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BookwormMama14 (18 KP) rated The Illusionist's Apprentice in Books
Jan 2, 2019
An incredible story brimming with suspense, illusion, questions, romance, sacrifice, and redemption. Spanning the course of Wren's life, we jump around quite a bit as her story and character unfolds, but it is easy to follow. We also get to see the world through a few different viewpoints which helps to draw your heart into the world of vaudeville.
LOVE - LOVE - LOVE Elliot. He is protective and gentle, yet firm and carries a strength that Wren needs, although she denies it. Wren is such an incredible person. I fell in love with her from chapter one. With her eccentric style and lifestyle, a performer, giving the public the illusion of grandeur...when in reality, her lifestyle is quite simple. A woman with a past that tears at her soul, longing for freedom, but not knowing where to turn. When Agent Elliot Matthews bullies his way on to her stage, her life takes a dramatic turn and the impossible becomes possible.
Wren struggles to forgive herself for something in her past that she has been led to believe is her fault. We follow her on a journey of realization that forgiveness is not just an illusion, but something very real. That it penetrates the very heart and soul of who we are. It shapes and molds us. And that we can be free if we choose to be. But if we spend too long believing in an illusion, it will distort our view of reality.
So, embrace the truth. Let Papa God open your eyes to see yourself as He created you. To see your gifts, your strengths, and the forgiveness that He has poured out on you. Take a step back in time to the Jazz Age. Step into the world of Harry Houdini and Wren Lockhart in the center of vaudeville. Let them dazzle you with a story of truth, forgiveness...and illusion.
I received a complimentary copy of The Illusionist's Apprentice through BookLook Bloggers and NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Review originally published at http://www.bookwormmama.org
LOVE - LOVE - LOVE Elliot. He is protective and gentle, yet firm and carries a strength that Wren needs, although she denies it. Wren is such an incredible person. I fell in love with her from chapter one. With her eccentric style and lifestyle, a performer, giving the public the illusion of grandeur...when in reality, her lifestyle is quite simple. A woman with a past that tears at her soul, longing for freedom, but not knowing where to turn. When Agent Elliot Matthews bullies his way on to her stage, her life takes a dramatic turn and the impossible becomes possible.
Wren struggles to forgive herself for something in her past that she has been led to believe is her fault. We follow her on a journey of realization that forgiveness is not just an illusion, but something very real. That it penetrates the very heart and soul of who we are. It shapes and molds us. And that we can be free if we choose to be. But if we spend too long believing in an illusion, it will distort our view of reality.
So, embrace the truth. Let Papa God open your eyes to see yourself as He created you. To see your gifts, your strengths, and the forgiveness that He has poured out on you. Take a step back in time to the Jazz Age. Step into the world of Harry Houdini and Wren Lockhart in the center of vaudeville. Let them dazzle you with a story of truth, forgiveness...and illusion.
I received a complimentary copy of The Illusionist's Apprentice through BookLook Bloggers and NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
Review originally published at http://www.bookwormmama.org
After-all-this-time? (11 KP) rated Rock of Ages (2012) in Movies
Jan 6, 2019
Brilliant soundtrack. Great for a singalong. (2 more)
Most of the characters were performed well by the actors and actresses.
A pretty entertaining story.
Tom Cruise. Really not a good fit for the part of Stacy Jaxx. Mostly because of his vocals. (2 more)
Confused scene jumping. Blink and it's somewhere else.
Very stereotyoical boy meets girl plot.
Remember the tale of Dick Whittington, where he travels to London to find his fortune? Trade fortune for fame, add in a cheesy on/off/on again romance with a misunderstanding storyline, and a great singalong soundtrack, and you have Rock of Ages.
It comes across very much as live action Disney for grown ups. The plotline is flimsy, and with more holes than a pair of fishnet tights, but due to its sheer entertainment factor, that doesn't seem important, really.
The soundtrack is great, and if you're into 80's rock then you'll definitely find yourself singing along, and with the tunes stuck in your head for a long time afterwards. The majority of the cast provide great performances (we're not talking Oscar-worthy, but definitely do a great job), although Russell Brand's Brummy accent is a little cringeworthy, it and their singing is great. All but one. Sadly, the absolute weak link in the film is one of the biggest names- Tom Cruise.
The character of Stacy Jaxx needs to be edgy, brash, troubled, arrogant and, ultimately, a huge womaniser. He also needs to have a hard hitting, powerful rock singing voice. Sadly, Cruise doesn't really provide any of this adequately enough. His acting seems 'uncomfortable'- he was definitely out of his comfort zone, and his singing voice just does not cut it. Very unbelievable as the character he's supposed to be portraying. It's a huge shame, because it really does mess up the whole film. The whole film has the potential to be brilliant, but the makers were just short off the mark.
Overall, I did enjoy it, and yes I would watch it again. It's just not great, unfortunately. I imagine the stage version is much better
It comes across very much as live action Disney for grown ups. The plotline is flimsy, and with more holes than a pair of fishnet tights, but due to its sheer entertainment factor, that doesn't seem important, really.
The soundtrack is great, and if you're into 80's rock then you'll definitely find yourself singing along, and with the tunes stuck in your head for a long time afterwards. The majority of the cast provide great performances (we're not talking Oscar-worthy, but definitely do a great job), although Russell Brand's Brummy accent is a little cringeworthy, it and their singing is great. All but one. Sadly, the absolute weak link in the film is one of the biggest names- Tom Cruise.
The character of Stacy Jaxx needs to be edgy, brash, troubled, arrogant and, ultimately, a huge womaniser. He also needs to have a hard hitting, powerful rock singing voice. Sadly, Cruise doesn't really provide any of this adequately enough. His acting seems 'uncomfortable'- he was definitely out of his comfort zone, and his singing voice just does not cut it. Very unbelievable as the character he's supposed to be portraying. It's a huge shame, because it really does mess up the whole film. The whole film has the potential to be brilliant, but the makers were just short off the mark.
Overall, I did enjoy it, and yes I would watch it again. It's just not great, unfortunately. I imagine the stage version is much better
Marylegs (44 KP) rated Dreams of Gods and Monsters (Daughter of Smoke and Bone, #3) in Books
Aug 14, 2019
So I finished the third and final book in the Daughter of Smoke and Bone series and I have to say, bravo! It really was such a good read, longer, which is more to my taste and such a lovely way to finish of such a good trilogy. Luckily for me I only read books 1 & 2 this year so unlike other readers the story was all still incredibly fresh in my mind. It picks up before the end of book 2 and explains some of the finer details to bring the story up to scratch. I won’t go into further details encase people haven’t read book 2 yet.
This is such a well-structured trilogy and you can see the authors develop as well as the characters, without it seeming to ‘after thought’ish, in this final edition to the series. I will say I was not overly keen on the edition of an unknown character as a narrator at this stage (which is surprising considering I read Game of Thrones). One of the only real dislikes I had was Eliza’s first few chapters I just couldn’t see how or why she fits into the grand scheme of things. Which she does in the end in such a brilliant way, I think a second reading at some point will allow a better appreciation of her chapters now.
Whilst I thoroughly loved and enjoyed this book I do have to say that towards the end it felt almost like and ‘opps we haven’t really said what’s going on with these characters or this area’. I think the book would have been perfect finished at around 94% the last 6% did feel a bit padded.
I would like to finish by adding that Zuzana is such a bright star of a character in a story that could get pulled down with seriousness. She is right there with such quick funny lines that at times I did laugh out loud. I could hear her sarcastic little voice and I loved getting to her chapters. I also wonder if at some point Laini Taylor may revisit this world as I can almost feel the rest of the story unfolding in my own head.
This is such a well-structured trilogy and you can see the authors develop as well as the characters, without it seeming to ‘after thought’ish, in this final edition to the series. I will say I was not overly keen on the edition of an unknown character as a narrator at this stage (which is surprising considering I read Game of Thrones). One of the only real dislikes I had was Eliza’s first few chapters I just couldn’t see how or why she fits into the grand scheme of things. Which she does in the end in such a brilliant way, I think a second reading at some point will allow a better appreciation of her chapters now.
Whilst I thoroughly loved and enjoyed this book I do have to say that towards the end it felt almost like and ‘opps we haven’t really said what’s going on with these characters or this area’. I think the book would have been perfect finished at around 94% the last 6% did feel a bit padded.
I would like to finish by adding that Zuzana is such a bright star of a character in a story that could get pulled down with seriousness. She is right there with such quick funny lines that at times I did laugh out loud. I could hear her sarcastic little voice and I loved getting to her chapters. I also wonder if at some point Laini Taylor may revisit this world as I can almost feel the rest of the story unfolding in my own head.
BankofMarquis (1832 KP) rated Judy (2019) in Movies
Feb 6, 2020
Brilliant performance by Zellwegger - and not much else
Renee Zellwegger is absolutely brilliant in her channeling of Judy Garland in the film JUDY. She deserves to - and WILL WIN - the Oscar for Best Actress. Her performance is amazing and I forgot that I was watching an actress playing Judy Garland and fell into a trance thinking I was actually watching the real Judy Garland.
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
Too bad the rest of the film is not this good.
Based on actual events, JUDY tells the story of a late in her career Judy Garland's trek to London for a series of Concerts. She is down on her luck, addicted to pills, filled with self doubt and ghosts from her past. In general...she is a wreck...and needs the $$ from these concerts to keep custody of her 2 young children.
And...Zellwegger plays all of these emotions as Judy very, very well as well as shining in the performance scenes where Judy was able - albeit for a short time - to "come up for air" and perform as the world class performer she is. Zellwegger trained for over a year with a vocal coach to get the singing/performance part of this film down - and it shows. She is brilliant in these moments.
The trouble with this film as written by Tom Edge (based on the stage play "End of the Rainbow" by Peter Quilter) and Director Rupert Goold is that this film doesn't really go anywhere. There is no arc to Judy's story. She starts the film as a trainwreck...and ends the film as a trainwreck. There isn't evem a realization by Judy that she is a trainwreck. She just IS a trainwreck.
And that does not a compelling movie make.
Rufus Sewell, Jessie Buckley, Finn Wittrock and Michael Gambon are all along for a ride on this train and all choose to get off before the end and the inevitable trainwreck that is going to happen.
Is this film worth seeing? Sure...for Zellwegger's Oscar winning performance. Unfortunately, it doesn't have anything else to recommend it.
Letter Grade B (solely on the performance)
7 stars (out of 10) and you can take that to the Bank (OfMarquis)
JT (287 KP) rated A Lonely Place to Die (2011) in Movies
Mar 10, 2020
Set against the sweeping landscape of the Scottish Highlands it would seem like a perfect place as any to stage a cat mouse style thriller – and that is exactly what we get. When a group of climbers out on excursion discover a young girl buried alive with only a tube for air they take the decision to rescue her, which just became their biggest mistake.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
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