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Troy Aker (6 KP) rated Super 8 (2011) in Movies
Dec 13, 2017
Much fun from JJ Abrams
With Super 8, JJ Abrams did something I feel is rare in cinema. It was a monster movie in which you actually care about the people involved. Way too often in movies it becomes easy to cheer on the monster because the people involved just aren't likable, or that not enough time is spent on them to create a connection with the characters. A character driven monster-disaster movie is rare. This movie is the anti-Michael Bay movie. Which is part of the reason why I love it so much.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
Gamera: Guardian of the Universe (1995)
7.0
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The success of Toho's series of Godzilla films in the early and mid 1990s inspired Daiei to...
monster movie
Terror of Mechagodzilla (1975)
6.3
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Fifteenth movie in the Godzilla series, also known as Mechagodzilla's Counterattack, The Terror of...
monster movie alien invasion
Matthew Krueger (10051 KP) rated House of Frankenstein (1944) in Movies
Jun 18, 2020 (Updated Jun 18, 2020)
Get The Gang All Together: The Crossover
House of Frankenstein- is the ultimate monster crossover. It has Frankenstein, Dracula played by John Carradine, the Hunchback and the Wolf-Man played by Lon Chaney Jr. and a mad scientist played by Boris Karloff.
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
Godzilla Vs Gigan (1972)
6.5
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Twelfth Godzilla movie, and an attempt to rein things in after the perceived excessive weirdness of...
monster movie
Awix (3310 KP) rated Q: The Winged Serpent (1982) in Movies
Mar 31, 2019 (Updated Mar 31, 2019)
Hugely likeable, tongue-in-cheek mash-up of monster movie and crime drama. An ancient Aztec dragon-bird-god begins terrorising window-cleaners, construction workers and other people on top of high buildings in New York. Small-time crook (Moriarty) comes across the lair but will only tell heroic detective (Carradine) if the price is right.
The stuff with the monster is grisly good fun, while the more down to earth scenes are lifted hugely by the terrific performance of Moriarty, who seems to think he's appearing in a John Cassavetes film. The special effects are heroically over-ambitious and a subplot about an Aztec cult committing human sacrifices feels like an awkward afterthought, but that just adds to the entertainment value of an unashamed exploitation movie, and a mighty fine one too.
The stuff with the monster is grisly good fun, while the more down to earth scenes are lifted hugely by the terrific performance of Moriarty, who seems to think he's appearing in a John Cassavetes film. The special effects are heroically over-ambitious and a subplot about an Aztec cult committing human sacrifices feels like an awkward afterthought, but that just adds to the entertainment value of an unashamed exploitation movie, and a mighty fine one too.
Awix (3310 KP) rated Godzilla (1954) in Movies
Mar 24, 2018 (Updated Mar 24, 2018)
The very first Godzilla movie is essentially an unlicensed remake of Eugene Lourie's The Beast from 20,000 Fathoms, with a prehistoric monster roused by atomic testing and going on the rampage - but being a bit worried about atom bombs is clearly not the same thing as actually having them used on your country, for this movie has a dark, traumatised quality to it completely absent from American monster movies.
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.
The sequences with the human characters have that slightly melodramatic, soap-opera-ish feel to them common to many B-movies, but the actual monster attacks are astonishingly bleak and explicit about the massive body-count left in Godzilla's wake. You get a strong sense of a country left reeling, struggling to come to terms with why this catastrophe has been visited on them (the movie reflects the widespread Japanese belief that the country was a victim of the second world war, not an aggressor).
It's quite hard to compare this to most of the subsequent films, for this is obviously a much more serious parable. Some of the melodramatic plotting lets it down a bit, and the climax is rather disappointing given the strength of the earlier set pieces. But it's clear why people are still making movies about Godzilla nearly sixty-five years later.
Awix (3310 KP) rated Godzilla Vs Megaguirus (2000) in Movies
Mar 9, 2018 (Updated Mar 9, 2018)
Excitable first Godzilla movie of the 21st century has some decent special effects but a more than usually ridiculous plot. Elite anti-monster force known as, and I kid you not, the 'G-Graspers' plan to kill Godzilla by filling him full of black holes; for an elite anti-monster force they seem very unconcerned when weapons test causes an infestation of giant predatory dragonflies known as Meganulons (a call-back to the original Rodan movie in the 1950s). The dragonflies proceed to flood Tokyo (quite how they manage this is not clear) and feed on Godzilla's irradiated mutant blood, which is bound to end badly.
One thing you have to say is that Godzilla Vs Megaguirus is full of big and wacky ideas, but the human characters are unappealing, the plot is very comic-booky even for a Godzilla film (and not in a good way), and the movie can't seem to figure out which of the monsters is supposed to be the good guy. The film drags on for another fifteen minutes after the climactic battle, too. The monster suits and special effects are not too bad, but the same is true of all the Godzilla films from around this point in time, and those don't have the weird flaws of this one.
One thing you have to say is that Godzilla Vs Megaguirus is full of big and wacky ideas, but the human characters are unappealing, the plot is very comic-booky even for a Godzilla film (and not in a good way), and the movie can't seem to figure out which of the monsters is supposed to be the good guy. The film drags on for another fifteen minutes after the climactic battle, too. The monster suits and special effects are not too bad, but the same is true of all the Godzilla films from around this point in time, and those don't have the weird flaws of this one.
Charlie Cobra Reviews (1840 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jul 7, 2020
Hail To The King Baby
Godzilla: King of The Monsters is a 2019 monster movie directed by Michael Dougherty and written by Dougherty, Zach Shields, and Max Borenstein. It was produced by Legendary Pictures and distributed by Warner Bros. Pictures. The film was dedicated to the original Godzilla suit performer Haruo Nakajima and executive producer Yoshimitsu Banno. The movie stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe and Zhang Ziyi.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
