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Omari Hardwick recommended Rocky (1976) in Movies (curated)

 
Rocky (1976)
Rocky (1976)
1976 | Drama, Romance, Sport

"The first Rocky. Just an amazing movie. Whatever the hunger is, the fight, literally and figuratively, that Sylvester Stallone had in him to make the movie, right? To go through people saying, “Nah, nah.” And even Carl Weathers said, at one point, “Okay, this is incredible. So who’ll play Rocky?” And they’re like, “Sylvester Stallone, this young kid nobody knows.” And just him selling the dog, getting the dog back, the whole story behind it — during pre-production he buys the dog back. And Talia Shire was amazing, Francis Ford Coppola’s sister. It was just Sly Stallone at his very best, even as a writer-producer. And the incredible actor who played Mickey, Burgess Meredith. It’s an amazing movie you can watch over and over, no matter the gender or color or creed or religion. Rocky is a survivor’s movie, an American tale of a young kid trying to make good, and he finally makes good. It’s just such a great movie. The wardrobing, the score, the music, it’s unbelievable."

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Awix (3310 KP) rated Hellraiser (1987) in Movies

May 20, 2020 (Updated May 21, 2020)  
Hellraiser (1987)
Hellraiser (1987)
1987 | Horror
Iconic horror; progenitor of many mostly lousy sequels. An unscrupulous adventurer attempts to escape the clutches of sado-masochistic entities by recruiting his adulterous sister-in-law to provide the raw meat for his renewal (it was the 80s, everyone behaved like that under Thatcher).

Not quite the film an unsuspecting viewer might expect: the focus is mainly on the screwed-up Cotton family, especially nasty Uncle Frank; Pinhead, for all that he is on the poster, is in a very minor role (billed as 'Lead Cenobite'). Visually striking and with some interesting ideas, but the low budget is obvious and this is equally obviously a British movie desperately trying to appeal to an American audience. Where the film falls down is in its lack of focus and the fact that its central metaphor or argument is unclear (beyond the fact that the Cottons are a very dysfunctional bunch). Still, there have been worse debuts from writer-directors; it's just that not many of them go on to have nine sequels.
  
Enter the Dragon (1973)
Enter the Dragon (1973)
1973 | Action
Irresistible slice of 70s schlock. Bruce Lee goes off to the island of the drug dealing white slaver who's a renegade from his temple and whose men killed his sister (he's certainly not short of motivation) to take part in a martial arts tournament and bring the bad guy to justice. The plot is as rudimentary as that: there's a good guy, a bad guy, and a hell of a lot of fighting.

You do sense the American producers didn't quite understand what they were dealing with in Lee, for it's obvious he had a range and charisma far beyond what's required here. He's also partnered with John Saxon, who's an able leading man but really supernumerary (Saxon may have been a black belt in real life but his fight scenes have a whiff of dressage about them). Sleazy to the point of tackiness in places, and not much more than a live-action comic book, but tremendous action and some iconic sequences (the fight in the mirror-maze, for instance). Terrific entertainment if you're in the right mood.