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Fred (860 KP) rated Snowpiercer (2013) in Movies
Sep 15, 2018
Great characters (3 more)
Tense action
Tilda Swinton
Great directing & story telling
A chiller thriller!
So, everyone left alive on Earth is on a big train. They can't can't get off the train because the world is frozen. There are classes in society & of course, the higher ups abuse their power. So, the oppressed fight back. As the lower class moves up, we see how the train is laid out. We learn the secrets of the train. And then, well watch the movie. I don't want to give any more of the story away.
Let me say that Tilda Swinton is fantastic in her role. Her character is one of the greatest I've seen on film. You hate her, you laugh at her, she's nice, she's a bitch. She is so great, I just want to watch the movie again to enjoy her.
There are some great scenes as well, that use lighting to a great effect. The action scenes are great, but the characters are better. You really get to know them & you want to know them.
If you're into sci-fi thrillers, don't miss this one!
Let me say that Tilda Swinton is fantastic in her role. Her character is one of the greatest I've seen on film. You hate her, you laugh at her, she's nice, she's a bitch. She is so great, I just want to watch the movie again to enjoy her.
There are some great scenes as well, that use lighting to a great effect. The action scenes are great, but the characters are better. You really get to know them & you want to know them.
If you're into sci-fi thrillers, don't miss this one!
Awix (3310 KP) rated Dogora (1964) in Movies
Jul 20, 2019 (Updated Jul 20, 2019)
Bonkers Japanese sci-fi from the Godzilla team makes most of those movies look like models of restraint and gritty realism. Odd things are afoot in Japan as seemingly random objects - coal, trucks, bank robbers, buildings - start spontaneously floating into the air. 'I never jump to conclusions but I think a giant space monster is probably responsible,' says the lead cop investigating the case. Of course, he is correct, and it's up to the usual team of cops, scientists, and soldiers to save the day.
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.
TD
The Dark Side
7.0
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Book
In this dark and gripping sci-fi noir, an exiled police detective arrives at a lunar penal colony...
LoganCrews (2861 KP) rated Sunshine (2007) in Movies
Sep 20, 2020
Frantic, superhuman space escapism (spacapism? spacecapism? spacescapism?) which revels in chucking its cast of unfortunate characters head-first into ludicrous amounts of mental anguish, bodily torment, and spiritual deformation with nary a single solitary moment of repose. What do you do when you can't even trust your own mind (especially if it's scarier when you can) and don't even have the time to be sure before you act? Part sumptuous feast for the senses, part wildly fun men-on-a-mission space adventure, part bonkers slasher flick, part volatile mindfuck. Still one of the best looking movies you're likely to find, I'm never any less than blown away with how orgasmic this looks and sounds - the CGI is just immaculate. And the tech-fetish is so striking but never intrusive. Bonus points for being a pre-apocalyptic, time sensitive future sci-fi thriller that doesn't turn into a surface-level lecture on misplaced technophobia or "maybe *we're* the real virus" nonsense. Boyle and Garland are a dream team duo, knocked it right out of the park with this one - five hundred times the movie ๐๐ญ๐ถ๐ฎ๐ฅ๐ฐ๐จ ๐๐ช๐ญ๐ญ๐ช๐ฐ๐ฏ๐ข๐ช๐ณ๐ฆ is.
The Innocents
7.6
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TV Show Watch
When teenagers Harry and June run away from their repressive families to be together, theyโre...
LeftSideCut (3776 KP) rated The Cloverfield Paradox (2018) in Movies
May 20, 2020
The Cloverfield Paradox is a kind of semi decent sci-fi thriller, with a relatively tenuous link to the wider Cloverfield story.
Much like 10 Cloverfield Lane, Paradox started life as a non-Cloverfield property. My only real issue with it's predecessor is that the link to the original film felt tacked onto the end, after the (excellent) main bulk of the story was done. My main issue with Paradox, is that the links are weaved in from the get go, but it's painfully obvious that the original plot was retconned to fit the overall Cloverfield narrative, and it doesn't quite flow properly.
This is most evident in the scenes that take place on Earth, and centre around Roger Davies' character. They just feel a bit out of place, even if they do have a monster movie kind of vibe.
The stuff that takes place up in space isn't too awful. A crew of scientists are orbiting earth in a space station, using a partical accelerator to find new sources of energy, energy that Earth desperately needs as reserves run low, and global war seems imminent. Of course, it doesn't all go to plan, and the crew find themselves in a parallel dimension, space and time is ripped apart etc etc.
To cut it short, lots of weird shit starts to happen aboard the station. It comes across like a poor man's Event Horizon. The pacing is a little off and the obligatory twist near the films climax is a bit silly and unearned, but honestly, there are worse sci-fi 'horror' films out there. There's some good effects work on show, and the cast are mostly likeable.
It's an entertaining enough film, but honestly, the Cloverfield links sort of spoil it a little. I love the original, and I loved 10 Cloverfield Lane, but I sincerely hope that if the franchise continues to move forward, they do some proper big budget sequels, and stop retconning other films!
Much like 10 Cloverfield Lane, Paradox started life as a non-Cloverfield property. My only real issue with it's predecessor is that the link to the original film felt tacked onto the end, after the (excellent) main bulk of the story was done. My main issue with Paradox, is that the links are weaved in from the get go, but it's painfully obvious that the original plot was retconned to fit the overall Cloverfield narrative, and it doesn't quite flow properly.
This is most evident in the scenes that take place on Earth, and centre around Roger Davies' character. They just feel a bit out of place, even if they do have a monster movie kind of vibe.
The stuff that takes place up in space isn't too awful. A crew of scientists are orbiting earth in a space station, using a partical accelerator to find new sources of energy, energy that Earth desperately needs as reserves run low, and global war seems imminent. Of course, it doesn't all go to plan, and the crew find themselves in a parallel dimension, space and time is ripped apart etc etc.
To cut it short, lots of weird shit starts to happen aboard the station. It comes across like a poor man's Event Horizon. The pacing is a little off and the obligatory twist near the films climax is a bit silly and unearned, but honestly, there are worse sci-fi 'horror' films out there. There's some good effects work on show, and the cast are mostly likeable.
It's an entertaining enough film, but honestly, the Cloverfield links sort of spoil it a little. I love the original, and I loved 10 Cloverfield Lane, but I sincerely hope that if the franchise continues to move forward, they do some proper big budget sequels, and stop retconning other films!
Get Rich or Get Lucky
Book
Get Rich or Get Lucky is a gripping fantasy thriller that follows Adam who finds himself in control...
Gareth von Kallenbach (980 KP) rated Split (2016) in Movies
Jul 12, 2019
M. Night Shyamalan once again has audiences very excited for absolutely no reason. The trailer portrays an interesting psychological thriller of a man (James McAvoy) subjected to many different forms of consciousness, as the plot tells he is one of the first to openly portray over twenty different personalities.
He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.
Unfortunately rather quickly the plot devolves after the disturbed manโs abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.
As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.
Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. Itโs too bad but this one earns
He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.
Unfortunately rather quickly the plot devolves after the disturbed manโs abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.
As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.
Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. Itโs too bad but this one earns
This Mortal Coil
10.0
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Book
3 billion lives at stake. 2 people who can save them. 1 secret hidden in their DNA. A breathtaking...
young adult
Kevin Phillipson (10072 KP) Sep 19, 2018
Andy K (10823 KP) Sep 19, 2018