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Ross (3284 KP) rated Across the Broken Stars in Books
Feb 14, 2020
Unusual space fantasy ... with wings!
I received an advance copy of this book from BookSirens and provide this honest review.
This book has a very unusual setting with plenty left to the imagination. The story takes place in a world of "discs" (I presume man-made but not wholly clear), large surfaces with a metal base and a force field keeping oxygen in and gravity working, where single multi-purpose crops ("omnicrops") provide perfect sustenance, various fungi/mosses providing building materials, luminescence and underwater/outer space breathing apparatus.
Despite this apparent sci-fi setting, the technology is at a very early stage - weapons are limited to swords/arrows and vehicles are drawn by pegasi or wind power. Space travel is accomplished by launching oneself towards your destination and hoping to reach the other, orbiting, disc. Unless you're an angel/Pegasus where your wings can apparently help propel you through space (you know, air-less space, where wings wouldn't be of any use) - but hey this is fantasy lets not get bogged down with this.
The angels have been wiped out by the ruling race during a long and nasty war. Leon, a cowardly traitorous "former" angel, is in hiding living a simple life drinking and gambling his days away after back-breaking work unloading airships. He is approached by someone he starts to believe is an angel who has tracked him down. Unfortunately she is also being tracked by an Inquisitor, and the two are forced to run.
Elena, the last angel with wings, is determined to outrun the Inquisition and find Waverrym, the mythical hidden home of the remaining angels. The two (Leon reluctantly) embark on a journey to unravel puzzles and riddles to determine the location of their only haven.
Leon is quite an annoying protagonist, being a whiney, cowardly husk of a man. His role in the story is using his angel training and knowledge to solve the riddles they uncover, while training Elena along the way.
The story is well planned out with a decent plot and well-crafted dungeon-type areas (at times it felt a little D&D/LitRPG). While there was a definite lull to my mind around the halfway mark this didn't impact my enjoyment too much.
If you can accept the fact that angel wings / Pegasus wings can allow someone to fly through space, the world is well thought out and very original, and the story very enjoyable. Some of the dialogue was a little clunky but not overly annoying.
This book has a very unusual setting with plenty left to the imagination. The story takes place in a world of "discs" (I presume man-made but not wholly clear), large surfaces with a metal base and a force field keeping oxygen in and gravity working, where single multi-purpose crops ("omnicrops") provide perfect sustenance, various fungi/mosses providing building materials, luminescence and underwater/outer space breathing apparatus.
Despite this apparent sci-fi setting, the technology is at a very early stage - weapons are limited to swords/arrows and vehicles are drawn by pegasi or wind power. Space travel is accomplished by launching oneself towards your destination and hoping to reach the other, orbiting, disc. Unless you're an angel/Pegasus where your wings can apparently help propel you through space (you know, air-less space, where wings wouldn't be of any use) - but hey this is fantasy lets not get bogged down with this.
The angels have been wiped out by the ruling race during a long and nasty war. Leon, a cowardly traitorous "former" angel, is in hiding living a simple life drinking and gambling his days away after back-breaking work unloading airships. He is approached by someone he starts to believe is an angel who has tracked him down. Unfortunately she is also being tracked by an Inquisitor, and the two are forced to run.
Elena, the last angel with wings, is determined to outrun the Inquisition and find Waverrym, the mythical hidden home of the remaining angels. The two (Leon reluctantly) embark on a journey to unravel puzzles and riddles to determine the location of their only haven.
Leon is quite an annoying protagonist, being a whiney, cowardly husk of a man. His role in the story is using his angel training and knowledge to solve the riddles they uncover, while training Elena along the way.
The story is well planned out with a decent plot and well-crafted dungeon-type areas (at times it felt a little D&D/LitRPG). While there was a definite lull to my mind around the halfway mark this didn't impact my enjoyment too much.
If you can accept the fact that angel wings / Pegasus wings can allow someone to fly through space, the world is well thought out and very original, and the story very enjoyable. Some of the dialogue was a little clunky but not overly annoying.
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Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
BankofMarquis (1832 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
A missed opportunity
Like crossing the vast expanse of oceans in a sailing ship, rocketing across the vast expanse of our Galaxy would, naturally, lead one to self-contemplation. In the film AD ASTRA Brad Pitt spends a lot of time contemplating.
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)