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Love Without Limits (Pink Bean #7)
8.0
Rate It
Book
Changing the rules can open your mind Caitlin James and Josephine Greenwood have been happily in...
Lesbian Romance Leaning Erotic
Lee KM Pallatina (951 KP) rated Encanto (2021) in Movies
Feb 9, 2022
Family gal
Another power soaked disney adventure, about gifts, curses and family secrets....
Madrigals are afamily who live an extraordinary life hidden from the rest of the world in a little village called Encanto.
Encanto has given the children in the family with a unique power, except Mirabel. However, she soon may be their last hope when she breaks in the bedroom of "banished/missing" family member Bruno (who we don't talk about) and discovers that he left behind a prophecy and a powerless answer to her no magic self.
Time is running out as the magic Provided the Encanto is now in danger.
A great story in all, fun musical numbers and change from usual to characteristics in gender roles and another nice mix of colour design.
Madrigals are afamily who live an extraordinary life hidden from the rest of the world in a little village called Encanto.
Encanto has given the children in the family with a unique power, except Mirabel. However, she soon may be their last hope when she breaks in the bedroom of "banished/missing" family member Bruno (who we don't talk about) and discovers that he left behind a prophecy and a powerless answer to her no magic self.
Time is running out as the magic Provided the Encanto is now in danger.
A great story in all, fun musical numbers and change from usual to characteristics in gender roles and another nice mix of colour design.
David McK (3369 KP) rated Aladdin (2019) in Movies
Aug 11, 2019 (Updated Dec 28, 2022)
Goy Ritchie's Will Smith starring live-action retelling of the 1992 Disney cartoon: a movie that, believe it or not, is now nearly 30 years old (I can't believe I just typed that).
While this does hew pretty closely to the original, this is not quite the shot-for-shot remake I was expecting (or feared), with Jasmine in particular given far more agency here, and with Will Smith's Genie 'bookending' the entire narrative.
Talking of Will Smith: he had some big shoes to fill and - thankfully - he wisely does not attempt a Robin Williams impersonation, instead making the character more his own (although, of course, he has the same musical numbers to belt out).
On the down side, however, this version of Jafar is far less menacing than the original ...
While this does hew pretty closely to the original, this is not quite the shot-for-shot remake I was expecting (or feared), with Jasmine in particular given far more agency here, and with Will Smith's Genie 'bookending' the entire narrative.
Talking of Will Smith: he had some big shoes to fill and - thankfully - he wisely does not attempt a Robin Williams impersonation, instead making the character more his own (although, of course, he has the same musical numbers to belt out).
On the down side, however, this version of Jafar is far less menacing than the original ...
Rock 'n' Film: Cinema's Dance with Popular Music
Book
Rock 'N' Film presents a cultural history of films about US and British rock music during the period...
CT
Composing the World: Harmony in the Medieval Platonic Cosmos
Book
We can hear the universe! This was the triumphant proclamation at a February 2016 press conference...
BankofMarquis (1832 KP) rated tick, tick...Boom! (2021) in Movies
Jan 11, 2022
A Love Letter
If you ever worked on a live theater performance, whether as a performer, tech crew, make-up, costumes, box office, etc…the Netflix Original film tick, tick…BOOM is for you.
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
RəX Regent (349 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 7, 2019
Darker than you might expect...
Contains spoilers, click to show
The first of Walt Disney's historic features was a pleasure to watch. Beautifully animated with deceptively gentle strokes, we are delicately guided through the Brothers Grimm's fairy tale. But this is still a fairy tale and a 1930′s film, made at a time where stories were not so toned down for our children, and a healthy dose of fear and horror was not shied away from.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
BankofMarquis (1832 KP) rated Mary Poppins Returns (2018) in Movies
Apr 8, 2019
Practically Adequate In Every Way
I wish there was a world where there was not the shadow of the previous, beloved, MARY POPPINS film existed so I could review MARY POPPINS RETURNS on it's own merits.
But...that's not the world that we live in...so most of this review is going to be - "insert name" is no "insert name".
For example...Emily Blunt is wonderful in the role, but she is no Julie Andrews (who was "practically perfect in every way").
Lin-Manuel Miranda is fine as Mary's sidekick, but he is no Dick Van Dyke (though the 2 share the same inability to affect a plausible English accent)
The musical numbers by Marc Shaiman and Scott Wittman are perfectly adequate for this film, but they are no Sherman Brothers tunes (no SUPERCALIFRAGILISTIC... anywhere to be seen).
You get the point.
And that's the issue I had with this film - it tried to pay homage (not duplicate) the previous film but fell just short in every aspect because it was constantly reminding us of the previous film.
As for this film on it's own, it's practically adequate in every way. The performances are "fine". The musical numbers are "fine" the direction flows the film in a perfectly acceptable way and the plot of the film is okay. So if you have a children in the target age of this film, they'll enjoy it well enough.
It just isn't the first film and I, for one, will skip a rewatch of MARY POPPINS RETURNS and, instead, will pop in (for the umpteenth time) the original MARY POPPINS.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
But...that's not the world that we live in...so most of this review is going to be - "insert name" is no "insert name".
For example...Emily Blunt is wonderful in the role, but she is no Julie Andrews (who was "practically perfect in every way").
Lin-Manuel Miranda is fine as Mary's sidekick, but he is no Dick Van Dyke (though the 2 share the same inability to affect a plausible English accent)
The musical numbers by Marc Shaiman and Scott Wittman are perfectly adequate for this film, but they are no Sherman Brothers tunes (no SUPERCALIFRAGILISTIC... anywhere to be seen).
You get the point.
And that's the issue I had with this film - it tried to pay homage (not duplicate) the previous film but fell just short in every aspect because it was constantly reminding us of the previous film.
As for this film on it's own, it's practically adequate in every way. The performances are "fine". The musical numbers are "fine" the direction flows the film in a perfectly acceptable way and the plot of the film is okay. So if you have a children in the target age of this film, they'll enjoy it well enough.
It just isn't the first film and I, for one, will skip a rewatch of MARY POPPINS RETURNS and, instead, will pop in (for the umpteenth time) the original MARY POPPINS.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bong Mines Entertainment (15 KP) rated Pleasures by DIRTY RADIO in Music
Jun 18, 2019
DIRTY RADIO is a DJ, producing, and songwriting duo from Canada. Not too long ago, they released their long-awaited third studio album, entitled, “Pleasures”.
“Our primary goal was to collaborate with all our favorite musicians and producers and then see what would happen. In writing and producing our past albums, we remained pretty introverted during the writing and recording process, only inviting a few key people to assist. For this record, we wanted to push ourselves creatively to write the best songs we could while remaining open to other ideas. Geographically speaking, we recruited collaborators on this record from Berlin, Brighton, L.A., Australia, Las Vegas, and here in Vancouver.” – DIRTY RADIO
‘Pleasures’ contains a diverse, interwoven array of singles which display DIRTY RADIO’s musical evolution through the lens of their irresistible R&B-infused electronic beats.
The likable project offers a delightfully diverse assortment of music ranging from future-house, garage, soul, and electro-infused R&B.
Also, the 16-track album contains relatable storylines, ear-welcoming vocals, and groovy instrumentations flavored with an electro-dance aroma.
“This album is much more focused than our previous records. We really wanted to hone in on creating music we would be excited to perform live while also exploring and improving on our style (House/R&B). Although we have focused on releasing singles for the past few years. We wanted this album to be something you could listen to from beginning to end.” – DIRTY RADIO
Since 2010, DIRTY RADIO has been crafting a satisfying synthesis of progressive soul, R&B, and electronic music.
With their diverse musical influences, the multi-instrumentalists and producers have been working tirelessly in their studio.
Also, they’ve been racking up impressive Soundcloud and Spotify numbers. Plus, releasing tracks for iconic labels such as Spinnin’, Partyfine, Majestic Casual, and Mad Decent.
https://www.bongminesentertainment.com/dirty-radio-pleasures/
“Our primary goal was to collaborate with all our favorite musicians and producers and then see what would happen. In writing and producing our past albums, we remained pretty introverted during the writing and recording process, only inviting a few key people to assist. For this record, we wanted to push ourselves creatively to write the best songs we could while remaining open to other ideas. Geographically speaking, we recruited collaborators on this record from Berlin, Brighton, L.A., Australia, Las Vegas, and here in Vancouver.” – DIRTY RADIO
‘Pleasures’ contains a diverse, interwoven array of singles which display DIRTY RADIO’s musical evolution through the lens of their irresistible R&B-infused electronic beats.
The likable project offers a delightfully diverse assortment of music ranging from future-house, garage, soul, and electro-infused R&B.
Also, the 16-track album contains relatable storylines, ear-welcoming vocals, and groovy instrumentations flavored with an electro-dance aroma.
“This album is much more focused than our previous records. We really wanted to hone in on creating music we would be excited to perform live while also exploring and improving on our style (House/R&B). Although we have focused on releasing singles for the past few years. We wanted this album to be something you could listen to from beginning to end.” – DIRTY RADIO
Since 2010, DIRTY RADIO has been crafting a satisfying synthesis of progressive soul, R&B, and electronic music.
With their diverse musical influences, the multi-instrumentalists and producers have been working tirelessly in their studio.
Also, they’ve been racking up impressive Soundcloud and Spotify numbers. Plus, releasing tracks for iconic labels such as Spinnin’, Partyfine, Majestic Casual, and Mad Decent.
https://www.bongminesentertainment.com/dirty-radio-pleasures/
Bong Mines Entertainment (15 KP) rated Good Things - Single by Kelaa in Music
Jun 18, 2019
Kelaa is an up-and-coming singer-songwriter and producer from Sweden. Not too long ago, she released a lovely debut single, entitled, “Good Things”.
“Good things come to those who don’t wait around. I can’t let you slow me down. F**k you and your lies. Chase me when I rise. Get blinded by my light. Good things come to those who don’t wait around.” – lyrics
‘Good Things’ is the first single from Kelaa’s upcoming EP.
The likable tune contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with an electro-pop aroma.
“‘Good Things’ is about not waiting for chances to come but instead create the conditions you desire around yourself, no matter what the obstacles are. ‘Cause, in the end, good things come to those who have the courage to follow their intuition.” – Kelaa
Kelaa grew up in a musical family with traditional folk music from the Kurdish regions of eastern Turkey.
Her musical journey with the project KELAA began after she participated in the program, Who can become a producer?
The message she wants to give is that everything is going to be alright even at times when you are standing at the edge.
The name Kelaa means fortress and is the name of a holy mountain in Kurdish regions Turkey.
The name was chosen by the artist to honor her roots, as an attempt to at least spiritually, preserve a piece of her background as the thought of losing her identity became a daunting experience at times when physical borders hindered her from connecting with her roots.
Creating songs under this name reflects the blended identity, which has formed her growing up in Sweden.
https://www.bongminesentertainment.com/kelaa-good-things/
“Good things come to those who don’t wait around. I can’t let you slow me down. F**k you and your lies. Chase me when I rise. Get blinded by my light. Good things come to those who don’t wait around.” – lyrics
‘Good Things’ is the first single from Kelaa’s upcoming EP.
The likable tune contains a relatable storyline, pleasing vocals, and vibey instrumentation flavored with an electro-pop aroma.
“‘Good Things’ is about not waiting for chances to come but instead create the conditions you desire around yourself, no matter what the obstacles are. ‘Cause, in the end, good things come to those who have the courage to follow their intuition.” – Kelaa
Kelaa grew up in a musical family with traditional folk music from the Kurdish regions of eastern Turkey.
Her musical journey with the project KELAA began after she participated in the program, Who can become a producer?
The message she wants to give is that everything is going to be alright even at times when you are standing at the edge.
The name Kelaa means fortress and is the name of a holy mountain in Kurdish regions Turkey.
The name was chosen by the artist to honor her roots, as an attempt to at least spiritually, preserve a piece of her background as the thought of losing her identity became a daunting experience at times when physical borders hindered her from connecting with her roots.
Creating songs under this name reflects the blended identity, which has formed her growing up in Sweden.
https://www.bongminesentertainment.com/kelaa-good-things/