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Kristy H (1252 KP) rated Heartbreak for Hire in Books
Aug 19, 2021
A wreck of a romance
Brinkley Saunders tells everyone she works as an administrative assistant. But she really works at
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
BankofMarquis (1832 KP) rated The Adam Project (2022) in Movies
Mar 23, 2022
Family Friendly, fun, action/comedy
Ryan Reynolds is making a nice living, not only is he on the “A” list for such films as DEADPOOL and FREE GUY (a wonderful film that you have to check out if you haven’t seen it), He is also popping up in charming action/comedy films that go straight to Streaming on Netflix. Following the fun romp that was RED NOTICE (with Gal Gadot and Dwayne “The Rock” Johnson), he is back in the Shawn Levy helmed THE ADAM PROJECT.
And while this film is not doing anything special, nor will it be nominated for any kind of awards, it is a fun, entertaining way to spend a couple of hours.
Family friendly, THE ADAM PROJECT, stars Reynolds as…you got it…Adam. A time traveling pilot who goes back in time to find his father - the inventor of time travel - and stop him. Along the way, her runs into his younger self, his mother and a very important person from Adam’s past…or rather…future…or…
You get the idea, it’s a time travel movie, so I wouldn’t get too caught up in “the rules” or dig too deeply into the plot.
Reynolds, of course, is charming as pilot Adam, ready with a laser gun and a quip. His quick wit and snappy banter is reminiscent of many, many other roles that Reynolds has played…and that is okay. He is joined by his younger self (dubbed Small Adam) who is played as a young Ryan Reynolds mimic very well by newcomer Walker Scobell. To be honest, Scobell is annoying early on in this film - and that is on purpose - for what is charming in the adult Reynolds is really annoying in a 12 year old.
Jennifer Garner (Mom), Mark Ruffalo (Dad) and Zoe Saldana (mysterious person from Adam’s past…I mean…future) are “professional” in their respective roles, bringing the right amount of whatever their character needs at the moment. Finally, surprisingly, indie film icon Catherine Keener is very good as the “bad buy” in this piece.
All of this is handled deftly by Shawn Levy (NIGHT AT THE MUSEUM). His track record shows that he knows how to do these family friendly, action/comedy/adventure films and he does not disappoint here. He moves things along at a brisk enough pace to keep all interested while throwing in comedy and snappy banter along the way.
All-in-All, a very fun way to spend a couple of hours - certainly a good way to spend a crisp Spring evening whilst waiting for the warmer weather to arrive.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
And while this film is not doing anything special, nor will it be nominated for any kind of awards, it is a fun, entertaining way to spend a couple of hours.
Family friendly, THE ADAM PROJECT, stars Reynolds as…you got it…Adam. A time traveling pilot who goes back in time to find his father - the inventor of time travel - and stop him. Along the way, her runs into his younger self, his mother and a very important person from Adam’s past…or rather…future…or…
You get the idea, it’s a time travel movie, so I wouldn’t get too caught up in “the rules” or dig too deeply into the plot.
Reynolds, of course, is charming as pilot Adam, ready with a laser gun and a quip. His quick wit and snappy banter is reminiscent of many, many other roles that Reynolds has played…and that is okay. He is joined by his younger self (dubbed Small Adam) who is played as a young Ryan Reynolds mimic very well by newcomer Walker Scobell. To be honest, Scobell is annoying early on in this film - and that is on purpose - for what is charming in the adult Reynolds is really annoying in a 12 year old.
Jennifer Garner (Mom), Mark Ruffalo (Dad) and Zoe Saldana (mysterious person from Adam’s past…I mean…future) are “professional” in their respective roles, bringing the right amount of whatever their character needs at the moment. Finally, surprisingly, indie film icon Catherine Keener is very good as the “bad buy” in this piece.
All of this is handled deftly by Shawn Levy (NIGHT AT THE MUSEUM). His track record shows that he knows how to do these family friendly, action/comedy/adventure films and he does not disappoint here. He moves things along at a brisk enough pace to keep all interested while throwing in comedy and snappy banter along the way.
All-in-All, a very fun way to spend a couple of hours - certainly a good way to spend a crisp Spring evening whilst waiting for the warmer weather to arrive.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Acanthea Grimscythe (300 KP) rated In a Cottage In a Wood in Books
May 16, 2018
Published first on <a href="http://theghastlygrimoire.com/"; target="_new">The Ghastly Grimoire</a>
In a Cottage in a Wood by Cass Green releases tomorrow and I definitely look forward to seeing what my fellow Littens have to say about the title when they get their hands on it. For myself, I’m still a bit mixed. There are some things that Green does really well in this book and there are others that, quite simply, take far too long to unfold.
The main character in In a Cottage in a Wood is Neve Carey. After her relationship fails, she finds herself in a tenuous relationship with her sister and brother-in-law, who she’s been living with for a bit. Her fairy godmother appears in the form of a woman moments before she commits suicide, which begs the question: why? Thus readers follow Neve along as she stumbles through her sub-par life, whilst wearing her victim name-tag proudly.
Personally, I don’t care for Neve. Everything that has happened to her is a direct consequence of her own actions. In many rays, she reminds of me of The Girl on the Train‘s Rachel. A person cannot make poor life choices and then blame everyone around them for what follows – but Neve appears to do just that. And then, magically, she gets what she needs: a creepy cottage in the middle of nowhere. Because that is totally how life works. (Actually, I guess it kinda is. In many ways, those that need help can’t get it and those that don’t end up with more.) Her neighbors and family aren’t much better, and for that I must applaud Green’s ability to write some absolutely horrid individuals.
If you’re looking for an edge of your seat thriller, In a Cottage in a Wood is not what you want; however, if you want a slow simmer that builds up to an incredibly frustrating, heartrending finale, this is your book. While there are times where it feels as if the plot simply drags on, Green’s command of suspense is just enough to keep a reader hooked until the last page. The final twenty percent of the book flies by incredibly fast, revealing revelation after revelation. When it comes to plot twists, I’m not an easy person to take by surprise and yet Green has done just that.
It’s hard to decide what I want to rate this title. I’ve teeter-tottered between three and four stars, but ultimately I feel there is a lot of potential that isn’t quite met. There are things that I think would have made excellent additions to the story and while I’d love to share them, I can’t unless I want to give out spoilers. Without that, I think I’ll settle on three. It’s definitely a title I’d buy.
Thanks to Edelweiss and HarperCollins for providing me with an advance copy of this novel for the purpose of unbiased review.
In a Cottage in a Wood by Cass Green releases tomorrow and I definitely look forward to seeing what my fellow Littens have to say about the title when they get their hands on it. For myself, I’m still a bit mixed. There are some things that Green does really well in this book and there are others that, quite simply, take far too long to unfold.
The main character in In a Cottage in a Wood is Neve Carey. After her relationship fails, she finds herself in a tenuous relationship with her sister and brother-in-law, who she’s been living with for a bit. Her fairy godmother appears in the form of a woman moments before she commits suicide, which begs the question: why? Thus readers follow Neve along as she stumbles through her sub-par life, whilst wearing her victim name-tag proudly.
Personally, I don’t care for Neve. Everything that has happened to her is a direct consequence of her own actions. In many rays, she reminds of me of The Girl on the Train‘s Rachel. A person cannot make poor life choices and then blame everyone around them for what follows – but Neve appears to do just that. And then, magically, she gets what she needs: a creepy cottage in the middle of nowhere. Because that is totally how life works. (Actually, I guess it kinda is. In many ways, those that need help can’t get it and those that don’t end up with more.) Her neighbors and family aren’t much better, and for that I must applaud Green’s ability to write some absolutely horrid individuals.
If you’re looking for an edge of your seat thriller, In a Cottage in a Wood is not what you want; however, if you want a slow simmer that builds up to an incredibly frustrating, heartrending finale, this is your book. While there are times where it feels as if the plot simply drags on, Green’s command of suspense is just enough to keep a reader hooked until the last page. The final twenty percent of the book flies by incredibly fast, revealing revelation after revelation. When it comes to plot twists, I’m not an easy person to take by surprise and yet Green has done just that.
It’s hard to decide what I want to rate this title. I’ve teeter-tottered between three and four stars, but ultimately I feel there is a lot of potential that isn’t quite met. There are things that I think would have made excellent additions to the story and while I’d love to share them, I can’t unless I want to give out spoilers. Without that, I think I’ll settle on three. It’s definitely a title I’d buy.
Thanks to Edelweiss and HarperCollins for providing me with an advance copy of this novel for the purpose of unbiased review.
Acanthea Grimscythe (300 KP) rated Long Black Veil in Books
May 16, 2018
Last month, I received my first physical review copy of a book: Long Black Veil by Jennifer Finney Boylan. I heard about the title through a friend of mine and, after I reading its synopsis, I felt excited. Despite the story's label as a thriller, the majority of the story focuses on Judith Carrigan and her secrets. The plot's so-called mystery is a minor detail in this narrative.
I don't do a lot of research before I read a recommended book. For the most part, I look at its genre, the back cover blurb, and its general rating. I don't read other reviews until after I complete the book. By doing this, I avoid pre-conceived notions of a story's characters. With that in mind, there are details of this book I will not discuss. Some of this is due to a desire to keep this spoiler free. Others are not my story to tell. These facts help to define Judith as a character, but they do not exonerate her.
A dark past isn't uncommon. For Judith, there are skeletons in her closet capable of destroying her entire life. She can either sacrifice what she has built and save an innocent man or let things unfold. It is this latter option that she leans toward and, as a result, she strikes me as being nearly as selfish as Flynn's Amy Dunne in Gone Girl. I have mixed feelings about Long Black Veil because of this. Part of me wants to comfort Judith while another part of me wishes to throttle her.
Despite centering around Judith instead of the decades old mystery than haunts her, Boylan excels at creating an intriguing narrative. It's the passion with which she writes Judy that warms my heart to her, that provides me with the ability to feel even a modicum of sympathy for her struggles. Like all of us, Judy has a right to happiness. Boylan pens Judith beautifully as she reaches for that penultimate feeling that eludes many of us.
In stark contrast to my complaint regarding the story centering around Judith, Boylan somehow manages to give readers too many insights into this unraveling mystery. The story beings with six characters. Seven, to be technical. Throughout its pages, we end up with no less than six different perspectives. This makes it a difficult to follow at times, especially in regards to Judith's memories. (Again, this is a detail you will discover by reading the book, so I will not divulge it.)
Boylan succeeds, despite the plethora of perspectives, at keeping the story moving along. The further in you read, the more twists you encounter - some of which threw me off entirely. While this is not one of my favorite titles and likely will not merit a re-read, it was not unpleasant.
I would like to thank Blogging for Books for providing me with a copy of this book for the purpose of unbiased review.
I don't do a lot of research before I read a recommended book. For the most part, I look at its genre, the back cover blurb, and its general rating. I don't read other reviews until after I complete the book. By doing this, I avoid pre-conceived notions of a story's characters. With that in mind, there are details of this book I will not discuss. Some of this is due to a desire to keep this spoiler free. Others are not my story to tell. These facts help to define Judith as a character, but they do not exonerate her.
A dark past isn't uncommon. For Judith, there are skeletons in her closet capable of destroying her entire life. She can either sacrifice what she has built and save an innocent man or let things unfold. It is this latter option that she leans toward and, as a result, she strikes me as being nearly as selfish as Flynn's Amy Dunne in Gone Girl. I have mixed feelings about Long Black Veil because of this. Part of me wants to comfort Judith while another part of me wishes to throttle her.
Despite centering around Judith instead of the decades old mystery than haunts her, Boylan excels at creating an intriguing narrative. It's the passion with which she writes Judy that warms my heart to her, that provides me with the ability to feel even a modicum of sympathy for her struggles. Like all of us, Judy has a right to happiness. Boylan pens Judith beautifully as she reaches for that penultimate feeling that eludes many of us.
In stark contrast to my complaint regarding the story centering around Judith, Boylan somehow manages to give readers too many insights into this unraveling mystery. The story beings with six characters. Seven, to be technical. Throughout its pages, we end up with no less than six different perspectives. This makes it a difficult to follow at times, especially in regards to Judith's memories. (Again, this is a detail you will discover by reading the book, so I will not divulge it.)
Boylan succeeds, despite the plethora of perspectives, at keeping the story moving along. The further in you read, the more twists you encounter - some of which threw me off entirely. While this is not one of my favorite titles and likely will not merit a re-read, it was not unpleasant.
I would like to thank Blogging for Books for providing me with a copy of this book for the purpose of unbiased review.
Rachel King (13 KP) rated Burned (House of Night, #7) in Books
Feb 11, 2019
I liked this book a bit more than the previous book in the series simply because it looks like some of the characters are maturing passed some of their more annoying tweeny quirks and developing some depth. Stevie Rae always bugged me in previous books for her cliche hick-like speech and tastes in clothes, etc., but in this book, she starts to discover that the lines between good and evil are sometimes much harder to discern as she tries to juggle her relationship with Rephaim and still be what everyone else in her life wants her to be. She does this by lying, lying, lying, which is very bad, but at least she is taking risks to truly do the right thing, even if she is going about it the very wrong way. What did bug me was that the way she was caught between Dallas and Rephaim felt like the authors were attempting to make her be some kind of Zoey copycat, and the way Stevie Rae was handling the situation so poorly pretty much made it a forgone conclusion that whomever she hurt more would be the one going evil, making her the responsible party, even though the guy making the choice should be responsible for his own decisions.
I also like the maturity that James Stark reaches in his quest to save Zoey. While it is cliche to say that love conquers all, his love for her forces him to grow up and be a man, instead of just a petty, jealous, hormonal teen. The lengths he goes to save her could put a few grown men to shame, and if she ever rejects him in future books for any reason at all, she does not deserve him.
On the flip side, Zoey's other friends, i. e. Damien, Jack, and the twins are barely even mentioned throughout the entire book, except to provide color for the background or some comic relief. I don't really miss them, either, as their antics are so formulaic as to make me cringe every time I read about them.
I am undecided as to whether I like Aphrodite's character. While she does not seem to be growing in maturity very much - as in losing her bitchiness - she does seem to be coming to terms with how she appears to others. At the same time, she is learning to wield her arrogance with purpose as she gains the title of Prophetess and show some true emotion for her friends.
I really hope that this series wraps up soon, as this plot feels like it is spiraling out of control with all of the loose ends, unexplained pieces, and growing cast list that simply can not be given enough attention to detail in every single book, even with the random deaths of several characters in a single book.
I also like the maturity that James Stark reaches in his quest to save Zoey. While it is cliche to say that love conquers all, his love for her forces him to grow up and be a man, instead of just a petty, jealous, hormonal teen. The lengths he goes to save her could put a few grown men to shame, and if she ever rejects him in future books for any reason at all, she does not deserve him.
On the flip side, Zoey's other friends, i. e. Damien, Jack, and the twins are barely even mentioned throughout the entire book, except to provide color for the background or some comic relief. I don't really miss them, either, as their antics are so formulaic as to make me cringe every time I read about them.
I am undecided as to whether I like Aphrodite's character. While she does not seem to be growing in maturity very much - as in losing her bitchiness - she does seem to be coming to terms with how she appears to others. At the same time, she is learning to wield her arrogance with purpose as she gains the title of Prophetess and show some true emotion for her friends.
I really hope that this series wraps up soon, as this plot feels like it is spiraling out of control with all of the loose ends, unexplained pieces, and growing cast list that simply can not be given enough attention to detail in every single book, even with the random deaths of several characters in a single book.
Ryan Hill (152 KP) rated Doctor Strange (2016) in Movies
May 11, 2019
"Try me Beyoncé"
The 14th instalment in the Marvel Cinematic Universe marks the arrival of yet another avenger into the already crowded Marvel family while also bringing mystic arts & alternate dimensions into its ever-expanding universe. But even though it offers a kaleidoscopic journey through astral realms, infinite realities & spacetime contortions, it isn't entirely different from the norm.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Zuky the BookBum (15 KP) rated Savage Reckoning in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/savage-reckoning-by-c-hoyt-caldwell
AVAILABLE NOW IN THE UK!
Firstly Id like to thank Netgalley and Random House Publishing Group - Alibi for the opportunity to read this in an exchange for an honest review.
<b><i>With a badge pinned to her chest, she didnt give a shit what the town or God thought of her. She was the law.</b></i>
I was not expecting to love this as much as I do! Honestly, I started the first few pages and thought <b>oh God, this is going to be bad,</b> but I persevered because I feel Ive given up on a lot of reads lately and Im so glad I continued with it. As soon as we met Step and Kenny talking about anal sex, I knew I was going to love this novel, <i>(that sounds all kinds of wong).</i>
Step and Kenny are closeout kings in other words theyre hitmen. But theyre not all evil and malicious, they got feelins too, <b><i>"Well, now I'm just all kinds of hurt. Neither girls has plied their horny ways on me."</b></i> No but in all seriousness, theyve got some sort of morals, and these morals are what lead us into the rollercoaster ride of a story this is.
Our MC Dani Savage (ridiculously cheesy cool name) is the only deputy that takes her job seriously around Baptist Flats and so when she hears stories of a bunch of missing girls from in and around her area she cant let it go and has to do something to console the many broken and distraught mothers. A bit of a fuckup closeout jobs leads Dani to Step and Kenny where they enlist each other's help to get to the bottom of the mystery of the missing girls.
This is by no means a sophisticated, thought provoking novel, it's just pure grit, humour with a couple of inciteful anecdotes, <b><i>"Each woman's got a different 'forget-shit' trigger, Kenny. A man's whole goddamn purpose in life is to figure out that trigger and pull it",</b></i> mashed together to make an excellent, fun and exciting read. Each character, no matter how small or large their role in the story, was developed brilliantly and although there were some obvious parts of the plot it didnt even matter because youre having too much fun reading it to care about the fact you can guess what happens next.
Genuinely one of the funniest novels Ive read in such a long time even if it does deal with some pretty gruesome stuff. Anyone bored of meaningful, eye-opening type thrillers? Well pick this one up as your next book to help loosen you up a bit. Im definitely going to be on the lookout for more from Kenny and Step!
AVAILABLE NOW IN THE UK!
Firstly Id like to thank Netgalley and Random House Publishing Group - Alibi for the opportunity to read this in an exchange for an honest review.
<b><i>With a badge pinned to her chest, she didnt give a shit what the town or God thought of her. She was the law.</b></i>
I was not expecting to love this as much as I do! Honestly, I started the first few pages and thought <b>oh God, this is going to be bad,</b> but I persevered because I feel Ive given up on a lot of reads lately and Im so glad I continued with it. As soon as we met Step and Kenny talking about anal sex, I knew I was going to love this novel, <i>(that sounds all kinds of wong).</i>
Step and Kenny are closeout kings in other words theyre hitmen. But theyre not all evil and malicious, they got feelins too, <b><i>"Well, now I'm just all kinds of hurt. Neither girls has plied their horny ways on me."</b></i> No but in all seriousness, theyve got some sort of morals, and these morals are what lead us into the rollercoaster ride of a story this is.
Our MC Dani Savage (ridiculously cheesy cool name) is the only deputy that takes her job seriously around Baptist Flats and so when she hears stories of a bunch of missing girls from in and around her area she cant let it go and has to do something to console the many broken and distraught mothers. A bit of a fuckup closeout jobs leads Dani to Step and Kenny where they enlist each other's help to get to the bottom of the mystery of the missing girls.
This is by no means a sophisticated, thought provoking novel, it's just pure grit, humour with a couple of inciteful anecdotes, <b><i>"Each woman's got a different 'forget-shit' trigger, Kenny. A man's whole goddamn purpose in life is to figure out that trigger and pull it",</b></i> mashed together to make an excellent, fun and exciting read. Each character, no matter how small or large their role in the story, was developed brilliantly and although there were some obvious parts of the plot it didnt even matter because youre having too much fun reading it to care about the fact you can guess what happens next.
Genuinely one of the funniest novels Ive read in such a long time even if it does deal with some pretty gruesome stuff. Anyone bored of meaningful, eye-opening type thrillers? Well pick this one up as your next book to help loosen you up a bit. Im definitely going to be on the lookout for more from Kenny and Step!
Phillip McSween (751 KP) rated Singin' in the Rain (1952) in Movies
Mar 28, 2018
Timeless
Hollywood star Don Lockwood (Gene Kelly) has to figure out how to save his first "talking picture" film after a negative early screening.
Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!
Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.
Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.
Memorability: 10
Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.
Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.
Resolution: 10
Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
Acting: 10
I was amazed by the versatility of the actors/actresses in the film. To be able to hit lines passionately AND dance and sing through huge musical numbers has to take some serious skill, skill I couldn't even begin to possess. The performances of Gene Kelly, Donald O'Connor, and Debbie Reynold transcend time, holding strong an amazing 65 years later!
Reynolds was my favorite as (Kathy Selden). Her charm and humor are effortless and natural. Not only did she hold her own in her every scene, but she made every scene outstanding. I can't believe I am just now learning to appreciate this woman's greatness. I suppose that's what my Movies 365 quest is all about.
Beginning: 9
I suppose I should chime in here as this received my lowest score. Singin' In the Rain gets off to a very solid start as it grabs my attention right from the beginning. It's intriguing and I wasn't quite sure where they were going after the first ten minutes. Did I really enjoy the first ten minutes of the film? Absolutely. Does it compare to some of the best starts in film history. Sadly, not quite, but not far off either. Consider it a minor boo-boo that didn't even require a band-aid.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Compared to other musicals out there, you can't even mention the genre without thinking Singin' In the Rain. The musical numbers are extravagant and phenomenal. What's more, the film doesn't rely just on the music to succeed as the scripted dialogue is every bit as strong. La La Land astounded me. This film blew me away.
Memorability: 10
Pace: 10
Sometimes this can be hard to manage in a musical whether there's too much singing and not enough dialogue scenes or vice versa. This film does an excellent job of seamlessly blending the two. Every song had its purpose and each number is active and fun, keeping you engaged throughout the film. It never got slow at any point.
Plot: 10
The story was an evolving creation. You think something is going to happen then the film takes an entirely different turn. Just when you think you have it all figured out, they throw another surprise in. The plot is clever, intriguing, and unique. I have yet to see anything like it.
Resolution: 10
Overall: 99
I went into this film wondering what all the hype was about and, after watching, I can say it's not hype. Not by a long shot, not by any means. Singin' In the Rain is amazing today and it's going to be wonderful thirty years from now. It gets all the little things perfectly right like the classic scene where Don is having a conversation about the film as they're walking past different set pieces. Timeless.
Hazel (1853 KP) rated The Secret Diary of Hendrik Groen, 83 Years Old in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Think <i>Adrian Plass</i> but with octogenarians and this is the result. <i>The Secret Diary of Hendrik Groen, 83 ¼ Years Old</i> is a years long journal beginning on 1st January 2013. Hendrik hates old people, an unfortunate predicament as he live in a home for the elderly. He set himself the task of writing a daily account about the “life of the inmates of a care home in North Amsterdam,” with the purpose of it being read after his death by readers, or “inmates” who wish to know what to expect in their old age.
Whether the contents of this diary are true or exaggerated does not matter, as what it produces is a laugh-out-loud story, a pleasure to read. From cake in the fish tank, to complaints about leaky nether regions, Hendrik provides a brutally honest account of the highs and lows of being an OAP.
<i>The Secret Diary of Hendrik Groen, 83 ¼ Years Old</i> encompasses a selection of unique and presumably real characters. Readers are bound to discover someone who reminds them of an elderly relative, or even themselves! There is the diabetic, rude, gin loving Evert – Henrdik’s best friend of many years – who is never without a witty comeback for the bossy, self-important director of the home. On the other hand, levelheaded Eefje, who Hendrik is rather fond of, shows a completely different view of elderly mentality. Despite the stereotypes associated with care home patients, Hendrik and friends still have as much fun as possible; after all, they may be Old but not Dead.
Speaking of dead, Hendrik makes a number of jokes and references to euthanasia, which may seem like poor taste to some readers. However, when all the friends around you are literally living the final years of their lives, why not joke about it instead of worry? Naturally there are sad diary entries about the inevitable deaths of his contemporaries throughout the year, but Hendrik does not let it get him down for long. Hendrik and his close friends make the most of the time they have left, and if that involves speeding along the roads of Amsterdam on their souped-up mobility scooters, then that is exactly what they will do.
<i>The Secret Diary of Hendrik Groen, 83 ¼ Years Old</i> is a gem of a book and comes highly recommended to readers of all ages. Hendrik ‘s effortlessly funny, sarcastic remarks stress what the average citizen is too polite to voice. Once you begin it is hard to put down. Unfortunately a year is not long enough and you will end up wanting more. Whatever the future holds for us, let’s hope we become someone like Hendrik Groen.
Think <i>Adrian Plass</i> but with octogenarians and this is the result. <i>The Secret Diary of Hendrik Groen, 83 ¼ Years Old</i> is a years long journal beginning on 1st January 2013. Hendrik hates old people, an unfortunate predicament as he live in a home for the elderly. He set himself the task of writing a daily account about the “life of the inmates of a care home in North Amsterdam,” with the purpose of it being read after his death by readers, or “inmates” who wish to know what to expect in their old age.
Whether the contents of this diary are true or exaggerated does not matter, as what it produces is a laugh-out-loud story, a pleasure to read. From cake in the fish tank, to complaints about leaky nether regions, Hendrik provides a brutally honest account of the highs and lows of being an OAP.
<i>The Secret Diary of Hendrik Groen, 83 ¼ Years Old</i> encompasses a selection of unique and presumably real characters. Readers are bound to discover someone who reminds them of an elderly relative, or even themselves! There is the diabetic, rude, gin loving Evert – Henrdik’s best friend of many years – who is never without a witty comeback for the bossy, self-important director of the home. On the other hand, levelheaded Eefje, who Hendrik is rather fond of, shows a completely different view of elderly mentality. Despite the stereotypes associated with care home patients, Hendrik and friends still have as much fun as possible; after all, they may be Old but not Dead.
Speaking of dead, Hendrik makes a number of jokes and references to euthanasia, which may seem like poor taste to some readers. However, when all the friends around you are literally living the final years of their lives, why not joke about it instead of worry? Naturally there are sad diary entries about the inevitable deaths of his contemporaries throughout the year, but Hendrik does not let it get him down for long. Hendrik and his close friends make the most of the time they have left, and if that involves speeding along the roads of Amsterdam on their souped-up mobility scooters, then that is exactly what they will do.
<i>The Secret Diary of Hendrik Groen, 83 ¼ Years Old</i> is a gem of a book and comes highly recommended to readers of all ages. Hendrik ‘s effortlessly funny, sarcastic remarks stress what the average citizen is too polite to voice. Once you begin it is hard to put down. Unfortunately a year is not long enough and you will end up wanting more. Whatever the future holds for us, let’s hope we become someone like Hendrik Groen.
Nadya R (9 KP) rated The Handmaid's Tale in Books
Jul 2, 2018
"Nolite te bastardes carborundorum"
Strange book.
I really wanted to like it and I kinda do.
Its way too biblical for me. With all these references to different Books connected with the Bible - the Bible stories are not really my thing. Yeah, I know that this is the point - the Religious takes over the world. But the author brings it too far than needed.
The story doesn’t have any logical order. It sounds like a diary of somebody who lost their common sense. All this illogical sentences. Like a flashes of memory in between the current situation. Lack of direct speech - there is no distinction between the narrator and the different characters. It’s so senseless in some points that I have to go back and to read the past couple of pages all over again so I can get the line out.
It's is situated in not-so-far future and it’s told by a woman with no name. All women are named after the family who owns them. In this case our narrator is OfFred - owned by a commander Fred’s family. The new government, that had risen, is proclaiming no rights for the women. Their only purpose is to give birth to a healthy babies. They don’t need money, jobs, books, pens or other things that we are taking for granted in our lives. They don’t need them to deliver babies, so they don’t need them at all.
"Tell, rather than write, because I have nothing to write with and writing is in any case forbidden.
But if it's a story, even in my head.
I must be telling it to someone. You don't tell a story only to yourself. There's always someone else.
Even when there is no one."
The Republic of Gilead, as I said, uses religion to control their lives. Every atrocity they do is justified by the Bible. The Bible has all the answers.
The story line is going around OfFred’s inner fights, her struggle to make the right choices, her dreams to be free again and to be with her child and her husband again. Along with her thoughts she shows us what is like to be a Handmaid. Her daily routine, the Rituals and all these small things that distract her from the reality.
"You can only be jealous of someone who has something you think you ought to have yourself"
Personaly, I don’t like the book that much. It’s senseless and not that easy to read. Not because of the topic, but the way it’s written. The shortage of direct speech took away the movement of the book. I know it should look like a diary, but even in the diaries, the difference between the narrator and others is shown in proper way. Probably I will need a second read to fully understand it. But for now the book left a big mess in my head.
"A man is just a woman's strategy for making other women."
Strange book.
I really wanted to like it and I kinda do.
Its way too biblical for me. With all these references to different Books connected with the Bible - the Bible stories are not really my thing. Yeah, I know that this is the point - the Religious takes over the world. But the author brings it too far than needed.
The story doesn’t have any logical order. It sounds like a diary of somebody who lost their common sense. All this illogical sentences. Like a flashes of memory in between the current situation. Lack of direct speech - there is no distinction between the narrator and the different characters. It’s so senseless in some points that I have to go back and to read the past couple of pages all over again so I can get the line out.
It's is situated in not-so-far future and it’s told by a woman with no name. All women are named after the family who owns them. In this case our narrator is OfFred - owned by a commander Fred’s family. The new government, that had risen, is proclaiming no rights for the women. Their only purpose is to give birth to a healthy babies. They don’t need money, jobs, books, pens or other things that we are taking for granted in our lives. They don’t need them to deliver babies, so they don’t need them at all.
"Tell, rather than write, because I have nothing to write with and writing is in any case forbidden.
But if it's a story, even in my head.
I must be telling it to someone. You don't tell a story only to yourself. There's always someone else.
Even when there is no one."
The Republic of Gilead, as I said, uses religion to control their lives. Every atrocity they do is justified by the Bible. The Bible has all the answers.
The story line is going around OfFred’s inner fights, her struggle to make the right choices, her dreams to be free again and to be with her child and her husband again. Along with her thoughts she shows us what is like to be a Handmaid. Her daily routine, the Rituals and all these small things that distract her from the reality.
"You can only be jealous of someone who has something you think you ought to have yourself"
Personaly, I don’t like the book that much. It’s senseless and not that easy to read. Not because of the topic, but the way it’s written. The shortage of direct speech took away the movement of the book. I know it should look like a diary, but even in the diaries, the difference between the narrator and others is shown in proper way. Probably I will need a second read to fully understand it. But for now the book left a big mess in my head.
"A man is just a woman's strategy for making other women."