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Neon's Nerd Nexus (360 KP) rated Overlord (2018) in Movies
May 13, 2019
Overbored
#overlord is overlong, #boring, repetitive dross with no #soul of its own.
I was looking forward to this #film walking in, it looked like a throw back to 2002 #action horror films like #DogSoldiers, #Deathwatch & #28dayslater but it couldnt be any further from any of them if it tried. When Overlord is a #war film its passable enough (mainly because it outright steals all the best bits from #savingprivateryan & #bandofbrothers) but its when it tries its hand at horror it becomes down right #embarrassing. We know whats lurking in the basement going into the film but for some reason it keeps it a mystery for far to long instead feeding us this dull recycled generic plot we've seen a million times before we get to 'what we came to see'. Once the horror hits its done extremely poorly, lacking in suspense, quality & grittiness. I get they were going for a kid of #grindhouse sort of style but it takes itself far to seriously losing the fun of such a film. Acting is as painful as the dialog which is delivered by most of the cast as if you gave a script to someone on the street & asked them to read it. Not one character is likable & they all seem to be un phased by wounds or the horrors they witness. #Creature design is unimaginative, cgi is #poor & set pieces are dull however there are some great tracking shots at times & a bit of nice imagery but its to few & far between. Its nice to see an 18 certificate film like this for a change but I found Overlord to be a huge let down & a big wasted opportunity. Pitty. #odeon #odeonlimitless #horror #gore #scary #natzi #war #worldwar #thursdaythoughts #filmbuff #filmcritic #ww2 #nasty #zombies #halloween #callofduty
I was looking forward to this #film walking in, it looked like a throw back to 2002 #action horror films like #DogSoldiers, #Deathwatch & #28dayslater but it couldnt be any further from any of them if it tried. When Overlord is a #war film its passable enough (mainly because it outright steals all the best bits from #savingprivateryan & #bandofbrothers) but its when it tries its hand at horror it becomes down right #embarrassing. We know whats lurking in the basement going into the film but for some reason it keeps it a mystery for far to long instead feeding us this dull recycled generic plot we've seen a million times before we get to 'what we came to see'. Once the horror hits its done extremely poorly, lacking in suspense, quality & grittiness. I get they were going for a kid of #grindhouse sort of style but it takes itself far to seriously losing the fun of such a film. Acting is as painful as the dialog which is delivered by most of the cast as if you gave a script to someone on the street & asked them to read it. Not one character is likable & they all seem to be un phased by wounds or the horrors they witness. #Creature design is unimaginative, cgi is #poor & set pieces are dull however there are some great tracking shots at times & a bit of nice imagery but its to few & far between. Its nice to see an 18 certificate film like this for a change but I found Overlord to be a huge let down & a big wasted opportunity. Pitty. #odeon #odeonlimitless #horror #gore #scary #natzi #war #worldwar #thursdaythoughts #filmbuff #filmcritic #ww2 #nasty #zombies #halloween #callofduty
LeftSideCut (3778 KP) rated Predators (2010) in Movies
May 14, 2019 (Updated Dec 4, 2019)
Another Predator movie, another misfire
Contains spoilers, click to show
In reality, the only truly decent Predator film is the original (although I do have a soft spot for Predator 2 but shhh).
Predators is just a bit of a mess from the get go. We're very swiftly introduced to a cast of bland, cliched, "badass" characters, none of whom are particularly likable, and I can only find myself blaming the script for the most part. This cast includes true talents, including Adrian Brody, Laurence Fishburne, and Mahershala Ali, and none them succeed in making positive impact.
It also stars Topher Grace, who's character goes through some absolute-nonsense-sudden-shift-to-evil-douche plot twist near the end, by which point, you just struggle to care.
As for the actual Predator side of things - it's pretty underwhelming. The trailer promised a big number of the alien hunters, where in reality we get 4, who hardly get any screen time (which wouldn't be a problem if the human characters were actually interesting).
The opportunity to explore an alien world, rather than the usual setting of Earth is a nice idea, but mostly wasted bar a couple of nice looking landscape shots.
The whole thing comes down to a showdown between a lone Predator, and a shirtless Adrian Brody covered in mud, in what I Imagine was supposed to be an ode and call back to the original, but in reality, it just reminds you that you could be spending your time watching that instead.
Final thought - after the lengths that Arnie went through in the original to take down the Predator, I absolutely refuse to accept that one dude with a katana can cut one down with relative ease.
Predators is just a bit of a mess from the get go. We're very swiftly introduced to a cast of bland, cliched, "badass" characters, none of whom are particularly likable, and I can only find myself blaming the script for the most part. This cast includes true talents, including Adrian Brody, Laurence Fishburne, and Mahershala Ali, and none them succeed in making positive impact.
It also stars Topher Grace, who's character goes through some absolute-nonsense-sudden-shift-to-evil-douche plot twist near the end, by which point, you just struggle to care.
As for the actual Predator side of things - it's pretty underwhelming. The trailer promised a big number of the alien hunters, where in reality we get 4, who hardly get any screen time (which wouldn't be a problem if the human characters were actually interesting).
The opportunity to explore an alien world, rather than the usual setting of Earth is a nice idea, but mostly wasted bar a couple of nice looking landscape shots.
The whole thing comes down to a showdown between a lone Predator, and a shirtless Adrian Brody covered in mud, in what I Imagine was supposed to be an ode and call back to the original, but in reality, it just reminds you that you could be spending your time watching that instead.
Final thought - after the lengths that Arnie went through in the original to take down the Predator, I absolutely refuse to accept that one dude with a katana can cut one down with relative ease.
Kyera (8 KP) rated Simon vs. the Homo Sapiens Agenda in Books
Jan 31, 2018
I had read a few chapters earlier in the day before I jumped in bed to read – fast forward a few hours and it was way past my normal bedtime... and the book was done. Simon vs. the Homo Sapiens Agenda was a cute contemporary book that once you pick it up, you won’t want to put it down.
Simon and his friends are typical, relatable high school students that deal with relationships, family dynamics and the difficulty of navigating adolescence. The students at the school have a tumblr in which they can gossip or post secrets. It was there that Simon stumbles across a post that he relates to and decides to contact the author. Throughout the novel, Simon is corresponding the other boy in his school although neither know the other’s identity. It was nice to experience them getting to know one another before they’ve ever even met.
I read the Upside of Unrequited prior to reading Simon vs. the Homo Sapiens Agenda, so I had a reverse experience with the character cameos. We hear a little from Abby through her conversations with Molly, so it was nice to see her as an important character in Simon’s tale. One funny scene in Upside was when Molly and Abby were skyping while Simon was over. He asked her a very important question, which House did Abby belong to. It wasn’t important to the plot, but after reading this book and getting to know Simon I loved it even more.
Despite life’s ups and downs, the conclusion to this novel was the happy end that you can expect from a YA contemporary. I would highly recommend it to young adult/teen fans of contemporary books that are set in high school and have diverse characters.
Simon and his friends are typical, relatable high school students that deal with relationships, family dynamics and the difficulty of navigating adolescence. The students at the school have a tumblr in which they can gossip or post secrets. It was there that Simon stumbles across a post that he relates to and decides to contact the author. Throughout the novel, Simon is corresponding the other boy in his school although neither know the other’s identity. It was nice to experience them getting to know one another before they’ve ever even met.
I read the Upside of Unrequited prior to reading Simon vs. the Homo Sapiens Agenda, so I had a reverse experience with the character cameos. We hear a little from Abby through her conversations with Molly, so it was nice to see her as an important character in Simon’s tale. One funny scene in Upside was when Molly and Abby were skyping while Simon was over. He asked her a very important question, which House did Abby belong to. It wasn’t important to the plot, but after reading this book and getting to know Simon I loved it even more.
Despite life’s ups and downs, the conclusion to this novel was the happy end that you can expect from a YA contemporary. I would highly recommend it to young adult/teen fans of contemporary books that are set in high school and have diverse characters.
KatieLouCreate (162 KP) rated The Resistance in Books
Feb 6, 2018 (Updated Feb 6, 2018)
A Nice Quick Read
This book is perfect for those who want a nice quick YA dystopian read. It will literally take only a few hours to read. I read it in about 6 hours and I am a slow reader. The story line is great. In fact, it is its most greatest strength. This book, I think, is the worst of the three books in the trilogy. Not much really happens in terms of plot until the end. But it makes up for it with the third book.
The main downfall of this book is the characters. I'm sure I mentioned it previously. Although some of the characters are good, like Pip, Richard and Mrs Pincent, other characters are lacking. Peter is too centered around wanting action, and being the hero, Anna thinks she's strong but is actually quiet a passive character when you think about it. Jude always thinks he is the underdog, a shadow of Peter and loves Sheila, even though they barely know each other, and Sheila is whiney. You notice these traits more in this book because the book has a gradual buildup of action so you have no choice but to focus on the characters.
The book does not shy away from controversial topics. Where other authors would have left the scene to the imagination or alluded to it, Malley delves right into it which forces us to be exposed to the same trauma as the characters. It helps highlight what is wrong in their society and allows us think about the ethical situations and implications of what is happening. For this, I applaud Malley greatly.
It is not a terrible read and the third book makes up for what this book lacks but the are room for improvements in this collection.
The main downfall of this book is the characters. I'm sure I mentioned it previously. Although some of the characters are good, like Pip, Richard and Mrs Pincent, other characters are lacking. Peter is too centered around wanting action, and being the hero, Anna thinks she's strong but is actually quiet a passive character when you think about it. Jude always thinks he is the underdog, a shadow of Peter and loves Sheila, even though they barely know each other, and Sheila is whiney. You notice these traits more in this book because the book has a gradual buildup of action so you have no choice but to focus on the characters.
The book does not shy away from controversial topics. Where other authors would have left the scene to the imagination or alluded to it, Malley delves right into it which forces us to be exposed to the same trauma as the characters. It helps highlight what is wrong in their society and allows us think about the ethical situations and implications of what is happening. For this, I applaud Malley greatly.
It is not a terrible read and the third book makes up for what this book lacks but the are room for improvements in this collection.
Kyera (8 KP) rated The Last Namsara (Iskari, #1) in Books
Feb 1, 2018
The Last Namsara is Kristen Ciccarelli's debut novel and I am in love. The world building was brilliantly done and laid a strong foundation for her story to grow and develop.
Asha is a dragon hunter and a feared Iksari who is strong and dedicated to her role in the kingdom. Despite the fact that her actions as a child called the dragons who burned her city, she fights every day to redeem herself from her past mistakes and make her father, the King, proud. It was nice to see the main character learns to value herself, even though she has grown up shamed and feared by the people. She overcomes her prejudices and the damage instilled upon her over the course of the novel.
Her transformative journey begins when a slave, Torwin is introduced to her life. He treats her like a normal person, just as she learns to treat him as one. He opens her eyes to the truth of the world and thaws her damaged heart, leading her to learn so much about the people in her kingdom and a better way to live.
There was also a well-written antagonist who was so controlling and cruel that you couldn't help but hate him. It was a nice juxtaposition to Torwin's character and helped push the plot along. For me, the romance was a secondary plot point and sometimes only slowed down the pacing. It wasn't the most important element of the story.
The world building, mythology and the dragons are what shone for me. I cannot wait to see more of this world. I listened to this via audiobook and the narrator, Pearl Mackie did a fantastic job. I loved the authenticity she brought to Asha's character and would highly recommend this audiobook.
Asha is a dragon hunter and a feared Iksari who is strong and dedicated to her role in the kingdom. Despite the fact that her actions as a child called the dragons who burned her city, she fights every day to redeem herself from her past mistakes and make her father, the King, proud. It was nice to see the main character learns to value herself, even though she has grown up shamed and feared by the people. She overcomes her prejudices and the damage instilled upon her over the course of the novel.
Her transformative journey begins when a slave, Torwin is introduced to her life. He treats her like a normal person, just as she learns to treat him as one. He opens her eyes to the truth of the world and thaws her damaged heart, leading her to learn so much about the people in her kingdom and a better way to live.
There was also a well-written antagonist who was so controlling and cruel that you couldn't help but hate him. It was a nice juxtaposition to Torwin's character and helped push the plot along. For me, the romance was a secondary plot point and sometimes only slowed down the pacing. It wasn't the most important element of the story.
The world building, mythology and the dragons are what shone for me. I cannot wait to see more of this world. I listened to this via audiobook and the narrator, Pearl Mackie did a fantastic job. I loved the authenticity she brought to Asha's character and would highly recommend this audiobook.
Kristy H (1252 KP) rated No One Knows in Books
Feb 13, 2018
Josh and Aubrey Hamilton had a great marriage and a seemingly wonderful life, until her husband disappeared five years ago. Josh vanishes into thin air - as the couple head into a bachelor/bachelorette party - and is never seen or heard from ago. When Josh's mom finally has him declared dead, Aubrey is devastated. How will she move on without Josh? Then there's the matter of the $5M life insurance policy he put into place shortly before his death. His mom plans to fight her for it, but Aubrey doesn't care. She just wants Josh back. So much she imagines she sees him around the places they loved so much. Or is she just imagining this?
This was an interesting and well-written thriller. I was hooked from the beginning. You rarely read a book where the husband disappears, but you hear the story from the wife's perspective, so that was a nice change of pace. The story flips back and forth in time, so we can unravel bits and pieces of it ourselves, but we mainly hear from Aubrey's perspective, which is sort of nice.
The novel is suspenseful and keeps you guessing. Aubrey is a complicated character (as is Josh, really) and Ellison does a good job explaining their childhoods and how they became the people they are. There's a supporting cast of characters who are also pretty well-developed. To me, the ending was a little sudden, but still well-done. Even better, it pretty much surprised me, which isn't always easy to do.
I vacillated on this a bit, but overall 4 stars - it's a thrilling and enjoyable novel. (Even if I did constantly think of the baseball player every time I read the name Josh Hamilton!)
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
This was an interesting and well-written thriller. I was hooked from the beginning. You rarely read a book where the husband disappears, but you hear the story from the wife's perspective, so that was a nice change of pace. The story flips back and forth in time, so we can unravel bits and pieces of it ourselves, but we mainly hear from Aubrey's perspective, which is sort of nice.
The novel is suspenseful and keeps you guessing. Aubrey is a complicated character (as is Josh, really) and Ellison does a good job explaining their childhoods and how they became the people they are. There's a supporting cast of characters who are also pretty well-developed. To me, the ending was a little sudden, but still well-done. Even better, it pretty much surprised me, which isn't always easy to do.
I vacillated on this a bit, but overall 4 stars - it's a thrilling and enjoyable novel. (Even if I did constantly think of the baseball player every time I read the name Josh Hamilton!)
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
Sarah (7798 KP) rated Slaughterhouse Rulez (2018) in Movies
Nov 14, 2018
Such a disappointment
I've seen a lot of horrendous reviews for this film and whilst I'd agree that it isn't great, it's not nearly as bad as expected.
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
David McK (3251 KP) rated Norse Mythology in Books
Jan 28, 2019
I have to be honest: I'm not really sure how to classify this (based on my classification system).
Mainly since I don't have a shelf for 'mythology'.
Which is what this is: a straight re-telling of various of the Norse myths by [a:Neil Gaiman|1221698|Neil Gaiman|https://images.gr-assets.com/authors/1234150163p2/1221698.jpg], an author who is most familiar to me through his colloboration (and friendship) with the late, great, Sir [a:Terry Pratchett|1654|Terry Pratchett|https://images.gr-assets.com/authors/1235562205p2/1654.jpg] in [b:Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch|12067|Good Omens The Nice and Accurate Prophecies of Agnes Nutter, Witch|Terry Pratchett|https://images.gr-assets.com/books/1392528568s/12067.jpg|4110990], but who I am aware is famous in his own right and has written many other tales - some of which I have read (such as [b:Stardust|16793|Stardust|Neil Gaiman|https://images.gr-assets.com/books/1459127484s/16793.jpg|3166179], [b:American Gods|30165203|American Gods|Neil Gaiman|https://images.gr-assets.com/books/1462924585s/30165203.jpg|1970226] and [b:Neverwhere|14497|Neverwhere|Neil Gaiman|https://images.gr-assets.com/books/1348747943s/14497.jpg|16534] all spring to mind), others of which I haven't (such as his Sandman series) .
As a straight re-telling, some of these myths are already familioar as they are ingrained in our popular culture (such as Ragnarok), whereas others have become more 'popular' and familiar over the years since the inclusion of Thor (and Loki) in the Marvel Cinematic Universe.
It is unusual, however, to find such a retelling that is aimed at an adult audience - even if, by reading some of the prose within this, you might think it was aimed at kids (until you realise what's going on)!
Mainly since I don't have a shelf for 'mythology'.
Which is what this is: a straight re-telling of various of the Norse myths by [a:Neil Gaiman|1221698|Neil Gaiman|https://images.gr-assets.com/authors/1234150163p2/1221698.jpg], an author who is most familiar to me through his colloboration (and friendship) with the late, great, Sir [a:Terry Pratchett|1654|Terry Pratchett|https://images.gr-assets.com/authors/1235562205p2/1654.jpg] in [b:Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch|12067|Good Omens The Nice and Accurate Prophecies of Agnes Nutter, Witch|Terry Pratchett|https://images.gr-assets.com/books/1392528568s/12067.jpg|4110990], but who I am aware is famous in his own right and has written many other tales - some of which I have read (such as [b:Stardust|16793|Stardust|Neil Gaiman|https://images.gr-assets.com/books/1459127484s/16793.jpg|3166179], [b:American Gods|30165203|American Gods|Neil Gaiman|https://images.gr-assets.com/books/1462924585s/30165203.jpg|1970226] and [b:Neverwhere|14497|Neverwhere|Neil Gaiman|https://images.gr-assets.com/books/1348747943s/14497.jpg|16534] all spring to mind), others of which I haven't (such as his Sandman series) .
As a straight re-telling, some of these myths are already familioar as they are ingrained in our popular culture (such as Ragnarok), whereas others have become more 'popular' and familiar over the years since the inclusion of Thor (and Loki) in the Marvel Cinematic Universe.
It is unusual, however, to find such a retelling that is aimed at an adult audience - even if, by reading some of the prose within this, you might think it was aimed at kids (until you realise what's going on)!
LeftSideCut (3778 KP) rated The Walking Dead - Season 1 in TV
Jul 22, 2019 (Updated Jul 22, 2019)
The first season of The Walking Dead hits the ground (not) running
The first ever episode of The Walking Dead is one of the best hours of television I've ever seen.
After Rick Grimes falls into a coma following an shooting, he wakes up months later, abandoned in a hospital bed, and the whole world has gone to hell.
We have no idea how, we are not shown the outbreak. Instead, The Walking Dead jumps head first into the aftermath of a zombie virus outbreak.
He has no idea where his wife and young son are, but has reason to believe they're alive, and he sets out to find them in a strange new world.
It's a deliciously simple concept that sets the ball rolling, as we're introduced to the heart and would of the show - the wide spectrum of characters.
Stand out characters in season 1 include Darryl and Mearle Dixon, the latter who's casual racism and bad attitude cause issues withing the group. Shane is another character with many layers. The group mostly consists of characters that are looking to help fellow survivors, and as such, you will quickly find yourself caring about most of them.
The world of the Walking Dead can be harsh, and very violent at times, and the practical effects are a really nice touch The zombies look horrible for the most part, shuffling around (not running) causing big groups of them to be hugely dangerous, and there are some really tense moments as the series progresses.
It's a season at only 6 episodes but it ensures that there is no room for filler.
The Walking Dead hasbeen a hugely up and down and wildly inconsistent show throughout it's 10 years on air, so it's nice to look back on the early days, when it was pretty solid.
A must for any horror fan.
After Rick Grimes falls into a coma following an shooting, he wakes up months later, abandoned in a hospital bed, and the whole world has gone to hell.
We have no idea how, we are not shown the outbreak. Instead, The Walking Dead jumps head first into the aftermath of a zombie virus outbreak.
He has no idea where his wife and young son are, but has reason to believe they're alive, and he sets out to find them in a strange new world.
It's a deliciously simple concept that sets the ball rolling, as we're introduced to the heart and would of the show - the wide spectrum of characters.
Stand out characters in season 1 include Darryl and Mearle Dixon, the latter who's casual racism and bad attitude cause issues withing the group. Shane is another character with many layers. The group mostly consists of characters that are looking to help fellow survivors, and as such, you will quickly find yourself caring about most of them.
The world of the Walking Dead can be harsh, and very violent at times, and the practical effects are a really nice touch The zombies look horrible for the most part, shuffling around (not running) causing big groups of them to be hugely dangerous, and there are some really tense moments as the series progresses.
It's a season at only 6 episodes but it ensures that there is no room for filler.
The Walking Dead hasbeen a hugely up and down and wildly inconsistent show throughout it's 10 years on air, so it's nice to look back on the early days, when it was pretty solid.
A must for any horror fan.
Phil Leader (619 KP) rated Raising Steam: (Discworld Novel 40) in Books
Nov 25, 2019
Raising Steam is another Diskworld book by Pratchett and I have to say I enjoyed it immensely.
The main plot is twofold, firstly concerning steam trains being created (with a nice nod to Reaper Man) and spreading across the Sto Plains and secondly the continuation of the story of the Dwarves from The Fifth Elephant and Thud. There is also some continuation of the Goblin thread from Snuff. As Moist von Lipwig is the main hero (of a sort) there are also references to Going Postal and Making Money (which is also where the title comes from - this is a Moist book).
The main plots only converge towards the end of the story but this doesn't really matter. The train story is fun and fast moving, some nice little nods to the steam pioneers on Roundworld thrown in, plenty of one liners and puns. There are also more than enough references to previous books and Rincewind makes an appearance (although Death only has a cameo and there's no Librarian which is a little disappointing). The Dwarf plot concerns the machinations of the Deep Downers in trying to preserve Dwarven ways and not to modernise.
Both have impetus and are just enough entwined that one plot didn't get left behind. The writing was crisp and well paced - Pratchett seems to have finally adapted to speaking the books rather than physically writing them.
Overall I enjoyed this immensely, certainly the one I've enjoyed the most since Going Postal. Certainly there are some flaws - Drumknott is subverted from being a dry dusty administrator and the railway is simply built too quickly - but these can easily be overcome by the reader.
Recommended for any Discworld fan. Possibly not a good introduction as there are too many knowing nods and references to previous works.
The main plot is twofold, firstly concerning steam trains being created (with a nice nod to Reaper Man) and spreading across the Sto Plains and secondly the continuation of the story of the Dwarves from The Fifth Elephant and Thud. There is also some continuation of the Goblin thread from Snuff. As Moist von Lipwig is the main hero (of a sort) there are also references to Going Postal and Making Money (which is also where the title comes from - this is a Moist book).
The main plots only converge towards the end of the story but this doesn't really matter. The train story is fun and fast moving, some nice little nods to the steam pioneers on Roundworld thrown in, plenty of one liners and puns. There are also more than enough references to previous books and Rincewind makes an appearance (although Death only has a cameo and there's no Librarian which is a little disappointing). The Dwarf plot concerns the machinations of the Deep Downers in trying to preserve Dwarven ways and not to modernise.
Both have impetus and are just enough entwined that one plot didn't get left behind. The writing was crisp and well paced - Pratchett seems to have finally adapted to speaking the books rather than physically writing them.
Overall I enjoyed this immensely, certainly the one I've enjoyed the most since Going Postal. Certainly there are some flaws - Drumknott is subverted from being a dry dusty administrator and the railway is simply built too quickly - but these can easily be overcome by the reader.
Recommended for any Discworld fan. Possibly not a good introduction as there are too many knowing nods and references to previous works.