a sucker for movies with singing and dancing. And when there’s competition involved, even better! When I saw the trailer for Pitch Perfect, my first thought was it looked like “Bring It On” but for a capella groups. My second thought was, “Where do I line up?”
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
Gareth von Kallenbach (971 KP) rated Encanto (2021) in Movies
Nov 15, 2021
In a magical area of Columbia surrounded by mountains; exists a magical town watched over by the Madrigal family. The family lives in a magical home that is the center point for the community and is loved by the community.
In the new Disney film “Encanto”; audiences are told the story of how the family patriarch founded the community with a magical candle and how upon reaching a certain age; all members of her family receive a “gift” from the magical house which gives them an ability to help the community. From being able to heal with cooking to talking to the animals and super strength; the family Madrigal is the beloved pillar of the community.
To every rule there is an exception and young Mirabel (Stephanie Beatriz); is the only member of her family not to receive a gift of powers. As such she is seen as a pariah from the family and believes she is more tolerated than loved especially compared to her siblings who are endowed with amazing abilities.
Things change when a new member of the family goes through the gifting ceremony; the first one since Mirabel was denied, and receives an amazing gift and basks in the love of the town and family. Mirabel has a vision of the house cracking and falling into ruin. She tries to warn her family but they see the house in its usual pristine condition and blame Mirabel for being jealous for not having a gift and wanting to take attention away from those who do.
Mirabel believes in what she saw and learns that members of her family may know more than they admit and that they hold the key to saving the day. This leads to a quest to find the absent Uncle Bruno (John Leguizamo); who has been absent as many believe his gift of prophecy only leads to bad things coming to fruition and has gone into hiding as a result.
Mirabel is soon forced to look deep inside herself and find her strength to overcome her own insecurities and save her family and community.
The film has great animation and is awash in color as it brings the magical community to life. The music is lively and is what you would expect from Lin- Manuel Miranda as it brings joy and energy to the film that is in keeping with the Disney tradition of amazing music in their animated films.
The biggest issue that I had with the film is that while fun and entertaining; the story never took the next step forward and at times dragged. This is not to say that “Encanto” is a bad film as it is lively, colorful, and fun; however it does not reach the heights of Disney classics like “Frozen” “Moana” and other classics. Think of it this way; “Lilo & Stitch” is a fine animated film but few would hold it in the same regard as “The Lion King”, “Beauty and the Beast”, and “The Little Mermaid”.
In the end “Encanto” offers a fun experience for the family and fans to enjoy and shows how even when they do not hit the top of the mountain; Disney is still the Gold Standard in animation.
4 stars out of 5
In the new Disney film “Encanto”; audiences are told the story of how the family patriarch founded the community with a magical candle and how upon reaching a certain age; all members of her family receive a “gift” from the magical house which gives them an ability to help the community. From being able to heal with cooking to talking to the animals and super strength; the family Madrigal is the beloved pillar of the community.
To every rule there is an exception and young Mirabel (Stephanie Beatriz); is the only member of her family not to receive a gift of powers. As such she is seen as a pariah from the family and believes she is more tolerated than loved especially compared to her siblings who are endowed with amazing abilities.
Things change when a new member of the family goes through the gifting ceremony; the first one since Mirabel was denied, and receives an amazing gift and basks in the love of the town and family. Mirabel has a vision of the house cracking and falling into ruin. She tries to warn her family but they see the house in its usual pristine condition and blame Mirabel for being jealous for not having a gift and wanting to take attention away from those who do.
Mirabel believes in what she saw and learns that members of her family may know more than they admit and that they hold the key to saving the day. This leads to a quest to find the absent Uncle Bruno (John Leguizamo); who has been absent as many believe his gift of prophecy only leads to bad things coming to fruition and has gone into hiding as a result.
Mirabel is soon forced to look deep inside herself and find her strength to overcome her own insecurities and save her family and community.
The film has great animation and is awash in color as it brings the magical community to life. The music is lively and is what you would expect from Lin- Manuel Miranda as it brings joy and energy to the film that is in keeping with the Disney tradition of amazing music in their animated films.
The biggest issue that I had with the film is that while fun and entertaining; the story never took the next step forward and at times dragged. This is not to say that “Encanto” is a bad film as it is lively, colorful, and fun; however it does not reach the heights of Disney classics like “Frozen” “Moana” and other classics. Think of it this way; “Lilo & Stitch” is a fine animated film but few would hold it in the same regard as “The Lion King”, “Beauty and the Beast”, and “The Little Mermaid”.
In the end “Encanto” offers a fun experience for the family and fans to enjoy and shows how even when they do not hit the top of the mountain; Disney is still the Gold Standard in animation.
4 stars out of 5
Sophia (Bookwyrming Thoughts) (530 KP) rated The Corridor (The Corridor Duology, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
It seems, that <b>books relating to parallel universes are like mermaid books and contemporary books</b>: I either get along with them, or I don't get along with them.
It's no brainer that <b>a book involving parallel universes as <i><a title="A Thousand Pieces of You by Claudia Gray" href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank" rel="noopener">A Thousand Pieces of You</a></i> and <i>The Corridor</i> have would be extremely scientific in its explanation</b>. An information dump is (or maybe just a dumbing down of information) bound to happen if the authors want me to make sense of their parallel universes.
But somehow, <b>I enjoyed a story concocted by A.N. Willis far more than a story concocted by Claudia Gray</b> (parallel universes related I DO like Claudia Gray's other works), even if my first thoughts reading the first chapter was, "Oh, no. Parallel universes. Please don't disappoint me, A.N. Willis."
I find that I'm actually not disappointed I really enjoyed the first book in the <i>Corridor</i> series, and <b>I was pretty engrossed with Willis' writing. I wanted to know more than what the author actually wrote</b> Estele's power, Dr. Taber's betrayal years ago. <b>I even found myself interested in the science of the universes that the scientists were seeing and the different "Earths" Estele visits using her power.</b> And I am not generally a science person, regardless of the fact I think Chemistry is easy and passed it with a fabulous A-.
(Maybe I'm a chemistry kid rather than a physical science or biology kid. I guess I can't run away from math after all. What if I'm an accountant one day?!?!?! I won't complain, of course, since it's baby math...)
<b>There were moments that I found myself confused on which Earth the characters were talking about each world has different names for each of the other Earth</b>. The original Earth simply went with First Earth, Second Earth, and possibly so and so forth if they found any more. Estele went with calling First Earth and Second Earth whatever the scientists called them, and came up with names that were significant to that Earth when she first visits. Another version of Earth was further advanced and found more twelve Earths in total, and went with the zodiac in naming each of them. I found that <b>while the more advanced Earth was far more complicated, Estele's version seemed to make things a lot more clearer in matching up the Earths.</b>
Possibly <b>the biggest difference between <i>A Thousand Pieces of You</i> and <i>The Corridor</i> was how Marguerite actually uses a device while Estele somehow has a power to travel across worlds.</b> I personally found that really cool and interesting, and as mentioned earlier, I wanted to know more about that power as much as Estele did.
By the time I actually got to the end of the book, I was pretty disappointed... in a good way. I suppose Willis did disappoint me after all. <b>I honestly have no clue where the author is going with the series</b>, but I'm hoping the sequel will be just as good as the first one is.
<a href="https://bookwyrmingthoughts.com/arc-review-the-corridor-by-an-willis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It seems, that <b>books relating to parallel universes are like mermaid books and contemporary books</b>: I either get along with them, or I don't get along with them.
It's no brainer that <b>a book involving parallel universes as <i><a title="A Thousand Pieces of You by Claudia Gray" href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank" rel="noopener">A Thousand Pieces of You</a></i> and <i>The Corridor</i> have would be extremely scientific in its explanation</b>. An information dump is (or maybe just a dumbing down of information) bound to happen if the authors want me to make sense of their parallel universes.
But somehow, <b>I enjoyed a story concocted by A.N. Willis far more than a story concocted by Claudia Gray</b> (parallel universes related I DO like Claudia Gray's other works), even if my first thoughts reading the first chapter was, "Oh, no. Parallel universes. Please don't disappoint me, A.N. Willis."
I find that I'm actually not disappointed I really enjoyed the first book in the <i>Corridor</i> series, and <b>I was pretty engrossed with Willis' writing. I wanted to know more than what the author actually wrote</b> Estele's power, Dr. Taber's betrayal years ago. <b>I even found myself interested in the science of the universes that the scientists were seeing and the different "Earths" Estele visits using her power.</b> And I am not generally a science person, regardless of the fact I think Chemistry is easy and passed it with a fabulous A-.
(Maybe I'm a chemistry kid rather than a physical science or biology kid. I guess I can't run away from math after all. What if I'm an accountant one day?!?!?! I won't complain, of course, since it's baby math...)
<b>There were moments that I found myself confused on which Earth the characters were talking about each world has different names for each of the other Earth</b>. The original Earth simply went with First Earth, Second Earth, and possibly so and so forth if they found any more. Estele went with calling First Earth and Second Earth whatever the scientists called them, and came up with names that were significant to that Earth when she first visits. Another version of Earth was further advanced and found more twelve Earths in total, and went with the zodiac in naming each of them. I found that <b>while the more advanced Earth was far more complicated, Estele's version seemed to make things a lot more clearer in matching up the Earths.</b>
Possibly <b>the biggest difference between <i>A Thousand Pieces of You</i> and <i>The Corridor</i> was how Marguerite actually uses a device while Estele somehow has a power to travel across worlds.</b> I personally found that really cool and interesting, and as mentioned earlier, I wanted to know more about that power as much as Estele did.
By the time I actually got to the end of the book, I was pretty disappointed... in a good way. I suppose Willis did disappoint me after all. <b>I honestly have no clue where the author is going with the series</b>, but I'm hoping the sequel will be just as good as the first one is.
<a href="https://bookwyrmingthoughts.com/arc-review-the-corridor-by-an-willis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Lottie disney bookworm (1056 KP) rated The Mermaid, the Witch and the Sea in Books
Sep 20, 2020
Thank you to Netgalley and Walker books for providing this ARC in exchange for an honest review.
I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.
The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.
Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.
In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.
The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.
The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.
I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.
These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.
Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.
I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.
The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.
Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.
In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.
The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.
The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.
I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.
These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.
Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.
I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
Ivana A. | Diary of Difference (1171 KP) rated Blood Shadow (Blood Never Lies 1) in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Lottie disney bookworm (1056 KP) rated Poor Unfortunate Soul: A Tale of the Sea Witch (Villains #3) in Books
Sep 7, 2019
Contains spoilers, click to show
A review by The Disney Bookworm:
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
The third instalment in Serena Valentino’s villain’s tales is the story of Ursula. I was really looking forward to this: after scaring the beejeeeesus out of me as a kid, Ursula has become my favourite villain as an adult. She definitely projects the body confidence I lack that’s for sure!
Regular readers will know I was left a little disappointed by The Beast Within and so it was with some trepidation that I ventured onto the next novel in the series. However, I was too tempted by the promise of a backstory to my favourite sassy octopus.
Poor Unfortunate Soul starts off really well, as is the case with all Valentino’s books. We meet Ursula as an orphaned human girl, raised by a loving adoptive father but never accepted by the villagers around her. She is acutely aware that she is different and is constantly drawn to the sea. However, when the villagers realise Ursula’s true form and start a literal witch hunt, her father tries to protect her and it ends tragically.
Vengeful and alone, Ursula returns to the sea and discovers her family isn’t lost to her after all: she has a brother, Triton.
Unfortunately, but not surprisingly, Triton and Ursula are not destined for an emotional reunion and a game of happy families. Instead, Triton wants Ursula to conform to his idea of beauty and live in his kingdom as a mermaid. He also refuses to share his throne with Ursula: something their parents aspired to.
The siblings also disagree over the treatment of humans. Although both despise the race, the sea king disapproves of his sister’s vengeful ways and eventually banishes her from his kingdom. This only adds fuel to Ursula’s rage, causing her to plot to destroy her tyrant brother by using his youngest daughter: Ariel.
We all know how that story goes!
I really enjoyed this backstory to Ursula and the twist that her and Triton were related but separated when they were young. In my opinion it gave me what I wanted from the villains series: empathy for the villain.
However, as was the case in The Beast Within, I was willing for this to be fleshed out more. How were Triton and Ursula separated? What was the kingdom like when the siblings attempted to cohabitate? Ariel’s mother is briefly mentioned as a friend to Ursula – was it her death that permanently severed Triton and Ursula’s relationship? In my opinion, Ursula’s brief relationship with her brother is the lynch pin in her demise but the details are glossed over as an almost appendix in the story. I wanted more of this and less of Tulip!
Ah yes, Tulip is back! Although for the life of me I’m not sure why!
Yes, she was in the last book and we know she made a deal with Ursula.
Yes, she links the books together, particularly with the references to Maleficent’s evil doings in a neighbouring kingdom.
Yes, she has a friendship with Circe and Pflanze: allowing the odd sisters to locate their beloved sister.
Yes, she has a weird nanny who feels like she should be someone but I’m not entirely sure whom.
But dear god she takes up too much of these books. She clearly regained her beauty for a reason and I’m sure her royal suitor has a future role but she just doesn’t interest me as a character. She’s an extra: popping up now and again to make some link in the storyline.
I can’t delve much further into this book without completely ruining the story for you so let me just say that I enjoyed the book more than The Beast Within. Poor Unfortunate Soul gave me the backstory of Ursula and allowed me to witness how her hate and thirst for power consumed her, as well as the consequences of this.
The novel was less heavily involved with the Odd Sisters than The Beast Within. It seemed that the villain was the main focus which was in keeping with Fairest of All and greatly appreciated. However, I was still left wanting more: these are thin books and a quick read; I just feel that the opportunities for developing real, complex villains are being missed.
