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A Nightmare on Elm Street (1984)
A Nightmare on Elm Street (1984)
1984 | Horror
The original and by far the best of the Nightmare series. Wes Craven’s film is like most 80’s movies looking a little dated in 2019 particularly in its special effects but to me still holds up very well as an original and unsettling horror thriller that puts a unique supernatural spin on the well established slasher formula. The film’s ace is in it’s boogeyman Freddy Krueger, coming after the silent killers of ‘Halloween’ and ‘Friday the 13th’ Robert Englund’s iconic Freddy actually had a personality and the sequels realising his popularity put him front and centre with much more screen time and subsequently making him considerably less scary . Craven conjures up some memorable kill scenes here and the concept of being vulnerable somewhere seemingly as safe as in your dreams makes for a great horror movie.
  
The Black Phone (2022)
The Black Phone (2022)
2022 | Horror, Thriller
8
7.8 (9 Ratings)
Movie Rating
Retro feel (1 more)
Cinematography
Don't hang up!
Good to see this after a long delay for it's release, think I saw a trailer late summer last year. Wasn't sure what to expect, looked a lil low budget more of an indie thriller.
Well it definitely exceeded expectations. Set in 1978 the whole look and feel of the film is great. It visually looks like it was made around that time with a strong retro vibe to it. Story wise it felt like a Stephen King adaptation. There is a strong element to the likes of Stand by me or even Stranger Things in terms of growing up and friendship while over coming a difficult time. Along with a supernatural twist and ideas from the genre, it has a great combination which together make it a really enjoyable watch. Check it out if you are a Stephen King fan especially.
  
The Dead Zone (1983)
The Dead Zone (1983)
1983 | Horror, Mystery, Sci-Fi
A Chilling and Thoughtful Thriller
David Cronenberg’s The Dead Zone (1983) is a film that quietly lingers with you long after the credits roll. Adapted from Stephen King’s novel, it’s a rare blend of psychological horror, heartfelt drama, and supernatural thriller that doesn’t rely on cheap scares to grip its audience. Instead, it uses its haunting premise, a strong central performance by Christopher Walken, and Cronenberg’s understated direction to craft a deeply unsettling exploration of fate, morality, and the burden of knowing the future.

The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).

Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.

Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.

However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.

Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
  
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Christine A. (965 KP) rated The Whisper Man in Books

Aug 31, 2019 (Updated Aug 31, 2019)  
The Whisper Man
The Whisper Man
Alex North | 2019 | Crime, Thriller
7
7.6 (8 Ratings)
Book Rating
‏I was provided with a complimentary copy of this book so I could give an honest review.

In The Whisper Man, recently widowed Tom Kennedy moves to Featherbank for a fresh start. What he does not realize is the town has a dark history and, as the old saying goes, history always repeats itself. Twenty years ago, a serial killer abducted and killed people whom he lured out of their house by whispering at their windows at night. Kennedy quickly becomes too familiar with this because his son hears whispering at his window.

The Whisper Man is a dark, suspenseful thriller by Alex North. According to his bio, North is a British crime writer who has previously published under another name. This is his first book published under Alex North. Betterreading.com sums up the mystery by saying "So, who is Alex North? Time will probably tell, but in the meantime, the biggest thriller of 2019 has been written by the Whisper Man himself."

The short chapters move the story at a fast pace. I had a hard time finding an appropriate place to stop reading because each chapter ended with me wanting more. There is a supernatural element but it is not the main focus.

I am looking forward to more by Alex North, whomever he is.

This 200-word review was published on Philomathinphila.com on 8/30/19.