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Hazel (1853 KP) rated The Thing: Zero Day in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.
The Thing: Zero Day </i>is a short science fiction, horror story by Lee McGeorge. Inspired by John Carpenter’s film <i>The Thing</i> and the story <i>Who Goes There? </i>by John W. Campbell, McGeorge has created a creepy, fast paced thriller for readers to enjoy.
It is 1982 and a group of twelve Norwegian climatologists witness the crash landing of an unidentified flying object. Curiosity getting the better of them, they try to salvage what they can of the craft and discover an alien in a block of ice. What at first seems like a magnificent discovery turns frightening after all but three of the climate scientists begin behaving strangely, becoming impassive as if something has a psychological hold over them. The story becomes more horrific as it goes on with gruesome descriptions of the things that happen to the men.
The book is short enough to be read in one sitting, however it ends, annoyingly, without a definite conclusion, leaving the reader to imagine what happens next. <i>The Thing: Zero Day</i> is not a novel but a piece of fan fiction for the film <i>The Thing</i>. Although I have not seen the film I am led to believe that this book is a sort of prologue to the main story line.
Being short, the narrative is gripping from start to finish, jumping straight into the story. Readers are sucked into the tale and will most likely read it from beginning to end without putting it down. <i>The Thing: Zero Day</i> is obviously recommended for lovers of the film, however people who have not had the opportunity to view it, yet enjoy horror and science fiction, will also enjoy this book.
The Thing: Zero Day </i>is a short science fiction, horror story by Lee McGeorge. Inspired by John Carpenter’s film <i>The Thing</i> and the story <i>Who Goes There? </i>by John W. Campbell, McGeorge has created a creepy, fast paced thriller for readers to enjoy.
It is 1982 and a group of twelve Norwegian climatologists witness the crash landing of an unidentified flying object. Curiosity getting the better of them, they try to salvage what they can of the craft and discover an alien in a block of ice. What at first seems like a magnificent discovery turns frightening after all but three of the climate scientists begin behaving strangely, becoming impassive as if something has a psychological hold over them. The story becomes more horrific as it goes on with gruesome descriptions of the things that happen to the men.
The book is short enough to be read in one sitting, however it ends, annoyingly, without a definite conclusion, leaving the reader to imagine what happens next. <i>The Thing: Zero Day</i> is not a novel but a piece of fan fiction for the film <i>The Thing</i>. Although I have not seen the film I am led to believe that this book is a sort of prologue to the main story line.
Being short, the narrative is gripping from start to finish, jumping straight into the story. Readers are sucked into the tale and will most likely read it from beginning to end without putting it down. <i>The Thing: Zero Day</i> is obviously recommended for lovers of the film, however people who have not had the opportunity to view it, yet enjoy horror and science fiction, will also enjoy this book.
Midge (525 KP) rated The Buried Girl in Books
Mar 5, 2019
A Chilling Psychological Thriller with Gothic Elements
This book caught my eye as I loved the synopsis and I read a lot of books from this genre, although I haven’t read any of the author, Richard Montanari’s books before. “The Buried Girl” is a chilling psychological thriller with some added Gothic elements.
When the wife of a New York psychologist, Will Hardy, is murdered he moves into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio, with his teenage daughter, Bernadette.
At the same time, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl. She is convinced this may only be the latest in a long line of murders dating back decades, including her own long-missing sister.
But what place does Will's new home have in the story of the missing girls and why does he have past memories of Godwin Hall? Is the diary of a young woman, written over a century earlier, linked to the killings?
Richard Montanari writes a wonderfully atmospheric and compelling novel. Tense and suspenseful, the many threads of the story slowly begin to link together, central to which is Godwin Hall. Both the characterisation and the plot are superb with the three main characters damaged, but starting the process of recovery. I am hoping that there will be a sequel to this novel as it was a fantastic read which I highly recommend to lovers of thrillers and crime fiction.
{Thank you to Edelweiss and HarperCollins UK/Witness Impulse for the free copy of this novel and for giving me the opportunity to provide an honest review.}
When the wife of a New York psychologist, Will Hardy, is murdered he moves into Godwin Hall, a dusty, shut-up mansion in the small town of Abbeville, Ohio, with his teenage daughter, Bernadette.
At the same time, Abbeville Chief of Police Ivy Holgrave is investigating the death of a local girl. She is convinced this may only be the latest in a long line of murders dating back decades, including her own long-missing sister.
But what place does Will's new home have in the story of the missing girls and why does he have past memories of Godwin Hall? Is the diary of a young woman, written over a century earlier, linked to the killings?
Richard Montanari writes a wonderfully atmospheric and compelling novel. Tense and suspenseful, the many threads of the story slowly begin to link together, central to which is Godwin Hall. Both the characterisation and the plot are superb with the three main characters damaged, but starting the process of recovery. I am hoping that there will be a sequel to this novel as it was a fantastic read which I highly recommend to lovers of thrillers and crime fiction.
{Thank you to Edelweiss and HarperCollins UK/Witness Impulse for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Christine A. (965 KP) rated Lies in Books
Dec 9, 2018
Rollercoaster of twists and lies
Wow! I am a frequent reader of psychological thrillers and nearly always can figure out the twists, turns and the obligatory “big reveal”. With T.M. Logan’s “Lies”, I found myself on a rollercoaster of twists and lies. This quick read book felt as if each chapter ended on a cliffhanger that made the book impossible to put down.
The author did such a fantastic job at making the characters so realistic I sympathized with them, but was also suspicious of each of them at different parts of the book.
When I realized I was nearly finished the book but the story was not complete, I thought the author was going to rush the ending. Some authors end a story as if they have reached their minimum amount of words needed for an assignment. Rest assured, Logan did not.
In one of the blurbs, Nancy Macfarlane (Fiction Addiction), described “Lies” as “one of the scariest…”. I do not think it was scary but definitely was a page turner. I added T.M. Logan to my list of authors to read.
The author did such a fantastic job at making the characters so realistic I sympathized with them, but was also suspicious of each of them at different parts of the book.
When I realized I was nearly finished the book but the story was not complete, I thought the author was going to rush the ending. Some authors end a story as if they have reached their minimum amount of words needed for an assignment. Rest assured, Logan did not.
In one of the blurbs, Nancy Macfarlane (Fiction Addiction), described “Lies” as “one of the scariest…”. I do not think it was scary but definitely was a page turner. I added T.M. Logan to my list of authors to read.
Underrated attempt at a proper science fiction series from the BBC. In the far-off year of 2027, British copper Nathan Spring takes command of the International Space Police Force, responsible for law and order on the Moon and aboard the various space stations. Psychological and political issues prove to be as tricky as the actual crimes, though...
Clearly made on a punishingly low budget, and the vision of the future is occasionally a bit wonky from a modern perspective, but the five episodes written by series creator Chris Boucher are some of the best, most intelligent, wittiest and most cynical SF ever broadcast by the BBC. The other episodes not so much: everything gets a bit campy and there are a lot of national stereotypes on display. (Plus, the theme tune has been called the worst in TV history, and most of the incidental music is rubbish too.) Even when it's not particularly good, it's always trying to do something a bit different, and David Calder is consistently excellent as Spring. Not the first nor the last SF or fantasy show to be cut loose by the BBC before it had a chance to realise its potential.
Clearly made on a punishingly low budget, and the vision of the future is occasionally a bit wonky from a modern perspective, but the five episodes written by series creator Chris Boucher are some of the best, most intelligent, wittiest and most cynical SF ever broadcast by the BBC. The other episodes not so much: everything gets a bit campy and there are a lot of national stereotypes on display. (Plus, the theme tune has been called the worst in TV history, and most of the incidental music is rubbish too.) Even when it's not particularly good, it's always trying to do something a bit different, and David Calder is consistently excellent as Spring. Not the first nor the last SF or fantasy show to be cut loose by the BBC before it had a chance to realise its potential.
Awix (3310 KP) rated A Wrinkle in the Skin in Books
Sep 13, 2019
Almost relentlessly bleak SF-disaster novel. An immense series of global earthquakes destroys civilisation overnight, leaving only a handful of survivors. The protagonist has previously been emotionally self-sufficient, but can he maintain this attitude in the face of the horror and desolation around him?
Worlds away from the 'cosy catastrophe' label which this kind of book is occasionally lumbered with, this anticipates The Road in many ways: the central image is of a man and a boy making their way across the devastated landscape, scavenging to survive and trying to avoid lawless mobs of other survivors. Christopher's ideas about human nature are crushingly cynical but unpleasantly compelling; the psychological depth of this book makes most similar works of fiction look frivolous and lightweight. Still, for all the skill with which it is written, this story is both tragic and depressing (the book does a good job of making you realise the difference between the two). It's telling that while it concludes on the promise of hope, it's only a promise: an actual happy ending would feel grotesquely inappropriate. Not without its strengths, but a tough read in many ways - other apocalypses are much more fun.
Worlds away from the 'cosy catastrophe' label which this kind of book is occasionally lumbered with, this anticipates The Road in many ways: the central image is of a man and a boy making their way across the devastated landscape, scavenging to survive and trying to avoid lawless mobs of other survivors. Christopher's ideas about human nature are crushingly cynical but unpleasantly compelling; the psychological depth of this book makes most similar works of fiction look frivolous and lightweight. Still, for all the skill with which it is written, this story is both tragic and depressing (the book does a good job of making you realise the difference between the two). It's telling that while it concludes on the promise of hope, it's only a promise: an actual happy ending would feel grotesquely inappropriate. Not without its strengths, but a tough read in many ways - other apocalypses are much more fun.
Haley Mathiot (9 KP) rated Primary Victim in Books
Apr 27, 2018
Primary Victim by Christopher Cihlar
Genre: Crime Fiction, Crime thriller
Rating: 4.5/5
Summary (from back of book): A serial killer whose victims don’t die. An innocent man who believes he is guilty. A police officer who may solve the crime but in doing so gives the killer exactly what he wants. A legal defense that challenges the very core ideals of justice.
Primary Victim is a thriller that tests both the psychological breaking point of an individual and the strength of the legal system governing society.
Review:
I’ll admit up front that I have a weakness for crime fiction—but this book was amazing. Words escape my mind as I try to explain how blown away I am by this book. I gasped and grinned and nearly cried and laughed at the surprises thrown at me through this stunning debut novel.
The psychological aspect of PRIMARY VICTIM was mainly found in the “Victim,” Brice. I won’t say what happens to him, but it amazed me as his mind began to twist and change through the course of the story.
The plot: PRIMARY VICTIM was full of twists and turns that I never expected, and it had me sitting on the edge of my seat the entire time. I couldn’t put it down! The viewpoint alternates between the criminal, the police officer, and the (living) victim, and switches back and forth at the most inconvenient places, forcing you to read on.
Characters: All the characters in PRIMARY VICTIM were strongly developed with real personalities. I hate books where people are just to perfect to be real (what I call “happyland syndrome”)—this book had the good guys and the bad guys, the the ones you hoped it all worked out for them, and the ones that you wished would be the next to die because they were such jerks (cough Nick cough).
By the end of the book I wasn’t sure what Michael (the criminal) was going to pull out of his hat, and was, from the very first page to the very last, impressed with Michael’s genius and creativity. At times I actually found myself almost cheering for him, but had to remind myself that he was the bad guy. It was almost hard to see him as the bad guy at times, because of his “work—” Michael considered himself a God in a world that needed one and didn’t have one, victimizing the people that he thought needed to be victimized.
Brice and Sarah were such a perfect yet sad couple, and for the sake of keeping the review spoiler-free, I won’t say anything… but I thought I was going to cry at one point.
Writing: The writing was the weakest point of this book. The prose itself seemed written in an unfamiliar style, minimizing comas in the sentences, and it made for a harder read. I caught myself occasionally re-reading sentences and paragraphs to understand what had happened. Aside from the prose, the vocabulary was broad enough and the pacing was good.
As of now, PRIMARY VICTIM is unedited, but there is only an occasional grammatical error, formatting error, or typo scattered through the book. However, all in all, it didn’t take away from the story.
Content: There was brief mention of sex between husband and wife (example: “they made love,” no other details, and the fact that they’re married made it that much better), and an occasional foul word from an angry officer, but other than that this book was refreshingly clean. I applaud Christopher for writing a crime thriller with low content—especially compared to some of the other crime thrillers out there. Maybe he can start a revolution. It’s true, people—you can have a good book without excessive sex and language!
Recommendation: Ages 14+ to lovers of Crime fiction, thrillers, and psychological thrillers.
Genre: Crime Fiction, Crime thriller
Rating: 4.5/5
Summary (from back of book): A serial killer whose victims don’t die. An innocent man who believes he is guilty. A police officer who may solve the crime but in doing so gives the killer exactly what he wants. A legal defense that challenges the very core ideals of justice.
Primary Victim is a thriller that tests both the psychological breaking point of an individual and the strength of the legal system governing society.
Review:
I’ll admit up front that I have a weakness for crime fiction—but this book was amazing. Words escape my mind as I try to explain how blown away I am by this book. I gasped and grinned and nearly cried and laughed at the surprises thrown at me through this stunning debut novel.
The psychological aspect of PRIMARY VICTIM was mainly found in the “Victim,” Brice. I won’t say what happens to him, but it amazed me as his mind began to twist and change through the course of the story.
The plot: PRIMARY VICTIM was full of twists and turns that I never expected, and it had me sitting on the edge of my seat the entire time. I couldn’t put it down! The viewpoint alternates between the criminal, the police officer, and the (living) victim, and switches back and forth at the most inconvenient places, forcing you to read on.
Characters: All the characters in PRIMARY VICTIM were strongly developed with real personalities. I hate books where people are just to perfect to be real (what I call “happyland syndrome”)—this book had the good guys and the bad guys, the the ones you hoped it all worked out for them, and the ones that you wished would be the next to die because they were such jerks (cough Nick cough).
By the end of the book I wasn’t sure what Michael (the criminal) was going to pull out of his hat, and was, from the very first page to the very last, impressed with Michael’s genius and creativity. At times I actually found myself almost cheering for him, but had to remind myself that he was the bad guy. It was almost hard to see him as the bad guy at times, because of his “work—” Michael considered himself a God in a world that needed one and didn’t have one, victimizing the people that he thought needed to be victimized.
Brice and Sarah were such a perfect yet sad couple, and for the sake of keeping the review spoiler-free, I won’t say anything… but I thought I was going to cry at one point.
Writing: The writing was the weakest point of this book. The prose itself seemed written in an unfamiliar style, minimizing comas in the sentences, and it made for a harder read. I caught myself occasionally re-reading sentences and paragraphs to understand what had happened. Aside from the prose, the vocabulary was broad enough and the pacing was good.
As of now, PRIMARY VICTIM is unedited, but there is only an occasional grammatical error, formatting error, or typo scattered through the book. However, all in all, it didn’t take away from the story.
Content: There was brief mention of sex between husband and wife (example: “they made love,” no other details, and the fact that they’re married made it that much better), and an occasional foul word from an angry officer, but other than that this book was refreshingly clean. I applaud Christopher for writing a crime thriller with low content—especially compared to some of the other crime thrillers out there. Maybe he can start a revolution. It’s true, people—you can have a good book without excessive sex and language!
Recommendation: Ages 14+ to lovers of Crime fiction, thrillers, and psychological thrillers.
Eilidh G Clark (177 KP) rated Chocky in Books
Jul 2, 2019
Weird and a bit dated
Contains spoilers, click to show
I picked this book up at work a few days ago and had never heard of it. Seeing as I was looking for filler fiction while I work on university assignments I am delighted I found it. It is well written from the first person perspective of Mathews father. Matthew is an eleven year old boy with an imaginary friend. When his adopted parent become concerned as to the irregularities of Mathews interests and in the way he talks they seek help. As it turns out Chocky is real. An intelligent life form sent to earth to explore the planet to see if it worthy of habitation. Okay, this might sound like a, been there, done that kind of novel but Chocky delves into parental worries about psychological issues. In addition, the character of Chocky looks at Earth from an outsiders point of view and what he/she finds is interesting and worth thinking about. It sheds a light on the way we consume power, on the way we pollute the environment and on greed and corruption. Very cleverly done and nicely concluded.
OMG, this book was bloody fantastic, one of my favourite reads this year, can't believe this was a debut author it was that good and believe me I read a lot of fiction.
Don't wake up by Liz Lawler was one of those stories that is impossible to put down. I was awake half the night reading, as this was such a compulsive story and I just had to know what was going to happen next.
To summarise we have Dr Alex Taylor, A doctor working A&E. One night upon leaving work she is attacked, upon rousing, she discovers herself naked on an operating table, with a masked stranger.
waking from this traumatic ordeal and believing she could have been raped the police are called. The problem is Alex when found unconscious in the hospital grounds by a security guard and her boyfriend Patrick The vet, is fully clothed with not a mark on her and nobody really believes her thinking she has suffered a head trauma and imagined her horrific experience.
Alex then spirals into a downward plunge of alcohol, anxiety and diazepam.
No one will listen to her, and events are escalating. I won't go into any more detail as I really don't want to spoil this excellent read for others, let's just say we have murder, intrigue a bit of romance and a story of phycological warfare that keeps you guessing until the end.
In conclusion, this is one book that you don't want to miss this year, the writing is excellent and in a sea of fiction, Don't wake up really stands out as a brilliant dark psychological thriller if I could give it more than five stars I would it was that good.
A job well done, Liz Lawler
I received a free E-Copy of Don't Wake Up from NetGalley and this is my own honest opinion.
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
Don't wake up by Liz Lawler was one of those stories that is impossible to put down. I was awake half the night reading, as this was such a compulsive story and I just had to know what was going to happen next.
To summarise we have Dr Alex Taylor, A doctor working A&E. One night upon leaving work she is attacked, upon rousing, she discovers herself naked on an operating table, with a masked stranger.
waking from this traumatic ordeal and believing she could have been raped the police are called. The problem is Alex when found unconscious in the hospital grounds by a security guard and her boyfriend Patrick The vet, is fully clothed with not a mark on her and nobody really believes her thinking she has suffered a head trauma and imagined her horrific experience.
Alex then spirals into a downward plunge of alcohol, anxiety and diazepam.
No one will listen to her, and events are escalating. I won't go into any more detail as I really don't want to spoil this excellent read for others, let's just say we have murder, intrigue a bit of romance and a story of phycological warfare that keeps you guessing until the end.
In conclusion, this is one book that you don't want to miss this year, the writing is excellent and in a sea of fiction, Don't wake up really stands out as a brilliant dark psychological thriller if I could give it more than five stars I would it was that good.
A job well done, Liz Lawler
I received a free E-Copy of Don't Wake Up from NetGalley and this is my own honest opinion.
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
Haley Mathiot (9 KP) rated Seven: The Number for Happiness, Love, and Success in Books
Apr 27, 2018
Seven by Jacqueline Leo
Rating: 3/5
Seven is an intriguing book about the phenomenon of the number seven, the appeal we feel for it, the psychology behind the appeal, and so on. Unlike some non-fiction, Seven is very readable and interesting, and is written in a way that doesn’t make it funny or witty, but doesn’t make it dry either. There is the perfect balance of information and interest to make it quite enjoyable.
Seven is filled with interesting stories, ranging from Tiger Woods’ religion to Josh Waitzkin’s martial arts experience to robot’s facial expressions. Seven has many lists of sevens that make a lot of sense—seven reasons why people still smoke, seven strategies for a successful start-up in a company, comparing the seven media items in 1956 to the thirty-five (at least) in 2008, and so on.
Seven is a thought provoking book that will hopefully give its readers insight into the psychological attraction to numbers, and also some valuable advice for day to day life.
Recommendation: Ages 12+. I would recommend reading a chapter here and there on a lonely boring rainy day (hey, it worked for me!) with a cup of hot tea at your side. Leave plenty of time for musing and meditation while you read this one, and be prepared to entertained by this read!
**Thank you to Anna from Hachette for providing my review copy!**
Rating: 3/5
Seven is an intriguing book about the phenomenon of the number seven, the appeal we feel for it, the psychology behind the appeal, and so on. Unlike some non-fiction, Seven is very readable and interesting, and is written in a way that doesn’t make it funny or witty, but doesn’t make it dry either. There is the perfect balance of information and interest to make it quite enjoyable.
Seven is filled with interesting stories, ranging from Tiger Woods’ religion to Josh Waitzkin’s martial arts experience to robot’s facial expressions. Seven has many lists of sevens that make a lot of sense—seven reasons why people still smoke, seven strategies for a successful start-up in a company, comparing the seven media items in 1956 to the thirty-five (at least) in 2008, and so on.
Seven is a thought provoking book that will hopefully give its readers insight into the psychological attraction to numbers, and also some valuable advice for day to day life.
Recommendation: Ages 12+. I would recommend reading a chapter here and there on a lonely boring rainy day (hey, it worked for me!) with a cup of hot tea at your side. Leave plenty of time for musing and meditation while you read this one, and be prepared to entertained by this read!
**Thank you to Anna from Hachette for providing my review copy!**
I adore this book. It's not only a good science fiction story, but also fantastically character-driven, which is rare in genre fiction. That's great for me. When I read a book, I care more about psychological development than what a shiny setting and fun toys it has.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.