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Darren (1599 KP) rated The Ghoul (2016) in Movies
Sep 13, 2019
Characters – Chris is an undercover detective that starts seeing a psychotherapist to help solve the latest case, but the more time he spends in therapy the thinner the line between reality and the truth come from. Kathleen is an old friend from university that supports Chris, while also having him when she needs help. We have other characters that come into the life of Chris, the therapists trying to help him, the fellow patient trying to warn him, the film does keep the character numbers down with each posing a potential end of the investigation for Chris.
Performances – Tom Meeten appears in every scene and his performances needs to be great to carry the film, he is wonderful through the film as we feel his confusion through it all. Going into the supporting cast, we do have good performances for Tom to bounce off too.
Story – The story is the hardest thing to describe, it will keep you guessing from start to finish as you wait to see where the film will go next. This is both a good thing and a bad thing, because you will need to give the film 100% attention to make sure you don’t miss anything and even if you blink you might miss an important clue.
Thriller – This has tension driven through the film as we can see how thing could end up becoming something shocking.
Settings – The film is set in London which helps us se the busy street feel to the busy lives that the people are living.
Scene of the Movie – The final reveal.
That Moment That Annoyed Me – It is slightly too confusing.
Final Thoughts – This is a real mind bender, I always enjoy seeing film makers push things to the limits even if I don’t personally enjoy the film as much as I should have.
Overall: Real mind bender for all.
Performances – Tom Meeten appears in every scene and his performances needs to be great to carry the film, he is wonderful through the film as we feel his confusion through it all. Going into the supporting cast, we do have good performances for Tom to bounce off too.
Story – The story is the hardest thing to describe, it will keep you guessing from start to finish as you wait to see where the film will go next. This is both a good thing and a bad thing, because you will need to give the film 100% attention to make sure you don’t miss anything and even if you blink you might miss an important clue.
Thriller – This has tension driven through the film as we can see how thing could end up becoming something shocking.
Settings – The film is set in London which helps us se the busy street feel to the busy lives that the people are living.
Scene of the Movie – The final reveal.
That Moment That Annoyed Me – It is slightly too confusing.
Final Thoughts – This is a real mind bender, I always enjoy seeing film makers push things to the limits even if I don’t personally enjoy the film as much as I should have.
Overall: Real mind bender for all.
Amanda (96 KP) rated Paperweight in Books
Jun 12, 2019
Death is not an exact science, which is irritating for those of us who appreciate precision.
While I’ve had my own experiences with purging after eating, or just trying to avoid food at all, not everybody is the same. It’s hard to read something about this, much less watch someone go through what is, to me, torture. I’m not going to lie, I kept getting this book and another book kind of mixed up because the main characters in both books are named Stevie. This wasn’t a terrible book, but I’m left with mixed feelings in the end.
Stephanie ‘Stevie’ is signed in (kind of forced) to a rehab facility by her father. Since she is seventeen, she cannot sign herself out. Stevie, while according to the doctors, is not heavily underweight, she is diagnosed with bulimia nervosa (and this actually pisses her off, and not because it’s not true). She is assigned to Anna, one of the therapists on staff (whom she refers to as Shrink most of the book) and a treatment team of different specialists.
This place is something else. The author stated in her Afterward that this is just pure work of fiction, not from personal experience. Do places like this exist? Does a place that thinks that by helping girls get over eating disorders is to have them do some sort of group where they must pick a food and eat it?
My body is both weapon, wound, predator and prey. I will self-destruct without any help.
While I can see how one group therapy can be helpful but having these girls (yes all girls) where they learn, well some learn, to cook something. Cooking is an art, even if you don’t really know how to, or not good at it, so cooking is good therapy.
I was highly mixed with this book. I saw that some other reviewers either really enjoyed it or really did not.
Stevie is typical. She’s frustrated and angry that she has to be there, and it messes up her ‘plans’ for her brother’s death anniversary. You find out that she was actually planning on killing herself (by starving herself apparently) on the day of his death so she could be with him. Her mother abandoned them and come to find she is PAYING for the rehab place, but she NEVER makes a present appearance, just flash back.
I am not overly fond of Stevie’s therapist, Anna (Shrink to Stevie). To me, she is almost molded like how people make fun of therapists. ‘How are you feeling?’ ‘How does that make you feel?’ ‘How do you feel about that?’ I work with a therapist, so I understand the point is not to be bottled up, but I feel like Anna is more stereotypical, than helpful. She does, eventually, get Stevie to open up about her brother’s death and why she chose not to eat, but even I got frustrated during her sessions.
Stevie has a few roommates in her cottage. I liked Ashley the most, but her life really messed her up and it takes a while for Stevie to really get out of her head and have a friend in Ashley.
I think there is some things you shouldn’t accept. And living sick is one of those things.
I need that on a shirt as well.
The ending left me kind of unsatisfied. Stevie did have some personal growth by talking more about her brother’s death and the toxic relationship she had with a girl named Eden, but the book ended rather oddly. I won’t say how it ended, but to me, I didn’t go into a book hangover, nor did I feel the need to throw my ereader (or in this case my laptop) across the room frustration (no way, this thing was expensive!!).
I’m not sure on the accuracy of this kind of rehab, but to me, it felt a little off. I won’t say this is not a good book to read, but it is highly triggering. There are talks of eating disorders and self harm, so proceed with caution if it peaked your curiosity enough.
Stephanie ‘Stevie’ is signed in (kind of forced) to a rehab facility by her father. Since she is seventeen, she cannot sign herself out. Stevie, while according to the doctors, is not heavily underweight, she is diagnosed with bulimia nervosa (and this actually pisses her off, and not because it’s not true). She is assigned to Anna, one of the therapists on staff (whom she refers to as Shrink most of the book) and a treatment team of different specialists.
This place is something else. The author stated in her Afterward that this is just pure work of fiction, not from personal experience. Do places like this exist? Does a place that thinks that by helping girls get over eating disorders is to have them do some sort of group where they must pick a food and eat it?
My body is both weapon, wound, predator and prey. I will self-destruct without any help.
While I can see how one group therapy can be helpful but having these girls (yes all girls) where they learn, well some learn, to cook something. Cooking is an art, even if you don’t really know how to, or not good at it, so cooking is good therapy.
I was highly mixed with this book. I saw that some other reviewers either really enjoyed it or really did not.
Stevie is typical. She’s frustrated and angry that she has to be there, and it messes up her ‘plans’ for her brother’s death anniversary. You find out that she was actually planning on killing herself (by starving herself apparently) on the day of his death so she could be with him. Her mother abandoned them and come to find she is PAYING for the rehab place, but she NEVER makes a present appearance, just flash back.
I am not overly fond of Stevie’s therapist, Anna (Shrink to Stevie). To me, she is almost molded like how people make fun of therapists. ‘How are you feeling?’ ‘How does that make you feel?’ ‘How do you feel about that?’ I work with a therapist, so I understand the point is not to be bottled up, but I feel like Anna is more stereotypical, than helpful. She does, eventually, get Stevie to open up about her brother’s death and why she chose not to eat, but even I got frustrated during her sessions.
Stevie has a few roommates in her cottage. I liked Ashley the most, but her life really messed her up and it takes a while for Stevie to really get out of her head and have a friend in Ashley.
I think there is some things you shouldn’t accept. And living sick is one of those things.
I need that on a shirt as well.
The ending left me kind of unsatisfied. Stevie did have some personal growth by talking more about her brother’s death and the toxic relationship she had with a girl named Eden, but the book ended rather oddly. I won’t say how it ended, but to me, I didn’t go into a book hangover, nor did I feel the need to throw my ereader (or in this case my laptop) across the room frustration (no way, this thing was expensive!!).
I’m not sure on the accuracy of this kind of rehab, but to me, it felt a little off. I won’t say this is not a good book to read, but it is highly triggering. There are talks of eating disorders and self harm, so proceed with caution if it peaked your curiosity enough.
Sam (74 KP) rated Are We All Lemmings and Snowflakes? in Books
Mar 27, 2019
Within the first page, I was in love with this book. I love how Holly Bourne’s books don’t rely on romance to move the plot, and that is why she is one of my favourite authors.
Are We All Lemmings And Snowflakes is perfect if you enjoyed Juno Dawson’s Clean or Ned Vizzini’s It’s Kind of a Funny Story. It’s a bit of a mashup of the two but also manages to still remain original and unpredictable.
The story follows Olive as she stays in a ‘camp’ for people with mental illnesses. It’s set in a big stately home that has alpacas. ALPACAS! I promise I didn’t love the setting just because of the alpacas, but they did definitely improve the story.
The plot started off really quickly, which I wasn’t sure on to begin with, but then I could understand why. I’m used to novels with a build up before the main event, but this jumped straight to sending Olive to the therapy place, and I quite liked that. It meant that there wasn’t too much focus on why she was going there, and her story was more about her journey to getting better.
I enjoyed this even more than I enjoyed It Only Happens in The Movies, which I didn’t expect. I was completely gripped and felt a personal connection to every single character.
The mix of different people in the novel really shows how mental illness can affect anyone, no matter where people are from. It showed a broad spectrum of illnesses, while also fighting the stigmas they all have.
Let’s move on to the ending. When I was reading reviews for Are We All Lemmings And Snowflakes, I saw a lot of negativity about the ending. I’m not going to discuss what happens, but I feel that it really worked. A lot of people say it feels abrupt, but I feel that it fits the plot much better than a long, drawn out ending. If you loved the ending to Clean by Juno Dawson, you will love how this has been finished off.
Overall, I found this book amazing, and I can’t wait to pick up another novel by Holly Bourne.
Are We All Lemmings And Snowflakes is perfect if you enjoyed Juno Dawson’s Clean or Ned Vizzini’s It’s Kind of a Funny Story. It’s a bit of a mashup of the two but also manages to still remain original and unpredictable.
The story follows Olive as she stays in a ‘camp’ for people with mental illnesses. It’s set in a big stately home that has alpacas. ALPACAS! I promise I didn’t love the setting just because of the alpacas, but they did definitely improve the story.
The plot started off really quickly, which I wasn’t sure on to begin with, but then I could understand why. I’m used to novels with a build up before the main event, but this jumped straight to sending Olive to the therapy place, and I quite liked that. It meant that there wasn’t too much focus on why she was going there, and her story was more about her journey to getting better.
I enjoyed this even more than I enjoyed It Only Happens in The Movies, which I didn’t expect. I was completely gripped and felt a personal connection to every single character.
The mix of different people in the novel really shows how mental illness can affect anyone, no matter where people are from. It showed a broad spectrum of illnesses, while also fighting the stigmas they all have.
Let’s move on to the ending. When I was reading reviews for Are We All Lemmings And Snowflakes, I saw a lot of negativity about the ending. I’m not going to discuss what happens, but I feel that it really worked. A lot of people say it feels abrupt, but I feel that it fits the plot much better than a long, drawn out ending. If you loved the ending to Clean by Juno Dawson, you will love how this has been finished off.
Overall, I found this book amazing, and I can’t wait to pick up another novel by Holly Bourne.
Merissa (12929 KP) rated The Bad Mother in Books
Feb 22, 2018
The Bad Mother by Amanda Brooke
It's hard... when you read a book that takes you in so completely. That takes you back to a time in your life you needed therapy to get past. That is so realistic you can remember similar instances happening in your own life as you follow what is happening to the character between the pages.
That book for me was The Bad Mother by Amanda Brooke. It has to be one of the hardest books I've ever read, and yet I'm glad I've done it. I'm also very glad I've finished it, and I'm sorry to say, it's not a book I will ever read again. It hit a bit too close to home for comfort. It has drained me, made me see things again I had wanted to forget.
Luckily for the main character, she has family and friends who are determined she won't go it alone, even when she doesn't believe them. You are with Lucy as she goes through her pregnancy and becomes more isolated. The author does an amazing job of keeping the reader off-balance, unsure of just what is going on or what will happen next. It will keep you on tenterhooks, needing to read more, to find out what happens next.
The Bad Mother is incredibly written, with no editing or grammatical errors that I noticed. Although, to be fair, I was that engrossed by the story, I wasn't actually looking for any either. The scenes flow from one to the next, and each scene will draw you in and keep your attention. For anyone who wants to know about gaslighting, and the effects it can have not only on the victim but on friends and family too, I would highly recommend this book.
Part of me wishes I couldn't give it 5 stars, simply because of what it reminded me of. However, that would be a disservice to the book and the author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
That book for me was The Bad Mother by Amanda Brooke. It has to be one of the hardest books I've ever read, and yet I'm glad I've done it. I'm also very glad I've finished it, and I'm sorry to say, it's not a book I will ever read again. It hit a bit too close to home for comfort. It has drained me, made me see things again I had wanted to forget.
Luckily for the main character, she has family and friends who are determined she won't go it alone, even when she doesn't believe them. You are with Lucy as she goes through her pregnancy and becomes more isolated. The author does an amazing job of keeping the reader off-balance, unsure of just what is going on or what will happen next. It will keep you on tenterhooks, needing to read more, to find out what happens next.
The Bad Mother is incredibly written, with no editing or grammatical errors that I noticed. Although, to be fair, I was that engrossed by the story, I wasn't actually looking for any either. The scenes flow from one to the next, and each scene will draw you in and keep your attention. For anyone who wants to know about gaslighting, and the effects it can have not only on the victim but on friends and family too, I would highly recommend this book.
Part of me wishes I couldn't give it 5 stars, simply because of what it reminded me of. However, that would be a disservice to the book and the author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (12929 KP) rated Digging Deeper (Elemental Evidence #4) in Books
Oct 19, 2018
Digging Deeper (Elemental Evidence #4) by Bellora Quinn & Sadie Rose Bermingham
Digging Deeper is the fourth book in the Elemental Evidence series, and once again, I looked forward to reuniting with Jake and Mari. I do so love me a bit of Jake and Mari, even though I might moan about how one of them behaves ?
Let me just say, he makes up for it in spades in this book. Both Jake and Mari help Cordiline once more on a case. This is not a very nice one (are any of them?!) where a serial rapist buries his victims alive in a graveyard. Not only this though, but Jake has some thoughts about his future, whilst Mari is reminded of his past.
We learn more about Mari, and what makes him tick. There ARE unanswered questions to parts of this book, but I have given it 5-stars anyway, simply for the pure, unfiltered enjoyment I had when reading it. I know that sounds wrong - or at least, if you have read the book, then you'll understand why it sounds wrong. I have to say though, that it was so exceedingly well written, it brought tears to my eyes. And I also loved how the recovery was a slow process, taking time. All I can to the authors for that part is THANK YOU! It made for such a wonderful change to see it recognised that you can't simple "get over it" quickly, even if you have therapy.
Now, with the above paragraph, I've probably given you a big hint about what is going on, which I never like to do. So I will finish off by saying that once again, there were no editing or grammatical errors that disrupted my reading flow. I was thoroughly engrossed in the story, and loved every moment. I am so glad this isn't the last book, and I can't wait to see where the authors take it next. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Let me just say, he makes up for it in spades in this book. Both Jake and Mari help Cordiline once more on a case. This is not a very nice one (are any of them?!) where a serial rapist buries his victims alive in a graveyard. Not only this though, but Jake has some thoughts about his future, whilst Mari is reminded of his past.
We learn more about Mari, and what makes him tick. There ARE unanswered questions to parts of this book, but I have given it 5-stars anyway, simply for the pure, unfiltered enjoyment I had when reading it. I know that sounds wrong - or at least, if you have read the book, then you'll understand why it sounds wrong. I have to say though, that it was so exceedingly well written, it brought tears to my eyes. And I also loved how the recovery was a slow process, taking time. All I can to the authors for that part is THANK YOU! It made for such a wonderful change to see it recognised that you can't simple "get over it" quickly, even if you have therapy.
Now, with the above paragraph, I've probably given you a big hint about what is going on, which I never like to do. So I will finish off by saying that once again, there were no editing or grammatical errors that disrupted my reading flow. I was thoroughly engrossed in the story, and loved every moment. I am so glad this isn't the last book, and I can't wait to see where the authors take it next. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Bong Mines Entertainment (15 KP) rated Feels Like Summer - Single by Samuel Jack in Music
Jun 17, 2019
Samuel Jack is a singer-songwriter based in London, England. Not too long ago, he released a charming contemporary soul tune, entitled, “Feels Like Summer”.
“There’s definitely a sense of nostalgia about the whole song. I wrote it at a time when I needed those good times to see me through some stuff. Music can totally transcend time and space and take you to all sorts of places when you’re not exactly where you want to be. That’s what this song is for me. It takes me back, it takes me forward, it takes me through.” – Samuel Jack
‘Feels Like Summer’ tells an interesting tale of a young guy who celebrates the good times shared with someone from his past.
Apparently, reminiscing about those magical moments when he was a teenager somehow makes him feel alive. Therefore, he wishes he could live in that moment forever.
‘Feels Like Summer’ contains a relatable storyline, ear-welcoming vocals, and feel-good instrumentation seasoned with stomping percussion, bright brass, and shimmering soundscapes.
Samuel Jack spent his formative years in Johannesburg with his father, a film director.
He was raised on Motown, blues, soul, and roots music. His favorite musical themes include love, pain, and occasionally politics.
Everything he sings is from the heart, about moments in his life and the journey he is currently on.
Not too long ago, he confessed that writing for him is a form of therapy and that honesty plays a key role throughout his songwriting.
“I listen to all sorts of music, but there is something about Rhythm ‘n’ Blues, about Soul, about Gospel that just gets into my veins. The history of it all, the hurt, the pain, the joy, the sex. And when those emotions are delivered by a voice that really means it, I just feel like there can’t be a better way to express yourself.” – Samuel Jack
Samuel Jack’s upcoming album, which is due later this year, narrates the struggles with inner demons and the turbulence of family and relationships.
Also, the project highlights the desire and want for something or someone, and how music helps to build bridges and establish new relationships.
https://www.bongminesentertainment.com/samuel-jack-feels-like-summer/
“There’s definitely a sense of nostalgia about the whole song. I wrote it at a time when I needed those good times to see me through some stuff. Music can totally transcend time and space and take you to all sorts of places when you’re not exactly where you want to be. That’s what this song is for me. It takes me back, it takes me forward, it takes me through.” – Samuel Jack
‘Feels Like Summer’ tells an interesting tale of a young guy who celebrates the good times shared with someone from his past.
Apparently, reminiscing about those magical moments when he was a teenager somehow makes him feel alive. Therefore, he wishes he could live in that moment forever.
‘Feels Like Summer’ contains a relatable storyline, ear-welcoming vocals, and feel-good instrumentation seasoned with stomping percussion, bright brass, and shimmering soundscapes.
Samuel Jack spent his formative years in Johannesburg with his father, a film director.
He was raised on Motown, blues, soul, and roots music. His favorite musical themes include love, pain, and occasionally politics.
Everything he sings is from the heart, about moments in his life and the journey he is currently on.
Not too long ago, he confessed that writing for him is a form of therapy and that honesty plays a key role throughout his songwriting.
“I listen to all sorts of music, but there is something about Rhythm ‘n’ Blues, about Soul, about Gospel that just gets into my veins. The history of it all, the hurt, the pain, the joy, the sex. And when those emotions are delivered by a voice that really means it, I just feel like there can’t be a better way to express yourself.” – Samuel Jack
Samuel Jack’s upcoming album, which is due later this year, narrates the struggles with inner demons and the turbulence of family and relationships.
Also, the project highlights the desire and want for something or someone, and how music helps to build bridges and establish new relationships.
https://www.bongminesentertainment.com/samuel-jack-feels-like-summer/
Hazel (1853 KP) rated Musical Mayhem (Totally Twins, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.
Musical Mayhem</i> is the first book in the <i>Totally Twins</i> series aimed at ten-year-old girls. Subtitled <i>The Fabulous Diary of Persephone Pinchgut</i>, the series is about the life of identical sisters from one twin’s point of view. Portia and Persephone may look the same, share friends and borrow each other’s clothes, but inside they are polar opposites. Starting a diary is the only way Persephone can have something that is entirely her own, where she can write about how she really feels.
The main storyline revolves around the upcoming end of term musical at the twins’ school. Persephone only joined the drama class at Portia’s insistence, whereas in reality she is a shy girl with absolutely no singing ability. Persephone writes about her dread of the auditions and the hurtful teasing from her perfect sister.
Many young girls (and boys), like the author herself, wish at some point to have a twin. Portia and Persephone may have a special connection that other siblings do not, but as this diary reveals, having a twin is not all sunshine and rainbows. Persephone also writes about her parents’ divorce, her alternate therapy obsessed Mum and her hopes and dreams for the future. There are many things for young girls to relate to.
Illustrator Serena Geddes completes the book with her simple drawings. <i>Musical Mayhem</i> is not a children’s’ picture book; it is a step between child and teenager novels. For an adult reader the storyline is uninspiring, however a child of ten would enjoy the characters, humour and the issues expressed.
<i>Totally Twins: Musical Mayhem</i> is a great start to a unique series of short books for girls. It is something that junior school children will love to collect to build up their own personal library. The book jackets are attractive and will look great when all together as a set. If you are looking for a present for a young girl, I recommend considering this book.
Musical Mayhem</i> is the first book in the <i>Totally Twins</i> series aimed at ten-year-old girls. Subtitled <i>The Fabulous Diary of Persephone Pinchgut</i>, the series is about the life of identical sisters from one twin’s point of view. Portia and Persephone may look the same, share friends and borrow each other’s clothes, but inside they are polar opposites. Starting a diary is the only way Persephone can have something that is entirely her own, where she can write about how she really feels.
The main storyline revolves around the upcoming end of term musical at the twins’ school. Persephone only joined the drama class at Portia’s insistence, whereas in reality she is a shy girl with absolutely no singing ability. Persephone writes about her dread of the auditions and the hurtful teasing from her perfect sister.
Many young girls (and boys), like the author herself, wish at some point to have a twin. Portia and Persephone may have a special connection that other siblings do not, but as this diary reveals, having a twin is not all sunshine and rainbows. Persephone also writes about her parents’ divorce, her alternate therapy obsessed Mum and her hopes and dreams for the future. There are many things for young girls to relate to.
Illustrator Serena Geddes completes the book with her simple drawings. <i>Musical Mayhem</i> is not a children’s’ picture book; it is a step between child and teenager novels. For an adult reader the storyline is uninspiring, however a child of ten would enjoy the characters, humour and the issues expressed.
<i>Totally Twins: Musical Mayhem</i> is a great start to a unique series of short books for girls. It is something that junior school children will love to collect to build up their own personal library. The book jackets are attractive and will look great when all together as a set. If you are looking for a present for a young girl, I recommend considering this book.
Leigh J (71 KP) rated Death Becomes Her (1992) in Movies
Nov 20, 2019
An ageless Black Comedy
Helen is a struggling Writer who has gone with her Fiance, successful Plastic Surgeon Ernest Menville, to see an old friend/enemies Theatrical Show. The friend in question is an aging starlet by the name of Madeleine. Backstage, Madeleine and Ernest have an instant chemistry and despite reassuring Helen otherwise, Ernest and Madeleine eventually get Married; which sents Helen into a spiral of severe depression and overeating.
7 years later... Madeleine is middle aged and in an unhappy Marriage with the now Undertaker Ernest. Things are at an all time low when they recieve an Invitation to Helen's Book Party... the title of her book being "Forever Young". Desperate and in need of some rejuvenation, Madeleine goes to her usual clinic for some anti-aging therapy, and explodes in anger when they have no further options for her. This is when the Boss of the Spa approaches Madeleine and gives her the business card of Lisle Von Rhuman and explains that only a select group of people can consult with this woman. Madeleine brushes the whole incident off... until she sees Helen at the party. Helen is vibrant, more skinny and more beautiful and, shockingly, looks much younger than Madeleine. Madeleine is furious and, upon discovering her young bit on the side is sleeping with a younger woman, pays Lisle Von Rhuman a visit. Who is this mysterious woman and what exactly can she offer to Madeleine as a miracle cure to aging? And could this also be Helen's secret to her youth? Also, what are Helen and Ernest plotting behind Madeleine's back? And what will the disasterous condequences be when they finally confront each other?
I saw Death Becomes Her as a kid and was really taken with it; I loved the mysterious, '40s Starlet ways of Lisle Von Rhuman, I loved how elegant the Movie looks whilst also delivering on the Horror and the (very Black, very tongue in cheek) Comedy. It's so stand apart, I've never ever seen another like Death Becomes Her and it's a Movie I hope is enjoyed for generations to come. It's wonderful.
7 years later... Madeleine is middle aged and in an unhappy Marriage with the now Undertaker Ernest. Things are at an all time low when they recieve an Invitation to Helen's Book Party... the title of her book being "Forever Young". Desperate and in need of some rejuvenation, Madeleine goes to her usual clinic for some anti-aging therapy, and explodes in anger when they have no further options for her. This is when the Boss of the Spa approaches Madeleine and gives her the business card of Lisle Von Rhuman and explains that only a select group of people can consult with this woman. Madeleine brushes the whole incident off... until she sees Helen at the party. Helen is vibrant, more skinny and more beautiful and, shockingly, looks much younger than Madeleine. Madeleine is furious and, upon discovering her young bit on the side is sleeping with a younger woman, pays Lisle Von Rhuman a visit. Who is this mysterious woman and what exactly can she offer to Madeleine as a miracle cure to aging? And could this also be Helen's secret to her youth? Also, what are Helen and Ernest plotting behind Madeleine's back? And what will the disasterous condequences be when they finally confront each other?
I saw Death Becomes Her as a kid and was really taken with it; I loved the mysterious, '40s Starlet ways of Lisle Von Rhuman, I loved how elegant the Movie looks whilst also delivering on the Horror and the (very Black, very tongue in cheek) Comedy. It's so stand apart, I've never ever seen another like Death Becomes Her and it's a Movie I hope is enjoyed for generations to come. It's wonderful.
Andy K (10823 KP) rated The Brood (1979) in Movies
Sep 22, 2019
An R rated version of Inside Out?
Frank Carveth is just a father with some problems. His wife is currently enrolled in an intense, secluded, mysterious form of psychotherapy being conducted by an unusual doctor. His eccentric mother-in-law, has just been murdered through unusual circumstances and his young daughter is showing signs of physical abuse at the hands of his institutionalized wife that he must now investigate.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.