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Nicole Hadley (380 KP) rated The Blessing (The Amish Cooking Class #2) in Books
Jun 18, 2018
The Blessing by Wanda E. Brunstetter is the second book in the series The Amish cooking class. In the first book Heidi and Lyle open their home up at the Troyer Amish Farm for cooking classes that Heidi teaches. In this second book Heidi teaches were second cooking class. I read the Brunstetter's first book in The Amish cooking class series and this book did not disappoint.
Just like the first book, Heidi's students in The Blessing are facing a variety of needs. Aa young teenage who is struggling with life after her mother, an alcoholic, abandon her family. A mailman who wants to learn to cook. A wife who's husband is a policeman and gives her this gift to learn to cook. A caterer who wants to learn new recipes for her business and a hunter who wants to learn to cook for his buddies. The story bring in some of the characters from the first book in the series, which is an added bonus to see how the first set of doing are doing.
Heidi seems to be a compassionate and thoughtful young woman, with a good sense of humor who genuinely loves sharing her love of cooking and of God with her students. It is heartwarming to see how Heidi is able to reach her students hearts when they are suffering, particularly teenage Nicole, who is struggling with forgiving her mother for leaving the family.
At the classes Heidi teaches her student to cook good Amish food and always sends them home with a Bible verse on the back of the recipe card. The story shows how each person needs something in there lives and Heidi is able to help them.
The story has feelings of hope, love, friendship, forgiveness and trust in God. Heidi shares a scripture with each of her recipe cards. This touching story left me wanting for more. I hope there will be more additions to her Cooking Class series. The stories are uplifting and enjoyable to read.
I received an ARC from Shiloh Run Press via NetGalley in exchange for an honest review.
Just like the first book, Heidi's students in The Blessing are facing a variety of needs. Aa young teenage who is struggling with life after her mother, an alcoholic, abandon her family. A mailman who wants to learn to cook. A wife who's husband is a policeman and gives her this gift to learn to cook. A caterer who wants to learn new recipes for her business and a hunter who wants to learn to cook for his buddies. The story bring in some of the characters from the first book in the series, which is an added bonus to see how the first set of doing are doing.
Heidi seems to be a compassionate and thoughtful young woman, with a good sense of humor who genuinely loves sharing her love of cooking and of God with her students. It is heartwarming to see how Heidi is able to reach her students hearts when they are suffering, particularly teenage Nicole, who is struggling with forgiving her mother for leaving the family.
At the classes Heidi teaches her student to cook good Amish food and always sends them home with a Bible verse on the back of the recipe card. The story shows how each person needs something in there lives and Heidi is able to help them.
The story has feelings of hope, love, friendship, forgiveness and trust in God. Heidi shares a scripture with each of her recipe cards. This touching story left me wanting for more. I hope there will be more additions to her Cooking Class series. The stories are uplifting and enjoyable to read.
I received an ARC from Shiloh Run Press via NetGalley in exchange for an honest review.
Charlie Cobra Reviews (1840 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Jul 7, 2020
A New Take On Classic Story Horror
Scary Stories To Tell In The Dark is a 2019 horror movie directed by Andre Ovredal, with screenplay adapted by Dan and Kevin Hageman, from a screen story by producer Guillermo Del Toro, Patrick Melton and Marcus Dunstan. It's based on the children's book series by Alvin Schwartz and produced by CBS Films, Entertainment One, 1212 Entertainment, Double Dare You Productions and Sean Daniel Company, and distributed by Lionsgate. The film stars Zoe Colletti, Michael Garza, Gabriel Rush, Austin Zajur and Natalie Ganzhorn.
Three teenagers in the small town of Mill Valley, Pennsylvania, Stella (Zoe Colletti), Auggie (Gabriel Rush) and Chuck (Austin Zajur) incur the wrath of school bully Tommy Millner after playing a prank. They are chased by him and saved by a drifter named Ramon (Michael Garza) who let's them into his car. The group including Ramon explore a haunted house belonging to the Bellows, founders of the town, Inside of a secret room belonging to the Bellows' daughter Sarah, they find a book of scary stories written by her. After taking the book with them, they start to believe that there is more to the rumors about the house being haunted when stories in the book appear to happen in real life.
This movie was actually pretty good. I thought it could have been scarier but I think it was done well for being rated PG-13. Of course, I'm old enough to remember the books and they were really creepy, especially the illustrations. The movie was good at building suspense, and being creepy. I really liked the characters and felt that they were likeable and had a little something for everyone in how they were relatable. The character development could have been better for sure but the creature effects were spot on. The Monsters were definitely awesome and I like the way the made it an anthology movie without it actually being an anthology. It was pretty unique in that way and I can see how a sequel could work if it's financially successful enough to warrant one. I give this movie a 7/10.
Three teenagers in the small town of Mill Valley, Pennsylvania, Stella (Zoe Colletti), Auggie (Gabriel Rush) and Chuck (Austin Zajur) incur the wrath of school bully Tommy Millner after playing a prank. They are chased by him and saved by a drifter named Ramon (Michael Garza) who let's them into his car. The group including Ramon explore a haunted house belonging to the Bellows, founders of the town, Inside of a secret room belonging to the Bellows' daughter Sarah, they find a book of scary stories written by her. After taking the book with them, they start to believe that there is more to the rumors about the house being haunted when stories in the book appear to happen in real life.
This movie was actually pretty good. I thought it could have been scarier but I think it was done well for being rated PG-13. Of course, I'm old enough to remember the books and they were really creepy, especially the illustrations. The movie was good at building suspense, and being creepy. I really liked the characters and felt that they were likeable and had a little something for everyone in how they were relatable. The character development could have been better for sure but the creature effects were spot on. The Monsters were definitely awesome and I like the way the made it an anthology movie without it actually being an anthology. It was pretty unique in that way and I can see how a sequel could work if it's financially successful enough to warrant one. I give this movie a 7/10.
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Emma @ The Movies (1786 KP) rated Slaughterhouse Rulez (2018) in Movies
Sep 25, 2019
I can sum this film up in one easy way: it's Shaun Of The Dead meets Attack The Block meets St Trinians, but nowhere near as good as that film combo should be.
To say I'm a little bit heartbroken about this would be an understatement. This was one of my top picks from the autumn cinema offerings and now I'm just sad that it made the cut.
"Slaughterhouse Rulez looks like St Trinians, mixed with the aliens from Attack The Block meets the hellmouth from Sunnydale... and what's not to love about that?!" - quote from me in pre-release excitement.
Evidently, everything.
The general premise of the story seemed like a good one, and the trio of top acting talent felt like it would carry the film even if the story turned out to be flimsy. Here's my problem, I didn't enjoy any of their characters. I didn't find The Bat or Meredith Houseman likeable, even as comic relief, and while Woody Chapman was probably the best of the three I still found him annoying.
By far the best characters were brought to life by the younger cast members. Don and Willoughby have a great dynamic throughout and along with the interactions as a group when they join up with the girls to investigate they saved this from being a complete flop for me.
I take very rough notes in the screenings while I'm watching. It's generally me vaguely pointing a pen at the page and scribbling key words down. I think that my favourite during this one was "imitation Draco".
What I did notice from my scribblings is that I made more than one note about Shaun Of The Dead. Someone gets tooled up with a cricket bat, there's a very familiar moment with the car, and at one point I'm reminded of Dylan Moran being dragged through the pub window. Oh, and he gets the group together and heads out to the cadet range.
I said at the beginning that it's like Shaun Of The Dead meets Attack The Block meets St Trinians, I'm afraid that my suggestion would be to watch those instead. The sad thing is that I think I probably would have enjoyed it more if the big three hadn't been in it. Anticipation can be a bitch sometimes.
What you should do
I think this one is better viewed at home with some friends, probably with a drinking game.
To say I'm a little bit heartbroken about this would be an understatement. This was one of my top picks from the autumn cinema offerings and now I'm just sad that it made the cut.
"Slaughterhouse Rulez looks like St Trinians, mixed with the aliens from Attack The Block meets the hellmouth from Sunnydale... and what's not to love about that?!" - quote from me in pre-release excitement.
Evidently, everything.
The general premise of the story seemed like a good one, and the trio of top acting talent felt like it would carry the film even if the story turned out to be flimsy. Here's my problem, I didn't enjoy any of their characters. I didn't find The Bat or Meredith Houseman likeable, even as comic relief, and while Woody Chapman was probably the best of the three I still found him annoying.
By far the best characters were brought to life by the younger cast members. Don and Willoughby have a great dynamic throughout and along with the interactions as a group when they join up with the girls to investigate they saved this from being a complete flop for me.
I take very rough notes in the screenings while I'm watching. It's generally me vaguely pointing a pen at the page and scribbling key words down. I think that my favourite during this one was "imitation Draco".
What I did notice from my scribblings is that I made more than one note about Shaun Of The Dead. Someone gets tooled up with a cricket bat, there's a very familiar moment with the car, and at one point I'm reminded of Dylan Moran being dragged through the pub window. Oh, and he gets the group together and heads out to the cadet range.
I said at the beginning that it's like Shaun Of The Dead meets Attack The Block meets St Trinians, I'm afraid that my suggestion would be to watch those instead. The sad thing is that I think I probably would have enjoyed it more if the big three hadn't been in it. Anticipation can be a bitch sometimes.
What you should do
I think this one is better viewed at home with some friends, probably with a drinking game.
Merissa (13765 KP) rated Zero Chance (The Seven #5) in Books
Jun 13, 2025
ZERO CHANCE is the fifth book in The Seven series, and it's the turn of incorrigible flirt, Keene. We got a glimpse of him and Waverley at the end of Just This Once (Parker and Hope's story), and this carries on from there. I would absolutely recommend you read the prior books in this series, simply because they are all outstanding!
Anyway, Waverley is Library Girl, invisible to most, but unfortunately, not to Xander, who insists on befriending Waverley. I loved Xander for that, as she was just what Waverley needed, even when she didn't think so. Waverley was also not invisible to Keene, even when she wanted to be. Nope, instead, he would irritate and aggravate her at every turn, but what he wouldn't do was flirt with her. Even though he flirted with anything that moved! So when Waverley seizes the day to find out what the fuss is all about, the game is on.
I loved every moment of this book. Waverley has had a sh!tty life up until now. From r@pe at a very young age, to a su!cide attempt, to an overbearing mother and a standoffish father, it all sucks. The thing I loved about this, though, was that everything had a reason. Her parents weren't helicopter parents for no reason, and Waverley understood that, even if it annoyed her.
And Keene, oh, man. This dude about killed me. He has been the loud flirt all the way through the series, and finally seeing what makes him tick was wonderful. He is absolutely the right person for Waverley, the same as she is for him. These two perfectly complement each other, which means they can both deal with the darkness better.
I will give a Kleenex warning, though! As with most books in this series, if not all of them so far, I ended up with leaking eyes. This is a good thing as it means I've connected with the characters. But it's also a bad thing, as it means I have to stop reading to stop the blurring.
So, so good. I loved every word and can't wait for Thane's book. I'll give Xander and Alec some space as I know she still needs some time. But Thane! Come on!!
In case you haven't figured it out yet, I HIGHLY RECOMMEND this book and the series. Love it!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2025
Anyway, Waverley is Library Girl, invisible to most, but unfortunately, not to Xander, who insists on befriending Waverley. I loved Xander for that, as she was just what Waverley needed, even when she didn't think so. Waverley was also not invisible to Keene, even when she wanted to be. Nope, instead, he would irritate and aggravate her at every turn, but what he wouldn't do was flirt with her. Even though he flirted with anything that moved! So when Waverley seizes the day to find out what the fuss is all about, the game is on.
I loved every moment of this book. Waverley has had a sh!tty life up until now. From r@pe at a very young age, to a su!cide attempt, to an overbearing mother and a standoffish father, it all sucks. The thing I loved about this, though, was that everything had a reason. Her parents weren't helicopter parents for no reason, and Waverley understood that, even if it annoyed her.
And Keene, oh, man. This dude about killed me. He has been the loud flirt all the way through the series, and finally seeing what makes him tick was wonderful. He is absolutely the right person for Waverley, the same as she is for him. These two perfectly complement each other, which means they can both deal with the darkness better.
I will give a Kleenex warning, though! As with most books in this series, if not all of them so far, I ended up with leaking eyes. This is a good thing as it means I've connected with the characters. But it's also a bad thing, as it means I have to stop reading to stop the blurring.
So, so good. I loved every word and can't wait for Thane's book. I'll give Xander and Alec some space as I know she still needs some time. But Thane! Come on!!
In case you haven't figured it out yet, I HIGHLY RECOMMEND this book and the series. Love it!
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2025
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Kristy H (1252 KP) rated What's Done in Darkness: A Novel in Books
Jun 24, 2021
An excellent dark and foreboding mystery
Sarabeth is seventeen when she's held captive for nearly a week and then dumped along the side of the road, bound and blindfolded. She doesn't know who took her, or where. The police doubt her story and her parents do not even report her missing from their rural Arkansas farm . Sarabeth had argued with her religious parents, who insisted she follow their strict rules and marry someone of their choosing. As she returns home and finds her family appalled by her kidnapping, she realizes something good may come from the abduction: she can escape life on the farm for good. Five years later, she's now known as Sara when investigator Nick Farrow asks her to help with the missing persons case of another girl--one incredibly similar to Sara's. Reluctantly, Sara returns home, where she must face her darkest fears (and her family) to assist in bringing this girl home.
"Sarabeth had come to think of her time on the farm as a sentence that she had to serve, one with an end date. Now it seemed like she'd have to plan an escape."
I adore Laura McHugh's writing at this point. She's an excellent writer, and this is a great mystery in her deft hands. The religious, almost cult-like aspect of Sarabeth's family seems extremely timely in this era. We see how they narrow her options, forcing her to choose between her family and her own life. Religion and darkness are major themes in this book, with darkness playing not just in the title but across the entire novel. McHugh weaves it in and out of her story--Sara being afraid of the dark, darkness and shadows lurking at every turn. And it's a dark book to read too, even if it has its light moments. Still there's hope here as well.
I loved how Sara was a complicated heroine, with a complex past and many scars. She reminded me of Joanna Schaffhausen's Ellery Hathaway in that sense--a troubled soul who must overcome her own darkness to try to save others. Her interactions with Nick were an excellent respite, and I certainly could see myself reading about these two again.
"A piece of me was still there in Arkansas, but I was gone. No one in my new life knew who I was, what had happened to me, and I wanted to keep it that way."
The book is atmospheric, sucking us into both the deep religious aspect of the Ozarks and the Arkansas countryside. The Arkansas hills seem to play their own role in the book--another character so to speak. This one kept me guessing and even as I worked out some pieces, there were plenty of twists and turns. It's a fairly quick read, but an excellent one. Certainly recommend to mystery fans and those who enjoy a character-driven read.
"Sarabeth had come to think of her time on the farm as a sentence that she had to serve, one with an end date. Now it seemed like she'd have to plan an escape."
I adore Laura McHugh's writing at this point. She's an excellent writer, and this is a great mystery in her deft hands. The religious, almost cult-like aspect of Sarabeth's family seems extremely timely in this era. We see how they narrow her options, forcing her to choose between her family and her own life. Religion and darkness are major themes in this book, with darkness playing not just in the title but across the entire novel. McHugh weaves it in and out of her story--Sara being afraid of the dark, darkness and shadows lurking at every turn. And it's a dark book to read too, even if it has its light moments. Still there's hope here as well.
I loved how Sara was a complicated heroine, with a complex past and many scars. She reminded me of Joanna Schaffhausen's Ellery Hathaway in that sense--a troubled soul who must overcome her own darkness to try to save others. Her interactions with Nick were an excellent respite, and I certainly could see myself reading about these two again.
"A piece of me was still there in Arkansas, but I was gone. No one in my new life knew who I was, what had happened to me, and I wanted to keep it that way."
The book is atmospheric, sucking us into both the deep religious aspect of the Ozarks and the Arkansas countryside. The Arkansas hills seem to play their own role in the book--another character so to speak. This one kept me guessing and even as I worked out some pieces, there were plenty of twists and turns. It's a fairly quick read, but an excellent one. Certainly recommend to mystery fans and those who enjoy a character-driven read.