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Parasite (2019)
Parasite (2019)
2019 | Drama
Kills You With Intrigue
This is the portion of the review where I usually give a quick synopsis, but I’m not going to do that for Parasite. I want you to go in like I did: Completely and totally blind. It’s so much better that way, trust me on this.

Acting: 10

Beginning: 9
Nice set up for what is to come, especially when you don’t really know what’s coming. You’re introduced to the primary family and get a better understanding of their story. I appreciated how director/writer Bong Joon Ho sets up the intrigue but doesn’t give you too much.

Characters: 10

Cinematography/Visuals: 10
Parasite is cinematically gorgeous from beginning to end. It gives you a feeling that you are witnessing something you’ve never seen before. I won’t dive too deep into this, but I especially love the cinematic contrast shown between the lower and upper class. Brilliantly done.

Conflict: 10
One minute, you think you’re watching a light comedy. The next, you’re saying, “Holy shit!” The perceived conflict is big enough, but when more gets added to the mix things get extremely out of control. I loved every minute of it.

Entertainment Value: 8

Memorability: 10
As soon as I finished watching Parasite, I immediately looked up who directed Oldboy as the shooting style and varying levels of constant tension felt very similar. Though not the same director, I will say this: If you’ve seen the latter, expect to be just as shocked by the former. Parasite gives you an experience you will never forget.

Pace: 10
Not a dull moment throughout. I spent so much time trying to figure out what the hell was happening that things never got boring, especially during the second half of the movie. There were so many moments of tension, you would be hardpressed to lose interest in the movie.

Plot: 10

Resolution: 1
As phenomenal as the movie is, the ending definitely left a sour taste in my mouth. Wasn’t a fan in the least. In fact, it was the one thing in my mind keeping this from being a classic.

Overall: 88
If you’re planning to see Parasite anytime soon, make sure you go in completely blind. It is memorable beyond belief. Expect it to stay in your mind for a long time after watching it.
  
Paddington (2015)
Paddington (2015)
2015 | Comedy, Family
The timeless storybook written by Michael Bond about a loveable, well-mannered immigrant Bear who tries to adapt to the human world.

The movie opens up with an English Explorer, Montgomery Clyde (Tim Downie), who ventures to the darkest Peru and encounters Paddington’s Aunt Lucy(voiced by Imelda Stauton) and Uncle Pastuzo(voiced by Michael Gambon). Instead of shooting them to take back to the Geographers’ Guild to be stuffed, he teaches them to speak English and introduces them to marmalade. He ends his adventure by telling the two bears he would always give them a home in London. Fast forward 40 years, Lucy and Pastuzo are now raising their very energetic nephew (voiced by Ben Wishaw) and teach him everything they know about London and how to make marmalade. Sadly, tragedy strikes after a devastating earthquake destroys their home. This forces Aunt Lucy to allow the young bear to stowaway on a ship bound for London to find Montgomery Clyde, the explorer, while she takes residence at a facility for retired bears.

The little bear is discovered by the Brown family while wandering Paddington Station. After reading the tag that says, “Please look after this bear,” the Browns take him home and give him the name Paddington. They also agreed to help him find the explorer that once befriended his aunt and uncle. Confused by his new unfamiliar surroundings, Paddington becomes an accident prone guest who inadvertently creates chaos and devastation where ever he goes.

Writer/Director Paul King has made an ingeniously witty, funny film that will appeal to moviegoers of all ages. A sweet and playful take on the beloved 1950s children’s book. For the most part, it does follow the storyline of the book. With the exception of the character Millicent, played by Nicole Kidman, who is a museum taxidermist. She wants nothing more than to make Paddington the newest member of the museum’s collection of stuffed exotic animals.

You can’t help but fall in love with Paddington, and it’s just as easy to love the Brown family. This is a delightfully charming film with the perfect amount of quirkiness. A story of a lost child trying to find friends and a place to belong. A wonderful movie that will melt your heart!
  
Broken City (2013)
Broken City (2013)
2013 | Drama
6
5.3 (3 Ratings)
Movie Rating
In Broken City, Russell Crowe and Mark Wahlberg wade into the streets of a
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.

The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.

Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.

The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.

Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.

The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.

I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).

All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
  
    Dino Hunter: Deadly Shores

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Toy Story 4 (2019)
Toy Story 4 (2019)
2019 | Animation, Comedy, Sci-Fi
Funny, Heartwarming, And Beautifully Animated
Toy Story 4 is a 2019 CG/comedy movie directed by Josh Cooley and based on screenplay written by Andrew Stanton, and Stephany Folsom; along with John Lasseter, Rashida Jones, Will McCormack, Valerie LaPointe, and Martin Hynes. It was produced by Picard Animation Studios for Walt Disney Pictures and distributed by Walt Disney Studios Motion Pictures. The film stars Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele and Keanu Reeves.


Woody (Tom Hanks) and the other toys are happy in their new life after Andy donates his toys to Bonnie; but Woody worries Bonnie will feel overwhelmed at school when she starts kindergarten. Woody sneaks into her backpack and recovers her arts and crafts supplies when a classmate throws them away. She uses the supplies, including a spork Woody grabbed to create a handmade toy she names "Forky" (Tony Hale). And when Bonnie and her family go on a road trip, Forky jumps out of the window setting off a chain of events that will change the group forever.


This movie was funny, stunningly animated, and emotionally touching. They really were shooting to impress with the amount of detail they had in this movie, from the glossy porcelain shine of Bopeep, to the fur on the cat, to all the other toys little details. I liked how the action was very character driven and how the storytelling was really well done. The character growth/arc for Bopeep was one of my favorites and I really enjoyed the cast of new characters and how they were incorporated as well like, Keanu Reeves and Key and Peele. This was such a great movie and it got me choked up at the end of the movie and I couldn't find anything to really complain about but then I read an article that made me question how I felt about it and what I saw. I'll see if I can add the link to it at the end of my review. It ultimately made me drop my rating by a point, I almost gave this movie a 9, but I give it a 8/10. But I do give it my "Must See Seal Of Approval".


Here is the link to the article: https://www.gamespot.com/articles/theres-a-problem-with-toy-story-4-opinion/1100-6468073/
  
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Richard Hell recommended Kiss Me Deadly (2008) in Movies (curated)

 
Kiss Me Deadly (2008)
Kiss Me Deadly (2008)
2008 | Action, Drama, Mystery
(0 Ratings)
Movie Favorite

"Noir, of course, typically displays shadows, rain, urban darkness, blunt seediness, and the realization that since not just at the end but at the center of things are death and other hopeless mysteries, human striving is meaningless. There’s something soothing about realizing that all is futile. It’s liberating. Kiss Me Deadly might be the most cynical and fatalistic noir of them all. It happens to take place in sunny LA, but it’s certainly got the seediness too, including fantastic location shooting in long-gone slums. It’s one of those flicks that’s too good to be true. You’re stopped alone at a motel somewhere in the desert late at night, dead tired, but you can’t sleep, so you switch on the TV . . . and there’s a near-teenage Cloris Leachman running towards you, moaning and sobbing in the darkness, too blonde and naked to believe. But there she is. What a world. Ralph Meeker speeds up in a Jaguar! Nat King Cole warbles on the radio. Cloris is named after Christina Rossetti! It’s 1955. She’s a bitter feminist escapee from a mental asylum. And it just gets better, all the way till after the last second. Along with the action, corruption, sadism, and sex (when the blonde in her car, who happens to be behind Mike Hammer when he parks in a driveway, is immediately compelled to press herself against him and kiss him, framed with bulging taillights protruding from the fin of the forward auto, somehow it's sexier than the porniest pornography), the photography/mise-en-scène would make this movie immortal alone. It’s the kind of movie that makes me laugh at the notion of “art” photography. A few thousand frames from this one film would make a better life’s work in photography than any artist has yet created. Cindy Sherman has a right to a living like everyone else, but, Jesus . . . Nicholas Raymondo (“Very Smart. Very Bright. Very Sad.”) was “sad . . . for the way the world is,” but as Christina tells us: if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile It’s actually misquoted in the movie, but it’s still probably the nicest thing that’s happened to Christina Rossetti in a hundred years . . ."

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