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Create your own epic saga of conflict, mythology, and community! This acclaimed game of magical...
Kristy H (1252 KP) rated All Our Pretty Songs (Metamorphoses, #1) in Books
Feb 13, 2018
Two girls grow up, as close (or closer) as sisters, until a boy and a strange man (?) come between them. Aurora is the daughter of a famous musician, who died when she very young; her mother still spends most of her days in a drug-induced haze. It's up to her best friend (whose name we never learn -- she's simply the narrator of this tale) to protect Aurora, who is described as lovely and other-worldly, from herself. The girls spend their days together -- watching movies in Aurora's bed, partying hard, dancing in mosh pits at concerts, etc. One day they meet a musician named Jack, a beautiful man/boy, who enraptures the narrator, and seems to set them on a course to be torn apart.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
This is a very strange book. The first half or so is actually pretty compelling and interesting. The story of Aurora and the narrator's friendship is fascinating, and their "girls gone wild" story is plausible, if not a little much. Aurora's mom could clearly care less where her daughter is. The narrator's mom, Cass, was friends with Aurora's mom, but they clearly fought when the girls were young and are not on speaking terms, though Cass cares deeply for Aurora. This is all good stuff.
Once Jack arrives and Aurora meets Minos, a bizarre music producer, things get weird. The book takes on this mystical, paranormal feel, and it's just strange. It almost feels like this part of the plot was forced into what was otherwise just a good (really, good) story about friendship and teenage girls and life. I won't go into many more details about the plot, but the narrator basically goes on a quest, which I didn't completely understand and then the book just ends, leaving you hanging and everything unresolved. And despite the fact that there is another book in the series, it looks to be about the girls' mothers, not the girls, therefore giving me no resolution whatsoever! Grr.
That's not to say that McCarry's writing isn't lovely. It's a beautiful, poetic book - almost too much at times, as I found myself practically skimming to get to the actual plot. The narrator was a compelling character, and the whole story was so well-written that I could imagine every person, every wild party, every journey. I just think that it almost would have been just as good, if not better, without all the crazy characters and odd mythology-type "stuff" thrown in. But what do I know, really? And I'll probably read the second book out of total curiosity because Maia (Aurora's mom) and Cass were pretty fascinating.
This was probably closer to 2.5 stars for my overall feeling at the end, but bumped up a bit for the beginning and the general writing.
postapocalypticplayground (27 KP) rated Circe in Books
May 29, 2018
I admit that I purchased this book solely on the cover which is amazing and the first edition print run has the most amazing embossing on the hard cover itself – like Helios himself the sun is luminescent when it shines upon it!
This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.
Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.
However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.
I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.
Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.
However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.
I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
Rhys (240 KP) rated The Outsider in Books
Jun 30, 2018 (Updated Jul 7, 2018)
Contains spoilers, click to show
‘The Outsider’ is a crime/horror novel of four distinct parts. The first is the murder and investigation described in the blurb. This part is more traditionally crime novel than horror and introduces the main characters, giving them all distinct personalities and building up to the twist. Part two takes place after said twist (obviously, giving this away would destroy the enjoyment of the first part) and involves a new focus on the ‘antagonist’ of the third part: Ralph Anderson.
Part three introduces Holly, a character from the Finders Keepers books (that I have not read at this time) and continues for most of the book. This part is heavily inspired by several vampire novels and series including ‘Dracula’ and ‘The Strain’ but keeps a distinct Stephen King feeling.
(Part four is epilogue, which ties up loose ends and ensures that the characters who survive, as well as some who do not, have a happy ending.)
Previous King novels can feel forced, or full of ‘fluff’ that exists only to pad out the time between gruesome murders and intense horror. In this novel, every piece of dialogue has a purpose, whether to build on a character’s.... character... or to make the world seem more real, ground the supernatural in reality.
Despite what is said on the ‘bad’ section, this novel works well as a stand alone. Holly, the character that connects this to previous works, is written as though it will be a reader’s first encounter with her. She is built up from scratch and goes through development at the same rate as the other characters (her previous appearances are described enough that a reader will know the gist, but do not give away anything from the ‘Mr. Mercedes’ trilogy other than that Bill Hodges at some point dies.)
(For context, I am not a regular reader of King’s novels, having tried ‘It’ and ‘Insomnia’ but quickly loosing interest in both.)
Why not full marks? Around half way through the novel there is a scene that simply does not fit in with the rest of the story. The character that will eventually become King’s equivalent of Renfield from ‘Dracula’ meets the Outsider in the bathroom, with said character appropriately terrified. Why is this such an odd scene? Throughout the tense conversation (in which the Outsider’s powers are shown in full) Jack is suffering from an upset stomach (and King seems strangely obsessed with describing.) Horrible, yes, but horror it is not.
Overall, I would recommend this novel to a fan of Stephen King or to someone who wants to get into his writing.
Part three introduces Holly, a character from the Finders Keepers books (that I have not read at this time) and continues for most of the book. This part is heavily inspired by several vampire novels and series including ‘Dracula’ and ‘The Strain’ but keeps a distinct Stephen King feeling.
(Part four is epilogue, which ties up loose ends and ensures that the characters who survive, as well as some who do not, have a happy ending.)
Previous King novels can feel forced, or full of ‘fluff’ that exists only to pad out the time between gruesome murders and intense horror. In this novel, every piece of dialogue has a purpose, whether to build on a character’s.... character... or to make the world seem more real, ground the supernatural in reality.
Despite what is said on the ‘bad’ section, this novel works well as a stand alone. Holly, the character that connects this to previous works, is written as though it will be a reader’s first encounter with her. She is built up from scratch and goes through development at the same rate as the other characters (her previous appearances are described enough that a reader will know the gist, but do not give away anything from the ‘Mr. Mercedes’ trilogy other than that Bill Hodges at some point dies.)
(For context, I am not a regular reader of King’s novels, having tried ‘It’ and ‘Insomnia’ but quickly loosing interest in both.)
Why not full marks? Around half way through the novel there is a scene that simply does not fit in with the rest of the story. The character that will eventually become King’s equivalent of Renfield from ‘Dracula’ meets the Outsider in the bathroom, with said character appropriately terrified. Why is this such an odd scene? Throughout the tense conversation (in which the Outsider’s powers are shown in full) Jack is suffering from an upset stomach (and King seems strangely obsessed with describing.) Horrible, yes, but horror it is not.
Overall, I would recommend this novel to a fan of Stephen King or to someone who wants to get into his writing.
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
Accessible (2 more)
Simplified
Incredible insight into how much the modern world has taken from Greek and Roman culture
A lot of pretty complex names to remember (1 more)
Constant footnotes (usually at least one per page) to explain certain aspects, or highlight an interesting fact.
Mythos - The Greek legends retold
Ah, what a great read. Stephen Fry writes exactly how you would expect him to, if you've ever heard him speak. He understands the subject matter, and more importantly, realises how easily a reader will be overwhelmed by the sheer amount of players in these myths and answers that problem without condescension.
The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.
I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.
The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.
As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).
If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.
- Rob
The book reads as a quasi-novel, from the birth of the universe to the third and fourth generations of immortals (this includes the creators, the titans, the gods, and mythical creatures/characters, spawns of titans and gods, gods and creatures, gods and men and all sorts.) and their adventures, each following on from the other.
I have always had an interest in the Greek myths and gods, and as I suggested above the really interesting part of these stories, beyond the very human nature of the immortals (jealousy, unreasonableness, duplicity, rage, deceit and pride) which makes for so much more of a believable creation theory, is the myriad ways they have influenced English language (any many others I'm sure). To give an example (I'm showing my own ignorance flagrantly here) a simple thing, the alphabet. It never occurred to me, in my own self centered existence, this simply come from the first and second letters of the Greek alphabet. Alpha and Beta. So simple, so obvious, yet I never made this connection.
The stories themselves are wonderful, and the best thing about them is they all tie in with a creation theory. Something, whatever it is, is learned, or created. Some paradigm is set, some moral conundrum is answered, or something in the world is explained by the end of every story told (the tides, the moon, wine, love, soul, war, sex, the seasons, humanity itself just to name a few). It's such an entertaining read, and I find myself telling anyone who will listen some of the revelations I find in this book page on page on page.
As an end note, don't be overwhelmed by the prospect of reading about these stories, this installment ONLY covers from creation, to the establishment of the twelve Greek gods, and their children. It stops before the even greater amount of legends stemming from human demigods (Hercules, Perseus etc) and these are picked up in Fry's most recent offering, Heroes (which I am yet to read).
If you have any interest in the Greek mythology, or etymology, or even history as a whole, this is absolutely one for you.
- Rob
Phil Leader (619 KP) rated Shadow (Pendulum #2) in Books
Nov 25, 2019
Shadow is the second book in the Pendulum series of novels by Will Elliott. Following on immediately from the first book, The Pilgrims (reviewed previously) it follows the adventures of Eric, a regular guy who ends up in the mysterious and dangerious world of Levaal.
Taking up the story where the predecessor left off, this is a book of regrouping and answers. Following the destruction of the wall between the two halves of Levaal seemingly unstoppable forces are unleashed. The pendulum has started to swing - and signals the end of life on Levaal if it is not stopped.
This book is one of regrouping and answers. The various players were scattered at the end of the first book and now some of them arrive at the same destination. We also have answers to a number of questions from the first book, which given how many questions there were really is a considerable relief. Mysterious protagonists with opaque drives are all very well (and probably required these days to raise any story above the rest) but it is really good to see that Elliott really does know what is going on (even if as a reader it still not entirely clear). The description of how magic works was particularly good, and as with the first book this is a really strong point in the creation of the mythology here.
Most of the characters are the same faces, but there are a few new ones. Most notably Shadow who is referred to a couple of times in the first book (mostly in terms of Eric potentially being Shadow). The title character appears here as a main character and drives most of the plot. Clearly a being of power, the back story of where Shadow came from and why is also touched on. The great dragons who apparently rule the world also take a more direct hand and are as devious and manipulative as expected.
Meanwhile the Arch Mage is losing control of Vous as he nears godhood and the unpredictable destruction wrought by Vous is creating a dangerous instability as the forces representing the Castle fragment into their own factions, each with their own agenda,
The writing continues to be strong, the story moves again at some pace although inevitably there is a lot more talking and exposition as the nature of the threats are explained. Elliott's inventiveness is not diminished with more odd characters and situations and locations at every turn.
Although light on actual plot, this book is clearly required as a bridge between the first book and the third, giving the reader enough information to understand exactly what is going on before what is shaping up to be a strong and no doubt surprising finale.
Taking up the story where the predecessor left off, this is a book of regrouping and answers. Following the destruction of the wall between the two halves of Levaal seemingly unstoppable forces are unleashed. The pendulum has started to swing - and signals the end of life on Levaal if it is not stopped.
This book is one of regrouping and answers. The various players were scattered at the end of the first book and now some of them arrive at the same destination. We also have answers to a number of questions from the first book, which given how many questions there were really is a considerable relief. Mysterious protagonists with opaque drives are all very well (and probably required these days to raise any story above the rest) but it is really good to see that Elliott really does know what is going on (even if as a reader it still not entirely clear). The description of how magic works was particularly good, and as with the first book this is a really strong point in the creation of the mythology here.
Most of the characters are the same faces, but there are a few new ones. Most notably Shadow who is referred to a couple of times in the first book (mostly in terms of Eric potentially being Shadow). The title character appears here as a main character and drives most of the plot. Clearly a being of power, the back story of where Shadow came from and why is also touched on. The great dragons who apparently rule the world also take a more direct hand and are as devious and manipulative as expected.
Meanwhile the Arch Mage is losing control of Vous as he nears godhood and the unpredictable destruction wrought by Vous is creating a dangerous instability as the forces representing the Castle fragment into their own factions, each with their own agenda,
The writing continues to be strong, the story moves again at some pace although inevitably there is a lot more talking and exposition as the nature of the threats are explained. Elliott's inventiveness is not diminished with more odd characters and situations and locations at every turn.
Although light on actual plot, this book is clearly required as a bridge between the first book and the third, giving the reader enough information to understand exactly what is going on before what is shaping up to be a strong and no doubt surprising finale.
The Betrayal: The 1919 World Series and the Birth of Modern Baseball
Book
In the most famous scandal of sports history, eight Chicago White Sox players-including Shoeless Joe...
Kristy H (1252 KP) rated The Maidens in Books
Jun 24, 2021
A lackluster and dull thriller
Mariana Andros is a group therapist and Cambridge University graduate. She is mourning her late husband, Sebastian, when their niece, Zoe, calls, upset because a friend at Cambridge has been murdered. Mariana and Sebastian raised Zoe as a surrogate daughter, so Mariana heads to Cambridge and St. Christopher's College to be there for her. There, Mariana feels she can help her friend and fellow therapist, Julian Ashcroft, in looking into the murder. Mariana is convinced that Greek tragedy professor Edward Fosca is responsible. He is followed around by a group of female students, deemed The Maidens, who seem obsessed with Fosca and his teachings. When another girl, a Maiden, is found dead, Mariana vows she will do anything to stop him.
"Death was no stranger to Mariana; it had been her traveling companion since she was a child--keeping close behind her, hovering just over her shoulder. She sometimes felt she had been cursed, as if by some malevolent goddess in a Greek myth, to lose everyone she ever loved."
Unpopular opinion time... this book did not work for me. I did not find it engaging nor interesting. I had to force myself to keep reading, as I did not care for any of the characters, including Mariana and Zoe. Mariana is fixated on Edward Fosca from the beginning and seems convinced she should insert herself in a rather serious murder investigation despite not seeming one bit qualified. I'm not sure how her group therapist qualifications lend her any credentials and she lies constantly, much to the annoyance (justified) and detriment of the police. There are basically no sympathetic characters, and there seems to be no reason to care about the murdered women, as we're given no background on them. Some characters (e.g., Julian) seem inserted for no reason whatsoever.
There is a lot of Greek mythology tucked into the story and perhaps I was just over it, as I've read several books revolving around Greek myths lately. It was a lot, though, and sometimes did not seem relevant to our story.
This thriller is certainly atmospheric, with Cambridge playing a strong role in the setting. You definitely feel a part of the academic setting, and I learned a lot about the university while reading. It's dark and somewhat foreboding, but since I was not fully invested in the story, I could only feel so tense. There are some twists, but the big twist came too late and seemed too preposterous to be truly exciting. The author throws in so many red herrings that you find yourself almost rolling your eyes.
Still, this is a very popular thriller for many readers, so chances are it may work for you. For me, it just didn't hold my interest or seem all that, well, thrilling. 2 stars.
"Death was no stranger to Mariana; it had been her traveling companion since she was a child--keeping close behind her, hovering just over her shoulder. She sometimes felt she had been cursed, as if by some malevolent goddess in a Greek myth, to lose everyone she ever loved."
Unpopular opinion time... this book did not work for me. I did not find it engaging nor interesting. I had to force myself to keep reading, as I did not care for any of the characters, including Mariana and Zoe. Mariana is fixated on Edward Fosca from the beginning and seems convinced she should insert herself in a rather serious murder investigation despite not seeming one bit qualified. I'm not sure how her group therapist qualifications lend her any credentials and she lies constantly, much to the annoyance (justified) and detriment of the police. There are basically no sympathetic characters, and there seems to be no reason to care about the murdered women, as we're given no background on them. Some characters (e.g., Julian) seem inserted for no reason whatsoever.
There is a lot of Greek mythology tucked into the story and perhaps I was just over it, as I've read several books revolving around Greek myths lately. It was a lot, though, and sometimes did not seem relevant to our story.
This thriller is certainly atmospheric, with Cambridge playing a strong role in the setting. You definitely feel a part of the academic setting, and I learned a lot about the university while reading. It's dark and somewhat foreboding, but since I was not fully invested in the story, I could only feel so tense. There are some twists, but the big twist came too late and seemed too preposterous to be truly exciting. The author throws in so many red herrings that you find yourself almost rolling your eyes.
Still, this is a very popular thriller for many readers, so chances are it may work for you. For me, it just didn't hold my interest or seem all that, well, thrilling. 2 stars.
BookInspector (124 KP) rated Madam in Books
Jul 1, 2021
The protagonist in this novel is Rose, and this story is told from her perspective. Rose is a very well educated Latin teacher that comes to a new, well-known school, but being a child of a very active feminist, stuck in a school that has very old and very strange traditions drives her “crazy”. I could not connect to Rose, I respected her thoughts, but she had no idea what she got herself into, and that made her look stupid. I missed student’s perspectives in this book. I think a student protagonist would have made this book way more interesting and absorbing, they definitely have a lot to tell.
I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.
The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.
So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.
I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.
The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.
So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.