Search
Search results
Pestilence (The Four Horsemen #1)
7.0
Rate It
Book
For Pestilence, the White Horseman, love becomes the most powerful cure. Having lost his wife and...
MM Paranormal Fantasy Romance Adult
Darren (1599 KP) rated 1920 London (2016) in Movies
Jun 20, 2019
Story: 1920 London starts as we meet the Prince Veer (Karwel) and Princess Shivangi (Chopra) living in London, they soon become the latest victim of an evil spirit which takes over Veer’s body, Shivangi must go into her past to find her former lover Jai Singh Gujjar (Joshi) a man that was left banished because of their affair, who has an ability to tackle unwanted spirits.
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
With the past being placed in the past, Jai comes to figure out how to save Veer and giving Shivangi a peaceful life, only the evil spirit isn’t going to let that happen.
Thoughts on 1920 London
Characters – Shivangi the princess who has just gotten married, she sees her husband become possessed, which forces her to return to her family for help, with her ex-lover being the only one that could save her husband. Jai Singh is the exorcist that was once the lover of Shivangi, but not being from the royal family means he was once banished for their love. Now he must help her fight an evil spirit, he speciality. Veer is the husband that gets stricken down by the evil spirit that has taken over his body.
Performances – We focus mostly on just the two stars of the movie, Meera Chopra and Sharman Joshi who are both great through the film dealing with the horror, the personal status they are facing and love they both feel.
Story – The story here follows a possession, this is a story I have seen many times, but the different is, I have only ever seen Christian or Jewish religions deal with the spirits, this time we get to see how Hindus treat unwanted spirits. The story does follow the traditional scares, but then here is a twist in the story which explains the possession, one about honour, love and revenge, which does make the story feel fresher, I learnt that this is part of a series of film, but I am confident there isn’t a connection between the previous ones. Most of this is by the books and that is al we want from a horror film.
Horror/Mystery – There are good scare moments in this film, nothing overly original, but they will give the jumps required, the mystery comes from just what the motivation of the evil spirit is to be doing the possessing.
Settings – The film takes the action to London, which I guess is new to the franchise, this is fine even though we spend most of the time in the mansions with no landmarks in the background, with the landmark scenes including the bridges only.
Special Effects – The effects are used well to create the horror moments, like most films the practical is good, but the CGI comes off weak.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – While I understand this is a Bollywood film, the songs lose moments of tension in the film.
Final Thoughts – This is a horror that works for the exorcism genre well, it shows how a different religion reads evil spirits and does battle against them, which is interesting to see and does give us good moments of horror.
Overall: Good horror.
https://moviesreview101.com/2018/07/27/abc-film-challenge-world-cinema-1920-london-2016/
Bookapotamus (289 KP) rated Do This For Me in Books
May 29, 2018
Can I give a 5 star rating for PART of a book?!? I was ALL-IN from page one of this book. The beginning was so fast, so awesome, with such manic intensity - I was like, this chick is BAD ASS! I TORE through the first quarter of this book. And then... meh. I guess we needed a bit of a breather because the first quarter of this book is one serious wild ride. It got back to it's intense awesomeness almost mid-way through, but then I felt it just got sappy and fizzled.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
I need a book about JUST the Raney Moore in the beginning. She is NO JOKE. High-powered attorney Raney Moore has it all. Shes partner at her law form, he husband is a famous bug guy, and shes got twin teenage girls who are the light of her life. She's wealthy, and can have anything she wants. But she already seems to have it all. Or so she thinks. When Raney finds out her life is not as perfect as she thought - in less than a split second she turns into a jilted-wife phsychopath - and goes balls-to-the-wall revenge-mode to destroy the cause of her pain. But may in fact destroy everything good in her life. You don't even see it coming. I was riveted by the endless access she has to everything you can imagine to carry out her plans. Money, researchers, cars, hackers.... you name it. Don't mess with Raney. You cross her and you will be in SERIOUS trouble.
I read a lot of reviews that people didn't like the book because they hated Raney. I think some of the best books are when you have intense feeling for a character. Good OR bad. Raney was a character I couldn't get enough of. There's another almost equally manic scene in the middle where she is in a dressing room, and the crazy, intense Raney (with yet again, resources aplenty) returns and I am once again enthralled with her.
But unfortunately, after about mid-way it just fell flat to me. A lot of the dialogue is hilarious. It's witty, fast and keeps your attention, but the rest of the story just wasn't what I wanted - what I craved. I wanted more Raney. I didn't want her to try to change herself, or be a better person. Eliza Kennedy shouldn't have written the old Raney as such an incredibly intense and off-kilter character because she made me fall for her - but then she took her away! (sad face)
I'd kill for a prequel. To see Raney as she emerges into the person she was in the beginning of this book: her start at the law firm, her rise to Partner. Give me that Raney All. Day. Long.
ClareR (5686 KP) rated The Ophelia Girls in Books
Jan 18, 2022 (Updated Jan 18, 2022)
There is no denying that The Ophelia Girls is a beautifully written, all-consuming novel. The main characters of Ruth and her daughter Maeve, are similar, in that they are both still searching for their place in the world. Ruth seems to feel uncomfortable back in her childhood home, where memories of the summer of 1973 seem to still consume her. Maeve on the other hand, is at the start of being able to make good memories, after being officially told that she’s in remission from leukaemia. But she still feels like a child - and she doesn’t want to be.
And then along comes Stuart: her mother’s childhood friend, and a friend of her fathers as well. Stuart makes Maeve feel seen. And this is where my internal klaxon went off. Stuart comes across as a predator. He notices Maeve’s infatuation and revels in it, finally taking advantage of her feelings. At least this is how I interpreted it.
Maeve is a girl who has led a sheltered life - a life mainly in hospital. She hasn’t had the opportunity to mix with other children, boys specifically, and has little life experience with the opposite sex. Regardless of that, Stuart’s character truly made me see red. I know, I know, it’s a book, but if I could have reached in, pulled him out and disposed of him (not thought that through properly, obviously), I would have. I will say that the sex scenes between Maeve and Stuart aren’t written in a titillating way. It’s seen through Maeve’s eyes, and she truly believes that he loves her. All the same, if this doesn’t appeal to you, you might want to steer clear.
In contrast to her mother, Maeve does follow her heart, and the reader is left to decide whether she was actually any better off.
Do I recommend it? Yes, of course. It’s written with gorgeous, lyrical prose, and really makes you empathise with the characters. I’m glad I read it.
And then along comes Stuart: her mother’s childhood friend, and a friend of her fathers as well. Stuart makes Maeve feel seen. And this is where my internal klaxon went off. Stuart comes across as a predator. He notices Maeve’s infatuation and revels in it, finally taking advantage of her feelings. At least this is how I interpreted it.
Maeve is a girl who has led a sheltered life - a life mainly in hospital. She hasn’t had the opportunity to mix with other children, boys specifically, and has little life experience with the opposite sex. Regardless of that, Stuart’s character truly made me see red. I know, I know, it’s a book, but if I could have reached in, pulled him out and disposed of him (not thought that through properly, obviously), I would have. I will say that the sex scenes between Maeve and Stuart aren’t written in a titillating way. It’s seen through Maeve’s eyes, and she truly believes that he loves her. All the same, if this doesn’t appeal to you, you might want to steer clear.
In contrast to her mother, Maeve does follow her heart, and the reader is left to decide whether she was actually any better off.
Do I recommend it? Yes, of course. It’s written with gorgeous, lyrical prose, and really makes you empathise with the characters. I’m glad I read it.
Lyndsey Gollogly (2893 KP) rated The Fall ( The Reluctant Romantics 1) in Books
Jul 1, 2023
87 of 235
Kindle
The Fall ( The Reluctant Romantics 1)
By Kate Stewart
⭐️⭐️⭐️
Dallas He was the beginning of my heart . . . and the end of it. I was only fifteen years old when he claimed it and twenty when he took it with him. They say what is meant to be will find a way. But when you have changed to the point of no return, how can anything ever be the same? Seven years later, Dean Martin waltzed back into my life in hopes of resuming what I had fought so hard to forget, but he was in for a wake-up call. I was no longer the naïve woman he had left . . . and I was no longer his. I met the love of my life and my soul mate when I was fifteen. I knew that; he knew that. He wanted that girl back. I wanted to forget she ever existed.
Dean What I thought was my pre-destined path was very much an illusion. Living seven years with regret, I realized too late that I was broken, and that I only had myself to blame. I thought love could wait . . . but it didn’t. We’d had it all those years ago, and then I foolishly left it behind. She was all that mattered. She was all there ever was. There was no life without Dallas, no reason . . . except her. No matter how hard she tried to convince me, I knew I had to once again make her mine, to make her remember . . . the fall.
I’m not really a big fan of romance novels unless they include a little bit of the paranormal but I did end up quite liking this one. There were a few slow parts which is why it’s a 3 ⭐️ and not a 4. The last 5 chapters were so good and it also threw in a little curveball to set you up for the next book.
Kindle
The Fall ( The Reluctant Romantics 1)
By Kate Stewart
⭐️⭐️⭐️
Dallas He was the beginning of my heart . . . and the end of it. I was only fifteen years old when he claimed it and twenty when he took it with him. They say what is meant to be will find a way. But when you have changed to the point of no return, how can anything ever be the same? Seven years later, Dean Martin waltzed back into my life in hopes of resuming what I had fought so hard to forget, but he was in for a wake-up call. I was no longer the naïve woman he had left . . . and I was no longer his. I met the love of my life and my soul mate when I was fifteen. I knew that; he knew that. He wanted that girl back. I wanted to forget she ever existed.
Dean What I thought was my pre-destined path was very much an illusion. Living seven years with regret, I realized too late that I was broken, and that I only had myself to blame. I thought love could wait . . . but it didn’t. We’d had it all those years ago, and then I foolishly left it behind. She was all that mattered. She was all there ever was. There was no life without Dallas, no reason . . . except her. No matter how hard she tried to convince me, I knew I had to once again make her mine, to make her remember . . . the fall.
I’m not really a big fan of romance novels unless they include a little bit of the paranormal but I did end up quite liking this one. There were a few slow parts which is why it’s a 3 ⭐️ and not a 4. The last 5 chapters were so good and it also threw in a little curveball to set you up for the next book.
Leanne Crabtree (480 KP) rated More Than Just a Pretty Face in Books
Jan 12, 2021
*I received a copy of this book via Netgalley in exchange for an honest review*
This is the first book I've read where the main characters are Muslims. It's a good insight into the religion and the various ways people follow it.
So this starts with Danyal. He's not the best in school, but, as quite a few people point out, he's got a pretty face. It's not that he's stupid or anything. He just has other interests in life such as cooking, which he is very good at and wants to become a chef. His father doesn't agree with his career choice and they have several tense conversations. His mother, on the other hand, cannot wait to marry him off to someone who would be good for the family.
I've just struggled to write the above description without giving too much away about this story.
I did enjoy this. Danyal, as I mentioned above, may not be the brightest guy but I really grew to like him. He was quick witted and passionate about what he cared about. His Renaissance Man speech showed that perfectly. History was far from his favourite subject but the Bengal famine became something he wanted to let people know about and he did it in a way that didn't judge so much as inform. Very well thought out.
I also quite liked the romance. It was a very slow burn. They spent quite a lot of time together but mostly as friends. The more time they spent together, laughing, studying and cooking, the more the feelings grew and I was willing them to get together properly, family be damned. It took a long time, though, with other factors getting in the way.
This book was a great insight for those of us who aren't Muslim into what the religion is like and the broad range of ways you can follow it. Sohrab was very invested in the religion, Intezar wasn't following it that much, if at all, and Danyal was like a happy medium.
This was enjoyable but, for me, it was a little too focused on the history and Churchill for the Renaissance Man challenge. I know it was a big part of the plot but History for me, like Danyal, bores me. I wanted more of the romance.
This is the first book I've read where the main characters are Muslims. It's a good insight into the religion and the various ways people follow it.
So this starts with Danyal. He's not the best in school, but, as quite a few people point out, he's got a pretty face. It's not that he's stupid or anything. He just has other interests in life such as cooking, which he is very good at and wants to become a chef. His father doesn't agree with his career choice and they have several tense conversations. His mother, on the other hand, cannot wait to marry him off to someone who would be good for the family.
I've just struggled to write the above description without giving too much away about this story.
I did enjoy this. Danyal, as I mentioned above, may not be the brightest guy but I really grew to like him. He was quick witted and passionate about what he cared about. His Renaissance Man speech showed that perfectly. History was far from his favourite subject but the Bengal famine became something he wanted to let people know about and he did it in a way that didn't judge so much as inform. Very well thought out.
I also quite liked the romance. It was a very slow burn. They spent quite a lot of time together but mostly as friends. The more time they spent together, laughing, studying and cooking, the more the feelings grew and I was willing them to get together properly, family be damned. It took a long time, though, with other factors getting in the way.
This book was a great insight for those of us who aren't Muslim into what the religion is like and the broad range of ways you can follow it. Sohrab was very invested in the religion, Intezar wasn't following it that much, if at all, and Danyal was like a happy medium.
This was enjoyable but, for me, it was a little too focused on the history and Churchill for the Renaissance Man challenge. I know it was a big part of the plot but History for me, like Danyal, bores me. I wanted more of the romance.
Ali A (80 KP) rated How To Succeed in Witchcraft in Books
Sep 27, 2022
Trigger Warnings: Grooming, prejudice, racism
Shay Johnson is a junior at T.K. Anderson Magical Magnet School and has done everything she possibly can to win the full-ride Brockton Scholarship - her ticket into the university of her dreams. Her only real competition is Ana Alvarez, but Shay also knows if she can impress Mr.B, the drama teacher and head of the scholarship committee, she’ll have an upper leg.
When Mr.B “persuades” Shay into being in the school’s racially diverse musical, in their no-so-diverse school, she agrees, and lands the leading role. But Ana is right behind her playing the second female lead. With the start of rehearsals, Shay realizes Ana isn’t the intense enemy she’s always thought she was… perhaps, she would be a friend, or more?
But when Shay gets asked by Mr.B to do some one-on-one practicing for the musical, she finds herself on the receiving end of Mr.B’s unpleasant and unwanted attention. When Shay learns she’s not the first witch to experience his inappropriate behavior, she must decide if she’ll come forward. But, will speaking out cancel her opportunity for the scholarship - her future?
This book deals with a lot of hard topics: grooming, prejudice, abuse of power, racism. I feel like Aislinn Brophy did a good job in writing the predatory actions that Mr.B was doing with Shay - every time something between them happened, it made my skin crawl.
I did enjoy the enemy-to-lovers storyline; or should I say misunderstandings-to-lovers storyline? It was cute and adorable and nothing drastically changed afterwards (besides more cuteness).
Though the title I feel like the title is a little deceiving, I still liked that magic was a part of the world here, but that magic doesn’t fix everything. Even in a world where you can fly around on brooms and make potions to help you wake up, the world is still far from perfect.
Overall, this is a magic-filled book that dives into where one draws the line on what they will allow to happen in order to get something they’ve worked so hard for their entire life. A good read for the witchy season coming up, but also a good read for the message behind it.
*Thank you G.P. Putnam’s Sons Books for Young Reads and BookishFirst for a copy of this book in exchange for an honest review
Shay Johnson is a junior at T.K. Anderson Magical Magnet School and has done everything she possibly can to win the full-ride Brockton Scholarship - her ticket into the university of her dreams. Her only real competition is Ana Alvarez, but Shay also knows if she can impress Mr.B, the drama teacher and head of the scholarship committee, she’ll have an upper leg.
When Mr.B “persuades” Shay into being in the school’s racially diverse musical, in their no-so-diverse school, she agrees, and lands the leading role. But Ana is right behind her playing the second female lead. With the start of rehearsals, Shay realizes Ana isn’t the intense enemy she’s always thought she was… perhaps, she would be a friend, or more?
But when Shay gets asked by Mr.B to do some one-on-one practicing for the musical, she finds herself on the receiving end of Mr.B’s unpleasant and unwanted attention. When Shay learns she’s not the first witch to experience his inappropriate behavior, she must decide if she’ll come forward. But, will speaking out cancel her opportunity for the scholarship - her future?
This book deals with a lot of hard topics: grooming, prejudice, abuse of power, racism. I feel like Aislinn Brophy did a good job in writing the predatory actions that Mr.B was doing with Shay - every time something between them happened, it made my skin crawl.
I did enjoy the enemy-to-lovers storyline; or should I say misunderstandings-to-lovers storyline? It was cute and adorable and nothing drastically changed afterwards (besides more cuteness).
Though the title I feel like the title is a little deceiving, I still liked that magic was a part of the world here, but that magic doesn’t fix everything. Even in a world where you can fly around on brooms and make potions to help you wake up, the world is still far from perfect.
Overall, this is a magic-filled book that dives into where one draws the line on what they will allow to happen in order to get something they’ve worked so hard for their entire life. A good read for the witchy season coming up, but also a good read for the message behind it.
*Thank you G.P. Putnam’s Sons Books for Young Reads and BookishFirst for a copy of this book in exchange for an honest review
Movie Metropolis (309 KP) rated Aquaman (2018) in Movies
Jun 10, 2019
Bad Wigs aside it's really rather good
You could be forgiven for being rather sceptical walking into the cinema to see Aquaman, and it’s easy to see why. An uninspiring set of trailers preceded by the DCEU’s shall we say reluctance to resonate with audiences.
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
Bryan Connolly (4 KP) rated Abducted in Plain Sight (2017) in Movies
Feb 10, 2019
Great documentary film (7 more)
Netflix
True Story
From family point of view
Real people not actors
Plays the original tapes recorded
Lasts 1hr half
Amazing if like true crime programmes
Not for the people who are anxious or nervous about things (1 more)
Appeals to certain people not for everyone
Abducted in Plain Sight
I sat down on Friday night and watched this documentary. From a dubious position, my wife wanted to watch it and i had doubts.
Was so good. Obviously its not everyones cup of tea but the way the story pans out is amazing. And if it wasnt true story it would be too far-fetched to make up a story like this.
I would seriously recommend this to anybody that likes true life crime movies and programmes.
I feel so sorry for this family and i would never spoiler any film as it would ruin and alter the vision experience you recieve
Was so good. Obviously its not everyones cup of tea but the way the story pans out is amazing. And if it wasnt true story it would be too far-fetched to make up a story like this.
I would seriously recommend this to anybody that likes true life crime movies and programmes.
I feel so sorry for this family and i would never spoiler any film as it would ruin and alter the vision experience you recieve
Matthew Scott (7 KP) rated WTF with Marc Maron Podcast in Podcasts
Mar 25, 2019
He gently squeezes the stories out of celebrities that you won't hear anywhere else!
This is a can't miss podcast for anybody into the genre. His guests include top shelf celebrities from Hollywood and music, not to mention Barack Obama himself! He opens the podcast talking about what's going on in his personal life, including his awesome cats, and proceeds to give a very in depth interview to a notable guest. Even when you've heard this guest on other shows, Marc has a gentle way of coaxing the good stuff out of them. His openness about his substance abuse decades ago and the abuse he suffered as a child has a way of telling his guests that it's ok to come clean to me, I've been through it, too. A deeply personal experience and an absolute thrill to listen to.