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Louise (64 KP) rated Reasons to Stay Alive in Books
Jul 2, 2018
This book is a memoir from when Matt Haig was 24 and suffered severe depression and anxiety. Matt discusses everything relating to depression and anxiety including medicines, his childhood, his symptoms, warning signs and things that make you worse. This book is so relatable, Matt doesn’t sugar coat it, he tells it how it is. It’s refreshing to read from someone’s perspective who has suffered from the black dog and actually gives a realistic account rather than a psychologist who has never experienced it first hand. Matt really speaks to the reader telling them that they’re not alone that many people have suffered from this and pulled through but also some of the people who haven’t. As a fellow sufferer of anxiety and depression I was ready for the anti – pills argument, but this didn’t happen, Matt realises that some people will need medicine to help, for me personally I sighed with relief, I take medicine to stop the panic attacks and I still take them for the fear of them re-occurring. I would rather be on medicine than suffer. Another thing I could relate to Matt was the fear of death and becoming a bit of a hypochondriac, I know my fear of death is irrational and my biggest fear is choking but with medicine and mindfulness techniques my brain no longer goes into overdrive and I can fully function. Matt Haig has become a writer due to his depression as it was a coping mechanism for him, sometimes people need to find something to occupy them and express themselves, again totally relatable.If you as someone who has suffered from depression reads this book I can guarantee that you will be nodding in agreement the whole way through. The chapters are short and discuss a certain topics, it’s very easy to read and flows well with some humour added. This book is not just helpful for the sufferer but really useful for people around them to realise what we have to deal with on a day-to-day basis.
I recommend this book to anyone that wants a real account of depression and anxiety.
Overall I rated this 4.5 stars out of 5
I recommend this book to anyone that wants a real account of depression and anxiety.
Overall I rated this 4.5 stars out of 5
Neon's Nerd Nexus (360 KP) rated Brightburn (2019) in Movies
Jun 19, 2019
Super Nasty
Brightburn is a short film that moves at a blistering pace but its the calm moments where the movie truly shines. Brightburn successfully turns the entire superhero genre on its head going almost full horror movie on us & while it does fall into the trap of using to many horror cliches its a really interesting, fun & stand out movie. If I were to compare it I'd say its a mix of A Quiet Place, Midnight Special & The Children leaning towards the horror side of things more than anything else but there are sprinkles of Scifi & obviously dabs of Superhero here & there. Visually its such a looker the screen often painted fully in deep inky blackness with the only thing breaking it up being the warm glow of natural light coming from a lamp or street light. This not only helps create great atmosphere but heightens tension by limiting the viewers vision perfectly. There are neat swaps between camera techniques too eg from an almost raw found footage style to a really cool slightly obstructed first person scene. Action doesnt disapoint & the film makes the viewer wait for its violence & big pay offs making it more impactful when it finally hits. Acting is great & Elizabeth Banks clearly steals the show here. Theres a running comparison of Brandon to predatory animals such as a wasp, jellyfish or Wolf & I found the creepiest elements of the film were the slower paced scenes where we see him discover, adapt & learn how to evolve into a more successful killing machine (ie studying human anatomy) & also the impact of his actions begin to tear up his happy home & constantly disappoint his loving parents. Theres a big metaphore about adoption & the difficulties it can bring for both the new parents & the child (especially when the child hits the age where questions need to be answered) & at one point I wondered if that was really the overall message the film was actually trying to relay because this scene was so full of realistic emotion. Brightburn at times can be very predictable & show its budget constrains too but as a first film I really did dig its format & would definitely like to see a sequel or two to it for sure.
Daniel Boyd (1066 KP) rated The Sisters Brothers (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Cast all give brilliant performances (1 more)
Quirky filming techniques
He Ain't Heavy, He's My Brother
I was dying to see this movie as soon as I saw the first trailer for it, but even though it dropped in the states months ago, it's not coming to UK cinemas until April 2019! However, if you mess around with the location settings on your on-demand website of choice, it is possible to legally watch this movie in Britain without having to wait another 4 months for it to release.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
Hazel (1853 KP) rated A Place Called Winter in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, <i>A Place Called Winter</i> follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale –<i> Notes From an Exhibition</i> – that I struggled with a little. <i>A Place Called Winter, however, was a lot better than I was expecting. </i>
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, <i>A Place Called Winter</i> follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale –<i> Notes From an Exhibition</i> – that I struggled with a little. <i>A Place Called Winter, however, was a lot better than I was expecting. </i>
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