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The Girlfriend
The Girlfriend
Michelle Frances | 2017 | Fiction & Poetry
7
7.2 (5 Ratings)
Book Rating
Tiger mum v gold digger girlfriend plus a hapless boyfriend
There are a fair few pros and cons with this book, including the writing. While the story itself is climactic, filled with twists, it reeks of class stereotypes, which were very unfortunate. Not all people from working class backgrounds are gold diggers, not all rich people look down on others, and not all boyfriends are clueless hopeless romantics.

A young woman begins a relationship with a man much wealthier than herself, who she hopes to extort luxuries in the future. The man, who is oblivious to everything on earth, has a tiger mum, fiercely protective over her son, having a loveless marriage and having lost her first child. So it's a battle about who wins Daniel and how far they will go.

It is fairly obvious which way the story will lean towards, especially by half way, and there are a few pointless characters such as Izzy, a friend of the mother. And Tooting is actually a very fashionable place I'll have you know.

Some holes in the plot, and irritating generalities, but good story.
  
13 Reasons Why  - Season 1
13 Reasons Why - Season 1
2017 | Drama
Deep personal story, gripping drama
On the surface this series looks to be all angsty teen drama. However from fairly early on, we see how a few instances of a nice sensitive person being slighted by the wrong people, or by those she trusts, can start to snowball.
Some of the "reasons" may seem fairly small and on their own not a reason for someone to take their own life. However, as the series tries to say, we never know what someone else is thinking or feeling. Without knowing that, and without true care over our own actions and interactions, small things can easily build up.
Small actions can have larger consequences and can make other people do things they wouldn't otherwise have done.
The cast are superb with all the main sterotypes of school personae covered (the rich kid, the poor but gifted kid, the nerd, the bookish girl, the talented jock etc). However, these aren't cartoon versions of those and are portrayed in a more human way than I've seen before. They all have their failings and in one way or another let someone down and resulted in them killing themselves.
  
The Godfather: Part II  (1974)
The Godfather: Part II (1974)
1974 | Crime, Drama

"The whole [Godfather] series was brilliant. I loved all three of them. But my favorite was number two. I thought it was extraordinarily shot. I think the way Francis Coppola puts these incredible stories together where he has the juxtaposition of having people be killed while this incredible symphonic music is playing and some opera is taking place — it’s all an opera. I think the whole Godfather series is like one magnificent opera. I just think it’s one of the great movies of the century — since film making. I think he is a genius. I think he just captured the passion and the anger and the ignorance of the whole world of the Mafia, and what that meant — the Black Hand. He glamorized them in a way that made us want to know them, be there, experience it — even though it speaks of great danger. But there was something so enticing about their world, that whole world. And the people were such rich studies of character. Robert De Niro was the greatest he’d ever been, and of course, Pacino. Those performances – every single performance was genius. I loved the films. I even like the third one."

Source
  
Four Weddings and a Funeral (1994)
Four Weddings and a Funeral (1994)
1994 | Comedy, Drama, Romance
It's easy to forget what an unstoppable cultural juggernaut Four Weddings was for most of the summer of 1994: cinemas sold out for weeks on end (it was still playing in a few screens when it came out on VHS), careers were launched by it, sales of Auden soared, and the theme tune was number one for about three months. And watching it again it can be difficult to see just why it was such a smash: bits of it feel very dated, it sort of offers a tourist's eye view of England as inhabited largely by rich posh people, and Andie McDowell is a bit teaky in a crucial role.

However, this is to overlook how dire most British comedy films of the early 90s were and how fresh and funny this felt. The jokes here are frequent and good, but the characters are not cartoons and when the film skirts darker moments it does so with sincerity. It is neatly written and very well performed; the people who became stars off the back of this movie generally deserved it. Very watchable and entertaining even a quarter-century on.