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Neon's Nerd Nexus (360 KP) rated Gretel & Hansel (2020) in Movies
Sep 10, 2020
Something Wicked
Gretel and hansel is everything I hoped it would be & more, a devilsh dive into witchcraft & an utterly nightmarish visual feast for both the eyes & senses. Gretel & Hansel is a new take on the well known Grimm fairytale & for a simple comparison it's much like one of my favourite horror films of all time 2015's The witch. Now I'm guessing that's put some people off already but those who are still with me are in for a delightful treat. Think Suspira if it were boiled in a pot with the witch, hagazussa & it comes at night & you have painted a picture of what to expect here. Extremely slow pacing, constantly lingering ominous dread & a soundtrack that's likely to cause the hairs on your neck to stand up every time it drones. To say this film is absolutely gorgeous is an insult, every single frame is awash with beautifully striking & highly interesting to explore imagery & colour. It's so visually striking & breathtaking I could happily of sat & watched it with no sound & still be as entranced by its wicked ways. However the way these visuals mash with the synth & droning soundtrack honestly kept me glued to the screen seemingly bewitched & fixated in a trance like state. As you can tell these types of films are my passion when it comes to horror, I much prefer the slow lingering constant sense of dread & creepy imagery that lead up to a shocking pay off while also intertwining the kind of depth & philosophy you have to unravel yourself instead of being spoon fed the plot by the characters themselves. This film is no different & as we delve deep into such themes as female empowerment, innocence, sacrifice, responsibility, naivety, addiction & greed as a viewer the web spun for you begins to unravel about what the film is truly trying to say at its core. Sophia Lillis who you may know from IT does wonders here as Gretel & it's her character, acting & attachment that really hooks you & makes every scene with her in feel calming amongst all the oddities going on. I honestly can not praise this film enough & say if your into art house cinema do not hesitate at grabbing this on glorious 4k. A stunning, breathless wonder of a movie to that will leave you feeling body unnerved & your mind shaken.
Gareth von Kallenbach (980 KP) rated Baby Driver (2017) in Movies
Jul 11, 2019
After falling into debt with a crime boss, Baby (Ansel Elgort), must pay back what he owes by being the getaway driver for brazen daytime heists. The crime boss, Doc (Kevin Spacey), promises Baby that once the next job is done he will be debt free. Baby does the job and heads home feeling finally free and ready to start doing good things with his life. He meets a beautiful waitress, Debora (Lily James), and plans to drive across the country with her. It may be too good to be true. He soon learns that being debt free may not mean that he gets to walk away from the life of crime. Being an exceptional driver has made him indispensable to Doc. Now Baby has a choice between walking away, which Doc has promised to hurt him and those he cares about if he does, or do one more job, and hope he find a way out of the criminal world and onto the road with Debora.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Emily (2 KP) rated the Nintendo Switch version of The Legend of Zelda: Breath of the Wild in Video Games
Oct 7, 2019 (Updated Oct 7, 2019)
Bringing Zelda Back
I have been a Zelda fan for pretty much my whole life. I wasn't born when the "classic" games were coming out, but I grew up with fabulous titles like The Phantom Hourglass & The Twilight Princess.
At first, I was skeptical when I realised that the Zelda franchise was going to have an open world game. To me, Zelda whas always been somewhat of a corridor game (yes, this was probably mainly the result of playing a lot of Zelda DS games). Nevertheless, I wasn't sure what to expect from Breath of the Wild.
I needn't have worried. Breath of the Wild is the perfect mix of old and new. There are throwbacks to old games, and despite the open world nature, there are still different biomes with distinctive (and familiar) characters. You will still get a huge sense of satisfaction from smashing up pots and cuckoos can still be pretty deadly.
Yet Breath of the Wild also adds a lot to the franchise. It opens the wonderful world of Link up to players who may have never experienced a Zelda game before. With bright, gorgeous graphics, a stunning soundtrack, and a whole cast of great characters to meet, this game is perfect for both players who are already familiar with the franchise, and those who are experiencing it for the first time.
The other thing to say about Breath of the Wild is the huge sense of progression that it provides. The world is fully climbable, which means you can scale huge mountains, but these mountains can also be deadly. It is not until you have put a good few hours into the game that you have the stamina required to survive such ambitious climbs. This means that when you DO master that mountain that you attempted to climb twenty or so times, you feel extremely powerful. The same can be said for the new weapons you receive, although not, in my opinion, to the same extent.
In short, I absolutely love Breath of the Wild. It is a HUGE game; I have completed the main storyline and a good deal of the side quests two times, and there is still so much to discover! I would recommend this game to pretty much anyone. It's an incredible game, and it is definitely something worth experiencing.
At first, I was skeptical when I realised that the Zelda franchise was going to have an open world game. To me, Zelda whas always been somewhat of a corridor game (yes, this was probably mainly the result of playing a lot of Zelda DS games). Nevertheless, I wasn't sure what to expect from Breath of the Wild.
I needn't have worried. Breath of the Wild is the perfect mix of old and new. There are throwbacks to old games, and despite the open world nature, there are still different biomes with distinctive (and familiar) characters. You will still get a huge sense of satisfaction from smashing up pots and cuckoos can still be pretty deadly.
Yet Breath of the Wild also adds a lot to the franchise. It opens the wonderful world of Link up to players who may have never experienced a Zelda game before. With bright, gorgeous graphics, a stunning soundtrack, and a whole cast of great characters to meet, this game is perfect for both players who are already familiar with the franchise, and those who are experiencing it for the first time.
The other thing to say about Breath of the Wild is the huge sense of progression that it provides. The world is fully climbable, which means you can scale huge mountains, but these mountains can also be deadly. It is not until you have put a good few hours into the game that you have the stamina required to survive such ambitious climbs. This means that when you DO master that mountain that you attempted to climb twenty or so times, you feel extremely powerful. The same can be said for the new weapons you receive, although not, in my opinion, to the same extent.
In short, I absolutely love Breath of the Wild. It is a HUGE game; I have completed the main storyline and a good deal of the side quests two times, and there is still so much to discover! I would recommend this game to pretty much anyone. It's an incredible game, and it is definitely something worth experiencing.
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Kieran Harvey (51 KP) rated La La Land (2016) in Movies
Jul 16, 2017
Acting is phenomenal (7 more)
Music is amazing
Deserved the award wins
Re watchable again and again
Ryan Gosling
The opening scene
One of the best dance scenes ever
Soundtrack
Didn't win best Picture at Oscars (1 more)
Ryan Gosling didn't win best actor
A fantastic movie that has very little faults
This movie was a weird one for me because I hate musicals so the thought of liking this movie had never crossed my mind. However I went in to see it and just by the opening I was hooked. Everything that happens is flawless and executed to perfection. I went back to see it the next day and again and again for a total of 10 times its that good. Emma Stone and Ryan Gosling are electric together and the levels of preparation they did for the roles is outstanding. Some of the finest acting and finest directing seen in a long time so it thoroughly deserved it's credit at the Oscars however it really should've been winner of Best Picture over Moonlight, A.K.A biggest fix in the history of Oscars ever.
If you haven't already, watch this movie and you won't be disappointed at all !
If you haven't already, watch this movie and you won't be disappointed at all !
The Craggus (360 KP) rated Shazam! (2019) in Movies
Apr 6, 2019 (Updated Apr 6, 2019)
The Shazam! (2019) movie is the Billy Batson of the DCEU
The movie comes properly into focus when it becomes clear that thematically, the movie itself is echoing Billy Batson’s character arc. Just as SHAZAM derives his power from the wisdom of Solomon, the strength of Hercules, the stamina of Atlas; the energy bolts of Zeus, the courage of Achilles and the speed of Mercury, so “Shazam!” inherits potent traits from its forebears. Like “Man Of Steel”, it’s perhaps a little too fond of fight scenes featuring flying people being flung through skyscrapers. Like “Aquaman”, it suffers the curse of a conspicuously ropey special effects moment. Like “Suicide Squad”, it’s trying a little too hard with its soundtrack choices and like “Batman V Superman: Dawn Of Justice” it relies too heavily on YouTube clips for exposition. And just as Billy Batson has to battle his own mean-spirited, selfish and angsty urges to become the hero Shazam is meant to be, so too does “Shazam!” push back against the DCEU grimdark tropes to forge a bright new pathway to fun, adventure and a hopeful tone without sacrificing the superhero action...
FULL REVIEW: http://bit.ly/CraggusShazam
FULL REVIEW: http://bit.ly/CraggusShazam
Awix (3310 KP) rated A View to a Kill (1985) in Movies
Mar 2, 2018 (Updated Mar 2, 2018)
Fourteenth Bond movie, known in Hong Kong as 'Indestructible Iron Man Fights the Electronic Gang'. (Which is pretty accurate, to be honest.) Rogue eugenic superman Zorin (Walken) has slightly Goldfingerish plan to artificially inflate the value of silicon chips; Bond has to stop him (obvs).
Bond gets it on with a record-breaking four different people in the course of the movie, including the villain's chief heavy, which may explain why he looks so exhausted most of the time. Or this may be due to Roger Moore's own advanced age (he was apparently dismayed to discover he was older than the parents of leading lady Tanya Roberts). Very much an example of Bond-movie-as-Bond-movie, i.e. a knockabout light-hearted action spectacular with only occasional pretensions to being a serious thriller or having anything meaningful to say about the world. Some decent chases and set pieces, helped by an occasionally effective soundtrack. Pleasantly distracting to watch but it's hardly going to rock your boat, let alone your world. It's possible that the opening sequence, in which Bond invents (gosh wow!) snowboarding , is the most glaringly dated moment of any major film in history.
Bond gets it on with a record-breaking four different people in the course of the movie, including the villain's chief heavy, which may explain why he looks so exhausted most of the time. Or this may be due to Roger Moore's own advanced age (he was apparently dismayed to discover he was older than the parents of leading lady Tanya Roberts). Very much an example of Bond-movie-as-Bond-movie, i.e. a knockabout light-hearted action spectacular with only occasional pretensions to being a serious thriller or having anything meaningful to say about the world. Some decent chases and set pieces, helped by an occasionally effective soundtrack. Pleasantly distracting to watch but it's hardly going to rock your boat, let alone your world. It's possible that the opening sequence, in which Bond invents (gosh wow!) snowboarding , is the most glaringly dated moment of any major film in history.
Sarah (7800 KP) rated Sucker Punch (2011) in Movies
Sep 20, 2018
All style, no substance
Apologies in advance to all of the male Smashbombers, but this film basically feels like a teenage boy’s fantasy. I saw it when it first came out at the cinema and wasn’t impressed in the slightest, but I thought I’d give it another go in case I was wrong. Unfortunately I wasn’t.
Girls wearing barely anything, mental asylums, brothels, monsters, war zones, robots, dragons, zombies.... did nobody stop to think that this was maybe a bit too much? Zack Snyder has compared this to Alice in Wonderland, but it is far from it. The plot could’ve worked better if it had just stuck to a girl resorting to a inner fantasy world to escape reality in a mental asylum, but instead it just gets far too ridiculous and silly. Visually it looks very good, although I don’t think the CGI looks quite as good on the small screen as you’d hope, and the soundtrack is great, it’s just a shame the rest of the film is so dull and laughably bad. You’ve got some great actors in here (even a brief cameo from Jon Hamm) but they really are wasted in this.
Girls wearing barely anything, mental asylums, brothels, monsters, war zones, robots, dragons, zombies.... did nobody stop to think that this was maybe a bit too much? Zack Snyder has compared this to Alice in Wonderland, but it is far from it. The plot could’ve worked better if it had just stuck to a girl resorting to a inner fantasy world to escape reality in a mental asylum, but instead it just gets far too ridiculous and silly. Visually it looks very good, although I don’t think the CGI looks quite as good on the small screen as you’d hope, and the soundtrack is great, it’s just a shame the rest of the film is so dull and laughably bad. You’ve got some great actors in here (even a brief cameo from Jon Hamm) but they really are wasted in this.
Bong Mines Entertainment (15 KP) rated Talk Talk - Single by Cannons in Music
Jun 17, 2019
Cannons is an electro-pop band from Los Angeles, California. Not too long ago, they released a music video for their “Talk Talk” single.
“You say it felt so nice. That’s when I am near. I’m fighting voices in my mind, voices telling lies about it. ‘Cause it feels so right with your arms around me.” – lyrics
‘Talk Talk’ will be featured on Cannons’ upcoming album, entitled, “Shadows”, available later this summer.
The likable tune contains a relatable storyline, dreamy vocals, and groovy instrumentation seasoned with a chill ‘70s vibe. Also, the song possesses indie-alternative and electro-pop elements.
Cannons formed in 2013 when childhood friends Ryan Clapham and Paul Davis met Michelle Joy.
The two grew up on the same street in Los Angeles and had been trying to start a band for years. But nothing had quite clicked until their paths crossed hers.
Michelle’s effortless vocals melded perfectly with Ryan’s old school, Memphis-style R&B chord progressions and Paul’s densely layered productions.
Since then, their music has been licensed in HBO’s first season of Ballers, and used to soundtrack the rollout for Kendall & Kylie Jenner’s Topshop line.
https://www.bongminesentertainment.com/cannons-talk/
“You say it felt so nice. That’s when I am near. I’m fighting voices in my mind, voices telling lies about it. ‘Cause it feels so right with your arms around me.” – lyrics
‘Talk Talk’ will be featured on Cannons’ upcoming album, entitled, “Shadows”, available later this summer.
The likable tune contains a relatable storyline, dreamy vocals, and groovy instrumentation seasoned with a chill ‘70s vibe. Also, the song possesses indie-alternative and electro-pop elements.
Cannons formed in 2013 when childhood friends Ryan Clapham and Paul Davis met Michelle Joy.
The two grew up on the same street in Los Angeles and had been trying to start a band for years. But nothing had quite clicked until their paths crossed hers.
Michelle’s effortless vocals melded perfectly with Ryan’s old school, Memphis-style R&B chord progressions and Paul’s densely layered productions.
Since then, their music has been licensed in HBO’s first season of Ballers, and used to soundtrack the rollout for Kendall & Kylie Jenner’s Topshop line.
https://www.bongminesentertainment.com/cannons-talk/