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Can express emotions. (4 more)
Can show off your photography skills.
Can keep up to date with family and friends.
It rarely crashes.
Can make your account private.
It reminds me a bit of Snapchat and Messenger now since all of the updates. (1 more)
Have a limit on video length.
My Main Social Media Platform!!
Instagram.....this is what I use mainly, more so than Facebook. It's something different and interesting to see people posts pictures instead of a status. I love putting up a picture of the day or even a quote of the day because I believe there's different ways to look at a picture, like that saying, a photo can tell you a 1000 words (something like that).
I do think it's got slightly more technical since the updates as years have gone on, I know to keep ahead of the game and more modernised. In some elements I do feel like it has copied Snapchat and Messenger were it didn't need it.
It has great effects on it from black and white to changing your photo to sepia or enhancing tones and shading. I do like doing all the different enhancements myself to find the perfect way I want my photo to look.
All in all, I can't really say much of a bad thing about Instagram because I use it everyday. I would definitely reccomend, especially if you want to try something new or express yourself more than words could.
I do think it's got slightly more technical since the updates as years have gone on, I know to keep ahead of the game and more modernised. In some elements I do feel like it has copied Snapchat and Messenger were it didn't need it.
It has great effects on it from black and white to changing your photo to sepia or enhancing tones and shading. I do like doing all the different enhancements myself to find the perfect way I want my photo to look.
All in all, I can't really say much of a bad thing about Instagram because I use it everyday. I would definitely reccomend, especially if you want to try something new or express yourself more than words could.
Barry Newman (204 KP) rated Cobra (1986) in Movies
Jul 25, 2020
A big ridiculous slice of the finest 80's camenbert that I just couldn't help but enjoy. Stallone is on fine ass kicking form as the hilariously named Marion "cobra" Cobretti (who for some reason has a matchstick in his mouth for almost the entire running time) offing bad guys in creatively violent ways. It actually starts off pretty dark before descending into more generic action fare towards the end but is unfortunately made laughable at times by being shot like a music video. The dialogue and soundtrack is pretty cringeworthy and I don't know what was going on with Brigitte Nielsen's photo shoot with a bunch of robots?. Yes it's crap but it's under 90 minutes and never boring. You could do worse for some easy action thrills.
Leanne Crabtree (480 KP) rated Catch a Ghost (Hell or High Water, #1) in Books
Jan 6, 2021
Firstly, what sort of an ending was that?! Maybe I missed something in there at the end but seriously? Tommy!
I was intrigued from the start when Tom received the video. Who was the guy in it and who had sent it?
Then we quickly moved on to Prophet. I find it hard to describe him in words but you learn how damaged he is the more you read. He's wearing casts on his wrists for most of the book and that's just how physically damaged he is, never mind mentally. The same could be said for Tommy, too. He has anger issues and this is sort of how I pictured the scene in the book, only he carried on...
<a href="http://s216.photobucket.com/user/leannecrab/media/tumblr_n56it36CaU1ry1rm7o1_4001.gif.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/tumblr_n56it36CaU1ry1rm7o1_4001.gif"; border="0" alt=" photo tumblr_n56it36CaU1ry1rm7o1_4001.gif"/></a>
The more I read the more I grew to like them both. (I seem to like reading about damaged people.)
Anyway, Tommy really grew on me when he scribbled out the phone number on Prophet's cast and ended up doing a bit of artwork on there to cover it. With Prophet it was a bit more slow growing and it was probably the sex scene closest to the end when he finally took part and was actually there instead of escaping into his past.
<a href="http://s216.photobucket.com/user/leannecrab/media/tumblr_mvl0e2WaYh1r2d3lqo1_5001.gif.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/tumblr_mvl0e2WaYh1r2d3lqo1_5001.gif"; border="0" alt=" photo tumblr_mvl0e2WaYh1r2d3lqo1_5001.gif"/></a>
A lot happened in this book with the missions they were sent on and when it all came to a head, I wasn't disappointed. The only bad thing for me was <spoiler>the bad guy got away</spoiler>]but I'm hoping that will be rectified in later books.
I'm also hoping that Tommy and Prophet get partnered again soon! As in the next book at some point.
I was intrigued from the start when Tom received the video. Who was the guy in it and who had sent it?
Then we quickly moved on to Prophet. I find it hard to describe him in words but you learn how damaged he is the more you read. He's wearing casts on his wrists for most of the book and that's just how physically damaged he is, never mind mentally. The same could be said for Tommy, too. He has anger issues and this is sort of how I pictured the scene in the book, only he carried on...
<a href="http://s216.photobucket.com/user/leannecrab/media/tumblr_n56it36CaU1ry1rm7o1_4001.gif.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/tumblr_n56it36CaU1ry1rm7o1_4001.gif"; border="0" alt=" photo tumblr_n56it36CaU1ry1rm7o1_4001.gif"/></a>
The more I read the more I grew to like them both. (I seem to like reading about damaged people.)
Anyway, Tommy really grew on me when he scribbled out the phone number on Prophet's cast and ended up doing a bit of artwork on there to cover it. With Prophet it was a bit more slow growing and it was probably the sex scene closest to the end when he finally took part and was actually there instead of escaping into his past.
<a href="http://s216.photobucket.com/user/leannecrab/media/tumblr_mvl0e2WaYh1r2d3lqo1_5001.gif.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/tumblr_mvl0e2WaYh1r2d3lqo1_5001.gif"; border="0" alt=" photo tumblr_mvl0e2WaYh1r2d3lqo1_5001.gif"/></a>
A lot happened in this book with the missions they were sent on and when it all came to a head, I wasn't disappointed. The only bad thing for me was <spoiler>the bad guy got away</spoiler>]but I'm hoping that will be rectified in later books.
I'm also hoping that Tommy and Prophet get partnered again soon! As in the next book at some point.
Lee (2222 KP) rated Every Time I Die (2019) in Movies
Oct 26, 2020
Not to be confused with No Time To Die, this indie supernatural thriller is lacking in big-budget polish and characters that you feel invested in, but manages to get by on an interesting concept and some sharp execution.
We begin with Sam (Drew Fonteiro), seeing what he sees as he gently blinks open his eyes to reveal Mia (Melissa Macedo) alongside him in bed. Sam has had a nightmare, and as he heads into the bathroom, he begins to experience an uncomfortable buzzing in his head, which leads to a blackout. When Sam comes around again, he’s crouched on the floor at work, with no memory as to how he arrived there. He’s wearing a paramedic uniform and holding a photo of two children, a brother and sister. On the back of the photo is written ‘remember Sara’.
Sam’s work colleague and friend, Jay (Marc Menchaca) invites Sam to join him and his wife Poppy (Michelle Macedo) at a lodge for the weekend. Poppy is the twin sister of Mia, who we saw in bed with Sam earlier and both Mia and her husband Tyler are also at the lodge. Tyler is a soldier, suffering from PTSD, and it’s clear that Sam and Mia have been having an affair behind his back, which now puts Sam in a bit of an awkward situation.
By this point, we’ve already witnessed Sam experiencing several more blackouts, including one while driving to the lodge. Each time, Sam has no recollection of what happened during the blackout, although a video recorded during one of the blackouts by his friends, shows that he does remain conscious and able to hold a conversation. Occasionally we get flashbacks and dream sequences which reveal that the brother and sister from the photo earlier are in fact Sam and his sister Sara, who drowned in a terrible accident when they were both children.
The first half of Every Time I Die is a slow, frustrating experience, not helped by the fact that the character of Sam is incredibly dull. Consequently, we feel no emotional connection to Sam, despite the childhood trauma he suffered and the turmoil he now experiences as an adult. Thankfully, the second half picks up when a jealous Tyler discovers that his wife has been cheating on him with Sam and murders Sam out by a lake in the forest. Thanks to the first-person perspective that was utilised earlier, we discover that Sam then transferred into the body of friend Jay, and must now try and convince his friends what Tyler has done. Not an easy task when Jay has a history of mental illness, leading the others to believe he’s had a relapse.
From there, Every Time I Die is just a roller coaster ride of clever ideas and twists, constantly dragged down by further flashbacks and confusing dream sequences, which are meant to help us and Sam understand what happened to him and his sister, but repeatedly stall the narrative momentum instead.
That being said, for the most part, I really enjoyed Every Time I Die. Aside from the slow first half, and the character of Sam, it’s well written, well crafted and with a satisfying, heart-warming finale.
We begin with Sam (Drew Fonteiro), seeing what he sees as he gently blinks open his eyes to reveal Mia (Melissa Macedo) alongside him in bed. Sam has had a nightmare, and as he heads into the bathroom, he begins to experience an uncomfortable buzzing in his head, which leads to a blackout. When Sam comes around again, he’s crouched on the floor at work, with no memory as to how he arrived there. He’s wearing a paramedic uniform and holding a photo of two children, a brother and sister. On the back of the photo is written ‘remember Sara’.
Sam’s work colleague and friend, Jay (Marc Menchaca) invites Sam to join him and his wife Poppy (Michelle Macedo) at a lodge for the weekend. Poppy is the twin sister of Mia, who we saw in bed with Sam earlier and both Mia and her husband Tyler are also at the lodge. Tyler is a soldier, suffering from PTSD, and it’s clear that Sam and Mia have been having an affair behind his back, which now puts Sam in a bit of an awkward situation.
By this point, we’ve already witnessed Sam experiencing several more blackouts, including one while driving to the lodge. Each time, Sam has no recollection of what happened during the blackout, although a video recorded during one of the blackouts by his friends, shows that he does remain conscious and able to hold a conversation. Occasionally we get flashbacks and dream sequences which reveal that the brother and sister from the photo earlier are in fact Sam and his sister Sara, who drowned in a terrible accident when they were both children.
The first half of Every Time I Die is a slow, frustrating experience, not helped by the fact that the character of Sam is incredibly dull. Consequently, we feel no emotional connection to Sam, despite the childhood trauma he suffered and the turmoil he now experiences as an adult. Thankfully, the second half picks up when a jealous Tyler discovers that his wife has been cheating on him with Sam and murders Sam out by a lake in the forest. Thanks to the first-person perspective that was utilised earlier, we discover that Sam then transferred into the body of friend Jay, and must now try and convince his friends what Tyler has done. Not an easy task when Jay has a history of mental illness, leading the others to believe he’s had a relapse.
From there, Every Time I Die is just a roller coaster ride of clever ideas and twists, constantly dragged down by further flashbacks and confusing dream sequences, which are meant to help us and Sam understand what happened to him and his sister, but repeatedly stall the narrative momentum instead.
That being said, for the most part, I really enjoyed Every Time I Die. Aside from the slow first half, and the character of Sam, it’s well written, well crafted and with a satisfying, heart-warming finale.
Prime free delivery (5 more)
Prime Now
Convenience
Ease of use
Choice
Can see the item price increase or decrease
Don't always believe the star ratings (3 more)
One day delivery isn't always one day
'Sale' prices that are more than the original price
Crazy large packaging for tiny items
It annoys me but I love it?!
I have Amazon Prime Student which is £39 a year.
For that I get
-expediated delivery
-early access to deals
-prime music and video access
- Prime drive unlimited photo storage
-kindle borrowing library and
- extra student discounts (about the usual 10%)
I mostly use the music and delivery and for the student price I definitely make my money back on the postage reduction alone. In saying that I would probably not spend a o much in the first place if postage wasn't free.
I've never had any problem with the app which I find easier to use than the website. Payment is so easy once you set up PayPal and swipe to pay (almost too easy).
A tip is to leave items in your basket and wait for the price to drop before buying as you get alerts when the price point changes if the item is in your shopping basket.
Amazon is innovative and has so many different aspects. Prime now lists items in your area which they can deliver to you in a few hours. They have a pantry food branch and a fresh delivery option in some areas. They also have an app selection, warehouse deals and baby lists.
Keeps bankrupting yourself interesting anyway.
For that I get
-expediated delivery
-early access to deals
-prime music and video access
- Prime drive unlimited photo storage
-kindle borrowing library and
- extra student discounts (about the usual 10%)
I mostly use the music and delivery and for the student price I definitely make my money back on the postage reduction alone. In saying that I would probably not spend a o much in the first place if postage wasn't free.
I've never had any problem with the app which I find easier to use than the website. Payment is so easy once you set up PayPal and swipe to pay (almost too easy).
A tip is to leave items in your basket and wait for the price to drop before buying as you get alerts when the price point changes if the item is in your shopping basket.
Amazon is innovative and has so many different aspects. Prime now lists items in your area which they can deliver to you in a few hours. They have a pantry food branch and a fresh delivery option in some areas. They also have an app selection, warehouse deals and baby lists.
Keeps bankrupting yourself interesting anyway.
Bob Mann (459 KP) rated Tomb Raider (2018) in Movies
Sep 29, 2021
A tremendously energetic and fun video game spin-off.
In this #TimesUp year, reviewing a film like “Tomb Raider” is just asking for trouble! So where shall I start digging my shallow grave?
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!