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Leanne Crabtree (480 KP) rated Hands Down in Books
Jan 15, 2021
Borrowed this from the Kindle Unlimited Library.
This starts with Bianca at work and taking a call from her cousin who asks her to go and get NFO star and his best friend Zac, since they haven't been able to get hold of him to tell him that his Paw-Paw has been admitted to hospital. It's been about ten years since Bianca last saw Zac, her teenage crush, and is reluctant to see him again but because she loves her cousin like a brother, she agrees to go see Zac and let him know what's happened. Before she realises it, Zac is a major part of her life again and the friendship they used to have has come back into full force. Only those pesky feelings she used to have for him haven't completely disappeared.
Mariana Zapata is the Queen of slow burn romances. You only ever see the woman's POV in her books and have to read the body language of the males to figure out what they're thinking and I think she is brilliant at it. Zac's facial expressions in this gave a lot away about how he was feeling but it still took somewhere around the 90% mark for the words to be spoken - the "I love you"s.
Her books are always long - I've pointed out several times I'm not the biggest fan of long books - but most of the time you don't even realise it because you're so engrossed in the story. The same could be said of this one although I did find Bianca a bit annoying at times with her persistent belief that Zac was only hanging around because he felt guilty for losing touch with her when he made sure she was there for everything and always wanted to hang out with her. I did feel like giving her a slap every now and then because it was pretty obvious he cared about you, you donut!
I also love how she writes the characters from her previous books into her latest. We see several of them in this one including characters from From Lukov with Love and The Wall of Winnipeg and Me and even DeMaio House gym plays a vital part in this book.
P.S. I can't help feeling like we've met Enzo somewhere before...?
This starts with Bianca at work and taking a call from her cousin who asks her to go and get NFO star and his best friend Zac, since they haven't been able to get hold of him to tell him that his Paw-Paw has been admitted to hospital. It's been about ten years since Bianca last saw Zac, her teenage crush, and is reluctant to see him again but because she loves her cousin like a brother, she agrees to go see Zac and let him know what's happened. Before she realises it, Zac is a major part of her life again and the friendship they used to have has come back into full force. Only those pesky feelings she used to have for him haven't completely disappeared.
Mariana Zapata is the Queen of slow burn romances. You only ever see the woman's POV in her books and have to read the body language of the males to figure out what they're thinking and I think she is brilliant at it. Zac's facial expressions in this gave a lot away about how he was feeling but it still took somewhere around the 90% mark for the words to be spoken - the "I love you"s.
Her books are always long - I've pointed out several times I'm not the biggest fan of long books - but most of the time you don't even realise it because you're so engrossed in the story. The same could be said of this one although I did find Bianca a bit annoying at times with her persistent belief that Zac was only hanging around because he felt guilty for losing touch with her when he made sure she was there for everything and always wanted to hang out with her. I did feel like giving her a slap every now and then because it was pretty obvious he cared about you, you donut!
I also love how she writes the characters from her previous books into her latest. We see several of them in this one including characters from From Lukov with Love and The Wall of Winnipeg and Me and even DeMaio House gym plays a vital part in this book.
P.S. I can't help feeling like we've met Enzo somewhere before...?
Merissa (13000 KP) rated His Mate by Allegiance (Lunetti Pack #3) in Books
Jul 14, 2025
HIS MATE BY ALLEGIANCE is the third book in the Lunetti Pack series. I haven't read them all as I missed book one, but fell in love with book two, and jumped at the chance of reading book three. What can I say? I'm hooked! I love this world that the author has given us.
To show the Council that they're all playing nicely together, Marco and Blaze have arranged a wedding between the MC and the Pack. Emilio is the one taking the fall for the Pack, and Rocco for the MC. Emilio was quite happily planning his future husband's demise when the worst thing (for him) happens. He realises Rocco is his fated mate, and he really, REALLY, doesn't want one of those! As for Rocco, well, he's planning on being as in-your-face as he can be to push Emilio away. So you get that neither of them is on board with this, right? Yeah, well, that all changes once they meet. Trust me, they burn up the pages!
The story is more than just their relationship, and I loved how the story progressed. For me, though, it was all about Rocco and Emmy. I loved these two so much. One of the best parts was the slow and gentle realisation from Emmy that it would be okay to bond with Rocco. They really were a perfect fit! I loved how it wasn't some big bang realisation, but rather one that crept up on him, no matter how hard he fought it.
If there was one thing I wanted more of, it would be Emilio topping Rocco! It only happened once, and although it was off-the-charts hot, I would have liked it at least once more. But then, that's me being greedy and wanting more than I was given, which was absolutely good enough! And that is why I've rated this as 5/5. I'm certainly not going to knock a star, or half-star, off for something that would have been a bonus!
I can't wait for the next book and hope that Marco gets his HEA too at some point. HIGHLY RECOMMENDED by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 14, 2025
To show the Council that they're all playing nicely together, Marco and Blaze have arranged a wedding between the MC and the Pack. Emilio is the one taking the fall for the Pack, and Rocco for the MC. Emilio was quite happily planning his future husband's demise when the worst thing (for him) happens. He realises Rocco is his fated mate, and he really, REALLY, doesn't want one of those! As for Rocco, well, he's planning on being as in-your-face as he can be to push Emilio away. So you get that neither of them is on board with this, right? Yeah, well, that all changes once they meet. Trust me, they burn up the pages!
The story is more than just their relationship, and I loved how the story progressed. For me, though, it was all about Rocco and Emmy. I loved these two so much. One of the best parts was the slow and gentle realisation from Emmy that it would be okay to bond with Rocco. They really were a perfect fit! I loved how it wasn't some big bang realisation, but rather one that crept up on him, no matter how hard he fought it.
If there was one thing I wanted more of, it would be Emilio topping Rocco! It only happened once, and although it was off-the-charts hot, I would have liked it at least once more. But then, that's me being greedy and wanting more than I was given, which was absolutely good enough! And that is why I've rated this as 5/5. I'm certainly not going to knock a star, or half-star, off for something that would have been a bonus!
I can't wait for the next book and hope that Marco gets his HEA too at some point. HIGHLY RECOMMENDED by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jul 14, 2025
Not what I expected
I need to start off by saying that I wasnt a fan of Get Out, and I hadn't even see the trailer for Us, so I went into this with low/no expectations, and I was actually pleasantly surprised.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
Sarah (126 KP) rated The Staircase in TV
Aug 10, 2018
A Compelling Watch
All are punish'd.
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
LeftSideCut (3776 KP) rated The Walking Dead - Season 9 in TV
Feb 6, 2020
Clawing its way back
Contains spoilers, click to show
After a hugely underwhelming couple of seasons, it's nice to see TWD back on a stronger path, with a new showrunner, and new time setting (more on that in a minute).
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
Merissa (13000 KP) rated Undone (Vino & Veritas #18) in Books
Aug 13, 2021 (Updated Jul 17, 2023)
Have you ever missed out on a whole series, read one story, and then put the whole lot of the others on your TBR list? Because that's what I've done on the back of this one story by Leslie McAdam. UNDONE is book eighteen in the Vino and Veritas series, and I want more.
In this instalment, we meet Jason and Murph. Jason has a friends-with-benefits arrangement going on with Marnie that suits him just fine, and Marnie says she is happy with how it is too. Murph is his new roommate, and what an eye-opener he is! Murph is strong and confident but still has his own worries and concerns. What you get is a HOT slow-burn romance with lots of self-discovery and laughs along the way.
Oh, man. These two! They about killed me, they really did. Both of them are absolutely gorgeous inside and out and have so much to learn about themselves and each other. Watching Jason's jealousy when he had no idea what it was he was feeling was just wonderful. Murph has been seriously hurt before and is understandably wary of Jason when they do get together. Communication and acknowledgement of each other's needs wins the day though, and how fantastic was that?!
After a quick check on Goodreads, it appears this is the first book by this author I have read, but it certainly won't be the last. Leslie McAdam's writing style is warm, well-paced, and character-led. This story blew me away and I loved the bi-realisation aspect of it. I also loved how they got to know each other first. Of course, as far as Jason was concerned, Murph was just a possible friend. Their flirting, innocent as it was (or not in Murph's case!) was heartwarming.
I could go on, but I think I've waffled on enough. I have loved this new-to-me world of Vino and Veritas and will definitely be reading more. As for Leslie McAdam, well, she's definitely one to watch. Now, if you will excuse me, I've got an author's backlist to go through, plus a whole series.
Absolutely and utterly recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 13, 2021
In this instalment, we meet Jason and Murph. Jason has a friends-with-benefits arrangement going on with Marnie that suits him just fine, and Marnie says she is happy with how it is too. Murph is his new roommate, and what an eye-opener he is! Murph is strong and confident but still has his own worries and concerns. What you get is a HOT slow-burn romance with lots of self-discovery and laughs along the way.
Oh, man. These two! They about killed me, they really did. Both of them are absolutely gorgeous inside and out and have so much to learn about themselves and each other. Watching Jason's jealousy when he had no idea what it was he was feeling was just wonderful. Murph has been seriously hurt before and is understandably wary of Jason when they do get together. Communication and acknowledgement of each other's needs wins the day though, and how fantastic was that?!
After a quick check on Goodreads, it appears this is the first book by this author I have read, but it certainly won't be the last. Leslie McAdam's writing style is warm, well-paced, and character-led. This story blew me away and I loved the bi-realisation aspect of it. I also loved how they got to know each other first. Of course, as far as Jason was concerned, Murph was just a possible friend. Their flirting, innocent as it was (or not in Murph's case!) was heartwarming.
I could go on, but I think I've waffled on enough. I have loved this new-to-me world of Vino and Veritas and will definitely be reading more. As for Leslie McAdam, well, she's definitely one to watch. Now, if you will excuse me, I've got an author's backlist to go through, plus a whole series.
Absolutely and utterly recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 13, 2021
Dragon's Mate Volume Two: Books 4-7
6.0
Rate It
Book
Enjoy the Dragon’s Mate series in this convenient bundle. Witch Mate? Anthony is in trouble....
MM Paranormal Romance Shifters Dragons
Debbiereadsbook (1457 KP) rated Sleigh Bells and Second Chances (Love in Mission City #3) in Books
Nov 12, 2024
Ryan's trauma is front and centre, Simeon's is not.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Mission City series. I have not read all of book 1 and book 2 not at all, YET. They can all be read as stand alone, and will only really give you spoilers for the previous book. I WILL get to them, I really enjoyed this one.
Ryan is at The Healing Horses Ranch for some major healing, both physically and mentally. Being in a war zone will do that to a man, add in all his team NOT coming home, and Ryan is a mess. Simeon is the handy man at the ranch and after a fraught first meeting, they begin as friends and develop into more. But Ryan will be leaving soon. Can Simeon give his heart only for Ryan to take it with him?
What I loved MOST about this book, was that while Ryan's trauma was front and centre, Simeon's was not. There were hints and clues dropped along the way but it wasn't til Simeon admitted it, even if to himself, what his trauma was. I wasn't able to put the clues together fast enough. My book brain was whirring, but not in the right direction.
I loved that Simeon felt comfortable around Ryan, right from the start. His stutter was not really a thing for Ryan. Simeon was just Simeon and very quickly Ryan found a safe place with Simeon.
It's fairly midrange angst, and is a SUPER slow burn, but I LOVED that it took til near the very end of the book, for Ryan and Simeon to get to the main event. Oh, its steamy and smexy but the smxey times are not what this book is about. It's super gentle, and sweet and almost warm and fuzzies but due to the emotional aspect.
It's about finding your forever person, when you least expect to, and being accepted into an extended family in a way your own family didn't really did.
Oh, I loved that Ryan's dad came good. Ryan had a complicated relationship with him before he left for the Ukraine, and it took time to repair that. I wasn't sure he would, to be honest.
As I said, not really necessary to read the other books first, but I will go back and read them.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 3 in the Mission City series. I have not read all of book 1 and book 2 not at all, YET. They can all be read as stand alone, and will only really give you spoilers for the previous book. I WILL get to them, I really enjoyed this one.
Ryan is at The Healing Horses Ranch for some major healing, both physically and mentally. Being in a war zone will do that to a man, add in all his team NOT coming home, and Ryan is a mess. Simeon is the handy man at the ranch and after a fraught first meeting, they begin as friends and develop into more. But Ryan will be leaving soon. Can Simeon give his heart only for Ryan to take it with him?
What I loved MOST about this book, was that while Ryan's trauma was front and centre, Simeon's was not. There were hints and clues dropped along the way but it wasn't til Simeon admitted it, even if to himself, what his trauma was. I wasn't able to put the clues together fast enough. My book brain was whirring, but not in the right direction.
I loved that Simeon felt comfortable around Ryan, right from the start. His stutter was not really a thing for Ryan. Simeon was just Simeon and very quickly Ryan found a safe place with Simeon.
It's fairly midrange angst, and is a SUPER slow burn, but I LOVED that it took til near the very end of the book, for Ryan and Simeon to get to the main event. Oh, its steamy and smexy but the smxey times are not what this book is about. It's super gentle, and sweet and almost warm and fuzzies but due to the emotional aspect.
It's about finding your forever person, when you least expect to, and being accepted into an extended family in a way your own family didn't really did.
Oh, I loved that Ryan's dad came good. Ryan had a complicated relationship with him before he left for the Ukraine, and it took time to repair that. I wasn't sure he would, to be honest.
As I said, not really necessary to read the other books first, but I will go back and read them.
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1457 KP) rated The Seer (The Secret Tales #3) in Books
Jul 24, 2025 - 10:38 AM
Theo was very much attracted first to Claire's mind but he soon became besotted with her!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Secret Tales series, but it can be read as a stand alone. The couple from the first two books do take part here, but you don't need to have read their stories to follow this one. I did, however, LOVE those first two books, so as a personal recommendation, read them.
But this one?? I don't know what it is about this one, but I couldn/t love it, and it did take some reading. I might be able to wiggle it out my book brain as I type, but we shall see.
Claire has a theory about the white on the Greek marbles and statues: they are not meant to be white. But as a woman, no one will listen. Theseus finds Claire's mind attractive but he is well aware of the constraints on women of his time. A trip to Greece is just what they both need: Claire to prove her theory and Theseus to return some Greek marbles to their rightful home. But someone is out to stop him, and it might just get them both killed.
I liked that this faded to black and it was a very slow burn. Theo was very much attracted first to Claire's mind but he soon became besotted with her. Especially after she befriended his sister and managed to shoot some bandits! But apart from some kissing, he waits until they are married to do anything else, and I did like that.
I did like the twist with the bad guy! I did not see that one coming at me.
Theo's sister, Penny plays a part here. She does get a say too, but I think I would have liked Spyros as well as Penny, given as to what happens to them.
There are many descriptions about the Greek statues and the history of them. I found these a bit too much, to be honest and I struggled to follow them all. I think *THIS* might be why I didn't enjoy this book as much as the first two.
I did like that we caught up with Lottie and Patrick, and Rosie and Rhys. They are all blissfully happy and their families are growing.
What I did LOVE though, was the epilogue!
4 very VERY good stars
*same worded review will appear elsewhere
This is book 3 in the Secret Tales series, but it can be read as a stand alone. The couple from the first two books do take part here, but you don't need to have read their stories to follow this one. I did, however, LOVE those first two books, so as a personal recommendation, read them.
But this one?? I don't know what it is about this one, but I couldn/t love it, and it did take some reading. I might be able to wiggle it out my book brain as I type, but we shall see.
Claire has a theory about the white on the Greek marbles and statues: they are not meant to be white. But as a woman, no one will listen. Theseus finds Claire's mind attractive but he is well aware of the constraints on women of his time. A trip to Greece is just what they both need: Claire to prove her theory and Theseus to return some Greek marbles to their rightful home. But someone is out to stop him, and it might just get them both killed.
I liked that this faded to black and it was a very slow burn. Theo was very much attracted first to Claire's mind but he soon became besotted with her. Especially after she befriended his sister and managed to shoot some bandits! But apart from some kissing, he waits until they are married to do anything else, and I did like that.
I did like the twist with the bad guy! I did not see that one coming at me.
Theo's sister, Penny plays a part here. She does get a say too, but I think I would have liked Spyros as well as Penny, given as to what happens to them.
There are many descriptions about the Greek statues and the history of them. I found these a bit too much, to be honest and I struggled to follow them all. I think *THIS* might be why I didn't enjoy this book as much as the first two.
I did like that we caught up with Lottie and Patrick, and Rosie and Rhys. They are all blissfully happy and their families are growing.
What I did LOVE though, was the epilogue!
4 very VERY good stars
*same worded review will appear elsewhere
RəX Regent (349 KP) rated The Wicker Man (1973) in Movies
Feb 18, 2019
Come. It is time to keep your appointment with the Wicker Man.
Though we never even lay eyes on it until the final few moments of the film, the Wicker Man, both as pagan image and classic horror flick, has become an icon of the genre.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
