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Merissa (11950 KP) rated Relentless (Somerton Security #2) in Books
Jun 21, 2018
Relentless (Somerton Security #2) by Elizabeth Dyer
Relentless is the second book in the Somerton Security series, and this time we are dealing with the big boss man himself, Ethan Somerton. This book does follow on from book one, so I would definitely recommend you read them in order, just so you get the most enjoyment out of them!
Ethan has a hard job to do - he needs to go undercover for a cartel, which could (most likely) get him killed. However, he is prepared to do that if it means he is giving a friend he thinks of like a brother a chance at living. They may have a friend on the inside though, as someone has been leaving tips for the various security forces, trying to help. Parker's program says one person, but Ethan is convinced it is someone else. Someone who sets his blood on fire, but has more walls than he does, and with very good reason. With a little bit of stubbornness and luck, they may just have a way forward.
This book is raw and gritty, and makes no bones about it. Ethan and Natalia have a hard time of it, both of them needing to trust the other, when trust is the hardest commodity to come by. I loved catching up with Parker and Georgia, and seeing how they are making it work, even when they are so different. Ethan is a tough man, but he certainly has found his match in Natalia. She has gone through things no one should, and survived.
With no editing or grammatical errors that disrupted my reading flow, this book was a brilliant read, and I certainly look forward to reading more in this series. I really need to know what happened at a certain time with a certain someone ;) If you like #Romance #Suspense, then I can pretty much guarantee you will love this series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Ethan has a hard job to do - he needs to go undercover for a cartel, which could (most likely) get him killed. However, he is prepared to do that if it means he is giving a friend he thinks of like a brother a chance at living. They may have a friend on the inside though, as someone has been leaving tips for the various security forces, trying to help. Parker's program says one person, but Ethan is convinced it is someone else. Someone who sets his blood on fire, but has more walls than he does, and with very good reason. With a little bit of stubbornness and luck, they may just have a way forward.
This book is raw and gritty, and makes no bones about it. Ethan and Natalia have a hard time of it, both of them needing to trust the other, when trust is the hardest commodity to come by. I loved catching up with Parker and Georgia, and seeing how they are making it work, even when they are so different. Ethan is a tough man, but he certainly has found his match in Natalia. She has gone through things no one should, and survived.
With no editing or grammatical errors that disrupted my reading flow, this book was a brilliant read, and I certainly look forward to reading more in this series. I really need to know what happened at a certain time with a certain someone ;) If you like #Romance #Suspense, then I can pretty much guarantee you will love this series. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Katie Guinn (34 KP) rated Goodbye Days in Books
Dec 7, 2018
Where do I start with this book? I read Jeff Zentner’s debut novel, The Serpent King, last year and I absolutely loved it, I’m talking one of my favorite reads of the year. And after finishing his follow-up novel, it’s safe to say that he’s becoming an auto-read author for me. The story opens with Carver Briggs (named after Raymond Carver and nicknamed Blade, how cool is that?) attending the funerals of his three best friends who were killed in an auto accident while texting Carver. As you can imagine, Carver is constantly plagued by guilt, grief, and the threat of possible prosecution. Every time I picked up this book, I immediately had a lump in my throat, the emotion was so real and so raw. Throughout the course of the book, Carver has “goodbye days” with each of his friends’ families, sharing memories and trying to make peace with his loss. They were the hardest parts to read, but also the most beautiful, where you could really feel Carver’s love for his friends and the depth of his grief.
One of my favorite things about Jeff Zentner is how he writes his characters. Carver and his friends, The Sauce Crew, feel like real teenage boys, sometimes cringingly so. Zentner writes misfits and outcasts as only someone who has been there can; honestly and compassionately. His prose sometimes feels almost poetical, lyrical; which makes sense. He’s also a guitarist and songwriter with five albums under his belt, who’s recorded with Iggy Pop and Debbie Harry. His love for music is a common thread in his books, both of which feature musicians and the power of music to heal and inspire. (The music-related Serpent King cameo was possibly my favorite thing in this novel)
While I didn’t love this one quite as much as The Serpent King, it was still a five star read for me and I recommend it if you’re a YA contemporary fan or if you just enjoy having your heart ripped out of your chest and shredded into confetti multiple times.
One of my favorite things about Jeff Zentner is how he writes his characters. Carver and his friends, The Sauce Crew, feel like real teenage boys, sometimes cringingly so. Zentner writes misfits and outcasts as only someone who has been there can; honestly and compassionately. His prose sometimes feels almost poetical, lyrical; which makes sense. He’s also a guitarist and songwriter with five albums under his belt, who’s recorded with Iggy Pop and Debbie Harry. His love for music is a common thread in his books, both of which feature musicians and the power of music to heal and inspire. (The music-related Serpent King cameo was possibly my favorite thing in this novel)
While I didn’t love this one quite as much as The Serpent King, it was still a five star read for me and I recommend it if you’re a YA contemporary fan or if you just enjoy having your heart ripped out of your chest and shredded into confetti multiple times.
Hazel (1853 KP) rated Wild: A Journey from Lost to Found in Books
Dec 7, 2018
<i>I won this book through Goodreads First Reads</i>
Recently brought to the big screen starring Academy Award Winner Reese Witherspoon, <i>Wild</i> is a true account of Cheryl Strayed's epic hike along the Pacific Crest Trail. Over the course of three months Cheryl treks from Mojave, California, through Oregon before finishing at the Bridge of the Gods.
<i>Wild</i> is a compelling story that reveals a young woman's determination and bravery to complete her impulsive walk of eleven hundred miles. Ill-prepared and still struggling with the death of her mother a few years earlier, Cherly sets off unknowing of the strength she would need to complete her challenge.
As Cheryl writes the reader learns how she survey the severe changes in weather conditions, her lack of food and money as well as her damaged feet and missing toenails.
Cheryl Strayed's story is an inspiration to readers as she proves that a human being can go above and beyond expectation in extraordinary circumstances. Despite having the truth laid out on paper, it is impossible to imagine the emotions and physical exertion Cheryl must have gone through.
A good thing about this biographical tale is that Cheryl's narrative does not solely focus on the PCT but refers back to events of the past that have made Cheryl who she is today and influenced her decision to begin the trail. The reader begins to know the real Cheryl and understand what she is feeling and thinking at different points in the book.
Split into five parts, Cheryl has used famous quotes to reflect the content of the following chapters. This takes the book to a higher intellectual level than just having the narrative.
Even if reading about someone going for a long walk sounds unappealing, it is so beautifully written, full of raw emotion that it will be enjoyed by many different readers whether male or female, old or young.
Having not yet seen the film it is impossible to pass comment on it, however the book is definitely worth making the time to read.
Recently brought to the big screen starring Academy Award Winner Reese Witherspoon, <i>Wild</i> is a true account of Cheryl Strayed's epic hike along the Pacific Crest Trail. Over the course of three months Cheryl treks from Mojave, California, through Oregon before finishing at the Bridge of the Gods.
<i>Wild</i> is a compelling story that reveals a young woman's determination and bravery to complete her impulsive walk of eleven hundred miles. Ill-prepared and still struggling with the death of her mother a few years earlier, Cherly sets off unknowing of the strength she would need to complete her challenge.
As Cheryl writes the reader learns how she survey the severe changes in weather conditions, her lack of food and money as well as her damaged feet and missing toenails.
Cheryl Strayed's story is an inspiration to readers as she proves that a human being can go above and beyond expectation in extraordinary circumstances. Despite having the truth laid out on paper, it is impossible to imagine the emotions and physical exertion Cheryl must have gone through.
A good thing about this biographical tale is that Cheryl's narrative does not solely focus on the PCT but refers back to events of the past that have made Cheryl who she is today and influenced her decision to begin the trail. The reader begins to know the real Cheryl and understand what she is feeling and thinking at different points in the book.
Split into five parts, Cheryl has used famous quotes to reflect the content of the following chapters. This takes the book to a higher intellectual level than just having the narrative.
Even if reading about someone going for a long walk sounds unappealing, it is so beautifully written, full of raw emotion that it will be enjoyed by many different readers whether male or female, old or young.
Having not yet seen the film it is impossible to pass comment on it, however the book is definitely worth making the time to read.
Neon's Nerd Nexus (360 KP) rated Brightburn (2019) in Movies
Jun 19, 2019
Super Nasty
Brightburn is a short film that moves at a blistering pace but its the calm moments where the movie truly shines. Brightburn successfully turns the entire superhero genre on its head going almost full horror movie on us & while it does fall into the trap of using to many horror cliches its a really interesting, fun & stand out movie. If I were to compare it I'd say its a mix of A Quiet Place, Midnight Special & The Children leaning towards the horror side of things more than anything else but there are sprinkles of Scifi & obviously dabs of Superhero here & there. Visually its such a looker the screen often painted fully in deep inky blackness with the only thing breaking it up being the warm glow of natural light coming from a lamp or street light. This not only helps create great atmosphere but heightens tension by limiting the viewers vision perfectly. There are neat swaps between camera techniques too eg from an almost raw found footage style to a really cool slightly obstructed first person scene. Action doesnt disapoint & the film makes the viewer wait for its violence & big pay offs making it more impactful when it finally hits. Acting is great & Elizabeth Banks clearly steals the show here. Theres a running comparison of Brandon to predatory animals such as a wasp, jellyfish or Wolf & I found the creepiest elements of the film were the slower paced scenes where we see him discover, adapt & learn how to evolve into a more successful killing machine (ie studying human anatomy) & also the impact of his actions begin to tear up his happy home & constantly disappoint his loving parents. Theres a big metaphore about adoption & the difficulties it can bring for both the new parents & the child (especially when the child hits the age where questions need to be answered) & at one point I wondered if that was really the overall message the film was actually trying to relay because this scene was so full of realistic emotion. Brightburn at times can be very predictable & show its budget constrains too but as a first film I really did dig its format & would definitely like to see a sequel or two to it for sure.
BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
With it being 50 years since the tragic Manson murders in California we have a year of Manson movies. We have the independent film Charlie Says which explores Manson and his cult in sensitive detail before the tragic night. We have Tarantino’s Once Up A Time In Hollywood which has been given the go-ahead from Sharon Tate’s sister to be made. Then we have this. The Haunting of Sharon Tate. An overly exploitative piece that twists truths to create a narrative and completely trashes the legacy of the late actress.
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
Gareth von Kallenbach (977 KP) rated Colette (2018) in Movies
Jul 2, 2019
Directed by Wash Westmoreland, “Colette” is a biographical drama based on Colette, the French novelist. This is a film that is truly worth watching at least once in a lifetime.
Movie goers may start off with an impression that this film will only attempt to lavish them with grandiosity and a dash of drama that may or may not really be all that thrilling. A pleasant surprise – it goes much deeper than visual decadence and a bit of tear jerking.
Keira Knightley’s performance as Gabrielle Colette is one that shares with audiences a riveting evolution of a repressed young woman and her transformation into a controversial force to be reckoned with in a rapidly transforming entertainment industry.
Knightley’s performance is perhaps her best yet, with captivating depictions of raw human emotion in all its complexities.
Dominic West plays the role of Henry Gauthier-Villars, Colette’s husband. Gauthier-Villars is portrayed as an opportunist who puts greed before the value of others. He employs ghost writers to make him fortunes while he engages in debauchery. His life is filled with great possessions, parties, and beautiful women.
The intertwining of his path with Colette’s demonstrates the ways that a woman can be ravaged by love, giving everything they are only to find out it may never be enough.
Themes of gender and sexuality play a strong role in this story. Denise Gough is captivating in her role as Colette’s lady lover, Mathilde de Morny. In a time when women could not even wear pants, these characters began to write new rules by rejecting the repression of high society.
‘Colette’ shows us that our journeys are never so simple. A person who may seem close to destruction or repressed domestication has the ability to rise like a phoenix above the ashes, into something new and more ravishing than before.
The film has a magical feel with cinematography that puts the viewer right in the moment. It draws the audience in with subtle detail and continues to develop into a real experience of a complex and winding story.
Movie goers may start off with an impression that this film will only attempt to lavish them with grandiosity and a dash of drama that may or may not really be all that thrilling. A pleasant surprise – it goes much deeper than visual decadence and a bit of tear jerking.
Keira Knightley’s performance as Gabrielle Colette is one that shares with audiences a riveting evolution of a repressed young woman and her transformation into a controversial force to be reckoned with in a rapidly transforming entertainment industry.
Knightley’s performance is perhaps her best yet, with captivating depictions of raw human emotion in all its complexities.
Dominic West plays the role of Henry Gauthier-Villars, Colette’s husband. Gauthier-Villars is portrayed as an opportunist who puts greed before the value of others. He employs ghost writers to make him fortunes while he engages in debauchery. His life is filled with great possessions, parties, and beautiful women.
The intertwining of his path with Colette’s demonstrates the ways that a woman can be ravaged by love, giving everything they are only to find out it may never be enough.
Themes of gender and sexuality play a strong role in this story. Denise Gough is captivating in her role as Colette’s lady lover, Mathilde de Morny. In a time when women could not even wear pants, these characters began to write new rules by rejecting the repression of high society.
‘Colette’ shows us that our journeys are never so simple. A person who may seem close to destruction or repressed domestication has the ability to rise like a phoenix above the ashes, into something new and more ravishing than before.
The film has a magical feel with cinematography that puts the viewer right in the moment. It draws the audience in with subtle detail and continues to develop into a real experience of a complex and winding story.
Neon's Nerd Nexus (360 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
I'm A Believer
Midsommar is a modern day folklore fairytale masterpiece that's traumatizing, intoxicating, stomach churning & deeply hypnotic. If you've seen Raw or the Witch & enjoyed them Midsommar is easily on par standard wise & comparability wise to them. A tale of love, passion, grievance, trauma, connection, communion, religion, celebration, purity & punishment. Filled with folklore, depth, symbolisum, metaphores & small visual clues Midsommar is one giant puzzle box & for everyone paying close attention there are entire multiple layers hidden in everything. Be it the pictures hung on the walls in the background, dialog, music cues, camera angles, subbtle special effects, screen transitions, facial expressions & props. Most people watching this film will leave wondering what strange horror movie they just saw & while technically it is a horror as the film played out I began to realise its intentions thus seeing its beauty & messages clearly. For instance like how if we all united as one unity & learnt to love rather than hate we could live in perfect harmony with nature. Acting is jaw dropping especially from the lead actress & sound design realises that creating tension doesn't necessarily need any sound at all. Visually its vibrant & striking with subtle effects like things pulsing & warping as if reality its self is an illusion. Midsommar made me feel quezy, disturbed, intreagued & so happy with chills going up & down my spine frequently as I also couldn't shake this feeling of dread the entire time. When violence hits it hits hard & sickeningly rough but as the last scene played out & the perfect ending hit I was smiling the most I have during a film in a long time. What an intelligent, thought provoking look at how a trauma in life can make us more susceptible & easily lead, how guilt/trauma manifests in us, how innocence & purity thrives above deceit & selfishness, but most importantly how we could all live way happier & more for filling lives as if we all respected each other & the world around us experiencing both pain & pleasure as one. Go see it sit in the front row & let Midsommar embrace & absorb you in the best experience of the year so far by far.
Mothergamer (1536 KP) rated Death Stranding in Video Games
Jan 7, 2020
I just finished Death Stranding and it was quite the incredible journey for me. I have been a long time fan of Kojima's work so I was intrigued by this game. So many people have made the jokes about Sam being a glorified postman, but the game is so much more than that. Once the game started going, I got hooked into the story and was fascinated by the connections Sam made with each person during his arduous deliveries and how he connected them to each other. Seeing how people connect and witnessing how those bonds drew them together created a powerful and beautiful story.
One game mechanic I absolutely enjoyed was the fact that there is a multiplayer, but it's not multiplayer in the way you think. You never actually see the other players and they never see you. What you do see is what is left behind to help you on your journey and you can leave behind things to help other players. You can build roads, bridges, ziplines, or leave ladders and climbing ropes on steep cliffs to help others on their journey. There is also a shared locker function which allows you and other players to donate weapons and items for use on your travels. Again, it is a way we as people connect to each other from all over the world. You can also give likes to the helpful things people leave behind.
Exploring the open world of Death Stranding is an adventure in itself with treacherous terrain, dangerous people trying to attack you,(known as mules) and scary ghost like monsters (known as beached things or BTS) it makes you take your time planning out your routes and how you want to get out of those situations. The performances by everyone in the game is fantastic. There are raw emotional moments in parts of the story that moved me to tears. There are beautiful moments that gave me cause to smile as well and I had such a wonderful time with this game. Death Stranding is more than just a delivery game. It is a story about the strength of our connections, bonds, and a promise of hope.
One game mechanic I absolutely enjoyed was the fact that there is a multiplayer, but it's not multiplayer in the way you think. You never actually see the other players and they never see you. What you do see is what is left behind to help you on your journey and you can leave behind things to help other players. You can build roads, bridges, ziplines, or leave ladders and climbing ropes on steep cliffs to help others on their journey. There is also a shared locker function which allows you and other players to donate weapons and items for use on your travels. Again, it is a way we as people connect to each other from all over the world. You can also give likes to the helpful things people leave behind.
Exploring the open world of Death Stranding is an adventure in itself with treacherous terrain, dangerous people trying to attack you,(known as mules) and scary ghost like monsters (known as beached things or BTS) it makes you take your time planning out your routes and how you want to get out of those situations. The performances by everyone in the game is fantastic. There are raw emotional moments in parts of the story that moved me to tears. There are beautiful moments that gave me cause to smile as well and I had such a wonderful time with this game. Death Stranding is more than just a delivery game. It is a story about the strength of our connections, bonds, and a promise of hope.
Gareth von Kallenbach (977 KP) rated Captain Fantastic (2016) in Movies
Aug 6, 2019
Written and directed by Matt Ross, “Captain Fantastic” is perhaps the most beautiful film put out in many years. It tells the story of a family living in the wilderness of the Pacific Northwest, surviving off of the land.
Viggo Mortensen plays Ben, a father who raises his children away from society, training them to be hunters and philosophers. The first scene is of an epic chase of a deer in the forest. In a manner that can only be equated to tribal tradition, the children stalk the animal while covered in black mud. When the eldest son takes down the deer, he is fed its heart and pronounced a man. Although, the film is not filled with scenes aimed at shock value. It has far too much depth to be described in that way.
When tragedy strikes, the family is forced to go into the city and face the rest of the world. Ben and his children stop at a diner in a small town, and everything is bizarre to the kids. They had never heard of soda, and they don’t understand why everyone is so overweight around them.
Quickly though, it becomes clear to them that they are the “strange” ones. When they visit their relatives, Ben is confronted with disdain and concern for how he chooses to raise his children. Everyone is panicked that he is not providing them with an adequate upbringing, while he feels it is the only acceptable path.
Together, they go on a journey that invokes the beauty, wildness, and sadness of being human.
“Captain Fantastic” takes audiences through the spectrum of human emotion, and truly makes one think about what it means to live in society today so far disconnected from our animal roots.
Each character delivers a raw and authentic performance. At moments Ben seems like a lunatic; at other times he seems like he is actually the sanest person on the planet.
The film is beautifully shot in some amazing parts of Washington, inciting nostalgia for Seattleites.
The music is subtle and helps to make the film a riveting experience.
Not just a movie, but a true masterpiece. Though it seems like a massive understatement, I give “Captain Fantastic” 5 out of 5 stars.
Viggo Mortensen plays Ben, a father who raises his children away from society, training them to be hunters and philosophers. The first scene is of an epic chase of a deer in the forest. In a manner that can only be equated to tribal tradition, the children stalk the animal while covered in black mud. When the eldest son takes down the deer, he is fed its heart and pronounced a man. Although, the film is not filled with scenes aimed at shock value. It has far too much depth to be described in that way.
When tragedy strikes, the family is forced to go into the city and face the rest of the world. Ben and his children stop at a diner in a small town, and everything is bizarre to the kids. They had never heard of soda, and they don’t understand why everyone is so overweight around them.
Quickly though, it becomes clear to them that they are the “strange” ones. When they visit their relatives, Ben is confronted with disdain and concern for how he chooses to raise his children. Everyone is panicked that he is not providing them with an adequate upbringing, while he feels it is the only acceptable path.
Together, they go on a journey that invokes the beauty, wildness, and sadness of being human.
“Captain Fantastic” takes audiences through the spectrum of human emotion, and truly makes one think about what it means to live in society today so far disconnected from our animal roots.
Each character delivers a raw and authentic performance. At moments Ben seems like a lunatic; at other times he seems like he is actually the sanest person on the planet.
The film is beautifully shot in some amazing parts of Washington, inciting nostalgia for Seattleites.
The music is subtle and helps to make the film a riveting experience.
Not just a movie, but a true masterpiece. Though it seems like a massive understatement, I give “Captain Fantastic” 5 out of 5 stars.
Gareth von Kallenbach (977 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars