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Gareth von Kallenbach (980 KP) rated Bridesmaids (2011) in Movies
Aug 7, 2019
Everyone has a best friend during each stage of life but only a few have the same one since childhood. In this case we have Annie (Kristen Wiig) who is asked by her very best friend Lillian (Maya Rudolph) to be her maid of honor. Although Annie doesn’t think she can handle the stresses and responsibilities of being a maid of honor, she reluctantly agrees.
A failed baker now working in a jewelry shop, Annie is facing a crisis. She is in her thirties and no longer satisfied with “booty calls.” Rooming with two bizarre Brits, Annie also has to put up with a mother who is addicted to speaking at AA meetings yet has never had an alcoholic beverage. However Annie did get the job working in a jewelry store as a favor provided by an AA member that her mother sponsors. Will this wedding be the end of the mess she’s made of her life, or will she continue down this pathetic path?
Meanwhile, Lillian, who is marrying a very wealthy man, has become close friends with Helen (Rose Byrne), the wife of her fiance’s boss. When Annie and Helen meet at the engagement party, tension arises and a battle ensues over the microphone to see who can give the bride the best speech. Annie feels threatened by Lillian’s new “best friend” and declares war against Helen. Her first move is a bridesmaids’ brunch at a sketchy Brazilian restaurant with highly uncomfortable results. Unfortunately the results don’t reveal themselves until Lillian, Hellen, Annie and bridesmaids Megan, Rita and Becca (Melissa McCarthy,Wendi McLendon-Covey and Elli Kemper) are in the middle of trying on bridesmaids dresses in a very swanky high-end bridal shop.
This and other unfortunate bridal mishaps that drive “Bridesmaids” are the products of the writing collaboration of Kristen Wigg and Annie Mumolo (who can be seen in a plane scene as the nervous neighbor). Directed by Paul Feig, “Bridesmaids” is this year’s “Hangover” for women. It is great to finally see a raunchy rom-com that does not leave any room for a dull moment. Some of the funny dialogue was drowned out by the audience who, including myself, were still recovering from the prior funny lines. Kristen Wigg, along with all the actresses in this film, bring a hilarious and seemingly improvised story to the big screen in grand style. This is one of those comedies you don’t want to miss. I give this a 4 out of 5 star rating and will be back in the theater to see it again.
A failed baker now working in a jewelry shop, Annie is facing a crisis. She is in her thirties and no longer satisfied with “booty calls.” Rooming with two bizarre Brits, Annie also has to put up with a mother who is addicted to speaking at AA meetings yet has never had an alcoholic beverage. However Annie did get the job working in a jewelry store as a favor provided by an AA member that her mother sponsors. Will this wedding be the end of the mess she’s made of her life, or will she continue down this pathetic path?
Meanwhile, Lillian, who is marrying a very wealthy man, has become close friends with Helen (Rose Byrne), the wife of her fiance’s boss. When Annie and Helen meet at the engagement party, tension arises and a battle ensues over the microphone to see who can give the bride the best speech. Annie feels threatened by Lillian’s new “best friend” and declares war against Helen. Her first move is a bridesmaids’ brunch at a sketchy Brazilian restaurant with highly uncomfortable results. Unfortunately the results don’t reveal themselves until Lillian, Hellen, Annie and bridesmaids Megan, Rita and Becca (Melissa McCarthy,Wendi McLendon-Covey and Elli Kemper) are in the middle of trying on bridesmaids dresses in a very swanky high-end bridal shop.
This and other unfortunate bridal mishaps that drive “Bridesmaids” are the products of the writing collaboration of Kristen Wigg and Annie Mumolo (who can be seen in a plane scene as the nervous neighbor). Directed by Paul Feig, “Bridesmaids” is this year’s “Hangover” for women. It is great to finally see a raunchy rom-com that does not leave any room for a dull moment. Some of the funny dialogue was drowned out by the audience who, including myself, were still recovering from the prior funny lines. Kristen Wigg, along with all the actresses in this film, bring a hilarious and seemingly improvised story to the big screen in grand style. This is one of those comedies you don’t want to miss. I give this a 4 out of 5 star rating and will be back in the theater to see it again.
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Charlie Cobra Reviews (1840 KP) rated The Kitchen (2019) in Movies
Jul 7, 2020
A Very Messy Kitchen: Good Ingredients But No Flavor
The Kitchen is a 2019 action crime movie written and directed by Andrea Berloff and producers Michael Dell Luca and Marcus Viscidi. It's based on the Vertigo comic created by Ollie Masters and Ming Doyle and produced by New Line Cinema, Bron Creative, D.C. Vertigo and Michael Dell Luca Productions with distribution by Warner Bros. Pictures. The film stars Melissa McCarthy, Tiffany Haddish, Elisabeth Moss and Common.
In 1978 Hell's Kitchen, 3 women married to husbands in the Irish mob face hardship as all 3 of their husbands are arrested and sentenced to 3 years in prison. The new head of the mob ensures that they will be taken care of financially but gives them each a tiny pittance. When they go to ask him for more they are aggressively refused. At a loss for what to do next the women seize an opportunity when they are told that despite local businesses paying protection fees, the mob has done little to help them. They themselves begin collecting protection fees and helping the neighborhood becoming beloved and making a huge profit as well as lots of enemies.
This movie was not what I expected. I was really let down, especially for it having a great cast of actors. I don't think it was over hyped either, I felt like it was false advertising. From the trailer it looked like it was supposed to be a gritty female led mob movie but didn't deliver. From the beginning and throughout the movie it felt really lackluster and didn't have enough going for it to remain interesting. I honestly don't know how I made it through the movie, I guess I just kept waiting for it to get better and it never really did. I did like certain things, Melissa McCarthy's acting was good for being a drama and Tiffany Haddish did a decent job, also Elisabeth Moss's character was probably the one that had the most character development, but even then, you'll see what I'm talking about if you ever decide to watch this movie. It also didn't have a very compelling plot, and with the girl's situation and what they were dealing with, you would think it would be more gripping but there was not enough tension for a movie dealing with the mob and the dangers of being killed. I would have to give this movie a 4/10 because I felt it was really below average.
In 1978 Hell's Kitchen, 3 women married to husbands in the Irish mob face hardship as all 3 of their husbands are arrested and sentenced to 3 years in prison. The new head of the mob ensures that they will be taken care of financially but gives them each a tiny pittance. When they go to ask him for more they are aggressively refused. At a loss for what to do next the women seize an opportunity when they are told that despite local businesses paying protection fees, the mob has done little to help them. They themselves begin collecting protection fees and helping the neighborhood becoming beloved and making a huge profit as well as lots of enemies.
This movie was not what I expected. I was really let down, especially for it having a great cast of actors. I don't think it was over hyped either, I felt like it was false advertising. From the trailer it looked like it was supposed to be a gritty female led mob movie but didn't deliver. From the beginning and throughout the movie it felt really lackluster and didn't have enough going for it to remain interesting. I honestly don't know how I made it through the movie, I guess I just kept waiting for it to get better and it never really did. I did like certain things, Melissa McCarthy's acting was good for being a drama and Tiffany Haddish did a decent job, also Elisabeth Moss's character was probably the one that had the most character development, but even then, you'll see what I'm talking about if you ever decide to watch this movie. It also didn't have a very compelling plot, and with the girl's situation and what they were dealing with, you would think it would be more gripping but there was not enough tension for a movie dealing with the mob and the dangers of being killed. I would have to give this movie a 4/10 because I felt it was really below average.
Kristy H (1252 KP) rated Do No Harm in Books
Feb 25, 2021
A dark look into how far a mother would go to save her child
After a tough childhood, where she was orphaned and spent time in foster care, Emma finally has the life she's always wanted. A successful doctor, she has a loving husband, Nate, and a young son, Josh. But that all stands to change when Josh, who is only five, is diagnosed with leukemia. Even with her hospital insurance, Josh's potential life-saving treatment will cost hundreds of thousands of dollars. Determined to save Josh no matter what, Emma makes the decision to sell opioids. Her choice puts her directly against Nate, a local police officer, who is investigating the death of a potential drug dealer. Emma will do anything to save Josh--does that include murder?
"I felt like I'd been dropped down a rabbit hole with the wolf sitting right outside. And the wolf was my husband."
This is a brutal dark read that pulls you into Emma and Nate's dilemma immediately. Personally, I found it hard to read about Josh's illness. I have a difficult time with books about kids being sick. But, McDonald is an excellent writer, and she does a wonderful job portraying stricken parents, pushed to the brink, who would do anything for their child. For Emma, it's turning to selling drugs. For Nate, it's working constantly to solve his current case, which means a promotion that could brings additional money for their family. The story is told from each of their perspectives, ratcheting up the tension with each chapter.
Emma, it seems, really has no limits on what she would do for Josh. McDonald makes the reader question: how far would you go to save your child? The book also offers a nuanced perspective on the opioid crisis, versus the usual "drugs bad" stance we get in many novels, which I appreciated. The entire novel makes you think and question standard perspectives in so many ways. It turns good versus evil and right versus wrong on its heels. And it offers a dark and insightful look into drug addiction and chronic pain and how families support each other (or don't).
Overall, this isn't an easy read, but it's a well-written and compelling one. It's timely, with an excellent perspective on the drug problems facing Americans and leaves the reader questioning much about right versus wrong. 4 stars.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review. It is available on 2/16/2021.
"I felt like I'd been dropped down a rabbit hole with the wolf sitting right outside. And the wolf was my husband."
This is a brutal dark read that pulls you into Emma and Nate's dilemma immediately. Personally, I found it hard to read about Josh's illness. I have a difficult time with books about kids being sick. But, McDonald is an excellent writer, and she does a wonderful job portraying stricken parents, pushed to the brink, who would do anything for their child. For Emma, it's turning to selling drugs. For Nate, it's working constantly to solve his current case, which means a promotion that could brings additional money for their family. The story is told from each of their perspectives, ratcheting up the tension with each chapter.
Emma, it seems, really has no limits on what she would do for Josh. McDonald makes the reader question: how far would you go to save your child? The book also offers a nuanced perspective on the opioid crisis, versus the usual "drugs bad" stance we get in many novels, which I appreciated. The entire novel makes you think and question standard perspectives in so many ways. It turns good versus evil and right versus wrong on its heels. And it offers a dark and insightful look into drug addiction and chronic pain and how families support each other (or don't).
Overall, this isn't an easy read, but it's a well-written and compelling one. It's timely, with an excellent perspective on the drug problems facing Americans and leaves the reader questioning much about right versus wrong. 4 stars.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review. It is available on 2/16/2021.
Brian Eno recommended Velvet Underground by The Velvet Underground in Music (curated)
Emma @ The Movies (1786 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 23, 2021
Usually I would feel the urge to watch the series of films before seeing a new one. In this instance, knowing I've only seen one film (possibly two), kept me happy enough to go with this one. I wasn't convinced I had it in me to watch the whole series.
Detective Banks works alone in his departments after standing up against a corrupt cop. Now he has to partner with a rookie cop as he's thrown into a case as a spate of horrendous murders, with more than a passing resemblance to those that lie deep in the cities past, plague the PD.
The focus on the PD and Banks really worked for me, and the partnership between Banks and Schenk was strong. It transitioned the story well from being a Saw film without being a Saw film. For me that was a bonus.
Chris Rock was an interesting choice in the lead role. There are moments where he stood out and was convincing in the part, but others that gave me flashbacks to Dogma and Lethal Weapon 4. While it was an enjoyable piece of acting, it did occasionally take me out of the story.
Dynamics between the characters were pretty solid throughout, and I'd be hard-pressed to say someone didn't fit in the cast. What did put me out a little was the tension within the police department. There are some flashbacks that give you some context, but the current day points felt... too petty? But that might just be something I don't have enough knowledge of.
Not being tied to the Saw franchise probably helps. I liked the idea of this horror breaking out into a police thriller sort of thing, and I got Bone Collector and Criminal Monds vibes as I watched. Anyone who knows me will know that's a winner.
I was very entertained as I watched, but it wasn't until I got outside and was chatting about it that I kept stumbling across flaws that had thankfully escaped me while in the cinema. I did know the ending before I got there, and that didn't bother me as much as it had in other films. I think mainly because I was engaged in finding out the why of it all. Despite both of those things, it was a good film for me, but I sense a Saw purist might not agree.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/spiral-movie-review.html
Detective Banks works alone in his departments after standing up against a corrupt cop. Now he has to partner with a rookie cop as he's thrown into a case as a spate of horrendous murders, with more than a passing resemblance to those that lie deep in the cities past, plague the PD.
The focus on the PD and Banks really worked for me, and the partnership between Banks and Schenk was strong. It transitioned the story well from being a Saw film without being a Saw film. For me that was a bonus.
Chris Rock was an interesting choice in the lead role. There are moments where he stood out and was convincing in the part, but others that gave me flashbacks to Dogma and Lethal Weapon 4. While it was an enjoyable piece of acting, it did occasionally take me out of the story.
Dynamics between the characters were pretty solid throughout, and I'd be hard-pressed to say someone didn't fit in the cast. What did put me out a little was the tension within the police department. There are some flashbacks that give you some context, but the current day points felt... too petty? But that might just be something I don't have enough knowledge of.
Not being tied to the Saw franchise probably helps. I liked the idea of this horror breaking out into a police thriller sort of thing, and I got Bone Collector and Criminal Monds vibes as I watched. Anyone who knows me will know that's a winner.
I was very entertained as I watched, but it wasn't until I got outside and was chatting about it that I kept stumbling across flaws that had thankfully escaped me while in the cinema. I did know the ending before I got there, and that didn't bother me as much as it had in other films. I think mainly because I was engaged in finding out the why of it all. Despite both of those things, it was a good film for me, but I sense a Saw purist might not agree.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/spiral-movie-review.html