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See No Evil, Hear No Evil (1989)
See No Evil, Hear No Evil (1989)
1989 | Action, Comedy, Mystery
9
7.6 (11 Ratings)
Movie Rating
Gene Wilder (3 more)
Richard Pryor
Some great one liners
The bar fight
Classic comedy from a classic pairing
This never fails to put a smile on my face
Wally (Pryor) hears a murder and smells the murderer whilst working for Dave (Wilder) who saw of the murderer leaving, through a series of misunderstandings they become suspects for the murder, being chased by both the police and the villains this duo must survive, not get arrested and prove their innocence...

Dave is deaf, and owns a magazine stand, Wally is blind and approaches Dave for a job, which is when the mayhem begins. Both actors play their parts brilliantly and you could almost believe they are blind and deaf, even with the slightly non pc subject matter and the fact it is a comedy, you don't feel they are mocking deafness or blindness.

This is strangely not considered as good as their two previous outings, Silver Streak and Stir Crazy but I think it is equally as good if not slightly better
  
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Kathryn Bigelow recommended Murder! (1930) in Movies (curated)

 
Murder! (1930)
Murder! (1930)
1930 | Classics, Drama, Mystery
(0 Ratings)
Movie Favorite

"All of Hitchcock — I don’t think I can even identify a particular film. After I transitioned out of the art world into film, I was doing a graduate degree at Columbia University and I took a class with Andrew Sarris, who I think is one of the treasures of the film world. We looked at an overview of Hitchcock during the two-year course, starting with his silents. And there are some extraordinary silent movies of his; I’m not sure how readily available they are, but there’s a phenomenal film — I think it’s called Murder! — and it’s silent, but it’s as tense as Psycho or The Birds or Notorious or Rear Window. [Editor’s note: Hitchcock’s 1930 film Murder! was one of his first talkies, but his 1927 silent, The Lodger, is one of his most celebrated. Both were released jointly to home video in 2002.] It’s a silent film, but it’s Hitchcock. All of his signatures, all the signifiers, everything we’ve come to know and love about Hitchcock, they’re all in play."

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