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David McK (3169 KP) rated Phasma in Books

Jan 28, 2019  
Phasma
Phasma
Delilah S. Dawson | 2017 | Science Fiction/Fantasy
6
6.4 (5 Ratings)
Book Rating
I think it's a common understanding that, of all the characters in 2015's 'The Force Awakens', Gwendoline Christie's enigmatic Captain Phasma was the biggest missed opportunity.

Much like Darth Maul before her (who became a cult favourite in the 'old' Extended Universe), this novel seeks to set that right.

How?

By, effectively, having a story-within-a-story: in this case, by having a captured Resistance spy telling her First Order captor what she has discovered about Phasma, with that interrogation carried out in secret as Phasma is still viewed as a hero of the Order (but with deep mistrust by said captor).

This story-within-a-story, then, tells of the mysterious Phasma's originss, of her early life on her abandoned and decaying home planet, of a trip across said planet to the site of a crashed First Order spaceship in the company of a rescued officer and of the many and varied incidents and people/driods met along that journey.

The result is not a bad novel, but not the best of the recent Star Wars novels I've read: it passes a few days easy reading, sure, but (for me, at least) has no real oomph to it; nothing that really makes it stick in my mind or that would cause me to look for other novels by this author. That's not to say I wouldn't read any such if I came across them; just not going out of my way to look for them.
  
Primordial (A Liberator Universe Novelette)
Primordial (A Liberator Universe Novelette)
Nick Bailey | 2016 | Horror, Science Fiction/Fantasy
9
9.0 (1 Ratings)
Book Rating
The first Liberator novel is a riot of noise, violence and fun, the summer blockbuster of the science fiction novel. This shorter story from the same universe shows a very different side, every bit as taut, dark and unsettling as Liberator is freewheeling, brash and stirring.

A vessel headed out to a distant star system comes across an ancient artifact in uncharted deep space together with an old damaged and apparently lifeless spaceship of unknown design. Despite misgivings the lure of salvage is too much for the crew to ignore. But they soon discover that although the ship may be derelict there is an entity there that has been waiting patiently for a long long time for visitors. For fresh meat.

Told from the point of view of XO Koby Solomon this is a terrific slice of science fiction horror, very much in the mould of something like Alien. Bailey plays the disorientation and claustrophobia of the derelict alien vessel for everything it is worth as well as the panic and paranoia of the salvage crew. Like the best horror stories it's never clear to the reader exactly what is going to happen next or where they - or the crew - ought to be looking: into the darkness ahead or over their shoulders?

There's really nothing to fault here. The change in pace from Liberator shows the breadth of imagination and story telling from Bailey (and his Liberator co-author Darren Bullock) will ensure that readers will want to keep reading.
  
For Sarah, Raquel and David: An Anthology by Legendary Stardust Cowboy
(0 Ratings)
Album Favorite

"It's hard to describe the Ledge. He was discovered on The Gong Show many years ago in America. He basically just shouts and screams. He's a cowboy. He was recording in the 1970s but he's still going now. This is his latest compilation. I met him a couple of months ago when I was on my American tour. Bowie's a big fan too. He got the idea for the name Ziggy Stardust from the Ledge and he covered 'I Took a Trip (On a Gemini Spaceship)' on one of his albums [Heathen, 2002]. The Ledge is an extraordinary character. He plays the bugle during some of his tracks. If you ever see him, bring earmuffs. He's not very musical. I used to play his song 'Paralyzed' before my gigs at the Marquee in '77 just to confuse the audience and set the tone for the night. Complete pandemonium. Some of the songs he writes areā€¦ [trails off, lost for words] He's obsessed with Nasa and space flights, which I'm into too. I loved the space missions. The visuals and the way they got there. It's science fact. They were like cowboys in space. But The Ledge took it one step further. I'd be quite interested to see what other people think if they check him out. He's not to everybody's taste. The album is an anthology of tracks like 'My Underwear Froze to the Clothesline' and 'Standing in a Trashcan'. It's all good stuff. The names refer to Fergie [Duchess of York], Raquel Welch and Bowie. They're all fans of the Ledge. [laughs]"

Source
  
3022 (2019)
3022 (2019)
2019 | Sci-Fi
Low Budget but Fun
414. 3022. In space, no one can hear you scream. However, if you're desperate need of a smoke, this space station has plenty. The budget for this one must've come from tobacco, I'm telling ya! The premise is this: Four astronauts embark on a mission to the refueling station, Pangea, between Earth and mankind's first space colony on Europa. I would've thought we would've tried our first space colony a little closer to home, like the moon maybe, but sure halfway across the solar system works too. Their mission, from what I saw, nothing. I guess they refuel ships on their way back and forth. Oh and their mission is 10 years long. My guess is by the year 2190, not 3022 by the way, refueling stations in space probably won't need people on them at all, nevermind for a 10 year stretch. But whatev's it's just a movie. Five years into the mission however, something goes wrong, the little blip on the radar that signifies Earth, it just disappeared. What is 4 people to do on a space station after they just discovered they are now an endangered species? Go crazy of course! Whats one thing that spaceship disaster movies have in common, the onboard doctor goes bonkers, Angus Macfadyen fills the roll in this one while Omar Epps and Kate Walsh try to keep it together! It's a fun low budget sci fi flick. They keep the effects to a minimum, and sure there's a few bad edits, glasses on, glasses off. Other than that, I enjoyed it. Filmbufftim on FB!
  
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Daniel Boyd (1066 KP) rated Love, Death & Robots in TV

Apr 4, 2019 (Updated Apr 4, 2019)  
Love, Death & Robots
Love, Death & Robots
2019 | Action, Animation, Comedy
A breezy pace throughout the series (1 more)
Some incredible animation work
Not consistent (0 more)
Now For Something Completely Different
Love Death & Robots is an animated anthology series from David Fincher and Tim Miller, made up of 18 short films, with each one done in a completely different animation style, ranging from stylistic 2D to hyper realistic 3D. I felt compelled to watch this series, not only as a fan of Fincher's and Miller's previous respective works, but as an aspiring animator myself.

My favourite thing about this series is how brief each episode is. Even if there is a story that you aren't enjoying so much, it is over promptly and you are onto the next one. I also like the idea of this series perhaps being a way for filmmakers to pitch their ideas in the form of these short stories and then, - if they are well received, - they could maybe go on to be developed into a longer more fleshed out feature length movie.

The style of animation varies wildly and everyone who watches the series will no doubt have their own personal preference. My favourite of the series was episode 13, which was titled "Lucky 13." It was based around a spaceship owned by a pilot played by Samira Wiley, who gave an phenomenal performance throughout the short film.

If you are looking for something fresh and different to anything else on Netflix, give this one a go. You may not enjoy every single episode, but I guarantee you there will be at least a few that you like. I really hope that this gets a second series and I am looking forward to anything else that is coming in the future from this creative team.